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A Conversation on Information 59
Traveling Through Hyperreality With Umberto Eco 70
From Internet to Gutenberg 71
Part II 72
Part III 73
Part IV 74
Part V 76
Part VI 77

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1 .: A Conversation on Information. An Interview with Umberto Eco, by Patrick Coppock,
February 1995. . 6. (Source: http://www.cudenver.edu/~mryder/itc_data/eco/eco.html 1 )
13
(1968), (1986);
: (1956),
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. (1965), (1979), (1990),
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: Diario Minima (1963), (1988),
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4 ,
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: Bachorski H. J. (ed.) Lecturen, Aufsatze, zu Umberto Eco "Der Name der Rose"
(Goppingen: Kummerle, 1985); Giovannoli R. (ed.) Saggi su "Il Nome della Rosa" (Milano:

Bompiani, 1985); Haverkamp A., Heit A. (ed.) Ecos Rosenroman. Ein Kolloquium (Munchen:
Deutscher Taschenbuch Verlag, 1987); Magli . (ed.) Semiotics: Storia Theoria Interpretaziune.
Saggi intorno a Umberto Eco (Milano: Bompiani, 1982); Burkhardt A., Rohse E. (eds.) Umberto
Eco. Zwischen Literatur und Semiotik (Braunschweig: Ars et Scientia, 1991); Stauder Th. (ed.)
"Staunen uber das Sein". Internationale Beitrage zu Umberto Ecos "Insel des vorigen Tages"
(Darmstadt: Wissenschaftliche Buchgesellschaft, 1997); Bouchard N., Pravadelli V. (eds.) The
Politics of Culture and the Ambiguities of Interpretation: Eco's Alternative (New York: Peter
Lang Publishers, 1998); Petitot J., Fabbri . (eds.) Umberto Eco: Au nom de sens. Les actes du
Colloque a Cerisy-la-Salle, 1996 ( ), Eco in fabula: Umberto Eco dans les sciences
humaines (Leuven, 1999, ) .
5 : (Eco's Home Page),
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10. . 225.
7 . // . ., 1989. . 429.
8 Eco U. "Reply", in Eco U. Interpretation and overinterpretation (Cambridge University Press,
1992). . 139.
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3 Robey D. "Introduction", in Eco U. The Open Work (Harvard University Press, 1989). . xvi.
4 . : Gritti J. Umberto Eco (Paris: Editions Universitaires, 1991). . 12.
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Press, 1989). . 10.
13 Eco U. The Open Work (Harvard University Press, 1989). . 13.
14 .: Eco U. Semiotics and Philosophy of Language (Indiana University Press, 1984). . 104.
15 . // XIX-XX . .,
1987. . 370.
16 Eco U. The Open Work. . 5-6.
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5 .: Eco U. La struttura assente (Milano: Bompiani Tascabili, 1983). . 253.
4 Ibid. . 288.
5 Eco U. The Aesthetics of Thomas Aquinas. . 217.
37
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I'Espresso, I Verri, Rivista di Estetica. 1959
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5 .: Eco U. Apocalittici e integrati (Milano: Bompiani, 1964).
6 .: Eco U. Apocalittici e integrati; .: Eco U. Apocalypse Postponed (BFI
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15 Eco U. Apocalypse Postponed. P. 30.
16 .: Eco U. Travels in Hyperreality (London: Picador, 1987). . 140.
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18 Ibid. . 142.
19 Ibid. . 141.
20 Eco U. Apocalypse Postponed. . 25.
51
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21 Eco U. Apocalypse Postponed. P. 54.
22 .: Eco U. Travels in Hyperreality. . 138.
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"Casablanca: Cult Movies and Intertextual Collage", in Faith in Fakes. Travels in Hyperreality
(Minerva, 1995). . 201).
56
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13 , , , . , .
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. . (1896-1930). , 1991.
. 165-167.)
14 .: Eco U. The Role of the Reader (Indiana University Press, 1979). . 21-22.
15 . : . .
. . 57-63.
60
retake - ,
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2 , - "
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., 1996. . 34).
3 .: Eco U. Travels in Hyperreality. . 43.
64

