Академический Документы
Профессиональный Документы
Культура Документы
A dvanced
Wiihfiy
A dvanced
Q
t
$
,
. . -
. .
I . .
2008
811.111(075)
81.2-93
87
,
: Elementary ( ), Pre-
Interm ediate ( ),
Interm ediate ( ),
U p p er In term ed iate (
) Advanced ( ).
. .
, .
87 / ;
, . . . - ;
. . ; . . . .
.: -, 2008. 144 .: . ( ).
( ).
ISBN 978-5-8112-3104-1
. . . - .
,
, , -,
. .
, .
811.111(075)
81.2 -93
ISBN 978-5-8112-3104-1 - , 2002
THE MAN WITH THE SCAR
1 Caramba. . .
2 gave a gasp of surprise
6
I have translated what he told me as well as 1 could, but I have made
no attem pt to change his rather high-flow n language. To tell the
truth I think it suits the story.
But how then did he get the scar? I asked at last.
O h, that was due to a bottle that burst when he was opening
it. A bottle o f ginger ale.
I never liked it, said I.
Exercises
1 How do you think the man in the story got the scar? Invent two
possible story lines ( 5 - 6 sentences).
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
, ,
, , ,
-, ,
, , ( ),
- , ,
7
, ,
, , - -.
3) H e _________ to my acquaintance.
A shook his head
nodded
bowed
9
4 Change the following sentences from the story
1) H ow s life, general?
N ot so bad. Business is not too good, but it might be
w orse.
W hat will you have, general?
A brandy.
2) Shes dead, he whispered.
The rebel crossed himself.
Why did you do it? asked the general.
I loved her.
3) But how then did he get the scar? I asked at last.
O h, that was due to a bottle that burst when he was
opening it. A bottle of ginger ale.
I never liked it, said 1.
Decide why the nouns below are used with a, theor 0 . Continue the
lines. 4
1) Why did the author notice the man? W hat did the scar
speak of?
2) W hat did the m an with the scar look like? W hat was he
like?
3) W hat did he use to do?
4) Who told the author the story o f the man? How did he
characterize him?
5) W here was the man with the scar from?
6) Why was he tried by court-m artial? W hat was the sentence?
7) How did he spend the night before the execution?
8) How was the execution carried out? Why was there a pause?
9) W hat was the m ans last wish? Why was it easy to fulfil?
10) W hat did his wife look like?
11) W hat happened when she threw herself into his arms?
Why did the man with the scar stab her in the neck?
11
12) Why did the general say he couldnt execute the man?
W hat did he order the soldiers to do?
13) W here did the man get the scar?
2 Retell the story according to the outline using the given words and
word combinations.
1) He had small features and his face went oddly with his
large and fat body. He was a powerful man o f m ore than
com m on height.
D o appearances reflect our personality? How does the
appearance o f the man with the scar reflect his personality?
2) He told me he had never had such bad luck in his life: he
lost and lost all the tim e.
12
Was it an om en before the day o f the execution? W hat sort
o f om en? D o you believe in omens?
3) Why did you do it? asked the general.
I loved h er.
It was a noble gesture.
Why do you think the m an with the scar killed his wife?
W hat sort o f love was it? Was it a noble gesture?
4) S. M augham mingles the exotic, the rom antic with the
com monplace in his story. Why do you think he does it?
W hat are the romantic things and what are the commonplace
things in the story?
5) They fell strangely, not together, but one after the other,
with m ovem ents that were almost grotesque, as though
they were puppets in a toy theatre.
D o you think this description reflects the authors attitude
to life and death?
6) W hat do you think is the key sentence o f the story?
7) A proverb is a short popular saying expressing an obvious
truth. One o f the proverbs says:
Climb not top high lest the fa ll should be greater.
C om m ent on the proverb with reference to the story.
8) I never liked it. W hat d o you think the final sentence
means?
9) Is the life story you invented similar in any way to the
story youve read or is it quite different? How did you like
the story The M an with the Scar?
THE LUNCHEON
1just a bite
2 1 should be sorry
3 We waited for the asparagus to be cooked. ,
.
4 how m uch money 1 should have left
Exercises
Pre-reading Tasks
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
-, -, !,
, -,
, , , ,
(), , ,
, ,
2 Fill each gap with a word or word combination from the box in an
appropriate form.
couldnt afford
to water
on the menu
digestion
a tip i
time flies
to overload
to have ones revenge
to be startled
to borrow from
to manage well enough
beside
w ouldnt mind
to keep body and soul together
it was all the same to me
20
1) I went over during the interval and sat down next to her.
2) I was earning barely enough money to make both ends meet.
3) I thought if I cut out coffee for the next two weeks 1 could
do welt enough.
4) I was struck when the m enu was brought.
5) My guest sighed, I f you insist 1 wont object tohaving
some asparagus.
6) It would be terrible to be obliged to take money from my
guest if I d id n t have enough to pay for the bill.
7) It made no difference to me now, so I ordered coffee for
myself and an ice-cream and coffee for her.
1) W h ere d id th e a u th o r c a tc h sight o f th e w o m an ? W hy
22
w ouldnt he have recognized her if som ebody h a d n t
m entioned her nam e?
2) Did he rem em ber where he had first met her? Where was
he living at that time? How m uch was he earning?
3) Why did she write to him? W here would she like him to
give her a little luncheon? Why had he never thought o f
going to Foyots?
4) Why did he agree to meet her at Foyots?
5) W hat did she look like? W hat was unusual about her
appearance?
6) Why was the author prepared to be an attentive Listener?
7) Why was he startled when the menu was brought? How
did she reassure him?
8) W hat did she repeatedly say throughout the luncheon?
9) W hat did she order first? Why did his heart sink?
10) W hat did he order for himself? W hat did she say about his
choice?
11) W hat was she going to drink?
12) W hat did she talk about while she ate the salmon and the
caviare?
13) Why did she say she w anted to have asparagus? Why did
the author say he never ate asparagus?
14) Why did panic seize him? W hat did he decide to do if he
didnt have enough m oney to pay the bill?
15) W hat terrible thing happened while they were waiting for
the coffee?
16) W hat did she say she believed in?
17) Could he pay the bill? Why did he know she thought him
m ean?
18) Why did she say he was a humourist? Was he?
19) Has he had his revenge at last? What sort of revenge is it?
20) Act out the scene o f the luncheon.
21) Act out an inner m onologue o f the au th o r during the
luncheon.
26
his game o f cards and his cocktail, he could tell a good and spicy
story, and in his youth he had been som ething of an ath lete.1 He
was a rich m an and he had m ade every penny himself. I suppose
one thing that made you like him was that he was so small and frail;
he aroused your instincts o f protection. You felt that he would not
hurt a fly.
One afternoon I was sitting in the lounge o f the G rand Hotel.
From the windows you had an excellent view of the harbour with its
crowded traffic. There were great liners; m erchant ships of all nations,
junks and boats sailing in and out. It was a busy scene and yet, I do
not know why, restful to the spirit.
Burton came into the lounge presently and caught sight o f me.
He seated him self in the chair next to mine.
W hat do you say to a little drink?
He clapped his hands for a boy and ordered two drinks. As
the boy brought them a man passed along the street outside and
seeing me waved his hand.
Do you know T urner? said Burton as I nodded a greeting.
Ive met him at the club. Im told h es a rem ittance m an.
Yes, I believe he is. We have a good many here.
He plays bridge well.
They generally do. T here was a fellow here last year, a
namesake o f m ine, who was the best bridge player I ever met. I
suppose you never came across him in London. Lenny Burton he
called him self.
No. I d o n t believe I rem em ber the nam e.2
He was quite a rem arkable player. He seemed to have an
instinct about the cards.3 It was uncanny. I used to play with him a
lot. He was in Kobe for some tim e.
Burton sipped his gin.
Its rather a funny story, he said. He w asnt a bad chap.
I liked him. He was always w ell-dressed and he was handsom e in
a way, with curly hair and pink-and-w hite cheeks. W om en thought
1 on account of -,
2 to take aback ,
3 Done! ! !
4 I only just managed
29
m ore than he could m anage.1 We d id n t get the body for about
three days.
I d id n t say anything for a m om ent o r two. I was a little
shocked. Then I asked Burton a question.
When you offered him the job, did you know that hed be
drow ned?
He gave a little mild chuckle and he looked at me with those
kind blue eyes o f his. He rubbed his chin with his hand.
Well, 1 hadnt got a vacancy in my office at the m om ent.
Exercises
1 The title of the story you are going to read is the beginning of the
proverb A friend in need is a friend indeed. Why do you think the
author doesnt give the end of the proverb?
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
2 Fill the gaps with one of the words or word combinations from the box
in an appropriate form.
to draw conclusions
to wave o n es hand
a current
to be capable of
to com m it suicide
in vain
to sip
to shrug ones shoulders
w rinkled
to be drowned
to judge
a n am esake o f
to raise o n e s voice
p u zzled
to th in k a lo t o f
to ru in o n e s health
to o ccu r
dow n a n d out
pleasing
pleased
1) There was so m e th in g _________in his mild blue eyes.
2) I was _ _ _ _ _ to be staying at the same hotel with him.
frightening
frightened
3) Was h e _________ at the last m om ent?
4) His suggestion w a s _________.
loving
loved
5) They were a _________ family.
6) He was m u c h _________ by his family.
32
startling
startled
7) The story w a s because both his appearance and
his m anner gave the impression o f a very different man.
8) He w a s when he heard Mr. B urtons suggestion.
surprising
surprised
9) It w a s _________ that he should com e to Mr. Burton when
he was broke.
10) 1 was r a th e r _________.
7 Say what the habits of the author and of Mr. Burton were. Use used
to.
34
Reading Comprehension and Discussion Tasks
35
Discuss the following:
1) Why would the author never have believed that Mr. Burton
was capable o f such an action if he had not heard the story
from his own lips? D o you think that the first impressions
o f a person are always right?
C om m ent on the following proverb (with reference to the
story):
Appearances are deceitful.
2) M ake guesses about young B urtons thirty five years o f
life. Why had he never done anything in his life?
