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This document discusses historical paintings by Juan Luna and Fernando Amorsolo. It describes Luna's 1884 painting "Spoliarium" which depicts fallen gladiators in the Roman Colosseum and represents the oppression of Filipinos. It also discusses Luna's 1892 painting "The Parisian Life" showing Filipino heroes discussing the country under Spanish rule. The document then summarizes Fernando Amorsolo's impressionistic paintings depicting rural Philippine scenes and peoples, including "Antipolo Fiesta" and "Palay Maiden." It concludes by asking about the relevance of these historical paintings to understanding Philippine history.
Исходное описание:
Content and Contextual Analysis of the selected historical paintings
This document discusses historical paintings by Juan Luna and Fernando Amorsolo. It describes Luna's 1884 painting "Spoliarium" which depicts fallen gladiators in the Roman Colosseum and represents the oppression of Filipinos. It also discusses Luna's 1892 painting "The Parisian Life" showing Filipino heroes discussing the country under Spanish rule. The document then summarizes Fernando Amorsolo's impressionistic paintings depicting rural Philippine scenes and peoples, including "Antipolo Fiesta" and "Palay Maiden." It concludes by asking about the relevance of these historical paintings to understanding Philippine history.
This document discusses historical paintings by Juan Luna and Fernando Amorsolo. It describes Luna's 1884 painting "Spoliarium" which depicts fallen gladiators in the Roman Colosseum and represents the oppression of Filipinos. It also discusses Luna's 1892 painting "The Parisian Life" showing Filipino heroes discussing the country under Spanish rule. The document then summarizes Fernando Amorsolo's impressionistic paintings depicting rural Philippine scenes and peoples, including "Antipolo Fiesta" and "Palay Maiden." It concludes by asking about the relevance of these historical paintings to understanding Philippine history.
happenings on the life of people in a specific period? The idea about certain events and people is communicated or expressed aesthetically through art with form, technique, and style. Are paintings always considered primary source? JUAN LUNA Luna was a painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He is also considered a master Philippine artist for paintings, which often depicted his sentiments for country. Initially trained as a seafarer, Juan began his art apprenticeship at Manila’s Academia de Dibujo y Pintura under Filipino painter Lorenzo Guerrero. He traveled to Madrid, Spain in 1877 to continue his studies at the Real Academia de Bellas Artes de San Fernando. There he excelled in the classical style. “Spoliarium” by Juan Novicio Luna, as masterpiece created in 1884. It is one of the prize possession of the Philippine National Museum today. Addressing two things from his artwork, the glorification of genius and the grandeur of his artistic skills. A Spoliarium is a Latin word referring to the basement of the Roman Colosseum where the fallen and dying gladiators who fight to the death for the entertainment of their Roman oppressors are dumped and devoid of their worldly possessions.
“Embodied the essence of our
social, moral and political life:humanity in the severe ordeal, humanity unredeemed, reason, and idealism in open struggle with prejudice, fanaticism, and injustice.” Can clear define where the lights shine from above. Telling who is in the center stage. • The main actor of the painting as he is being dragged by another gladiator into the darkness, • The warrior being drag can be represented as Filipinos. The “Spoliarium” by Juan Luna is a detailed image of the Filipinos history, it’s a microscopic view of the past and the forgotten memory of the Filipinos, it lets us see the memory of those who live in the era where the Filipinos are under the tyranny of an overlord. The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d'Un Café, literally meaning "Inside a Café"), is an 1892 oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna The woman in the painting has a “geographical likeness” to the mirror- image of the archipelago of the Philippines. The three gentlemen in the left corner were identified as the three Filipino heroes, Dr. Jose Rizal, Juan Luna, and Ariston Baptista, discussing the state of the country being under stress. The coat and hat at the couch symbolizes Western lifestyle particularly identifying the people of Spain. While the levels of beers in the table were also interpreted on how the Spaniards take advantage of the country. FERNANDO AMORSOLO Fernando Amorsolo (1892-1972) -delights people of his impressionistic technique depicting idylic country scene, beautiful maidens, and colorfully dressed peasanst planting or harvesting rice. Antipolo fiesta (1947 -this oil painting on canvas depicts a rural scene where a group of people are shown celebrating a fiesta in Antipolo. Palay maiden known as (Dalagang bukid) this painting portrays a provincial filipina beauty on dalagang bukid during a rice harvest and dressed in and enveloped by the colors of the Philippine flag. What is the relevance of the historical paintings in our understanding of the Philippine History?