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5 Ibid. P. 11.
6 Ibid. P. 14.
65
1975 ,
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8 Ibid. . 31.
66
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10 Ibid. . 39.
67
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68
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13 .: Goodman N. Ibid. P. 104.
69
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14 .: Ginzburg . "Clues: Morelli, Freud and Sherlock Holmes", in The Sign of Three /ed. by
Eco and Sebeok (Indiana University Press, 1983). . 105-107.
" " (Benjamin W. "The
Work of Art in the Age of Its Mechanical Reproduction", in Illuminations (Pimlico, 1999). .
215).
16 .: Eco U. "Fakes and Forgeries", in Eco U. The limits of interpretation (Indiana University
Press, 1990). . 176.
17 ( 2- . ., 1991) () "
" (. 2. . 162); ( . copia - ) - " ,
, -" (. 1. . 628); ( . falsifico ): "1) , - ; 2)
; " (. 2. . 540); (
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- ) - ", , ,
, , ,
" (. 1. . 87).
18 Eco U. "Fakes and Forgeries". . 174.
19 Ibid. . 178.
20 : " -
" (Baer E. "Freud and the Trope of Enigma", in Semiotic Unfolding (Berlin, 1984,
Vol. I). . 14).
71
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Press, 1990). . 185.
22 ",
" (Peirce Ch. S. "Logic as Semiotic: The Theory of Signs", in Philosophical Writings
(ed. by J. Buchler. Dover Publications, 1955). . 99).
23 . ,
" - ",
. , "
, " (Ibid. . 100).
24 Eco U. Fakes and Forgeries. . 188.
25 Peirce Ch. S. Logic as Semiotic: The Theory of Signs. . 102, 104.
73

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XV ,
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26 Eco U. Fakes and Forgeries. . 193.
27 Ibid. . 195.
74
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28 Eco U. Fakes and Forgeries. . 201.
75

, (1968)
(1997),
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, .
, ,
.
, 60- 70- .,
1,
, , ,

(, 2).
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1967
(.: Linguaggio e ideologia nel film // Atti della Tavola Rotonda alia III Mostra
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(.: Eco U. La struttura
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76


(1967),
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77
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5 .: . // . ., 1984.
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Indiana University Press, 1979. . 59.)
83
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84
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9 Hall S. "Encoding / decoding", in Culture, Media, Language (ed. By S. Hall, D. Hobson, A.
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87
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12 .: Arnheim R. Art and Visual Perception A Psychology of the Creative Eye (Berkley & Los
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88
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1 Robey D. Introduction // Eco U. The Open Work (Harvard University Press, 1989). . VIII.
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5 Eco U. The Aesthetics of Chaosmos. The Middle Ages of James Joyce (Harvard University
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94
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8 ., .: . . .: , 1992. . 12-13.
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13 .: X. . . ., 1989. . 188-200.
98
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16 Eco U. A Theory of Semiotics (Indiana University Press, 1979). . 274.
17 Eco U. The Aesthetics of Chaosmos. . 67.
99
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4 . // . 1991. 6. . 50.
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4 Eco U. From Internet to Gutenberg, in Lectures at the Italian Academy for Advanced Studies in
America. November 12, 1996.
5 . , 1991 , (Eco U. Conversazione a
Babilonia, in Eco U. Il secondo diario minimo. (Milano: Bompiani, 1992). . 55-56).
6 Eco U. From Internet to Gutenberg.
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February 1995. (Source: http://www.cudenver.edu/~mryder/itcdata/eco/eco.html 4 [
yanko_slava@yahoo.com ])
111
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4 . : Eco U. A Theory of Semiotics.
123
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Carolina Press, 1991. . 49. . : Peirce Ch. S. Logic as Semiotic: The Theory of Signs, in
Philosophical Writings of Peirce /ed. by J. Buchler. Dover Publications, 1955. . 99-100.)
6 .: Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
interpretation (Indiana University Press, 1990). . 42.
124
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7 Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
interpretation. . 33.
8 .: Rorty R. Consequences of Pragmatism. Essays: 1972-1980 (Minneapolis, 1982).
9 (
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11 . , ,
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Interpretation and Overinterpretation. Cambridge University Press, 1992. . 8.)
12 .: Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
interpretation. . 34-35.
13 Ibid. . 35.
126
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1982). . 87.
15 .: Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
interpretation. . 36.
16 Ibid. . 37.
127
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interpretation. . 41.
128
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// ( . . . ). ., 1985. . 214.
2 .: Eco U. Six Walks in the Fictional Woods (Harvard University Press, 1994). . 1.
130
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Interpreting Films. Studies in the Historical Reception of American Cinema. Princeton
University Press, 1992. . 35-47.)
4 .: . . ""
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131
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5 .: Iser W. The Implied Reader (Baltimore: John Hopkins University Press, 1974). . 278.
6 .: Eco U. Six Walks in Fictional Woods (Cambridge: Harvard University Press, 1994). . 16.

