DESIGN V

HOTEL

Submitted to:
Dr. Prabhjot Kaur Submitted by:
Dr. Gurkirpal Singh Simran Kaur
Ar. Jyoti Singh 1818242
Batch 2k18

REVIEWS:
 TOPIC SLIDE NO.

Personal Observation Study

3-4
CO
(Jehan Numa Palace) NT
EN
Literature study 5-11 T
Submitted to:
Case Study 1
Ar. Jyoti Singh Submitted
12-17by:
(Raas, Jodhpur)
Simran Kaur
Case Study 2 1818242
Batch18-29
2k18
(The Dasavatara Hotel, Andhra Pradesh)

Reference 30
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ON
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Different lobby for different blocks
connecting spaces and serving as
waiting area.

Architects: Design Consortium Architects

Project: Jehan Numa Palace Hotel
Location: Bhopal. Madhya Pradesh, India
Date of Completion: opened doors in the year 1890

The outdoor cafe at the Jehan Numa

Palace Hotel in Bhopal

The courtyard is flanked by shady There are four restaurants, two bars and a spa apart from multiple
palm trees at the Jehan Numa Palace romantic nooks studded with white wrought iron benches and tables,
Hotel, Bhopal overhung with blushing pink rose bushes and red bougainvillea.
 OBS
The tranquil décor reflective of
art deco and classical styles is
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evocative of the colonial past.
The structure is typically
ATI
colonial with wide verandahs
connecting each one of the ON
different areas of the site.
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in-house restaurant in Bhopal - Under The Jamun Tree 

The lounge area of the Royal Suite at the Jehan Numa

Palace Hotel, Bhopal

The swimming
area adjoining
spa, gym,
restaurant and
rooms 

SPACES:
a beautiful mosaic fountain buried under rubble by the Crafted to suit corporate and social events, the Jasmine Room
previous users now splashes near the swimming pool event and banquet hall
spacious verandah and outdoor setting
 LIT
PUBLIC AREA ERA
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Lobby Restaurant Lounge/bar Cloak room Parking
Recreational
area Banquets RE
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PRIVATE AREA

Administrative
Bedrooms Laundry Kitchen, storage Control room Waste disposal
office

SEMI PRIVATE AREA

Banquet Dinning hall Multipurpose hall Swimming pool Steam room, spa
 LIT
BY-LAWS FOR DESIGING A HOTEL MAIN AREA IN A HOTEL
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FRONT OF THE HOUSE: The greeting area, is known as the front of
•
•
Maximum permissible ground coverage is 40%
F.A.R.-1.75 • Parking- 3 E.C.S. / 100sq m. total built up area the house. TU
• For open parking,1 E.C.S.-23 sq. m.
• For stilt or ground floor parking,1 E.C.S.-28sq m. The front of the house comprises every area that the guest will see ;
lobbies, dining spaces, rest rooms, passenger elevators, corridors, hotel
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• For basement parking,1 E.C.S.-32 sq. m.
•
•
Stilt & basement parking will not considered in F.A.R.
Stilt floor’s height must not exceed 8’6”
rooms, etc.
BACK OF THE HOUSE: The greeting area, is known as the front of
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• Multi level basement will be allowed behind the building in zoned area except in
set-backs provided it is proposed for parking purposes only and satisfy the Public
the house.
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Health and Structural requirements. Parking grid in basements & stilt floors must The front of the house comprises every area that the guest will see ;
be between 37-56 sq. meter. lobbies, dining spaces, rest rooms, passenger elevators, corridors, hotel
PROVISION OF BASEMENT rooms, etc.
• Basement in case of plotted development if constructed shall not be included in
FAR SERVICES
• Basement area shall not exceed the ground floor coverage. • Washrooms • Generator • Lifts and stairs
HOTEL (4 STAR) • Water tank • Corridor Service lifts
• It must have a minimum plot size of 5000 sq. mt. • Waste disposal • Parking Passenger lift
• F.A.R is allowed up to 3 ( 20-25% of this FAR can be used for commercial • Laundry • Cloak room Fire lift and fire exits
purposes) • Store room/ storage • Kitchen
• Ground coverage up to 40% • H.V.A.C. • House keeping
• Parking -1 ECS per 100 sq. mt. of covered area