3) Is there any evidence in the story that Mr. Burton was not
all that kind and gentle? Why did he promise his namesake
a job if the latter swam round the beacon? Did he know
he would be drowned? Why did he com e to the creek?
4) Why did Mr. Burton tell the author the story? Why did
he say it was rather a funny story? Why did he give a
little mild chuckle when the author asked him if he had
known that the m an would be drowned?
5) W hat is the story about beneath the surface o f the narrative?
Explain the title o f the story. Read your answer to the
question in the pre-reading section. Would you give the
sam e answ er now th at you have read the story? W hat
could have naturally be expected o f the friend in need
in that situation? W hat would you have told M r. Burton
if you had been his listener?
6) W hats your main impression o f the story?
LOUISE
1 to feel... poorly
2 he caught his death of cold
3 would be left an orphan
4 they would not let her stir a finger
39
Carlo and the sum m er at Deauville. He prepared to make his wifes
last few years as happy as he could.
It c a n t be very long n o w , she said. I ll try n o t to be
troublesom e.
For the next two or three years Louise managed, in spite of
her weak heart, to go beautifully dressed to all the most lively parties,
to gamble very heavily,1 to dance and even to flirt with tall slim
young men. But George H obhouse had not the strength o f Louises
first husband and he had to brace him self now and then w ith a drink
for his days work as Louises second husband. It is possible that the
habit would have grown on him, which Louise would not have liked
at all,2 but very fortunately (for her) the war broke out. He rejoined
his regiment and three m onths later was killed. It was a great shock
to Louise. She felt, however, that in such a crisis she must not give
way to a private grief; and if she had a heart attack nobody heard of
it. In order to distract h er m ind she tu rn ed h er villa at M onte
Carlo into a hospital for convalescent officers. H er friends told her
that she would never survive the strain.
O f course it will kill m e, she said, I know that. But what
does it m atter? I must do my bit.3
It didnt kill her. She had the time o f her life.4 There was no
convalescent home in France that was m ore popular. I m et her by
chance in Paris. She was lunching at a restaurant with a tall and
very handsome young Frenchm an. She explained that she was there
on business connected with the hospital. She told me that the officers
were very charm ing to her. They knew how delicate she was and they
w ouldnt let her do a single thing. They took care o f her, well - as
though they were all her husbands. She sighed.
Poor George, who would ever have thought5 that I with my
heart should survive him ?
2 the habit would have grown on him, which Louise would not have liked
at all ,
3 to do ones bit
4 to have the time o f ones life ,
3 who would ever have thought
40
And poor Tom! I said.
I d o n t know why she d id n t like my saying that. She gave me
her melancholy smile and h er beautiful eyes filled with tears.
You always speak as though you grudged me the few years
that I can expect to live.
By the way, your h earts m uch better, isnt it?
Itll never be better. 1 saw a specialist this m orning and he
said I m ust be prepared for the w orst.
O h, well, youve been prepared for that for nearly twenty
years now, havent you?
When the war came to an end Louise settled in London. She was
now a woman o f over forty, thin and frail still, with laige eyes and pale
cheeks, but she did not look a day more than twenty-five. Iris, who
had been at school and was now grown up, came to live with her.
Shell take care o f m e , said Louise. O f course itll be hard
on her to live with such a great invalid as 1 am , but it can only be
for such a little while, I m sure she w ont m ind.
Iris w as a nice girl. S he had b een bro u g h t up w ith th e
knowledge that her m others health was very weak. As a child she
had never been allowed to make a noise. She had always realized
that her m other must on no acco u n t1 be upset. And though Louise
told her now that she would not hear o f her sacrificing herself for a
tiresome old woman the girl simply would not listen.
W ith a sigh her m other let her do a great deal.
It pleases the child to think shes making herself useful, she said.
D o n t you think she ought to go out m ore? 1 asked.
T hats what Im always telling her. I cant get her to enjoy
herself.2 Heaven knows, I never want anyone to give up their pleasures
on my account.3
And Iris, w hen 1 talked to her about it, said: Poor dear
m other, she wants me to go and stay with friends and go to parties,
but the m om ent I start off anywhere she has one o f her heart attacks,
so I m uch prefer to stay at hom e.
But presently she fell in love. A young friend o f m ine, a very
1 on no account
2 1 cant get her to enjoy herself. ,
.
3 on my account -
41
good lad, asked her to marry him and she consented. 1 liked the
child and was glad that she would be given at last the chance to lead
a life o f her own. But one day the young man cam e to me in great
distress and told me that the marriage was postponed for an indefinite
time. Iris felt that she could not desert her m other. O f course it was
really no business o f m ine, but I made the opportunity1 to go and see
Louise. She was always glad to receive her friends at teatim e.
Well, I hear that Iris isnt going to be m arried, I said after
a w hile.
I d o n t know about that. Shes not going to be married as
soon as I wished. I ve begged her on my bended knees not to consider
me, but she absolutely refuses to leave m e.
D o n t you think its rather hard on her?
Dreadfully. O f course it can only be for a few m onths, but
I hate the thought of anyone sacrificing themselves for m e.
M y dear Louise, youve buried two husbands, I can t see
why you shouldnt bury at least two m ore.
Oh, I know, I know what youve always thought o f me. Youve
never believed that I had anything the matter with m e,2 have you?
I looked at her full and square.3
Never. I think youve carried out a bluff1 for twenty-five
years. I think youre the most selfish and m onstrous woman I have
ever known. You ruined the lives o f those two unhappy m en you
married and now youre going to ruin the life o f your daughter.
I should not have been surprised if Louise had had a heart
attack then.5 1 fully expected her to fly into a passion.6 She only gave
me a gentle smile.
My poor friend, one o f these days youll be so dreadfully sorry
you said this to m e.
Exercises
Pre-reading Tasks
- , , -
, , - ,
- , ,
, -, -,
, ,
, , - ,
,
-, (), ,
, ,
, , - , ,
, .
2 Fill each gap with one of the words or word combinations from the box
in an appropriate form.
to give in
to turn smth into
to sacrifice
to be convinced
to survive
to lead a life o f o n es own
to bury
to take smth for
to bring sm th up
to go out
44
1) She hoped that sooner o r later I should _________ the
m a sk _________ the face.
2) H er p a re n ts _________ that she was m uch too delicate for
marriage.
3) If they had a difference o f opinion s h e _________ to him.
4) It was wonderful that she managed t o _________ the shock.
5) She didnt know how, with her delicate health, she was
going t o her dear Iris.
6) In order to distract her mind s h e ________ her villa at
M onte C a r l o _________ a hospital.
7) D o n t you think she o u g h t_________ more?
8) I was glad that she would be given at last the chance
to worshi p
to leave smb alone
to have the time o f ones life
behind sm bs back
to be as good as o n es word
to postpone
to be well off
to take care of
Say what Louise would do and what Iris would not do. Make use
of the prompts below.
Make the sentences complete using the complex objects from the
list below.
Flirt with tall slim young men, do a great deal, tell her, fall
down dead, do a single thing, give up their pleasures, marry
the young m an, spend the winter, fill with tears, fly into a
passion.
48
7) She died gently forgiving Iris for having killed h e r .
W hat does the final sentence o f the story m ean? Why do
you think Louise died on the wedding day?
8) W hats your personal reaction to the story?
HOME
1 sailors home
2 mind you
52
walk again, but when I saw those elm -trees, I felt I could walk. I
walked down that drive fifty-two years ago when I went away and
now I ve walked back again.
Silly, I call it, said M rs. Meadows.
Its done me good. I feel better and stronger than 1 have felt
for ten years. Ill see you out y et,1 Emily!
D o n t be too sure, she answered.
I suppose no one had called Mrs. Meadows by her first nam e
for a generation. It gave me a little shock, as though the old man
were taking a liberty2 with her. She looked at him with a shrewd
smile in her eyes and he, talking to her, grinned with his toothless
gums. It was strange to look at them , these two old people who had
not seen one another for h alf a century, and to think that all that
long tim e ago he had loved her and she had loved another. I wondered
if they rem em bered what they had felt then and what they had said
to one another. I w ondered if it seemed to him strange now that
because o f that old w om an he had left the home o f his fathers, and
lived an exiles life.
Have you ever been m arried, Captain M eadows? I asked.
N ot m e, he answered with a grin. I know too m uch about
women for th a t.
T hats what you say,3 retorted Mrs. Meadows. If the truth
was known 1 shouldnt be surprised4 to hear that you had half-a-
dozen black wives in your day.
Theyre not black in C hina, Emily, you ought to know better
than th a t,5 theyre yellow.
Perhaps th ats why youve got so yellow yourself. W hen I saw
you, I said to myself, why, h e s got jaundice.
I said I d never marry anyone but you, Emily, and I never
have.
He said it very simply, as a man might say, I said Id walk
Exercises
Pre-reading Tasks
1 Home is the place where one lives, especially with ones family. What
is home to you? Do you know any proverbs about home? Write them
down, if you do.
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
55
Vocabulary and Grammar Tasks
, -, ,
, - , ,
, () -,
, - ,
, - , ,
-, , ,
, -, -
, .
to go to sea
to have sm th in com m on
as far as I can see
to deserve
to com e to the conclusion
to grin
to boast
to court
landlady
the master o f the house
a hostess
1) H e owned h i s _________ a m onths rent.
2) As Mrs. Hill was away, Jane, the eldest daughter, acted
a s _________ at the dinner party.
3) But t h e ________ was G eorges mother.
to court
to take care o f
4) George Meadows and Tom b o th _________ Mrs. Meadows
when she was Emily G reen.
5) The o fficers_________ Loise as though they were all her
husbands.
to be interested
to wonder
6) He w ill________ to know what the old m an has seen in
his life.
7) I if they rem em bered what they had felt then
and what they had said to one another.
to persuade
to convince
8) They had a good deal o f difficulty i n ________ him to go
to bed.
9) The old m ans w o rd s _________ him that he had made a
success o f his life.
1) And mind you, I ve not been out o f my bed for two years.
2) They carried me down and put me in the car.
3) But when I saw those elm -trees, I felt I could walk.
4) I walked down the drive fifty-two years ago when I went
away and now I ve walked back again.
5) Its done me good.
