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This document discusses the poet Paolo Manalo and his first book of poems Jolography. It notes that Manalo's poems in the collection are written in "textese or taglish" to reflect the flawed but still beautiful language used by Filipinos. An excerpt from one of Manalo's poems is included, written in this hybrid language style. The document also briefly discusses code-switching and code-mixing present in the poem, as well as free verse form and an excerpt from a poem by Robert Frost.
This document discusses the poet Paolo Manalo and his first book of poems Jolography. It notes that Manalo's poems in the collection are written in "textese or taglish" to reflect the flawed but still beautiful language used by Filipinos. An excerpt from one of Manalo's poems is included, written in this hybrid language style. The document also briefly discusses code-switching and code-mixing present in the poem, as well as free verse form and an excerpt from a poem by Robert Frost.
This document discusses the poet Paolo Manalo and his first book of poems Jolography. It notes that Manalo's poems in the collection are written in "textese or taglish" to reflect the flawed but still beautiful language used by Filipinos. An excerpt from one of Manalo's poems is included, written in this hybrid language style. The document also briefly discusses code-switching and code-mixing present in the poem, as well as free verse form and an excerpt from a poem by Robert Frost.
assistant professor of English, literature and creative writing at the University of the Philippines- Diliman. Until recently, he was the literary editor of the Philippines Free Press. His first book of poems, Jolography (University of the Philippines Press, 2003) received the Don Carlos Palanca Memorial Awards for Literature (2002) and the UP Gawad Chanselor (2004). Critics say that poetry is as alive as ever, albeit with reduced readership, with contemporary writers taking on varied experimental approaches. Thus works like jolography (from the word jolog, which originally referred to pinoy hip- hop), where poems by Paolo Manalo are in ―textese or taglish (tagalog plus english), written in the premise that, in manalo‘s words, ―the language that we‘re using is flawed, damaged, corrupted, sold out, negotiated… and yet it‘s still beautiful . Below is an example of a 21st Century poem written by Paolo Manalo from his collection Jolography 1. Who do you think are the characters in the poem? 2. Using the urban dictionary, define ―CoÑo”. 3. What do these characters talk about? 4. Is there a story that you can derive from the poem? 5. What are some events or situations mentioned in the poem? 6. What language/s did the author use in the given selection? 7. Have you tried using the same language while talking to friends or other family members? 8. Can you easily understand the meaning of the lines from the poem based on the language used? 9. Who do you think are the types of individuals that use these kind of language? ◦ Code-switching and code-mixing are present in this poem, for example lines 2, 3, 4, 5, 6, 7, 8, 10, 11 and 12, where Filipino and English words are used in the same sentence. Repetition of the words ―dude”, ―man”, ―pare” and ―he‘s also plays a significant role in this poem. ◦Poets all have different styles of writing but when it comes to the general use of writing style such as the narrative style, they all fall into the same idea- the focus of their story is the timeline when things occurred. Free verse ◦It is an open form of poetry. It does not use consistent meter patterns, rhyme, or any other musical pattern. It thus tends to follow the rhythm of natural speech. Let us take a look at an excerpt from the poem of Robert Frost, an American poet who makes use of realistic depictions of rural life. This is narrative style with free verse form. 1. What are birches? 2. Why do birch trees bend after the winter? 3. When the sun starts to shine again, what happens to the ice crystals on the birch trees? Application ◦ Write a 4-stanza CoNotation.
◦ Write a 4-stanza free verse about virtual class.
(The Cultural Histories Series. A Cultural History of Tragedy, 1) Emily Wilson (Ed.) - A Cultural History of Tragedy in Antiquity. 1-Bloomsbury Academic (2020)