DESIGNING CONSIDERATIONS BUILDING

SERVICES
• Attractive appearance
• Efficient Plan
• Good Location
• Suitable Material
• Good Workmanship WATER SUPPLY HVAC FIRE SAFETY ELECTRICAL
• Competent Management
• Sound Financing
 TYPES OF HOTEL ROOMS LIT
The condition of guest rooms maintained by housekeeping is the most vital factor as far as the customer satisfaction in the hotel
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business is concerned.
•Deluxe Room − They are available in Single Deluxe and Double Deluxe variants. Deluxe room is well furnished. Some TU
amenities are attached bathroom, a dressing table, a bedside table, a small writing table, a TV, and a small fridge. The floor is
covered with carpet and most suitable for small families. RE
•Twin Room − This room provides two single beds with separate headboards. It is meant for two independent people. It also has a
single bedside table shared between the two beds.
•Cabana − This type of room faces water body, beach, or a swimming pool. It generally has a large balcony.
STU
•Lanai − This room faces a landscape, a waterfall, or a garden.
•Suite −It is composed of one or more bedrooms, a living room, and a dining area. It is excellent for the guests who prefer more
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space, wish to entertain their guests without interruption and giving up privacy. There are various types of suites −
•Regular Suite − Best for business travellers.
•Penthouse Suite − Luxurious than the regular suite. It is provided with the access to terrace space above the suite. It is aloof from
crowd and provides bird's eye view of the city. It has all the amenities and structure similar to a regular suite.
Fig: The Flow Chart of a typical Hotel
•Presidential Suite − The best possible suite in the hotel.

•Single Room − A room with the facility of single bed. It is meant for single occupancy. It has an attached
bathroom, a small dressing table, a small bedside table, and a small writing table. Sometimes it has a single
chair too.
•Double Room − A room with the facility of double bed. There are two variants in this type depending
upon the size of the bed
• King Double Room (with king size double bed)
• Queen Double Room (with queen size double bed)
•It is equipped with adequate furniture such as dressing table and a writing table, a TV, and a small fridge. Fig: The Flow Diagram of Service Areas.
 LIT
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Fig: Typical arrangements of bathroom and ducts (a) is best for
access to duct but (b) and (c) provide more space for vanity top STU
Fig: Bathroom Arrangement
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Fig: Guest Room Dimensions

Fig: Standard Room

Fig: Narrow Hotel Room

a) Standard twin guest room: 3.6m (1 2ft) optimum width for efficiency; wardrobe in lobby and furniture
on party wall .
b) double bed (single/double occupancy) allows shorter room or space for work area
c) narrow frontage: minimum width 3.0m
d) increased width 4.0m: allows bed rearrangement and separate dressing area
e) central bathroom: one with natural light
f) high-class room with separate WC and bidet areas; in any scheme, an angled window gives less light
but extra sitting area and directional view
g) spacious room with external balcony; separate washbasin
h) minimum dimensions far twin rooms with staggered wardrobes
Fig: Typical vertical circulation Fig: Double Bed In
core for 500 bedroom hotel Economy Hotel
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Fig: Executive Room Fig: Luxury Room

Fig: standard room layout with different layouts

Fig: standard bathroom layout

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Fig: Chair and table units

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Fig: Gross area per room for different types of hotels DY
 RA
AS
JOD
HP
UR
Set in the heart of the walled city of Jodhpur,
Rajasthan, RAAS is a 1.5-acre property uniquely
located at the base of the Mehrangarh Fort.
Architects: The Lotus Praxis Initiative RA
Project: RAAS Jodhpur
Location: India AS
Start Date: July 2008
Date of Completion: October 2010
Project Size: 60,000  sq.ft.
Fig: Alcoves of oil lamps JOD
Fig: Conceptual Sketches
Clients– Nikhilendra Singh & Dhananjay Singh
The large central
HP
courtyard houses the
three restored heritage
UR
buildings. These become
nodes, shared spaces such
as dining areas, a spa,
Fig: Existing Site Plan break away spaces, to be
enjoyed by all the guests.