132
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81-82.
8 Eco U. "Intentio Lectoris: The State of the Art", in The limits of interpretation.
Bloomington&Indianapolis: Indiana University Press, 1990.
. 50.
133
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134

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10 ,
.: Eco U. Intentio Lectoris: The State of
the Art, in The limits of interpretation (Indiana University Press, 1990); Suleiman S. R.
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Reader-Response Criticism: From Formalism to Post-Structuralism (ed. by J. . Tompkins.
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). ., 1985 .
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11.

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11 .: Eco U. "Intentio Lectoris: The State of the Art". . 44.
12 . ., . .
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., 1985. . 186.
13 Rezeptionsasthetik - ,

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1963 , . . .
, ,

"reader-response criticism" .: . de Man "Introduction", in Jauss H. R.


Towards an Aesthetic of Reception (Minneapolis: University of Minnesota Press, 1983). . viixxix.
136
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15 .: Eco U. "Intentio Lectoris: The State of the Art". . 52.
16 Ibid. . 45.
137
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17 .: Eco U. "Intentio Lectoris: The State of the Art". . 45; : Staiger J. Interpreting
Films. Studies in the Historical Reception of American Cinema (Princeton University Press,
1992). . 24. ,

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19 Eco U. "Unlimited Semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
interpretation. . 24.
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rium, ,
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21 Eco U. "Intentio Lectoris: The State of the Art". . 51.
140

,
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1976 28 1978 29
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22 .: Booth W. Rhetoric of fiction (University of Chicago Press, 1961).
23 .: Communications (Paris, 1966). N. 8.
24 .: Genette G. Figures I, Figures II, Figures III (Paris: Seuil, 1966, 1969, 1972).
25 .: . . . ., 1970.
26 .: Riffaterre . Essais de stylistique structurale (Paris: Flammarion, 1971).
27 .: Hirsch E. D. Validity in Interpretation (New Haven: Yale University Press, 1967).
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--30.

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30 .: Eco U. "Intentio Lectoris: The State of the Art". . 46. 31 .: Iser W. Der Akt des
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32 Eco U. "Intentio Lectoris: The State of the Art". . 49.
143

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(
), 1 .: Collini S. "Introduction: Interpretation terminable and interminable", in: Eco U.
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2 Bordwell D. Making Meaning. Inference and Rhetoric in the Interpretation of Cinema
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144
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"" 3 .: Todorov Tz. "Viaggio nella critica americana", Lettera, 4 (1987). . 12.
4 Eco U. Interpretation and Overinterpretation, . 151. 5 .: Eco U. "On the crisis of the crisis
of reason", in Travels in Hyper-reality (Picador, 1987). . 26.
6 .: Eco U. Interpretation and Overinterpretation. . 23.
7 Ibid. . 38.
145
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8 Rorty R. "The pragmatist's progress", in Eco U. Interpretation and Overinterpretation. With R.
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. 1989. 2. . 49.
146

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10 Smith W. "Umberto Eco", Publisher's Weekly. 1989. Vol. 236. N. 17. . 51.
11 Rorty R. "The pragmatist's progress". . 89.
147
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13 .: Eco U. "Introduction", in The limits of interpretation. . 6.
148
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15 .: Wilkins J. Mercury, or The Secret and Swift Messenger. ed. (London: Nicholson,
1707). . 3-4.
149
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18 .: Eco U. "Intentio Lectoris: The State of the Art". . 54.
151
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20 Eco U. "Intentio Lectoris: The State of the Art". . 57.
21 Ibid. . 60.

22 .: Collini S. "Introduction: Interpretation terminable and interminable", in Eco U.


Interpretation and overinterpretation. . 16.
21 Ibid.
153
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154
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Ibid. . 34.
155
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: Il ' a pas de vrai sens d'un texte.
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.
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.
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,
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27 Eco U. "Interpretation and history", in Eco U. Interpretation and overinterpretation. P. 39-40.
156
- - , , - .
,
.
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.
, : "
, -,
"28.
, ,
.
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:
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, .
.
,
29.

