Рассказы и антологии электронные книги

The long-awaited first short story-collection by the author of the cult sensation Convenience Store Woman, tales of weird love, heartfelt friendships, and the unsettling nature of human existence With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness. In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material,” Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.

NPR Best Books of 2022The Christian Science Monitor 10 Best Books of JuneMost Anticipated Books of 2022: The Millions, Electric Literature, Brittle Paper, Open Country Magazine, Ms. Magazine Winner of the 2020 Restless Books Prize for New Immigrant Writing and the 2021 AKO Caine Prize for African Writing, Ethiopian American author Meron Hadero’s gorgeously wrought stories in A Down Home Meal for These Difficult Times offer poignant, compelling narratives of those whose lives have been marked by border crossings and the risk of displacement. Set across the U.S. and abroad, Meron Hadero’s stories feature immigrants, refugees, and those on the brink of dispossession, all struggling to begin again, all fighting to belong. Moving through diverse geographies and styles, this captivating collection follows characters on the journey toward home, which they dream of, create and redefine, lose and find and make their own. Beyond migration, these stories examine themes of race, gender, class, friendship and betrayal, the despair of loss and the enduring resilience of hope. Winner of the 2021 AKO Caine Prize for African Writing, “The Street Sweep” is about an enterprising young man on the verge of losing his home in Addis Ababa who pursues an improbable opportunity to turn his life around. Appearing in Best American Short Stories, “The Suitcase” follows a woman visiting her country of origin for the first time and finds that an ordinary object opens up an unexpected, complex bridge between worlds. Shortlisted for the 2019 Caine Prize, “The Wall” portrays the intergenerational friendship between two refugees living in Iowa who have connections to Germany before the fall of the Berlin Wall. A Best American Short Stories notable, “Mekonnen aka Mack aka Huey Freakin’ Newton” is a coming-of-age tale about an Ethiopian immigrant in Brooklyn encountering nuances of race in his new country. Kaleidoscopic, powerful, and illuminative, the stories in A Down Home Meal for These Difficult Times expand our understanding of the essential and universal need for connection and the vital refuge of home—and announce a major new talent in Meron Hadero. “Witty and wistful, complex and heartbreaking, these stories capture lives caught between cultures and continents, past and present, truth and lies. As its displaced characters seek belonging, this collection explores the challenges of connection with empathy and nuance. A thrilling debut.” —Brit Bennett, bestselling author of The Vanishing Half and The Mothers “Debut books don’t get much stronger than this. Meron Hadero’s remarkable stories explore a diverse cast of people doing their best to find acceptance or at least stability…Hadero is deeply perceptive; her dialogue always rings true, and the regard she has for her characters is apparent. This isn’t just an excellent first book, it’s an excellent book, period.” —Michael Schaub, NPR Best Books 2022: Books We Love “This book heralds the arrival of a gifted, stunning writer. A Down Home Meal for These Difficult Times held me spellbound…These stories unfold with an intensifying power, each of them a testament to what’s possible when we move through this world insisting on the potential of hope, and love.” —Maaza Mengiste, author of Booker Prize finalist The Shadow King “This richly detailed, subtly impressionistic short-story collection—by the first Ethiopian-born writer to win the AKO Caine Prize for African Writing—pulls at threads of geography, language, generation, race, and gender…Hadero’s page shines…expanding instead of narrowing the range and representation of immigrant experiences.” —Daniel King, Mother Jones "Meron Hadero's collection, A Down Home Meal for These Difficult Times brims with lives on the margins…This style,