Fig: Location Plan

 The concept was to create a luxury boutique hotel with
39 rooms in Jodhpur. Fig: Restored 17th century haveli
 Luxury was about being authentic both in terms converted into spa
materials and workmanship, and in providing visitors a
tactile and sensual experience within the historical context Fig: The new architecture
of the old city of Jodhpur without aping the old. acts as a backdrop for new Fig: Al
 The property was inherited with three, beautiful period openings form framing fresco
structures (17th-18th century) which have been devices. restaurant Fig: Darikhana with
painstakingly restored with traditional craftsman in the with a alcove sitting. Small
original materials such as lime mortar The new buildings serve mirrored details such as an
and Jodhpur sandstone. as framing elements view of the embedded mirror
 All the services have been planned with Green methods and as contemporary fort capture and
and technologies. All the rainwater runoff from the counterpoints to the site deconstruct views of
buildings and rest of the site is being harvested through the fort and the old
and the fort.
pits that are an integral part of the landscape. city image
 Fig: The drama of the stone jaali (lattice) is
heightened by the fact that these panels can be
folded away by each guest to reveal uninterrupted
RA
views of the fort, or can be closed for privacy and
to keep the harsh Jodhpur sun out. AS
JOD
HP
Fig: The traditional
UR
stone latticed jharokha
which perform multiple
functions of passive
Fig: The Jhalli made up in sandstone slabs
cooling and offering
Fig: Materials include hand cut
privacy to the user
stone, poured in situ pigmented
cement terrazzo on floors, walls
and as furniture. Locally crafted These new buildings are
furniture and cabinets in inserted into the site in a
sheesham (a local Indian manner that they
hardwood). accentuate the spatial
and formal relationship
among the old buildings
and the Fort, creating a
• Sewage treatment plant: 100% of the wastewater generated dialogue between the old
is reused at site. and the new.
• Solar paneling: Jodhpur is one of the sunniest cities in India
and all hot water in guest rooms is solar heated. Fig: Tented
• HVAC: The air-conditioning system is Variable Refrigerant restaurant
Volume based, which is amongst the greenest technologies with local
available currently for air conditioning and enjoys a Platinum hand made
LEEDS rating. floor tiles
Fig: Plan and Elevation of
ENTRANCE GATE RA
AS
JOD
HP
UR
Fig: Plan and Elevation of
BLOCK A

Fig: Plan and Elevation of

BLOCK B

Fig: Plan and Elevation of

BLOCK C
Fig: Plan and Elevation of RA
HAVELI SPA BLOCK
AS
JOD
Fig: Plan and Elevation of
DARIKHANA BLOCK HP
UR

Fig: Typical room layout of Block A

Fig: Plan and Elevation of

BARADARI BLOCK
Fig: Section of the building showing the ventilation and lighting.
 Fig: Details of
Fig: reflection of jail made with
PORTADA (porch sitting)
near swimming pool
traditional
sandstone RA
AS
JOD
HP
UR

Fig: Historic Motif of Jali

Fig: Series ofArches

around the courtyard

Fig: Making of Jali

Fig: Plan and Elevation of

Fig:Fig:
Typical room
Details layout of Block A
of jali
DARIKHANA BLOCK
 THE
DA
CREATING SAV
ENVIRONMENTS,
ENGAGING THE SUN, ATA
WIND AND NATURE
WITH THE
RA
CONTEMPORARY
INNOVATIONS THAT
DRAW FROM INDIAN
TRADITIONS AND
SPIRITUAL METAPHORS.
THE DASAVATARA
HOTEL, LOCATED IN
TIRUPATI, EXPRESSES
BOTH DIVINITY AND
SERENITY WITH AN
OVERWHELMING
EXPERIENCE OF
GAINING A GLIMPSE OF
THE LORD.
 HISTORY Fig: Map showing the
distance of THE THE
DASAVATARA from
Mythology recounts that the Lord Vishnu appeared on the earth in ten incarnations called
the Dasavatara
THE
TEMPLE
TIRUPATI DA
Vishnu is said to incarnate himself to protect the good, to destroy the wicked and re-establish the SAV
balance of life on earth. These avatars also represent the evolution of humankind and each embody
character, stories, color and emotion. The interiors of all the public spaces have been designed to
represent an avatar, replete with character, color and symbolism.
ATA
Craft & Culture are an inherent part of the Indian ethos & are embedded as tradition.
RA

• Andhra Pradesh the state Fig: The seven mountains of this

in which Tirupati resides, region, the Sapthagiri, representing the
is known for its varied seven hoods of Adisesha.
textiles & metal crafts.
• Symbols associated with
these ten avatars have
been contemporized
using the “dokra" as door
handles.
• Wall artworks that use
the bidri form of silver in
gunmetal, and the
kalamkari painters of
nearby Srikalahasti have
been incorporated in
various locations.
 The brief required building a hotel just 40 min away from the Tirupati THE
temple complex at the foothills at the Sapthagiri.

