Беллетристика электронные книги

Palace intrigue, defiant heroism, and a long-awaited love fulfilled from New York Times bestselling author Philippa Gregory in her Fairmile series. It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege. The rewards are life-changing: the family could return to their beloved Tidelands, and Alinor could rule where she was once lower than a servant. Alinor’s son is determined to stay clear of the war, but, in order to keep his own secrets in the past, Livia traps him in a plan to create an imposter Prince of Wales—a surrogate baby to the queen. From the last battle in the desolate Somerset Levels to the hidden caves on the slave island of Barbados, this third volume of an epic story follows a family from one end of the empire to another, to find a new dawn in a world which is opening up before them with greater rewards and dangers than ever before.

Originally published in an abridged version in the New Yorker, and considered a contemporary classic in Ireland and the UK where the Faber edition has sold over 120,000 copies, Claire Keegan’s now expanded and revised Davy Byrnes Prize-winning Foster will be published by Grove for the first time in the US in a beautiful small format hardcover edition.  As with Small Things Like These, in Foster Keegan packs immense power into a slender novel. It was named one of The Times’ 50 best books of the 21st century and earned Keegan comparisons to William Trevor, Annie Proulx, and John Cheever. Small Things Like These was an international and national bestseller, selling 50,000 copies in hardcover. It received rave reviews in The Los Angeles Times, New York Times Wall Street Journal, Boston Globe, People, Associated Press, and NPR, among others, and was named a best book of the year by NPR, Chicago Public Library, and Publishers Weekly. Small Things Like These has been celebrated by authors Lily King, Douglas Stuart, Hilary Mantel, and more, and was chosen by Colm Toíbín—new laureate for Irish fiction—for his first laureate book club. Keegan’s fans and peers are eager to support her new novel. Small Things Like These will remain in hardcover for another publishing cycle, enabling us to give it another boost upon Foster's publication. Foster will not only draw admirers of Keegan’s work, but will also attract fans of Max Porter, William Trevor, Anne Enright, Colm Toibin, and Elizabeth Strout. The film adaptation of Foster, An Cailín Ciúin (The Quiet Girl), has been selected as the Opening Film of this year’s Dublin International Film Festival. Grove published Keegan’s debut collection, Antarctica, in 2001 to great acclaim. It was a Los Angeles Times Best Book of the Year, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize (awarded by Trevor), and the Martin Healy Award. It received rave reviews in Esquire, the Boston Globe, the NYTBR and the LA Times (“Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers.") Her second collection, 2007’s Walk the Blue Fields, was published in Black Cat to a huge critical reception (see quotes in full below) and went on to win The Edge Hill Prize for the strongest collection published in The British Isles. Given the great success of Small Things, we expect huge attention for this new edition of Foster.

A NEW YORK TIMES MOST ANTICIPATED BOOK OF FALL 2022 FROM THE BEST-SELLING AUTHOR & WINNER OF THE TAIWAN LITERATURE AWARD Keith Chen, the second son of a traditional Taiwanese family of seven, runs away from the oppression of his village to Berlin in the hope of finding acceptance as a young gay man. The novel begins a decade later, when Chen has just been released from prison for killing his boyfriend. He is about to return to his family’s village, a poor and desolate place. With his parents gone, his sisters married, mad, or dead, there is nothing left for him there. As the story unfurls, we learn what tore this family apart and, more importantly, the truth behind the murder of Chen’s boyfriend. Told in a myriad of voices, both living and dead, and moving through time with deceptive ease, Ghost Town weaves a mesmerizing web of family secrets and countryside superstitions, the search for identity and clash of cultures. ★ “Multidimensional characters, a beautifully realized setting, and an apposite surprise ending... This book is excellent.”—Booklist (Starred Review)  

A NEW YORK TIMES EDITORS’ CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet. Janet lies murdered beneath the castle stairs, attired in her mother’s black lace wedding dress, lamented only by her pet jackdaw… ​Author Elspeth Barker masterfully evokes the harsh climate of Scotland in this atmospheric gothic tale that has been compared to the works of the Brontës, Edgar Allan Poe, and Edward Gorey. Immersed in a world of isolation and loneliness, Barker’s ill-fated young heroine Janet turns to literature, nature, and her Aunt Lila, who offers brief flashes of respite in an otherwise foreboding life. People, birds, and beasts move through the background in a tale that is as rich and atmospheric as it is witty and mordant. The family’s motto—Moriens sed Invictus (Dying but Unconquered)—is a well-suited epitaph for wild and courageous Janet, whose fierce determination to remain steadfastly herself makes her one of the most unforgettable protagonists in contemporary literature.