“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

A thrilling new story collection from acclaimed writer Don Lee exploring Asian American identity, spanning decades and continents "Don Lee is one of those masterful storytellers who is both classic and modern, who can transport you into any setting, with any character." —The TODAY Show, recommended by author Weike Wang "The organizing conceit of all [Lee’s] fiction has remained consistent: Asian Americans are not monoliths . . . Lee narrates from a collective perspective, his stories offering a kaleidoscopic vision of all the ways it feels to be yellow." —The New York Times Book Review "Familiar joy is immediate as one reenters Lee’s signature worlds of brilliant resonance and quiet depth. In his first short story collection since his lauded Yellow debut, Lee again questions identity, unlikely relationships, and fleeting connections . . . While Lee' s devotees will joyfully relish casually dropped references to previous titles, new readers should savor plenty of first-time delight." —Booklist, STARRED review "The Partition is flat-out brilliant: a witty, kaleidoscopic tear through questions of race and identity in America today by a writer who has wrought luminous fiction from these issues for years. Don Lee's collection offers vivid, entertaining proof that ethnicity is never straightforward or easy—no matter who we are, or where we stand." —Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad Twenty-one years after the publication of his landmark debut collection Yellow, Don Lee returns to the short story form for his sixth book, The Partition. The Partition is an updated exploration of Asian American identity, this time with characters who are presumptive model minorities in the arts, academia, and media. Spanning decades, these nine novelistic stories traverse an array of cities, from Tokyo to Boston, Honolulu to El Paso, touching upon transient encounters in local bars, restaurants, and hotels. Culminating in a three-story cycle about a Hollywood actor, The Partition incisively examines heartbreak, identity, family, and relationships—the characters searching for answers to universal questions: Where do I belong? How can I find love? What defines an authentic self?

The second book from the “exact and poetic” (New York Times) author of critical smash Young Skins, winner of the Rooney Prize for Irish Literature and a National Book Foundation 5 Under 35, Homesickness  is an emotionally resonant and wonderfully wry collection that follows the lives of outcasts, misfits, and malcontents from County Mayo to Canada. When Colin Barrett’s debut Young Skins published, it swept up several major literary awards, and, in both its linguistic originality and sharply drawn portraits of working-class Ireland, earned Barrett comparisons to Faulkner, Hardy, and Musil. Now, in a blistering follow up collection, Barrett brings together eight character-driven stories, each showcasing his inimitably observant eye and darkly funny style.  A quiet night in a local pub is shattered by the arrival of a sword wielding fugitive; a funeral party teeters on the edge of this world and the next, as ghosts simply won’t lay in wake; a shooting sees a veteran policewoman confront the banality of her own existence; and an aspiring writer grapples with his father’s cancer diagnosis and in his despair wreaks havoc on his mentor’s life.  The second piece of fiction from a “lyrical and tough and smart” (Anne Enright) voice in contemporary Irish literature, Homesickness  marks Colin Barrett out as our most brilliantly original and captivating storyteller.

"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.  Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts expectations as it explores desire, loss, jolting violence, and the inexorable tug toward love at all costs. A reclusive bookseller begins to feel the discomfort of love again. Two college roommates have a devastating middle-aged reunion. A proud old man rages powerlessly in his granddaughter's hospital room. A writer receives a visit from all the men who have tried to suppress her voice.  Romantic, hopeful, brutally raw, and unsparingly honest, this wide-ranging collection of ten selected stories by one of our most accomplished chroniclers of the human heart is an exciting addition to Lily King's oeuvre of acclaimed fiction. 

A short story collection of nightmares, dreams, desire and visions centered around the Chicana experience. The stunning, star-reviewed V. Castro weaves urban legend, folklore, life experience and heartache in this intimate anthology of modern horrors. From the lauded author of The Queen of the Cicadas (which picked up starred reviews from PW, Kirkus and Booklist who called her "a dynamic and innovative voice") comes a short story collection of nightmares, dreams, desire and visions focused on the Chicana experience. V.Castro weaves urban legend, folklore, life experience and heartache in this personal journey beginning in south Texas: a bar where a devil dances the night away; a street fight in a neighborhood that may not have been a fight after all; a vengeful chola at the beginning of the apocalypse; mind swapping in the not so far future; satan who falls and finds herself in a brothel in Amsterdam; the keys to Mictlan given to a woman after she dies during a pandemic. The collection finishes with two longer tales: The Final Porn Star is a twist on the final girl trope and slasher, with a creature from Mexican folklore; and Truck Stop is an erotic horror romance with two hearts: a video store and a truck stop. FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices.

One of the year's most anticipated books by The Millions, Colorlines and Remezcla, and recommended by the A.V. Club! Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. "Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean "Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries "Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review ". . .  a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine "Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions "This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews,  *Starred Review "Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly "The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World

One of Barack Obama's Summer Reading Picks "Dazzling...Riveting." —New York Times Book Review "Chen has one of the year's big debut books." —Philadelphia Inquirer “Gripping and illuminating . . . At the heart of Te-Ping Chen’s remarkable debut lies a question all too relevant in 21st Century America: What is freedom?” —Jennifer Egan “Immensely rewarding, from the first sentence to the last . . . An exceptional collection.” —Charles Yu A “stirring and brilliant” debut story collection, offering vivid portrayals of the men and women of modern China and its diaspora, “both love letter and sharp social criticism,” from a phenomenal new literary talent bringing great “insight from her years as a reporter with the Wall Street Journal” (Elle). Gripping and compassionate, Land of Big Numbers traces the journeys of the diverse and legion Chinese people, their history, their government, and how all of that has tumbled—messily, violently, but still beautifully—into the present.   Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.