Architects: SJK Architects Year: 2015

DA
Architects in Charge: Shimul Javeri
Kadri, Sarika Shetty, Michelle Pereira
Manufacturers: Saint Gobain, Kohler,
Jaquar SAV
Project: The Dasavatara Hotel Structural Consultants: Engineering
Location: Tirupati, Andhra Pradesh,
India
Creations Consultancy (I) Pvt. Ltd.
Lighting Consultants: Lighting Design
ATA
Clients: Marasa Hospitality
Area: 115000.0 ft2
Works
Landscape Consultant: IPDM RA
Building Type: Hotel Services (India) Pvt. Ltd.
Kitchen & BOH Consultant: Mistry
Associates

DESIGN
CONSIDERATIONS

The brief required us to build a 121 key

boutique Hotel on a 13150 Sq.m. plot.
The functions included Guests rooms &
Exterior façade along the South & internal Suites, Banqueting facilities a Business
façade along the east length of waterbody has a center, Health center with a Spa, Gym,
Teak sandstone finish. These stones were pre- a Games room & Swimming pool and 2
sealed and fixed using a specialized polymeric Specialty restaurants.
adhesive ( to help reduce structural loading
factors otherwise encountered while using
cement mortar while cladding walls)
 THE CLASSICAL ELEMENTS OF TEMPLE ARCHITECTURE THE
DA
SAV
ATA
RA

ORTHOGONAL INTROVERTED CIRCUMAMBULATORY

 THE
DA
SAV
ATA
RA

THE COURTYARD

A dark-gold tone along with
shades of beige and blue shape an
inviting and dashing setting where
every one of the 121 suites along
with the spa, gym and banquette
hall allow you to escape the tourist
rush and enjoy the best of
Tirumala in peace.
Guest Block’s south façade has been
finished in an exterior grade black-gold
paint (exterior grade paint was customized
THE
with Archital- Oikos, to arrive at a
specification that is anti-fungal & DA
breathable)
SAV
ATA
RA
Black Gold Paint,
Sandstone, Beige wall
paint, Blue tiled water
body, Imperial Beige
Turkish Marble flooring
& shear glass facades:
MANGALGIRI
LOCAL TEXTILES
 THE
BUDDHA
(THE COMPASSIONATE
STAGE)
DA
PEACEFUL: SPA SAV
VARAHA (THE BOAR)
PARASURAMA
(THE VENGEFUL PRIEST)
ATA
FIERCE: INDOOR GAMES POWERFUL: GYM
RA
Narrative board depicting lord Vishnu's 10
incarnations as custom CNC engraving in the stone MATSYA (THE FISH)
NARASIMHA (THE LION MAN)
wall, depicting which space represents which avatar WATER: POOL COURT
TRANSITIONAL: LOTUS CAFÉ

KRISHNA (THE RIGHTEOUS

VAMANA (THE CLEVER DWARF)
COWHERD)
INTELLECTUAL: BUSINESS CENTRE
VERSATILE: THALI
RESTAURANT

KURMA (THE MIGHTY TURTLE)

TRANSFORMATIVE: RECEPTION

RAMA (THE DUTIFUL

PRINCE) KALKI (THE MESSIAH)
SOCIAL: BANQUETS MODERN: ENTRANCE
COURTYARD

DASAVATARA
 THE
DA
SAV
ATA
RA

The huge welcoming door leads towards the Reception area, door handles
are designed in the shape of a geometric shell

KURMA A long corridor

TRANSFORMATIVE-RECEPTION connecting different
space in the hotel.