The author of the “brazenly hilarious, tell-it-like-it-is first novel” (Oprah Daily) Queenie returns with another witty and insightful novel about the power of family—even when they seem like strangers. If you could choose your family...you wouldn’t choose the Penningtons. Dimple Pennington knows of her half siblings, but she doesn’t really know them. Five people who don’t have anything in common except for faint memories of being driven through Brixton in their dad’s gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She’s thirty, and her life isn’t really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple’s life has shrunk to the size of a phone screen. And despite a small but loyal following, she’s never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie, and Prynce crashing back into her life. And when they’re all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated. From an author with “a flair for storytelling that appears effortlessly authentic” (Time), People Person is a vibrant and charming celebration of discovering family as an adult.

Publishing for the first time with Grove Atlantic, Pulitzer Prize finalist and celebrated author of seven novels Jonathan Dee delivers a daring, tense, ticking time bomb of a novel about an anonymous white man on the run from his own identity. “This propulsive and furious book is as fun to read as it is relentless and unsparing. Deranged and faltering America, Jonathan Dee has your number.” —Joshua Ferris, author of The Dinner Party In Jonathan Dee’s elegant and explosive new novel, Sugar Street, an unnamed male narrator has hit the road. Rid of any possible identifiers, his possessions amount to $168,548 in cash stashed in an envelope under his car seat. Vigilantly avoiding security cameras, he drives until he hits a city where his past is unlikely to track him down, and finds a room to rent from a less-than-stable landlady whose need for money outweighs her desire to ask questions. He seems to have escaped his former self. But can he? In a story that moves with swift dark humor and insight, Dee takes us through his narrator’s attempt to disavow his former life of privilege and enter a blameless new existence. Having opted out of his material possessions and human connections, the pillars of his new self - simplicity, kindness, above all invisibility - grow shakier as he butts up against the daily lives of his neighbors in their politically divided working-class city. With the suspense of a crime thriller and the grace of our best literary fiction, Dee unspools the details of our unlikely hero’s former life and his developing new one in a drumbeat roll up to a shocking final act. Dee has been compared by the Wall Street Journal to authors such as Jonathan Franzen and Jennifer Egan for his expansive, contemporary, social novels; Sugar Street is a leaner, more personal, but still uncannily timely look at the volatile America of today. A risky, engrossing and surprisingly visceral story about a white man trying to escape his own troubling footprint and start his life over.

A National Bestseller A New Yorker Best Book of 2022 Fifteen years after the publication of Evidence of Things Unseen, National Book Award and Pulitzer Prize finalist Marianne Wiggins returns with a novel destined to be an American classic: a sweeping masterwork set during World War II about the meaning of family and the limitations of the American Dream. Rockwell “Rocky” Rhodes has spent years fiercely protecting his California ranch from the LA Water Corporation. It is here where he and his beloved wife Lou raised their twins, Sunny and Stryker, and it is here where Rocky has mourned Lou in the years since her death. As Sunny and Stryker reach the cusp of adulthood, the country teeters on the brink of war. Stryker decides to join the fight, deploying to Pearl Harbor not long before the bombs strike. Soon, Rocky and his family find themselves facing yet another incomprehensible tragedy. Rocky is determined to protect his remaining family and the land where they’ve loved and lost so much. But when the government decides to build a Japanese-American internment camp next to the ranch, Rocky realizes that the land faces even bigger threats than the LA watermen he’s battled for years. Complicating matters is the fact that the idealistic Department of the Interior man assigned to build the camp, who only begins to understand the horror of his task after it may be too late, becomes infatuated with Sunny and entangled with the Rhodes family. Properties of Thirst is a novel that is both universal and intimate. It is the story of a changing American landscape and an examination of one of the darkest periods in this country’s past, told through the stories of the individual loves and losses that weave together to form the fabric of our shared history. Ultimately, it is an unflinching distillation of our nation’s essence—and a celebration of the bonds of love and family that persist against all odds.

