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WRITING A

DIALOGUE

DIALOGUE

 A literary technique in which
two or more characters are
having a conversation with
each other.

Since the reporters have already
mentioned all about punctuating a
dialogue, which of the two are correct
when it comes to punctuating a
dialogue?

“I don’t need a lawyer, judge.” he said.


“I don’t need a lawyer, judge,” he said.
TERMS UNDER WRITING
A DIALOGUE

POETIC LICENSE

It is the freedom to depart from the facts of a


matter or from the conventional rules of
language when speaking or writing in order to
create an effect.

the act by a writer or poet of changing facts or


rules to make a story or poem more
interesting or effective

According to Lee Gutkind, you
may use your creativity to invent
the dialogue in order to recreate
the scene.
For you to understand more its
meaning, here are some examples.
Examples of Poetic
License

One of the most popular
examples of it is film adaptations
of novels. As an avid reader, it is
common to suddenly find your
favorite novel on the big screen.

You may enjoy the movie but, like many of
your fellow fans, you cannot help walking
out complaining about some of the changes
the writers made to the original story line,
including what parts were completely taken
out. However, this is more commonly
referred to as dramatic license rather than
poetic license.
DO YOU
UNDERSTAND THE
FIRST EXAMPLE?

ANY QUESTIONS?

The specific term poetic license is more
commonly used in reference to a
poet's work when they have ignored
some of the rules for grammar for its
effect. Shakespeare does this a lot in
his works.

The infamous line from Julius
Caesar: "Friends, Romans,
Countrymen, lend me your ears" is
one example as he has omitted the
use of the word "and" after
"Romans" in order to keep the line
in iambic pentameter.

 Iambic (unstressed, stressed)
 /- "Friends, Romans,
Countrymen, lend me your
ears“
 X- "Friends, Romans, and
Countrymen, lend me your
ears"

 Other examples include the
contractions "o'er" and "e'er,"
which are commonly used in
poetry.
 O’er – over
 E’er - ever
DO YOU
UNDERSTAND
 THE
OTHER TWO
EXAMPLES?

ANY QUESTIONS?
DO YOU
UNDERSTAND WHAT

POETIC LICENSE IS?

ANY QUESTIONS?

TRY TO GIVE ME AN
EXAMPLE.
CODE-SWITCHING

 A practice of moving back and
forth between two languages or
between two dialects of the
same language.
Examples of Code-
switching

 “Naku naman, Bibsby, why do
you have a sari-sari store?
Nakakahiya naman,”she
quickly said.
“For a while lahat daw ng hina-
handle kong sine hindi kumikita,”
said Bibsby.
DO YOU UNDERSTAND

CODE-SWITCHING?

ANY QUESTIONS?

WHO CAN GIVE THEIR


OWN EXAMPLE?

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