LONGLISTED FOR THE PEN JEAN STEIN AND ROBERT W. BINGHAM AWARDS A NATIONAL BOOK FOUNDATION 5 UNDER 35  "A gorgeous debut" (Lauren Groff) from Dantiel W. Moniz, one of the most exciting discoveries in today's literary landscape, Milk Blood Heat depicts the sultry lives of Floridians in intergenerational tales that contemplate human connection, race, womanhood, inheritance, and the elemental darkness in us all. A livewire debut from Dantiel W. Moniz, one of the most exciting discoveries in today's literary landscape, Milk Blood Heat depicts the sultry lives of Floridians in intergenerational tales that contemplate human connection, race, womanhood, inheritance, and the elemental darkness in us all. Set among the cities and suburbs of Florida, each story delves into the ordinary worlds of young girls, women, and men who find themselves confronted by extraordinary moments of violent personal reckoning. These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them. Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth, announcing the arrival of a bright new literary star.

A new collection showcasing the best of Ernest Hemingway’s short stories including his well-known classics, as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick—introduced by award-winning author Tobias Wolff. Ernest Hemingway, a literary icon and considered one of the greatest American writers of all time, is the subject of a major documentary by award-winning filmmakers Ken Burns and Lynn Novick. This intimate portrait of Hemingway—who brilliantly captured the complexities of the human condition in spare and profound prose, and whose work remains deeply influential in literature and culture—interweaves a close study of biographical events with excerpts from his work. The Hemingway Stories features Hemingway’s most significant short stories in chronological order, so viewers of the film as well as fans old and new can follow the trajectory of his impressive life and career. Hemingway’s beloved classics, such as “The Short and Happy Life of Francis Macomber,” “Up in Michigan,” “Indian Camp,” and “The Snows of Kilimanjaro,” are accompanied by fresh insights from renowned writers around the world—Mario Vargas Llosa, Edna O’Brien, Abraham Verghese, Tim O’Brien, and Mary Karr. Tobias Wolff's introduction adds a new perspective to Hemingway’s work, and Wolff has selected additional stories that demonstrate Hemingway’s talent and range. The power of the Ernest Hemingway’s revolutionary style is perhaps most striking in his short stories, and here readers can encounter the tales that created the legend: stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. This collection is a perfect introduction for a new generation of Hemingway readers and a vital volume for any fan.

From the genre-defying, critically beloved author of How to Live Safely in a Science Fictional Universe and Interior Chinatown and one of the creative minds behind HBO’s Westworld comes a sweet and searing, unexpected and delightfully absurd vision of life on Earth a thousand years in the future. Jane is the only person left on the planet, minding the only business left: a gift shop. She wasn’t born on Earth, but her ancestors were; they lived there before the AI in charge of geoengineering failed and the oceans got too hot to sustain the terrestrial food web and before humans took off to colonize other planets. She’s heading to college on Jupiter in the fall of 3020, so her days on the home planet—selling “American Epoch” postcards, “History: The Poster!” and “War: The Soundtrack” to tourists from the suburbs of Europa—are numbered. But as the looping promotional ad for Earth details, in the planet’s more recent past there was an amusement park, a museum, and even a model American town to draw visitors: all shuttered now, abandoned. When a man and his son crash-land their rocket and need assistance, as well as some diversion, Jane learns that the other attractions on Earth are not so defunct after all and may have taken on a life of their own. Told, fittingly, in interconnected fragments, The Only Living Girl on Earth captures a place where only fragments of its landscape remain. At once dead serious and playful, recognizable and as otherworldly and unsettling as Yu’s other sci-fi reinventions, it is a cautionary tale about all that we could lose—are losing—by failing to live sustainably and about what we hope to leave behind for future generations. It is also a love letter to what it means to be human, how connected we are to a place and one another, and how we must fight to preserve these gifts. In this, Yu expresses his unique brand of cosmic humanism, that even in the face of dire circumstances, when we feel the most estranged from who and what we are, there is still hope.