, , ""
, ,
.
, , XIX
,
. " " intentio opens .
28 . : Eco U. Interpretation and overinterpretation. . 40.

29 Ibid. . 50.
157
, ,
- intentio lectoris. ,
intentio operis
,
, .
, ,
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, .
, " " , .
30,
. , ,
,
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A poet could not but be gay, ,
"": gay
, -
31. , ,
, ,
, ,
.
, ,
, . gay,
, ,
30 .: Eco U. "Overinterpreting texts", in Eco U. Interpretation and over-interpretation. . 63.
31 Eco U. "Between author and text", in Eco U. Interpretation and overinterpretation. . 68.
158
. ,
, , ,
.
, ,
, ,
.
, ,
"" (salivi - Silvia).
i. ,
, ,

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. , ,
terrain vague,
. . ,
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-
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, ,

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159
De laudibus snt , 32.
, , ,
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), ,
.
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,
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. ", , ,
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,
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: , Id, 34).
, , , - .
, ,
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,

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, ,
32 Eco U. "Between author and text". . 72.
33 Ibid. . 73.
34 Ibid. . 81.
160
35.
"" .
,
.
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( )
- , ,
36. , ,
, Intentio Lectaris,

. ,
-
, .
, ,
intentio operis intentio lectoris , intentio
, ( ).
"" .
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,
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, , ""
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, , ,
,
35 Eco U. "Between author and text". . 83.
161
"". ,

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(overinterpretation)
(underinterpretation).
, intentio opens,
"",
.
,
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.
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,
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, . ,
-

-
. ,
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.
, "
,
".
" "37.
36 .: Rorty R. "The pragmatist's progress". . 92. 37 .: Culler J. "In defence of
overinterpretation", in Eco U. Interpretation and overinterpretation. . 117-123.
162
: " "
"" - .
: "" - " ".
: - ,
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.
163
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2. close reading,
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paraissais..." - , ,
,
. ,
,
. "
" (effet de brouillard), ,
, 3.
, ,

"". - "
"4.
, 1 Eco U. Six walks in the fictional woods. . 15.
2 . "Sur Sylvie"
VS. 31-32, 1982.
3 .: Eco U. Interpretation and overinterpretation. . 147.
4 Eco U. Six walks in the fictional woods. . 20.
164

, "", ,
.
"" (
):
,
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5.
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(inferential walks). , , (
), , ,
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6.
5 Eco U. Six walks in the fictional woods. . 3. 6 Ibid. . 41.
165
,
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,
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. 7 Eco U. Six walks in the fictional woods. . 27.
8 Ibid. . 50.
166
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9 Eco U. Six walks in the fictional woods. . 89.


10 .: Putnam H. Representation and Reality (Cambridge Mass.: MIT Press, 1988). . 22ff.
167
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11 .: Eco U. Six walks in the fictional woods. . 90.
168
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XVII , XIX ).
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.
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, :
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12 Eco U. Six walks in the fictional woods. . 108.
169
.
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XIII), ,
', .
13.
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13 Eco U. Six walks in the fictional woods. . 109.
170
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14 Eco U. Six walks in the fictional woods. . 118.
171
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), ,
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15 Eco U. Six walks in the fictional woods. . 127.
16 Ibid. . 116.
172
...
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(
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).
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,
,
60-70- 2.

1 .: Eco U. Kant e l'ornitorinco (Milano: Bompiani, 1997).


2
(. 119 - 144).
, ,
,

,
. , , "
", " "
(. 121). , "

, " ( . . . .,
1993. . 137).
, . ,
,
, (.: Peirce Ch. S. Logic as Semiotic: The Theory of
Signs. . 104-107). ,
, , "
" (. : . . . 124). ,
, "
" " ". "
. ,
, . ,
, ?" : "
: (),
() , , ,
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. ( . . 125, 130, 131, 135.)
173
. , ,
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- , .
, ,
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,

174
,
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, .
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",
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,
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, , -

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(, ,
XVIII ), "",
, .
, ,
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, -
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,
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, , , --.
, .
3 .: Eco U. A Theory of Semiotics. P. 191-192.
175
,
. ,
4.
, .
: " , , , ?" , .
. , , -,
? .
,
, ,
-,
. ,
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, -
?
"" "" :
- 5, ,
, ,
- . "
, " " terminus ad quem "6.
--, ,
. , ,