6) I feel better and stronger than I have felt for ten years.
a) possibility
b) general advice
c) certainty
d) an expected action
Match the adjectives on the left with the nouns on the right according
to the story. Say which character of the story each word combination
refers to.
60
Discussthefollowing:
1) W hy d o es th e a u th o r call th e life o f th e M eadow s
patriarchal? W hat kind o f life is patriarchal to you?
2) Why do you think they were a happy family? W hat makes
a family happy?
3) Why do you think G eorge Meadows had gone to sea?
4) D o you think he was a one-w om an man? W hat do you
think there was about Emily Meadows that he would never
marry anyone but her?
5) Why had he never visited them during his exiles life?
6) M ake guesses about the things he had seen in his day.
7) Fate was kind to h im . W hat do you think the author
means?
8) Why do you think Mrs. Meadows was never quite sure
that shed married th e right brother?
9) W hat is your m ain impression o f the story?
10) Read out the proverbs you wrote down in the pre-reading
task. D o you rem em ber the proverbs:
East or West home is best.
Theres no place like home?
C om m ent on the proverbs with reference to the story.
THE END OF THE FLIGHT
2 a letter of introduction
3 Good God
4 The boots on the other leg. , ('.
).
5 straight through the night
63
It was a D utchm an who slept in it last. D o you want to hear
a funny story?
I wanted chiefly to go to bed, but he was my host, and then
I know that it is hard to have an am using story to tell and find no
listener.
H e cam e on the boat that brought you here. H e cam e into
my office and asked me where he could find a place to stay for some
tim e. I told him that if he h ad n t anywhere to go I d id n t m ind
putting him up. H e jum ped at the invitation.1 I told him to send for
his luggage.
This is an I ve g o t, he said.
He held out a little shiny black bag. It seemed a bit scanty,
but it was no business o f m ine, so I told him to go to the bungalow
and I would com e as soon as I was through with my work. While I
was speaking the door o f my office was opened and my clerk came in.
The D utchm an had his back to the door and it may be that my clerk
opened it a bit suddenly. Anyhow, the D utchm an gave a shout, he
jum ped about two feet into the air and w hipped out a revolver.
W hat the hell are you doing?2 I said.
W hen he saw it was th e clerk, he collapsed. He leaned
against the desk, breathing hard, and upon my word3 he was shaking
as though h ed got fever.4
I beg your pardon, he said. Its my nerves. My nerves are
terrible.
It looks like it, I said.
I was rather short w ith him .5 T o tell you the truth I was sorry
that I had asked him to stop w ith me. H e didnt look as though h ed
been drinking a lot and 1 wondered if he was some fellow the police
were after.6
Y oud better go and lie dow n, I said.
1 at all events
67
if h ed called the Dutchman. He said he was just going to. I heard
him knock and knock again. Funny, I thought. The boy hammered
on the door, but there was no answer. I felt a little nervous, so I got
up. I knocked too. We made enough noise to rouse the dead, but the
Dutchm an slept on. Then I broke down the door. I pulled apart the
mosquito curtains that were round the bed. He was lying there on his
back with his eyes wide open. He was as dead as m utton.1
A dagger lay across his throat, and say I m a liar if you like,
but I swear to G o d 2 its true, there w asnt a w ound about him
anywhere. The room was em pty.
Funny, w asnt it?
Well, that all depends on your idea o f hum our, I replied.
My host looked at me quickly.
You dont m ind sleeping in that bed, do you?
N -no. But I would have preferred3 to hear the story tom orrow
m o rning.
Exercises
Pre-reading Tasks
1 Flight is running away from danger. What sort of danger was the man
in the story running away from? How did the flight end? Make guesses
and write down 68 sentences.
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
1 as dead as mutton ,
2 1 swear to God
4 I would have preferred
68
[d 3es'tik ju leit] [ 'k o u k o iu t] ['1] [ 'borniouj [ 'd ^ g g l]
[ va'rsenda] [m as'kktou ] ['kwiaj ['zeksant] [lik'jua] [ka'laeps]
[ sui'm aitrs] [otfi'nkz] ['njurssns] [.siggo'po:]
- , -,
, (-, -),
-, , -
(-), , (
), ( ), -,
-, , ,
( ), -, -
, -,
, ().
to dream of
to have a good time
to turn out
to make o n es way
no business o f mine
to cut short
to feel sorry for
to strike
to be through with
quite
quiet
1) When I got back to my bungalow I found him sitting_________ .
2) He w a s _________ sure the man was not on board.
3) If 1 only can b e _________ for a while I shall get my nerve
back.
70
another
other
4) I was going to sleep under his roof till ________ boat
cam e in to take me.
5) The boots on t h e _________ leg.
6) He shouted to a boy to bring drinks and t o _________ to
look after my luggage.
7) O f course he put up at the hotel w here_________ D utchm en
stayed.
a stranger
a foreigner
8) I felt a trifle shy at the thought o f presenting myself to a
total _________ .
9) Except for a slight accent youd never have known that
he w a s _________ .
lonely
alone
It)) 1 felt so m ew h at when I landed.
11) He w a s _________ o n the verandah.
12) The officer was happy to put up the author because he
was living quite a ________ life in that small town.
6 Make the sentences complete using one of the complex object structures
from the box.
him come
him sitting
the Achinese walking
the fellow hiding
him lock
the police to know
72
1) Looking over the s h ip s side I saw that my luggage was
already in the boat.
2) H e put away his days work saying that he had nothing to
do that could not wait till tomorrow.
3) H e leaned against th e desk breathing hard.
4) Remembering it n o w , he was s tru c k ag ain w ith its
strangeness.
1) Where did the author arrive one day and who was he going
to stay with? Why did the author feel lonely and a trifle shy?
2) How did the district officer meet him?
3) How did they spend the day?
4) Why couldnt the author go to bed though he was tired
out?
5) W ho did his host tell him about?
6) Why had the district officer put up the D utchm an?
7) W hat happened while the district officer was speaking to
the D utchm an?
8) What did the D utchm an look like? W hat was queer about
him ?
9) Why did the au th o rs host come to the conclusion that the
D utchm an was a good fellow?
73
10) How did the D utchm ans flight start?
11) W hat places did he go to and who would he find following
him ?
12) Why didnt he go to the police?
13) W here did he feel pretty safe? Why did he have to get away
quickly?
14) How did the D utchm an find him self in that little town in
the house o f the district officer?
15) W hat precautions did he take before he went to bed?
16) How did the D utchm ans flight end?
Tell the story of the Dutchmans flight. Pick out sentences from the
story to show how the Dutchmans fear grew until he went all to
pieces.
THE VERGER
75
The veiger was waiting for the vicar to have finished1 in the
vestry so that he could tidy up in there and go home.
W hats he anging about for?2 the verger said to himself.
D oesnt he know I want my tea?
The vicar had been appointed only recently, a red-faced
energetic man in the early fo rties,3 and Albert Edward still regretted
the last vicar, a clergyman o f the old school who never fussed and
was not like this new man who wanted to have his finger in every
pie.4
Presently he saw the vicar coming up.
F orem an, will you com e into th e vestry for a m inute. 1
have som ething to say to you.
Very good, sir.
They walked up the church together, and the vicar preceded
Albert Edward into the vestry. Albert Edward was a trifle surprised
to find the two churchw ardens there. H e had not seen them come
in. They gave him pleasant nods.
G ood afternoon, my lord. G ood afternoon, sir, he said to
one after the other.
They were elderly m en, both o f them , and they had been
churchw ardens almost as long as Albert Edward had been veiger.
They were sitting now at a handsome table that the old vicar had
brought m any years before from Italy and the vicar sat down in the
vacant chair between them . Albert Edward faced them , the table
between him and them , and wondered with slight uneasiness what
was the m atter. He rem em bered still the occasion on w hich the
organist had got into trouble and how difficult it was to hush things
up. In a ch u rch like St. P e te rs, N eville Square, they c o u ld n t
afford a scandal. O n the vicars red face was a look o f resolute
kindness, but the others' had an expression that was slightly troubled.
78
it had seen. He tidied everything up, put on his coat, and hat in hand
walked out of the church. H e locked the church door behind him.
He strolled across the square, but deep in his sad thoughts he did not
take the street that led him hom e, where a nice strong cup o f tea
awaited him; he took the wrong turning. He walked slowly along. His
heart was heavy. He did not know what he should do with himself.
He did not like the idea o f going back to domestic service. After being
his own m aster for so m any years he could not becom e a servant
again. He had saved a tidy sum, but not enough to live on without
doing something, and life seemed to cost more every year. He had
never thought to be troubled with such questions. The vergers of St.
Peters, like the popes of Rome, were there for life. He sighed deeply.
Albert Edward was a non-sm oker and a total abstainer, but he liked
a glass o f beer with his dinner and when he was tired he enjoyed a
cigarette. It occurred to him now that a cigarette would comfort him
and since he did not carry them he looked about him for a shop where
he could buy a packet o f cigarettes. He did not at once see one and
walked on a little. It was a long street, with all sorts of shops in it,
but there was not a single one where you could buy cigarettes.
T h ats strange, said Albert Edward.
To make sure he walked right up the street again. N o, there was
no doubt about it. He stopped and looked thoughtfully up and down.
I can t be the only m an that walks along this street and wants
a sm oke, he said. If some fellow opened a little shop here he
might make good m oney.1 Tobacco and sweets, you know.
He gave a sudden start.2
T hats an idea, he said. Strange ow things com e to you
when you least expect it.
H e turned, walked hom e, and had his tea.
Youre very silent this afternoon, A lbert, his wife remarked.
Im thinkin, he said.
He considered the m atter from every point o f view and next
day he went along the street and by good luck found a little shop to
let.3 Tw enty-four hours later he had taken it and a m onth later set
1 If some fellow opened a little shop here he might make good money.
- , .
2 gave a sudden start. .
3 a shop to let ,
79
up in business as a tobacconist and news-agent. His wife said it was
a dreadful com e-dow n after being verger o f St. P ete rs, but he
answered that you had to move with the times and that the church
wasnt what it had been.
