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Jarvlepp (1983) Conlon Nancarrow's Study #27 for Player Piano Viewed Analytically

Jones (2018) Frank Zappa and His Conception of Civilization Phaze III

Je, Kim, Kim (2007) Hand Gesture Recognition to Understand Musical Conducting Action

Johnson (1976) a Stylistic Analysis of the Early and Late Songs of Modest Mussorgsky (1839-1881)

Jansen (2004) the Processing of Chords in Tonal Melodic Sequences

Sborgi Lawson (2014) is Music an Adaptation or a Technology. Ethnomusicological Perspectives From the Analysis of Chinese Shuochang

Positivistic Mysticism of Scriabin. Analysis of the Three Etudes, Op. 65 (Forman, 2017)

Qian (2020) Analysis of Compositions by Johann Sebastian Bach, Franz Joseph Haydn, Frédéric Chopin, Claude Debussy, And Lisan Wang

Rakowski (1990) Intonation Variants of Musical Intervals

Sarasúa (2014) Dynamics in Music Conducting. a Computational Comparative Study

Rigaud (2011) a Parametric Model of Piano Tuning

Prociuk (1981) the Deep Structure of Ukrainian Hardship Songs

Randles (2013) How Composers Approach Teaching Composition. Strategies for Music Teachers

Sborgi Lawson (2010) Rethinking the Orality-Literacy Paradigm in Musicology

Pitch Organization in Debussy. Unordered Sets in 'Brouillards' (Parks, 1980)

Scrivener (2000) Applications of Fractal Geometry to the Player Piano Music of Conlon Nancarrow

Shroyer (2009) Variation of French Horn Timbre Over the Frequency and Intensity Range

Sirbu (2018) the “Spirit” of the Old Communion Chants

Schuck (1943) Observations on the Vibrations of Piano Strings

Stojanović-Novičić, D. (2011) the Carter-Nancarrow Correspondence

Spatial Analysis of Surf Music, 1961-1966 (McCarter, 2010)

Shephard (2016) Centres and Peripheries of 15th Century Music

Scrivener - The Use of Ratios in the Player Piano Studies of Conlon Nancarrow

Smith (2008) Dial A440 for Absolute Pitch. Absolute Pitch Memory by Non-Absolute Pitch Possessor

Schellenberg (2009) Music Lessons, Pitch Processing, And g

Taming the Cello. (Prynn, 2009)

Torres Clemente (2005) Manuel de Falla y El Retablo de Maese Pedro. Reinterpretación Del Romance Español

VV.aa. Corpus-based Hybrid Approach to Music Analysis and Composition

Tinnell (1981) Authorship and Composition. Music and Poetry in Las Cantigas de Santa Maria of Alfonso X, El Sabio

Vega (1981) Barroco Musical Español. Precisiones Sobre Su Naturaleza

Toissaint - Quantifying Musical Meter. How Similar Are African and Western Rhythm

Thompson (2010) a Study of French Horn Harmonics

Thul (2008) Measuring the Complexity of Musical Rhythm

Vidal (2010) La Armonía en El Tango. Un Estudio Desde El Análisis Armónico

Strayer (2013) From Neumes to Notes. the Evolution of Music Notation

Weber (1999) the History of Musical Canon

Wegman (1996) Improvisation and Musical Authorship in the Low Countries, 14501500

Wegman (2000) On Tempo and Diminution in Fifteenth-Century Music

Zayaruznaya (2009) Crossed and Contradictory Voices in Machaut's Motets

Wren - The Compositional Eclecticism of Bohuslav Martinů. Chamber Works Featuring Oboe, Part II

Weber (1994) the Intellectual Origins of Musical Canon in Eighteenth-Century England

Young (1991) Key, temperament and musical expression

Zatorre (1998) Functional Anatomy of Musical Processing in Listeners w Absolute and Relative Pitch

Weber (1989) the Eighteenth-Century Origins of the Musical Canon

Wellesz (1954) Byzantine Music and Its Place in the Liturgy

Watts - Spectral Analysis of the French Horn and the Hand-in-Bell Effect

Waterhouse (1965) Busoni. Visionary or Pasticheur

Sticheron - Non kalophonic to kalophonic melos

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