,
. , ,
.
4 Eco U. A Theory of Semiotics ("Sull'essere"). . 2.
5 " " "
" ( ,
"", ). (.: Peirce Ch. S.
Pragmatism in Retrospect: A Last Formulation, in Philosophical Writings of Peirce. . 275.)
6 .: Eco U. Kant e I'ornitorinco. . xi.
176
, , "" ,
,
.
,
7. ,
, , ,
"" , .
, ,
( - ). ,
, ,
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?8
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). - , ,
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7 Eco U. Kant e I'ornitorinco. . 8.
8 Ibid. . 35.
177

. ,
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.
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, ,
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,
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,
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()
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-, , ,
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9 Eco U. Kant l'ornitorinco. . 35.
178
, .
, ,
, ,
.
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, , ,
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,
10.
, , ,
.
. , ,
- . -,
, . ,
10 .: Eco U. From Marco Polo to Leibniz: Stories of Intercultural Misunderstanding, in
Lectures at the Italian Academy for Advanced Studies in America. 1996
(http://www.columbia.edu/cu/casaitaliana/marco 5 [
yanko_slava@yahoo.com ]).
179
, .
, ,
. , "
, "11. ,
, .
! -, , , ,
, . ,
. ,
. : " .
, ; "12.
, - :
.
, .
" ". , , .
, ,
,
( , - , ,
, )? , , - .
, , ,
, ,
( ).
,
, ,
.
, ex novo,
11 Eco U. From Marco Polo to Leibniz...

12 . .: ,
1955. . 178.
180
.
.
- , ?
"" , . ,
"", ,
.
,
. , , ,
, , ();
, ,
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, , , ?13
(
"" ),
, -
14. ,
, ,
. -
. , 15. ,
?
13 Eco U. Kant, Peirce e l'ornitorinco, in Kant e L'ornitorinco. . 45.
14 , "
;
, ,
, ,
. .
, " (Peirce Ch. S. Perceptual Judgments, in
Philosophical Writings of Peirce. . 304).
15 Eco U. Kant, Pierce e l'ornitorinco. . 68.
181
- ,
.

( "",
?..).
, , , , ,
, "" ( ),

, ,
, 16.
, , ,
. , , , , -
.
,
: , , , , .

. ,
- , , , , ,
,
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).
,
(). ,
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(
) 17. ,
18. 16 Eco U. Kant, Peirce e L'ornitorinco. P. 79.
17 Ibid ("Tipi cognitivi e contenuto nucleare"). . 109.
18 , "
", , , - ,

182
.
, ,

19.
, , - (
),
, .

( ) (
). ,
.
, , -
.
. , contenuto nucleare , , -
.

, "" ()
, , ,
, , .
?
, -
(, ),
( : " "
?). trompe-l'oeil20.
. - , ,
,
. (.: Group ? "Iconism",
in Advances in Visual Semiotics (ed. by Th. A. Sebeok, J. Umiker-Sebeok. Paris: Gruyter, 1994).
. 31.)
19 Eco U. "Iconismo e ipoicone", in Kant e L'ornitorinco. . 336.
20 Ibid. . 312.
183
,
(,
)
.
?
? ( ,

- ). ,
""
.

"-" ,
,
, ( )
. ""
, ,
- , .
- ,
,
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- .
- ,
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,
? ? .

, , .

184

, .

, , - .
, ,
, (""
). , ,
, - .
"--"
"---", -
. -
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.
, , -

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,
. : ,
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. -
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), ,
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,
, , " " "",
, . .,
.
: ,
, -
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) ,
1. , ,
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, .
,
- "",
. ,

- - . , ,
,
, .
, .
,
- .
: -
-
.
( ), (, , , ) ().
, ,
"" , 1 ., : Gritti J. Umberto Eco. Paris: Editions Universitaires, 1991.
186
,
(, -
,
). ,
, ,
,
.
" ". ,

. , -,
"" -
. ,
, -
-:
"",
.
, , ,
S/Z , , "
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.
-
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, .
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, , . " " .
. -, "" 187

,
, ,
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XIX XX,
- " "
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, :
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-
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10 .
-
,
, 188
, , .
" " " "
, . , ,
. ,
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,
.

, , ,
, .
189
1
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