Albert Edward did very well. He did so well that in a year or
so it struck him that he could take a second shop and put a m anager
in. H e looked for another long street that hadnt got a tobacconist
in it and when he found it, and a shop to let, he took it. This was
a success too. Then it occurred to him that if he could run two shops
he could run half a dozen. He began walking about London, and
w henever he found a long street that had no tobacconist and a
shop to let he took it. In the course o f ten years he was running no
less than ten shops and he was making m oney hand over fist.1 He
w ent round to all o f them him self every M onday, collected the
weeks takings2 and took them to the bank.
One m orning when he was there paying in a bundle o f notes
and a heavy bag o f silver the cashier told him that the m anager
would like to see him. He was shown into an office and the manager
shook hands with him.
M r. F orem an, I w anted to have a talk to you about the
m oney youve got on deposit in our bank. D you know exactly how
m uch it is?
N ot within a pound or tw o,3 sir; but I have a pretty rough
idea.
Apart from4 what you paid in this m orning its a little over
thirty thousand pounds. T hats a very latge sum to have on deposit
and it is better to invest it.
I dont want to take any risks, sir. I know its safe in the bank.
You neednt have *
the__least worry. W ell make you out a list
o f absolutely safe securities. They will bring you in a better rate of
interest5 than the bank can afford to give you.
A troubled look settled on Mr. F orem ans aristocratic face.
4 apart from ,
J rate of interest * ,
80
Ive never had anything to do with stocks and shares, and Id like
to leave it all in your ands, he said.
The m anager smiled. W ell do everything. All youll have to
do next tim e you com e in is to sign the transfers.
I could do that all right, 1 said Albert uncertainly. But ow
should I know what I was signin?
I suppose you can read , said the manager a trifle sharply.
Mr. Forem an gave him a disarming smile.
Well, sir, th ats just it. I can t. I know it sounds funny, but
I can t read or write, only my nam e, and I only learnt to do that
w hen I went into business.
The manager was so surprised that he jum ped up from his chair.
T h a ts th e m ost ex trao rd in ary thing I ever h e a rd . The
manager stared at him as though he were a prehistoric monster.
And do you m ean to say that youve built up this im portant
business and made a fortune o f thirty thousand pounds without being
able to read or write? G ood G od, m an, what would you be now if
you had been able to?2
I can tell you that, sir, said Mr. Forem an, a little smile on
his still aristocratic features, Id be verger3 o f St. Peters, Neville
Square.
Exercises
1 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
, , , ,
, , -
, , ,
-, , ,
, ,
, ,
, , () ,
, ..
to do well
to make no difference
to hush up
to talk the m atter over
to tidy up
to wrap up
to be a non-sm oker and a total abstainer
to consider
83
4 Choose the right word and use it in an appropriate form.
as
like
1) The old vicar was n o t ________ this new m an who wanted
to have his finger in every pie.
2) S ta rtin g ________ a page-boy in the household o f a rich
m erchant he had risen to the position o f a butler to a
widowed peeress.
3) In a c h u r c h St. Peters they couldnt afford a
scandal.
4) A m onth later he set up in business_________ a tobacconist
and news-agent.
another
(the) other
5) H e looked f o r _________ long street th at h a d n t got a
tobacconist in it.
6) He was a trifle surprised to find two churchwardens there.
G ood afternoon, my lord. G ood aftern o o n , s ir, he
said to one after t h e ________ .
7) On the vicars red face was a look o f resolute kindness, but
_________ had an expression that was slightly troubled.
8) H e f o u n d ________ shop to let and took it.
to lie
to lay
9) When his gowns wore out he w rapped them in brown
paper a n d ________ them in the bottom drawer.
10) His old g o w n s_________ in the wardrobe in his bedroom.
1) How did the verger wear his gowns? W hat did he do with
them when they were worn out?
2) W hat did the new vicar look like? How did he differ from
the last vicar?
3) Why did the vicar invite Albert Edward into the vestry
that afternoon? W hat did the verger think when he found
the two churchw ardens in the vestry? Did his thoughts
appear on his face?
4) W hat did the verger look like? W hat positions had he been
in before he was appointed verger?
5) W hat did the vicar tell the verger? Why did the vergers
face show no sign o f embarrassment?
6) Why had the verger never thought o f learning to read and
write?
7) W hat was the vicars suggestion? Why didnt the veiger
accept it?
8) Why was the vetgers heart heavy when he walked out of
the church?
9) Why did he begin to look for a shop where he could buy a
packet o f cigarettes? What idea suddenly came to his mind?
10) How did he set up in business as a tobacconist and news
agent? How was he doing?
11) Why did the manager o f the bank want to see him? What
did he advise him to do?
12) Why was the verger uncertain about investing his money?
13) W hat m ade the m an ag er ju m p from his seat? W hat
question did he ask the vetger? What was the vergers answer?
2 Describe the vergers appearance and bearing using the following words
and word combinations:
3 Act out an inner monologue of the verger on his way from the church
home after the talk with the verger.
4 Act out a dialogue between the verger and his wife after he decided to
set up in business as a tobacconist.
86
Discussthefollowing:
1) W hat do you think made the verger a successful business
man? W hat qualities do you think are essential for a person
to do well in business?
2) C om m ent on the proverbs:
A rolling stone gathers no moss.
Every dark cloud has a silver lining.
Does the story prove the truth o f the proverbs?
THE BUM
89
given n o thing he show ed n eith er d isap p o in tm en t nor anger. If
someone offered him a coin he stepped forward a little, held out his
hand, took it w ithout a word o f thanks and went his way. I had
nothing to give him and when he came to me, 1 shook my head and
used the polite formula with which the Spaniards refuse a beggar.
But he paid no attention to what I said. He stood in front of
m e, for as long as he stood at the other tables, looking at me with
tragic eyes. There was som ething terrifying in his appearance. He
did not look quite sane. At last he passed on.
It was one o clock and I had lunch. When 1 awoke from my
siesta it was still very hot, but tow ards evening a breath o f air
coming in through the window tem pted me into the square. I sat
down under my arcade and ordered a drink. Presently people began
to fill up the tables in the restaurant and the band began to play.
And again bootblacks begged me to let them clean my shoes, news
boys pressed papers upon m e ,1 beggars dem anded alms. I saw once
more that strange, red-bearded fellow and watched him stand before
one table after another. He did not stop before mine. 1 suppose he
remembered me from the m orning and having got nothing from me
then thought it useless to try again. You do not often see a red-
haired M exican, and I w ondered if he could be a sailor, English,
Scandinavian or American, who had deserted his ship and by degrees
had sunk to this pitiful condition. He disappeared.
Since there was nothing else to do, I stayed on till I got hungry
and when 1 had eaten I came back. I sat on till it was bedtime. I
confess the day had seemed long and I wondered how many similar
days I should be forced to spend there.
But I woke after a little while and could not get to sleep
again. My room was stifling. 1 opened the shutters and looked out at
the church. There was no m oon, but the bright stars faintly lit its
outline. The buzzards gathered on the cross above the cupola and on
the edges o f the tower, and now and then they moved a little. The
effect was uncanny. And then, I have no notion why, I remembered
that red-haired fellow again, and I had suddenly a strange feeling
that I had seen him before. It was so vivid that it drove away from me
the possibility of sleep. I felt sure that I had com e across him, but
when and where I could not tell.
92
some object at the bottom o f the steps. I did not know what to do.
I took a yellow-backed n o te1 out o f my pocket and pressed it in his
hand. He did not give it a glance.2 But his hand moved a little, his
thin fingers closed on the note and crumpled it. Then he made it
into a little ball and suddenly flicked it into the air3 so that it fell
am ong the screaming buzzards. I turned my head instinctively and
saw one o f them seize it in his beak and fly off. When I looked back
the man was gone.4
I stayed three more days in Vera Cruz. I never saw him again.
Exercises
Pre-reading Tasks
1 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
1 a yellow-backed note 50
2 to give a glance
3 flicked it into the air
4 the man was gone (= the m an had gone) ,
(, ; . he is come
, )
93
beloved [bi'Uvid] ragged ['negid]
crooked ['krukid] sacred f'seikrid]
learned I'lanid] wicked f'wikid]
naked ['neikid] w retched ['retfid]
, ( ), ,
, , ,
( ), (),
-, -, ,
-, , , ,
, .
2 Fill each gap with a word or word combination from the box in an
appropriate form.
to exhibit
confidence
to break sm bs spirit
to address
to examine
to pay no attention
to be stuck
to overlook
to come across
to escape
to sink
to drown
1) 1 thought he could be a sailor who had deserted his ship
and by degrees to this pitiful condition.
2) He was aware o f the risk he was taking, it was a case of
________ or swim.
3) H e _________ as the current was very strong.
work
(a) job
4) H e had h a d ________ with the American Fruit Company,
but had throw n it over.
5) He didnt work, he h ad n t been able to g e t _________ .
6) He would not show us h i s , because our opinion
m eant nothing to him.
because
thats why
7) He was arrogant, __________he was not popular am ong
us.
8) He d id n t stop before my table ________ he hadnt got
anything from me in the morning.
9) Tow ards evening a breath o f air cam e in through the
window, _________ I went out into the square.
to vary
to differ
10) I watched the people crossing the square, t h e y ________
in colour from ebony to ivory.
95
11) But suddenly my attention was attracted by a beggar who
_________ from the rest o f them.
12) The second day at Vera Cruz d i d n 't ________ from the
first.
4 Complete the chart below with the names of countries and nationalities.
96
3) Having g o t _________ from me he thought it useless to try
again.
4) I asked myself i f could be done.
5) There w a s terrifying in his appearance.
6) H ungry c h ild ren w ith hardly _________ o n endlessly
dem anded copper.
7) Since there w a s _________ else to do, I stayed on.
8) W hen I looked back I d id n t s e e _________ .
2 Speak about the life of the bum from the arrogant youth confident of
his future to the beggar ground to dust. Use the words and word
combinations from the list below.
3 Act out an inner monologue of the author as he went out into the
square to look for the bum.
98
1) W hat had happened to the man? W hat disappointm ents
shattered him and broke his spirit, w hat lost illusions
ground him to the dust? Try to find answers to the authors
questions.
2) Why do you think the bum never spoke? Why did he make
no protest when the policeman gave him a blow?
