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‘THOUGHT’ Process
idea . concept . theme . notion
REFRESHMENT
Case
Design Study
Brief
Maintenance
Data
DESIGN
PROCESS
Post
Construction
Concept
Pre
Construction Design
“..thought is a result of mental
activity, resulting in generation of
IDEAS, CONCEPTS,
THEMES and NOTIONS.”
Will my idea
Is it solving a
impress the
problem?
stakeholder?
Can I reach my
Is there place in
potential user for
the market gap?
early feedback?
What about the
competition?
Essences
Holistic issues and values are
Essence of the project is captured
concentrated into explicit statements
Concept
Notions
Theme
Design
In The Lord of the Rings, the author’s THOUGHT was to
create an engaging fantasy novel about the fight of good and evil
in an imaginary world.
IDEA was that no matter how strong
the evil is, good wins eventually
CONCEPT would be a fantasy world, inhabited by fantastic creatures
bearing distinctive features of real people, and where there’s a powerful
dark side casting shadows all over the realm.
The THEME of The Lord of the Rings is an epic quest
of the group of individuals in search of glory, love,
justice, and recognition.
NOTION would be that good guys have to give their best in order to
succeed, and that size doesn’t matter
(right, Mr. Frodo Baggins?)
Thus, a theme reinforces the
A concept is an overall idea, a concept. The theme is a
thought process, forming the communication bridge between
your concept and the user of
base of a design, and then you
your design. It helps the user to
design a them which depicts and understand your concept.
expresses your core concept.
Cobblestone Park by Angelina Yang
Inspired largely by the squid, the new park aims to immortalise this seemingly far-fetched
marine animal by abstracting its prominent characteristics, particularly its boneless body.
Beginning by the analysis of the chosen animal, two concepts were generated based on the
squid's fluidity and its chaotic tentacles.
During the development stage, symmetrical features were explored in plan, as well as
considerations for an open space that maximizes sun access.
Public seating and materiality were considered in relation to the squid's skin texture.
Finally, three elevated pathways were added to create the vertical crossing-over, alluding to
the 'ordered chaos' in the physical make-up of a squid.
“If I can impress the client with good freehand drawings and that
always happens because most client can’t draw themselves. So it’s a
dirty tricks but it works..”