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Lecture 02
Danish Maqsood
Lecture 01:
Remake
A remake is a movie that is based on a pre-existing movie’s script. You’ll often see
these come from the studios due to the fact that a remake already has a pre-
determined audience and doesn’t need to be marketed as much — as far as concept,
story, characters, etc. Or the previous movie underperformed, but the concept and/or
source material is worth exploring once again.
Some Important Terms from the Film World
Sequel
A sequel is a literature, film, theatre, television, music or video game that continues
the story of, or expands upon, some earlier work. In the common context of
a narrative work of fiction, a sequel portrays events set in the same fictional
universe as an earlier work, usually chronologically following the events of that
work.
Stand-alone Sequels
When a work is set in the same universe, yet has very little if any narrative
connection to its predecessors and can be appreciated on its own without a thorough
understanding of the backstory, then the work can be referred to as a stand-alone
sequel. Star Trek II: The Wrath of Khan, Anacondas: The Hunt for the Blood
Orchid, Final Destination 3 and Jumanji: Welcome to the Jungle are examples of
stand-alone sequels.
Some Important Terms from the Film World
Prequel:
A prequel is a literary, dramatic, or filmic work whose story precedes that of a
previous work, by focusing on events that occur before the original narrative. A
prequel is a work that forms part of a backstory to the preceding work.
All "prequels" are, by definition, essentially sequels in that they "expand on
a previous or preceding work." The term is a 20th-century neologism that is
a portmanteau of the prefix "pre-" (from Latin prae, "before") and "sequel".
FIVE ACT PLAY
Stephen Jay Gould presents the story of the revision of interpretation of the Burgess
Shale in the format of a five act play. What is he getting at, what is he implying by
this? The format of 5 acts is familiar from Shakespeare, and is grounded in the
concepts of unity in Aristotle's Poetics. Scholars have analyzed the five act
structure, notably Gustav Freytag who described a "pyramidal" structure, with Act
3 at the apex. Here is what to expect from the various acts:
• Act 1 -- Exposition. We meet the dramatis personae, and time and place are
established. We learn about the antecedents of the story. Attention is directed
toward the germ of conflict and dramatic tensions.
• Act 2 -- Complications. The course of action becomes more complicated, the
"tying of knots" takes place. Interests clash, intrigues are spawned, events
accelerate in a definite direction. Tension mounts, and momentum builds up.
FIVE ACT PLAY
• Act 3 -- The Climax of Action. The development of conflict reaches its high point,
the Hero stands at the crossroads, leading to victory or defeat, crashing or soaring.
• Act 4 -- Falling Action. Reversals. The consequences of Act 3 play out,
momentum slows, and tension is heightened by false hopes/fears. If it's a tragedy,
it looks like the Hero can be saved. If not, then it looks like all may be lost.
• Act 5 -- Catastrophe. The conflict is resolved, whether through a catastrophe, the
downfall of the hero, or through his victory and transfiguration.
FIVE ACT PLAY
CLASS ASSIGNMENT NO.2
Prepare a storyline or plot using the five act structure.
CLASS ASSIGNMENT NO.3
Write dialogues between two characters.