3) Why did the bum take no notice o f the author when he
found him on the steps o f the church? Why do you think
he took the m oney the author gave him , made it into a
ball and flicked it into the air?
4) I asked myself if anything could be done? Do you think
something could be done to get the bum out of that pitiful
condition?
5) How do you think the bum ended his life?
6) What is your impression o f the story?
THE WASH-TUB
P ositano stands on the side o f a steep hill and is a very
picturesque place. In w inter its two or three m odest hotels are
crowded with painters, male and female, but if you com e there in
sum m er you will have it to yourself. The hotel is clean and cool and
there is a terrace where you can sit at night and look at the sea.
D ow n on the quay there is a little tavern w here you can have
m acaroni, ham and fresh-caught fish, and drink cold wine.
One August, tiring o f Capri where I had been staying, I made
up my m ind to spend a few days at Positano, so I hired a fishing-
boat and rowed over. I arrived at Positano in the evening. I strolled
up the hill, my two bags following m e1 on the heads o f two sturdy
Italian w om en, to the hotel. I was surprised to learn that I was not
its only guest. The waiter, whose nam e was G uiseppe, was an old
friend o f m ine, and at that season he was boots, porter, cham berm aid
and cook as well. He told me that an American signore had been
staying there for three m onths.
Is he a painter o r a w riter or som ething? I asked.
N o, signore, h es a g en tlem a n .
O dd, I th o u g h t. N o foreigners cam e to P o sitan o at th a t
tim e o f year. I could n o t im agine anyone wishing to spend three
m onths there; unless it was som ebody w ho w anted to hide. A nd
since all L ondon had been excited by the flight earlier in th e year
o f a n e m in e n t, b u t d ish o n est, fin an c ier, th e am using th o u g h t
occurred to m e th at this m ysterious stranger was perhaps he. 1
knew him slightly and hoped th a t my sudden arrival would not
disturb him .
Youll see the Signore at the tavern, said G iuseppe, as I was
going out. He always dines there.
H e was certainly not there when I arrived. In a few m inutes,
however, a m an walked in w ho could be no other than my fellow-
guest at the hotel and I had a m o m en ts disappointm ent when I
saw th a t it was n o t the h id in g fin an cier. A ta ll, elderly m an ,
bronzed after his sum m er on th e M editerranean, with a handsom e,
thin face. He wore a very neat suit o f cream -coloured silk and no
hat. His gray hair was cut very short, but was still thick. There
was ease in his bearing, and elegance. He looked round the half-
dozen tables at w hich the natives o f the place were playing cards or
dom inoes and his eyes rested on me. They smiled pleasantly. He
cam e up.
I hear you have just arrived at the hotel. G iuseppe said that
as he couldnt come down here to introduce me you w ouldnt mind
if I in tro d u ced myself. W ould it bore you to dine with a total
stranger?
O f course not. Sit dow n.
He turned to the maid w ho was laying a cover for me and in
beautiful Italian told her that I would eat with him.
H e made a very good cocktail and with added appetite we
began our dinner. My host had a pleasant hum our and his fluent
conversation was agreeable.
You must forgive me if I talk too m uch, he said presently.
This is the first chance I ve had to speak English for three months.
101
I dont suppose you will stay here long and I mean to make the most
of it.
Three m onths is a long time to stay at Positano.
I ve hired a boat and I bathe and fish. I read a great deal.
I have a good m any books here and if theres anything I can lend you
I shall be very glad.
I think I have enough reading matter. But I should love to look
at what you have. Its always fun looking1 at other peoples books.
It also tells you a good deal about them , he said.
W hen we finished dinner we went on talking. The stranger
was w ell-read and interested in various topics. He spoke with so
m uch knowledge o f painting that I wondered if he was an art critic.
But then he began to speak o f the books he had read and I cam e to
the conclusion that he was a college professor. I asked him his
nam e.
B am aby, he answered.
T hats a nam e that has recently becom e known to everybody,
I said.
O h, how so?
Have you never heard o f the celebrated Mrs. Bamaby? Shes
a com patriot o f yours.
I adm it that Ive seen her nam e in the papers rather often of
late. D o you know her?
Yes, quite well. She gave the grandest parties all last season2
and I went to them whenever she asked me. Everyone did. Shes an
amazing woman. She cam e to London to spend the season, and, by
G eorge,3 her parties were the most successful in L ondon.
I understand she is very rich?
O h, yes, very! But its not the m oney that has m ade her
success. Plenty o f American women have money. Mrs. Bamaby has
won her place in society by sheer force o f character.4 She never
pretends to be anything but what she is. Shes natural. Shes priceless.
You know her history, o f course?
102
My friend smiled.
Mrs. Bamaby may be a great celebrity in London, but in
America she is almost unknow n.
I smiled also.
Well, I ll tell you about her. H er husband appears to be a
very rough diam ond;1 hes a great strong fellow, she says, who could
fell a steer with his fist. H es known in A rizona as O ne-B ullet
M ike.2
G ood gracious!3 W hy?
Well, years ago in the old days he killed two men with a
single shot. She says that even now he shoots better than any man
West o f the Rockies.4 H es a m iner, but hes been a cowpuncher,
a gun-runner and G od knows what in his day.
A real W estern ty p e, said my professor a trifle acidly I
th o u g h t.
M rs. B am abys stories about him are very amusing. O f course
every o n e s been begging her to let him com e over, but she says
h ed never leave the wide open spaces. He struck oil5 a year or two
ago and now hes got all the m oney in the world. Ive heard her
keep the whole dinner-table spellbound when shes talked o f the
old days and their adventures. It gives you quite a thrill6 w hen you
see th is g ray -h aired w om an, not at all pretty, but w onderfully
dressed, w ith the m ost w onderful pearls, and hear her tell how
she washed the m iners clothes and cooked for the cam p. W hen
you see Mrs. Bam aby sitting at the head o f her table, quite at
hom e w ith7 princes o f the blood, am bassadors, cabinet m inisters
Exercises
m Pre-reading Tasks
2 Practise the pronunciation of the words from the story. When in doubt
refer to the transcription below.
, , -
, , , ,
, , ,
, , ,
, ,
- , , ,
, , .
2 Fill each gap with a word or word combination from the box in an
appropriate form.
to arrange
to lend
to introduce
to hire
to pretend
fiction
to spoil
108
4) I have a good m any books here and if theres anything I
can you I shall be very glad.
5) She n e v e r____________ to be anything but what she is.
6) She has always read a great deal o f E n g lish ____________ .
7) She told me that the H e re fo rd s ___________ parties for
her. But o f course I would _ _ _ _ _ _ _ everything.
to forgive
to exceed
to accompany
to be crowded with
by no means
to supply with
to cut a long story short
4 Choose the right word (say, tell, talk, speak) and use it in an appropriate
form.
Put in that, what or who. If the sentence is complete without that write
that in brackets.
hide
worn
laid
forgive
won
struck
flown
lend -
understood
thought
begin
becam e
hold
2 Tell the story of Mrs. Bamaby. Use the words and word combinations
from the list below.
3 Act out a dialogue between Mr. and Mrs Bamaby when the latter flew
to Paris to see him.
Read out your sentences from the pre-reading task. What kind of
story could yours be?
Vocabulary
115
bearing [)] n bore [:] v
; borrow [] v
beckon [] v , bother [] (),
beer [bid] ; ~ with
beg [beg] v ; bottom | 1 ] ,
brace [breis] v
beggar [| bracelet ['breislit] n
behaviour [bi'heiyjd] brandy fbraendi] n ,
belief [bi'li:f] , break (broke, broken) [breik] ([brouk],
believe [bi'lrv] v ; , ['broukn]) v (); ~ down
() ( ), ~ out
Benedictine [,beni'dikti:n] ( , )
breathe [bri:d] v ; ~ hard
berth [:0] . ;
beside [bi'said] ; breeze [briz] .
bet (bet, betted) [bet] (['betid]) v bridge [bnd 3] (
; ~ on )
() bring (brought) [brio] ([brort]) v
betray [bi'trei] v ; , ; ~ up
bill [bil] n ; .