A dark-gold tone along

with shades of beige and
blue shape an inviting and
dashing setting where
every one of the 121 suites
• Derived from the Kurma avatar, the geometry from the shell has been used along with the spa, gym
in the interiors and banquette hall allow
Material used: Brass Inland acrylic surfaces, veneer paneling, wall paint & you to escape the tourist
light, mirror paneling, marble, upholstery & carpet. Reception area with mirror panelling making it look huge. rush and enjoy the best of
Tirumala in peace.
This space was translated into
KRISHNA- THE RIGHTEOUS COWHERD
VERSATILE-THALI RESTAURANT THE
a contemporary building with a
central open courtyard and a
water body, which ‘floats’ the
DA
all-day dining space – ‘the
lotus cafe’, envisioned as a
SAV
lotus in the pond.
ATA
Simplicity and divinity are
the core values this building RA
stands for whereas the • The beloved blue god is often symbolized by the peacock feather, the
interiors draw on craft, matka of butter and the flute
mythology and symbolism to • Therefore, the colors selected for the restaurant.
weave a story that one Material used: wallpapers, marble, veneer paneling, motifs and wall paint.
encounters.

Dramatic play of light and water:

Night Reflection of the dining space- THE LOTUS CAFE
 LOTUS-A SYMBOL OF LORD VISHNU
LOTUS CAFE
Black Gold tone was
customized in Metal THE
Paint specification as
well & used as final DA
finish on all Structural
steel columns (200mm
dia circular columns)
SAV
ATA
• The lotus, a symbol of unfolding of self and expanding of consciousness, associated RA
with lord Vishnu.
• Envisioned as a lotus in the pond, the café is characterized by the multi-faceted roof.
• The lotus is used as a motif in wallpaper and decorative light fittings.
MATERIAL USED: glass, waterbody, veneer paneling, faceted roof, fluted wood
paneling, marble, fabric & upholstery.

The lotus motif used in

CNC work and lamps.

The interior view of the cafe with

the glass walls making it a part of
the pond around it keeping one
connected with the nature.
This water body is the fulcrum around
which the rest of the astounding hotel
sits as long corridors and comfortable
suites combine classic Indian design The frame structure of the roofing
with modern ergonomics and of the LOTUS CAFÉ during the
refinement. construction.
LOTUS-A SYMBOL OF LORD VISHNU
LOTUS CAFE THE
DA
SAV
ATA
RA
A central courtyard
with a tranquil
pond and a
dazzling restaurant
at its heart that
steals the show at
this magical
escape.

This beautiful
restaurant paints a
picture of serenity
even as the gently
floating lotus
flowers on the still,
reflecting pond
next to it
Cross section of THE LOTUS CAFÉ
 MANGALGIRI RAMA-THE DUTIFUL PRINCE
LOCAL TEXTILES
Mangalgiri, local textile designs,
THE SOCIAL MAN-BANQUETS THE
emphasize by bold geometric
motifs been used in the carpet,
DA
bed runner and accents in the
room. SAV
Typical layout of
GUEST ROOMS.
ATA
RA
• Celebrating as a warrior and an archer, the
bow symbol associated with Rama. The
Casement windows color purple and red personify his royal
allow the visitor nature.
connected with the Material used: Engraved MDF paneling,
nature and beige
colour scheme makes
door, carpet, curtains & light, marble, mirror
them feel calm and paneling.
comfortable.
 Time saver standards-interior design-architecture
 Architects metric handbook
 Neuferts architect’s data
 https://www.indian-architects.com/en/studio-lotus-new-delhi/project/raas-jodhpur

RE
 https://
www.google.com/search?q=raas+jodhpur+case+study&oq=raas+j&aqs=chrome.2.69i57j46j0l3j69i60l3.6471j0j
7&sourceid=chrome&ie=UTF-8



https://www.archdaily.com/423405/raas-jodhpur-the-lotus-praxis-initiative?ad_source=search#
https://www.designboom.com/architecture/raas-jodhpur-rajasthan-presentation-by-ambrish-arora-of-lotus/
FR
 https://studiolotus.in/showcase/raas-jodhpur/35 EN
https://interiorarchdesign.wordpress.com/2012/01/24/raas-jodhpur-rajasthan-presentation-by-ambrish-arora-of-l
CE

otus
/



http://www.insiteindia.in/2017/dec/Insite%20Story_Wellness%20Spaces.pdf
https://ebuild.in/the-dasavatara-hotel-tirupati-sjk-architects
S
 https://www.sjkarchitect.com/dasavatara-hotel