“Hilarious and endearing...Shmutz is a dirty book with a pure heart.” —The New York Times In this witty, provocative, and “compulsively readable coming-of-age story” (Cosmopolitan), a young Hasidic woman on a quest to get married fears she will never find a groom because of her secret addiction to porn. Like the other women in her ultra-Orthodox Brooklyn community, Raizl expects to find a husband through an arranged marriage. Unlike the other women, Raizl has a secret. With a hidden computer to help her complete her college degree, she falls down the slippery slope of online pornography. As Raizl dives deeper into the world of porn at night, her daytime life begins to unravel. Between combative visits with her shrink to complicated arranged dates, Raizl must balance her growing understanding of her sexuality with the expectations of the family she loves. “Clever, subversive, juicy, and surprising” (Deesha Philyaw, author of The Secret Lives of Church Ladies), Shmutz explores what it means to be a fully realized sexual and spiritual being caught between the traditional and modern worlds.

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2022 * An NPR and Time Best Book of the Year * Longlisted for the 2022 Scotiabank Giller Prize (Canada) * Finalist for CALIBA’s 2022 Golden Poppy Awards A successful art dealer confesses the story of his meteoric rise in this “powerful, intoxicating, and shocking” (The New York Times) novel that’s a “slow burn à la Patricia Highsmith” (Oprah Daily). “You’ll struggle not to rip through in one sitting” (Vogue). In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life—a life that changed course years before, the moment he resuscitated a drowning man. Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel’s staggering ending. Sly, suspenseful, and “gloriously addicting” (BuzzFeed), Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction—exposing the myriad ways we deceive each other, and ourselves.

From a New York Times Writer to Watch This Summer, an astonishing debut novel about family, sexuality, and capitalist systems of control, following three adopted brothers who live above a mosque in Staten Island with their imam father In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio, but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers, except for one secret: he sees a hallucinatory double, an imaginary friend who seems absolutely real, a shapeshifting familiar he calls Brother. Brother persists as a companion into Youssef’s adult life, supporting him but also stealing his memories and shaking his grip on the world. The boys’ adoptive father, Imam Salim, is known in the community for his stirring and radical sermons, but at home he often keeps himself to himself, spending his evenings in his study with whiskey-laced coffee, reading poetry or writing letters to his former compatriots back in Saudi Arabia. Like Youssef, he too has secrets, including the cause of his failing health and the truth about what happened to the boys’ parents. When, years later, Imam Salim’s path takes him back to Saudi Arabia, the boys, now adults, will be forced to follow. There they will be captivated by an opulent, almost futuristic world, a linear city that seems to offer a more sustainable modernity than that of the West. But this conversion has come at a great cost, and Youssef and Brother too will have to decide if they should change to survive, or try to mount a defense of their deeply-held beliefs. Stylistically brilliant, intellectually acute, and deft in its treatment of complex themes, Brother Alive is a remarkable debut by a hugely talented writer that questions the nature of belief and explores the possibility of reunion for those who are broken.

NATIONAL BESTSELLER “Engrossing...studded with wisdom about long-held bonds.” —People, Book of the Week “Enthralling, masterfully written...rich with social and psychological insights.” —The New York Times Book Review “A magnificent storytelling feat.” —The Boston Globe The “utterly engrossing, sweeping” (Time) story of a lifelong friendship between two very different “superbly depicted” (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century. Celebrated children’s book author Agnes Lee is determined to secure her legacy—to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders is her best friend, Polly. Polly Wister has led a different kind of life than Agnes: that of a well-off married woman with children, defined by her devotion to her husband, a philosophy professor with an inflated sense of stature. She strives to create beauty and harmony in her home, in her friendships, and in her family. Polly soon finds her loyalties torn between the wishes of her best friend and the wishes of her three sons—but what is it that Polly wants herself? Agnes’s designs are further muddied when an enterprising young book editor named Maud Silver sets out to convince Agnes to write her memoirs. Agnes’s resistance cannot prevent long-buried memories and secrets from coming to light with far-reaching repercussions for all. “An ambitious and satisfying tale” (The Washington Post), Fellowship Point reads like a 19th-century epic, but it is entirely contemporary in its “reflections on aging, writing, stewardship, legacies, independence, and responsibility. At its heart, Fellowship Point is about caring for the places and people we love...This magnificent novel affirms that change and growth are possible at any age” (The Christian Science Monitor).

The long-awaited first short story-collection by the author of the cult sensation Convenience Store Woman, tales of weird love, heartfelt friendships, and the unsettling nature of human existence With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness. In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material,” Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.