bit [bit] n ; a ~ ; not briskly ['briskli] adv ,
a ~
bite (bit, bit, bitten) [bait] ([bit], bronzed [bronzd] ,
[]) v , ; n
brutal [] ,
blind ['blaind] ; n bullet [lit]
blink [blir)k| v ; bum [] . ,
block letter [1 ,let9] bundle [(!1] ,
blood [bUd] n bungalow [] , -
blow [blou] n ; v (blew, blown)
([blu:|, [bloun])
board [bo:d] n (); on ~ burden .-dn] ;
, burst (burst, burst) [baist] v
boast [boust] v (); n bury ['ben] v
business ['biznis] n ,
boat [bout) n ; ; ; to go into ~
bolt [boult] v
bone-dry ['boun'drai] . ,
but [bAt] ,
( )
bootblack [Wtblsek] butler [] n ,
boots [bats] ( buzzard ['bAzad] ,
) ( )
116
ceremony fsenmani] ,
cab [kaebj n , certain ['sartnj ,
cabin ['kzebm] n ; ; ~ of oneself
cabinet minister ['ksebimt 'minista]
chain [tfein] ,
camp [kaemp] n ; chamber-maid I't/eimbameid]
,
. . (U . S.) champagne [faem'pcm]
capable ['] chance [tjcrns] , ,
capture j'kaeptfa] v ; by ~
; change [t/eind3) v ; ~ ones
card [koid] (), ~ mind ; ;
trick ; pack of ~s ( ); small ~
[] ; v chap [tjsep]
(about); take ~ (of) , character ['kmnkta] ,
; , ;
career ['] ; a great -
carve [ka:v] v ;
charm [tjerm]
case [keis] ; , , charming ['tjamirj]
cashier [tae'Jia] chatty ['tjaeti]
casually ['kaesjuali) , cheap [tjl:pj
, cheat [tjfct] v ,
catch (caught) [kgetj] ([]) v cheque [tfek]
; ( , cheek [tjrk)
), ~ ones death ; ~ out cheerful ['tfiaful]
, chin [tjin]
; ~ sight (of) , Chinese ['t/ai'nrz]
chip [tjip] , ( )
categorically [,2' 1] adv choose (chose, chosen) [tjkz| ([tjouzj,
['tjouznj) v
cause [ko:z] v , christening ['krismi)] n
chuckle ['t/AkI] v ; n
caviare fkaevia:] (
) church [tfatJl n
celebrated I'selibreitid] churchwarden ['tjsit/woidn] n
,
celebrity [si'lebntf] circle ['said] v ,
cell [sell circumstance ['sakomstans] n
cent [sent] (. )
century ['sentjun] , clap [klasp] v ( )
117
clasp |klu:sp| n , consider [kan'sida] v
clean-shaven ['kli:nj'eivn] , ()',
,
clergyman ['ktaidsiman] ? constantly ['kanstontli] adv
clerk (klcck) n , ;
, convalescent [kanvo'lesnt]
close-cut ['klouskAt]
convince [kan'vins] v
closely I'kloush] adv cook [kuk] n , ; v
clothes [kloudz] n p i ()
coast [koust] n cool [kiri]
cockney ['kakm] n ( copper [') n
) countrywoman ['kAntn,wum3n] n
cocktail ['kakteil] n (
) couple ['1] n
coconut-tree I'koukaiut ,tn:] n courage |'1] n ,
(najibMa)
coin [] n course [ko:s| n ,
collapse [ka'laepsl v ; court |ko:t| v
. court-martial [#ko:t 'mtcjll n
come across [' a'kras) v
(), courtyard ['kat'jad] n
come-down 1] n cow-puncher ['kau,pAntjd| n
( , ) ,
comfort ['kAmfotl v cost (cost, cost) [kD S t] V
comfortable ['kAmfbtabl] cover [) v
common [') , crazy I'kreizi]
, ; in ~ -.;
compatriot [kam'pastnot] cream-coloured |'kri:m , ]
complain Ikam'plein] v creature ['krirtjs]
compliment ['komphmant) n creek [kri:k| ; ,
conclusion |'1:] n ; criminal ['kriminal)
to come to the ~ cripple ['kripl] ; v
cross |kros] v ;
condemned [kan'demd] p. p. ;
crude [kru:d|
condition [ksn'dijnl n crumple ['!] v , ;
confess [kan'fes] v ~
confidence Tkanfidansl n , cultivated ('kAltrveitid]
cunning ['}] ,
connect [ks'nekt] v cupola fkjirpalal
consent [ sent] v curly '|ka:li]
118
current ['| n dignified ['dignifaid]
cut (cut) [kxt] v ; ~ out
; . ;
cynical ['simkall dignity ['digniti]
D diminish [di'minij] v
disagree Ldisa'gri:) v
dagger ['daega| n
damned [daemd]<7 , disagreeable ^disa'gnabl]
; adv
dawn [do:n] n ; at ~ disappear ^disa'pia] v
death [de0] n disappointment jdiss'pomtmant] n
deck [dek| n ; chair ,
( ) disarming [dis'aimig]
declare Idi'kles] v ,
disclose [dis'klouz] v ,
deep [di:p]
defend [di'fend] v ) dish [di/] n
deformity [di'fo:miti] n dishonest [dis'onist]
degree (di'gri:] n ; by - dismay [dis'mci] n , ; v
delay [di'Iei] n displeased [dis'pli:zd]
delicacy ['delrkssil n distract [dis'tnekt] v ,
delicate ['delikit]
demand [di'ma:nd| v distress |dis'tres] n ,
den [den| n , disturb [dis'tab| v ,
department store [di'pcrtment 'sto:] ;
dock [dok| n ; (. .)
depend [di'pend] (on, upon) v dogmatic [dog'matik]
,
deposit Idi'pazit] n , domestic [do'mcstik]
dominoes ['dominouz] n ()
describe [dis'kraib] v doorway ['dorwei] n
desert [di'zo:t] v , doubt [daut| n ; v
deserve [di'zav | v doubtfully ['dautftili] adv
despair [dis'pea] n
despotic [des'potik] dozen [dxzn] n
devil ['devl] n , ; ~ish a draw (drew, drawn) \dro:] ([dm :],
[dn:n] v ; (
diamond ['daiamond] n ), ; ~ out
difference ['difrsns| n ,
drawer [dro:| (
digestion [di'd3estjen] n )
119
dreadful ['dredful] , embarrassment [im'bserasmant] n
dream [drirm] v , eminent ['eminant] ,
drink [dnrjk] n (, ); empty j'empti] , ;
v ,
endurance [in'djuarans] n
drive (drove, driven) [drarv] ([drouv],
energetic [ena'd3etik]
[drivn]) v ( ,
. .); ( engaged [in'geid 3d]
, ), - at something ;
- ( enormous [i'no:mas]
), ~ away ; entrust [m'trAst] v
envelope ['enviloup] n
drop [drop] v errand [erand] n
drunk [dr/vr)k] escape [is'keip] v
dry [drai] ; v especially fis'pejali] adv
duchess ['dAtJis] even [i.*vn|
evidently ['evidantli] adv
due to ('dju: ta] prp , -
duke [djixk] n exactly [ig'zaektli] adv ;
dull [ d A l ] , , examine [ig'zaemin] v ;
dust-covered |'dASt,kAvad] exceed [ik'siid] v
except (for) [ik'sept) prp
Dutchman ['dAtfman] n ,
duty ['djurtij n ; do ~ exclude |iks'klu;d] v ;
,
dye |dai] v , execute ['eksikjurt] v
exhibit [ig'zibit] v ,
E
exile ['eksail) n
earn [a:n] v expect [iks'pekt] v
earth |:] n expedition [ekspi'dijn] n
ebony ['abani] n ; a expensive [iks'pensTv] ,
edge [] expert ['ekspart] n ,
education [edju/keijn] ,
effort [efat] extraordinary [iks'tnxdnri]
either ['aida] adv ( . ,
.), ~... or cj ... (
, .) F
elderly ['eldali]
elegant ['eligant) fable ['feibl| n
elm [elm) (.) face [feis| v -.
embarrass [im'bseras] v fail | feil] v ,
da
120
faint [feint] v fleshy [fleji]
faintly ['feintlil adv ; , flick [flik] v {
)
fair [fra] , , flight [flait] n , ,
fling (flung) [flii)| ([]) v (),
false [foils] ()
familiar [fe'milja] , flirt [floit] n ; v
fluency ['fluionsi] n ,
famous ['feimas] , ()
flush [fL\J] v ( )
fancy ('fsnsi] v , fly [flai| n
; ~ dress ball follow ['folou| v ,
far off |'fair 'of] forbid (forbade, forbidden) (|fo'bid]
farm [faim] v ([fo'beid], [fo'bidn]) v
fashionable ['faejnobl] , force [fas] n ; v ; in
~ ,
fate [feit] n forehead ['fond] n
features ['fiitjoz] n forgive (forgave, forgiven) [fo'giv|
fell [fel] v ([fo'geiv], |fo'givn]) v
fellow ['felou] n ; ; formality [foi'maeliti]
; , ; man formula I'foimjulo] n
; guest fortunately I'foitjnitli] adv ,
female [Turned] fortune [Totjbn] n ,
fetch [fetf] v , ; ; make a ~
-., -.; , foul [faul] ,
fiction [frkfn] , fragment ['frcegmont] n , ,
fill (up) [fil] v frail [freil]
financier [fi'naensio], [fai'ruensio] n frame [freim] n
frighten ['fraitn] v
fire [faio| v frontier [] n
fire-place ['faiopleis] n fun [fi\n] n ,
firmness ['famnis] n , funeral ['fjuinorol] n
further [:5] ; adv
first [foist] adv
fish out ['fif'aut] v fuss [fXs] v ,
fist [fist] n -
fix [fiks] v ;
flash |fleef] v G
flask [flaiskl n
flatter [flasto] v gaily I'geili] adv ,
121
gain Igein] v , golf [golf] ()
, good-humoured ['gud'hjuimsd]
gamble ['gaembl) v
good-looking ['gud'lukiol
gang [qaeg] , ,
gasp [ga:spl v ( governess [gAvsnis]
); , government [']
gateway ['geitwei]
gather ['] v () gown [gaun| (),
gay [] ; vergers ~
generation [djena'reijn]
generous [] v grand [grand] ,
,
gesticulate [d3es'tikjuleit] v grasshopper [')
grave [greiv] ; ,
gesture ['d3estja] n
get (got) [get] dgat]) v ; grateful [greitful]
; ; gratify I'gratifai] v
(); ~ away , great nephew |greit 'nevju:]
; ~ back ; ~
down ; ~ frightened Greek [gri:k] n
; - off , ; ~ greet [grin] v
rid (of) greeting |'gri;tio] n
giant ['d3ai3nt] grief |gri:f] n ,
gin [d3in| ( grimly ['grimli] adv
, ) grin [grin] v ,
ginger ale |'d3ind33 ,eil] ; n
() grind (ground) [graind] ([graund]) v
give (gave, given) [give] ([geiv], [givnj) ,
v , ; - a blow grow (grew, grown) [grou] ([gru:|,
; ~ a glance ; [groun]) v , ; ~
~ in ; ~ way* , angry v ; ~ red
; - out ; ~ up ; ~ up
, grotesque |grou'tesk]
go (went, gone) [gou] ([went], [gon|) grudge |!] v -.
v , ; - broke Guatemaltecan [,gwaeti'ma:ltokn| n
; ; ~ off
; ~ on ; guess [ges] v
(- ); ~ out guest | gest] n
; ~ to pieces gum [ | n
; ~ round gun [| n
, ; ~ into service gun-runner[gAnrAn3] n ,
God [god] ; by ~ gutter I'gAta] n
122
hooked [hukt]
horror ['hors] n
habit ['haebit] , ; host [houst] n (,
be in the ~ of )
ham [hasm] , hostess ['houstis| n (
hammer I'haema] v ( - )
) hotel [hou'tel] n
hand (in) [hand] v however [hau'evs] adv ,
handsome I'haenssm] huge [hju:d3 |
hang (hang) [haer)] ([hAi]]) v ; humorist ['hjirmsrist] n ,
(hanged) [haegd] ,
harbour ['herbs] n , hunt [hAnt] v
hard |ha:d] , ; hurt [hart] v ;
adv , ; ,
, hush (up) [ v ,
hardly I'hoidli] adv ,
harm [herm] ,
harsh [ha:J] , I
harum-scarum ['hearsm'skearaml
, idle [aidl] ,
heart [ha:t] ; by ~ ignorant fignarsnt]
heartiness I'haitims] , ,
illusion [I'lugn] ,
heat [hi:t| imagine [I'maedsmI v ,
heated ['hi:tid|
height [hait] imitation [imi'tcijn] ,
hell [hei]
hesitate ['heziteit] v immediately [I'mkdjstlil adv
hide (hid, hidden) |haid] ([hid], | hidn]) ,
v () imposing [im'pouziril
high-flown ['hai 'floun] (
, . .)
hill [hil] n impress [im'pres] v
hint [hint] n
hire [hais] v impression [im'prejn]
hitherto [hifc/tu:] adv inadequate [in'aedikwit]
hoarse [hois]
hold (held) [hould| ([held]) ; inconsolable |,ink9n'soubbl|
- out ,
hole [houl] n inconvenient [,ink9n'vi:nj9nt]
hollow I'halou] n ,
honest ['anist] incredible [in'kredsbll
honour ['| n ; v , indeed [in'di:d] adv ,
123
Indian ['indian] n , judge [d3Ad3] v ,
indicated ['indikeitid]
indifferent [in'difrsnt] jump [d3Amp] v ,
,
industrious [in'dAstnasJ jungle [d3Aogl|
junk [d3AT)k] (
inevitably [in'evitsbli] )
infect [in'fckt] v
insist (on) [in'sist] v
inspection [in'spek/n] n
in spite of [m'spait ofj prp, cj keep (kept) [ki:p] ([kept]) v ;
-.; ~ warm
instinctively [in'stigktivli] adv
khaki I'kcuki] ;
instruct [in'strAkt] v
, kindliness ['kaindhnis]/?
interest I'intnst] n . ( knack [] ,
) kneel [ni:l] v
interval ['intavdl] n ; at knock [nok] v (),
~ knowledge ['nolid3 |
intimately ['intimitli| ^ ()
intrigued [int'iigd] L
introduce [intrs'djirs] v label [leibl] ,
invalid ['invalid] n , lad |laed] ,
invest [in'vest] v , ladder ['laeda] ; .
land [laend] v
iron ['aian] v () landscape ['laenskeip] n ;
ivory I'aivan] n ;
last [la:st| adv
Latin Quarter ['laetin 'kwoito]
J -
latter ['laeto] (
jail [d3eil] , )
jaundice ['d3o:ndis] . law [1:]
jaw [d3o:] lawyer ['bja] ,
jewel ['d3u:dl] lay (laid) [lei] ([leid]) v
, lean [li:n] v
jeweller ['d3u:ab] learn [1:] v
join [d33in] v (), least [list] ; adv
() ; at ~
joke [d3ouk] lend [lend] v
journey ['d33:m| , let (let) [let] v ;
(. )
124
liar [lais] n ~ a place ; ~ sure
liberty f'liboti] n ; ;. ~ up ones mind
; take a - ; ~ ones way
male [meil] {)
light (lit) [lait] (|lit|) v manage ['maenid3] v ,
limb [lim] n ,
liner ['lams] n manager ['^] n ;
; ocean-going -
manner ['mamo] n
lion [laisn] marvel ['mavol] n
lip [lip] master ['masts] n
liqueur [li'kjuo] . matron ['meitron] n -
liquor [lika] matter ['imeto] n ; ;
lively ['larvlil ;
load [loud] v mean (meant) [mim| ([ment]) v
local [loukl] , ; ;
lock [lok] v
log-cabin [log'kaebm] n mean [mi:n] ,
melted ['meltid] p.p.
lonely ['lounli] mention [menjn] v
long chair [ |] n menu ['menju:] n
look [luk] v ; ~ about merchant ['martjont] n ,
; ~ after
(); - for ; ~ into mercilessly ['mo:silssli| /v
loose [lu:s] merry ['men]
Lord [lord] n Mexican ['meksiksn] n
lottery ['btori] n mild ['maild] ; ,
lounge [Iaund3] n ;
, mile [mail] n
loveliness I'Lwlims] n , mind ['maind] v ;
; ,
luck [Lvk] n ; bad ~ , might [mait] ,
; good ~ misery ['mizsn] ,
luggage ['Ugid3 | n mixer ['mikso| . .
M moan [moun] v
modest ['modist|
macaroni [,maeks'rouni] n monogram ['monogram | n
make (made) [meik) ([meid]) v
; ; ~ money monster ['monsto] n
, ; - friends monstrous ['monstros]
; - a fortune moral [moral] ,
; ~ the most ;
125
more [mo:] adv ; a bit ~ nonsense ['nonsons] n ,
motto ['motou] n non-smoker ['non'smouka] n
mosquito [mos'kirtou] n
move [muy] v ; nostril ['nostril] n
, note [nout| n
Mr = Mister ['misto] n , notice ['noutis] v ; take no
( ~ ,
)
Mrs = Mistress ['misiz| , notion [noufn] ,
(
, nowadays ['nauodciz] adv
)
murderer [':| nuisance |'nju:sons]
murmur [' : ] v number ['] ; ~ of
mutton chop ['tm tn 'tjbp]
mysterious [mis'tionos]
, objection [9b'd3ekfn]
occasion ['] ; on one ~
N
occur [':] v ;
namesake ['neimseik| n ;
native ['ncitiv] n ; ~ of the odd [od]
place offal ['ofelj
natural ['naet/rsll , offensive [s'fensiv] ,
nearly | moli] adv offer ['ofe| v
neat [ni:t] , office [ofis] ; ,
neck [nek] n ; , ,
necklace [neklis] n
nerve [no:v] n ; , oil []
old-fashioned ['ould'fejand]
nervous |'no:vos] ; be ~
, only ['ounli]
net [net] n opinion [o'pinpn] ;
netting ['netii]] n , opportunity [op3tju:mti|
news-agent ['nju:zeid3ont] n ,
opposite ['opszitl adv, prp ;
next (to) [nekst]
noble ['noubl| order ['o:da] v ; ;
nod [nod] v ; n n ; ; ; out of
~
none [run] pron oriental [o:nentl|
126
outhouse ['authausj n peep (in) [pi:p] v
peeress [pioris] n ,
outlive ['autliv] v peg [peg] n
outright I'autrart] n , penniless I'penilis] ,
outside ['autsaid] adv penny ['pern] n (
outstretched ['autstretft] )
overload [,ouvo'loud] v perch [portfl v ( )
overlook [ouvo'luk] v ( perfect ['porfikt] ,
)
perform [po'fo:m| v ,
persuade [po'sweid] v
pack [pask] v ; peso I'pcisou] n (. )
; () photograph ['foutograrf] n
painter ['peinto] pick [pik] v , (
pal [pael] , )
Palace Hotel [paelis hou'tel] - picturesque |,piktfo'resk]
( )
pale [peil] ; turn (go, pink [pirjk]
grow) ~ pitiful ['pitiful] ,
pale-boy [peilboi] n -
paralyse ['paerolaiz] v place [pieis] v ; n
parish ['pasnj] n ; plain [plein] ,
please [pli:z] v ;
party I'paiti] n ; ,
; give ~ pleased [pli:zd| ,
,
pass |po:s] v ; pleasure [1] n
; ; ~ on point [point] v ; ~ out
passenger ['paesind3o| poker [pouko] n (
passion [paejn] )
patience ['peijns| ( police Ipo'lirs] n
) politeness Ipo'laitnis] n
patriarchal |,peitn'a:kol] - politics ['politiks) n
poorly ['puoli] a predic.
pause |po:z] ; v pope [poup| n
, port [port] n
pawn [porn] v , porter I'porto] n
postpone Ipoust'poun] v
pay [] v ; ~ attention to pound [paund] n ( ),
(
peach [pirtfl )
127
powerful [pausful] push [pujl v
, put [put] v , ; ~
precede [prr'siid] v aside (away) ; ~ in
precious ['prejbs] ; ~ on airs ;
prefer [pri'fs] v - up , ;
prehistoric [priihis'tonk] ~ upon
puzzle fpAzl] v ,
present ['preznt] n ; (oneself)
[pri'zent] v
presently I'prezsntli] adv Q
press [pres] v ; ; ~
upon ; quaint ['kweint] ,
pretend [pn'tend] v
pretty ['priti] ; adv quarter ['kwata] n ;
quay [ki:] n (
prevent [pri'vent] v )
previous ['priivjes] queer [kwia]
priceless ['praislisj ; quieten (down) ['kwaiatan] v
,
pride [praid] n quietly ['kwaiatli] adv ,
prince [pnns] n
prison [pnzn] n quiver ['kwiva] v ,
private [ praivTt] ,
prize [praiz] n
probably I'probobli] adv , R
profession [pre'fejn] n rage [1| n
progress ['prougros] n ; . rags [negz] n
ragged ['ragid] ;
prohibition [,proui'bijn] n , ; ,
promise [#pn>mis] v ; n
raise [reiz] v
promptly [promptli] adv , rate [reit | n ; ,
rather ['raids] adv ;
propose (to) [prs'pouz] v ; ()
( ) ready-made [redi'meid] ;
prospect ['prospekt] n
protect [pro'tektj v ; realize ['nalaizl v
proud (of) [praud] ; be ~ of reassure ['riia'Jua] v
rebel frcbl] ,
prove [pru:v| v rebellion [ri'beljan] ,
puppet I'pApit] n rebellious [rt'beljas] ,
purpose ['papas | n
128
recall [':1] v , rock [] v ,
, ( roof [riri]
) rough [rAf| ; ;
recognize ['rekagnaiz] v ; : in the ~
-.
redouble [n'dvbl] roughneck I'rAfnek]
refiise [n'fjirz] v () row | ]
regiment ['red3imant| n row [rouj
regret [n'gret] v rub []
rejoin [n'd 30in] v . ruddy I'rAdi]
ruffian ['| ,
relief [n'liif] ; rug [|
ruin ['ruin] v ; ~s pi
remain [n'm ein| v ; .
remark [n'maik] v , run (ran, ) [] ([raen|) ;
-. (); ; ~ across
rem arkable [ri'ma:kabl] ,
rem ittance [ri'mitsns] S
; ~ man ,
, sabre ['seiba| ,
sacrifice ['saskrifais] v ,
reply [n'plai] ; v
report ['] , safe [seif] ; ;
residence [rezidens] be ~
resignation [,rezig'neifn] safely ['seifli] adv
sail [seil] , ,
resolute frezslurt]
respect | ns'pekt] sailor ['seils]
respectful (ns'pektful] salmon ['saemsn]
sane |sem] ,
rest [rest) v ;
sa tisfa c to rily |,saetis'fcekt3nli| adv
restful ['restfol]
restaurant ['restanxol satisfied I'saetisfaid]
retired [n'taiad] ;
save [seiv] v ; ;
retort [n'tart] v (
), savings-bank [seivigzbaggk] n
rheumatism ['iumatizm]
rib [nb] Scandinavian [skaendi'nervjan]
rid [rid] v ; to get ~
scanty ['skccnti]
129
scar [ska:] n , shell Lfel] n
scarcely ['skessli] adven$a (); shine ] v ()
show in ['Jou 'in] v ,
scarlet fever ['ska:lrt Tlvs] m
shrewd Lfiud] ,
scent [sent] n
scream [skiim] v , shrug ] v ()
scrub [skrAb] n () shutter ['Jxts] n
seat [si:t] v ; ~ oneself shy [fai] ,
; n side street ['said 'stitt | n
second-best [!] siege [si:d3] n
siesta [si'ests] n .
securities [si'kjusrrtiz] n
see off ['si: 'of] v ( sigh [sai] ; n
, . .) sign [sain] n ; v
seize [ s l z | v , signore [si'njo:r] n um. ,
self-assurance [selfs'Jusrsns]
signora [si'njo:ra:] n um. ,
selfish ['selfifl
senator ['senoto) sight [sait] n ; ; to catch ~
seflor [so'njo:] . (of)
sense [sens] similar f'simila] ,
sensible ['sensobl]
sentence ['sentsns] v simplicity [sim'plisiti] n ,
separate ['seporeit] v ,
since [sms] adv
serve [so:v| , singlet ['sigglit] n
settle ['setl] v , sink (sank, sunk) [sirjk] ([saegk],
[sxpk]) v ;, ; my
shabby I'Jeebi] , heart sank
sip [sip] ,
shake (shook, shaken) [/eik| ( Lfuk], skin [skm] ;
[feikn]) v () ~ hands skinny ['skini] ,
skipper [skips] ; (
shape Lfeip] n )
shapeless ['Jeiplis] slap [slaep] ,
share [fes] v , ; n slender ['slends] ,
, slip [slip] v ; .
sharply |'Ja:pii] adv slight [slait] ,
shatter ['Jasts] v .
shave [fciv| v slim [slim] ,
shawl ['Jo:l] n small change [,smo:l 'tjeind^l
sheer Lfb] , ,
smart [sma:t]
130
small [smel| n ; v stagger ['suego] v
snack [snack] n staff [stall] n
snub [snAb] v , stare [stco] v ,
society [sa'saisti] n . ,
startle ['staitl] v ,
soft [soft] , ( startling ['staitlip]
) state |steit]
sombrero [som'brcorou] . statement ['steitmont] n
( ) ;
somewhat ['sAmwot] adv , state-room [ sternum |
sorry ['son] a predic. ; be station [steijn] n (
~ ; ; ); v
stay [stei] v &,
soul [soul] steady [stedi] ,
sound [saund] ,
soundly ['saundli] adv ; sleep steal (stole, stolen) [sti:l| ([stoul],
~ ['stouln|) v
sovereign ['sovnn] ( steep [sti.p|
) steer [stio] n
space [speis] step [step| n ;
Spaniard ['spaenjod] steward ['stjuad] n (
specialist ['spejblistj , )
specialize ['spejolaiz] v - stick (stuck) [stik] ([stAkj) v ,
, ; ~ together
speedily j'sphdili] adv ,
stifling ['staiflir)]
spirit I'spint] n , ; high ~s sting (stung) [stir>l ([stArj]) v ;
,
splendid ['splendid] , stir [sto:] v (); n
,
spoil [spoil] v stock [stok] n
spot [spot] n stolid ['stolid) ,
spotless I'spotlis]
stomach | stAmak] n
spread (spread, spread) [spred| v straighten [streitn] v
strain [strein] n
spring (sprang, sprung) [spnp] ([spraegl, stranger |'streind 3o] n
[sprAi)]) v strengthen ['strerjGan] v ,
spurt [spo:t| v ()
squad [skwod] n . , strike (struck) [straik] ([strAk]) v
square [skwco] , ; n
stab [staeb] v stroll [stroul] v ,
131
stub [stAbJ n talkative ['toikotiv]
sturdy f'stgxli) , , ,
talk over ['tsk'ouvs] v
suburbs I'sAbsbz] n , taste [teist] n
() tavern I'tacvsn] n
success [ssk'ses] n ; to be a ~ tear (tore, torn) [tca| (|to:|, [to:n]) v
,
suicide I'sjuisaid] n temple [tempi] n
suit [sjixt] n ; v , tempt [tempt] v
tender ['tends]
suitcase I'sjixtkeis] n terrible fterobl]
suggest [s o re st] v ; terrific [ts'nfik]
() terrifying ['terrfanp]
sum ($1 n therefore ['death:| adv
supply [ss'plai] v , thick [0ik|
thief |0i:f] (pi thieves) n
suppose [ss'pouz] v , thoroughly ['0.\r3li| adv
, ,
surprise [so'praizl v ; n though [dou] cj. ;
, ,
surround [ss'raund] v thread [Ored] ,
survive [ss'vaiv] v , throat [Orout]
throw (threw, thrown) [0rou] ([0ru:],
suspect [sss'pekt] v |0roun]) v
suspicion [ssspijnl n ticket ['tikrt] n
swear (swore, sworn) [swesl (|swo:j, tickle ['tiki) v
[swo:n]) v tidy (up) ['taidi] v ;
sweet [swi:t| , ; ( )
tin [tin] n ,
swim (swam, swum) |swim] ([swaem], tiny I'taini]
[swAm|) v tip [tip] n ; (^-
symbol ['simbl] n . m y . .)
tire |tais] v , ;
T ~ing of
tiresome I'taiassm] ,
tactlessly [taektlisli | adv ,
take (took, taken) [teik] ( |tu k |, tobacconist [ta'bsekanist] n
Iteikn]) v , ; ~ care of
, ; ~ to-night [ts'nart] adv
notice , toothless [;tu:01is|
; ~ part ; ~ total ('toutl|
place ; ; touching ['tAtJip]
~ a risk ; ~ someone's towards [to'wo:dz| ,
place
132
tower [taus] n up ; ;
toy [toi] n ; ~ theatre ; give someone ~ ,
trace [treis] n ,
, U
trade [trcid) n , ;
be in ~ uncanny ['] ,
traffic f'traefik] ; uncertain [An'sartn]
,
tragic |'tre d 3ik] ; uncomplaining [Ankam'plemiQ]
,
transfer ['traensfo: | undo [W du:] v
uneasily [An'i:zili| adv
transform [traens'foimj v unexpected [Amks'pektrd]
;
tremble ['trembl] v unhappy [An'haepi]
trick [tnk] n . united Ijir'naitid] ;
trifle ['traifl| n , ; a ~ - family
, unless [on'lcs) cj ;
trip [tnp] n ; unlike [] prp
triumph ['traiamf] n unpleasant [An'pleznt]
triumphantly [trai'Amfantli] adv ,
unpretentious [Anpn'tcnfas|
troop Itrurp] n ; ~s ,
trouble [trAbl] v , unwise [An'waiz]
; n , ;
upright ['| ,
troublesome ['trAblsam] ; adv ,
upset (upset, upset) |Ap'set] v
trousers ['trauzoz] n pi.
trousseau ['tru:sou| n . upstanding [Ap'staendip]
trunk |trApk| n ,
urchin ['at/in | n ,
try [trail v ; , ; street ~
;
tumbler [' ] ( V
)
turmoil ['tamoil] , vacancy [veikonsi] ,
,
turn [t3:n| v (); - vaguely [Veigli] adv ,
(); , ; ~ pale
; ~ away ; vain [vein] ; in -
~ out ; ; ~
133
value ['vselju:] n , , way [wei] , ; by the ~
; give ~ ; in ~
vanity ['vamiti] n ; on the ~
vary [ vcori] v paxi , wear (wore, worn) [w] ([wo:], [worn])
v (),
veil [veil] n ; -.; ~ on
vein [vein] n ( ); - out
verandah [vo'raencte] n weather-beaten ['wedo ,bi:tn]
verger |'va:d33| n ( );
,
vestry [Vestn] n . wedding f'wedii)]
vicar [] n , weigh [wei] v
well-off jwel'of] ,
view [vju:] n ; a point of -
well-read [wel'red]
villa [Vilp] n wet [wet| ,
vitality [vai'taliti] n whenever [wen'evo] adv
,
vivid [Vivid] , while [wail] cj , ;
vulgar |'1] , ,
whip out [Vvip aut] v
whole [houl] ,
W widow fwidou] n ; ~ed
waiter ['we its] n wild fwaild] ,
wake (woke, woken; waked, ;
waked) [weik] ([wouk], [Vvoukn], will [wil| n
|weikt] v (. to ~ willing [ViIiq] ()
up); win (won) [win] ([wxn]) v
want [wont] v ; ( ),
-.; , wonder [V\nda] v ,
war [wo:| , ;
wardrobe [Vvo:droub | ; ~
trunk wonderful [Vvndaful]
wash-tub [ wofl\b)
, worry [Vah]
waste [weist] () worship ['woifip] v ,
wasted ['weistidl ,
worth [wo:6] ; be ~
watch [wotfl v ;
wave [wervl worthless I'waBlis]
wave [werv] v ; ~ aside ;
, -. worthy [Vo:di] ,
134
wound [wu:nd] ; wrinkled I'rirjkld]
wrap [rsepj v
wretchedness ['ret/idms| n , Y
yacht [jot]