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Umberto Eco: the paradoxes of interpretation 54
Summary 54
55
WWW 59
A Conversation on Information 59
Traveling Through Hyperreality With Umberto Eco 70
From Internet to Gutenberg 71
Part II 72
Part III 73
Part IV 74
Part V 76
Part VI 77
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1 .: A Conversation on Information. An Interview with Umberto Eco, by Patrick Coppock,
February 1995. . 6. (Source: http://www.cudenver.edu/~mryder/itc_data/eco/eco.html 1 )
13
(1968), (1986);
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: Bachorski H. J. (ed.) Lecturen, Aufsatze, zu Umberto Eco "Der Name der Rose"
(Goppingen: Kummerle, 1985); Giovannoli R. (ed.) Saggi su "Il Nome della Rosa" (Milano:
Bompiani, 1985); Haverkamp A., Heit A. (ed.) Ecos Rosenroman. Ein Kolloquium (Munchen:
Deutscher Taschenbuch Verlag, 1987); Magli . (ed.) Semiotics: Storia Theoria Interpretaziune.
Saggi intorno a Umberto Eco (Milano: Bompiani, 1982); Burkhardt A., Rohse E. (eds.) Umberto
Eco. Zwischen Literatur und Semiotik (Braunschweig: Ars et Scientia, 1991); Stauder Th. (ed.)
"Staunen uber das Sein". Internationale Beitrage zu Umberto Ecos "Insel des vorigen Tages"
(Darmstadt: Wissenschaftliche Buchgesellschaft, 1997); Bouchard N., Pravadelli V. (eds.) The
Politics of Culture and the Ambiguities of Interpretation: Eco's Alternative (New York: Peter
Lang Publishers, 1998); Petitot J., Fabbri . (eds.) Umberto Eco: Au nom de sens. Les actes du
Colloque a Cerisy-la-Salle, 1996 ( ), Eco in fabula: Umberto Eco dans les sciences
humaines (Leuven, 1999, ) .
5 : (Eco's Home Page),
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10. . 225.
7 . // . ., 1989. . 429.
8 Eco U. "Reply", in Eco U. Interpretation and overinterpretation (Cambridge University Press,
1992). . 139.
18
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6 .: Eco U. Six walks in the fictional woods (Harvard University Press,
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3 Robey D. "Introduction", in Eco U. The Open Work (Harvard University Press, 1989). . xvi.
4 . : Gritti J. Umberto Eco (Paris: Editions Universitaires, 1991). . 12.
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4 Eco U. The Aesthetics of Thomas Aquinas (Harvard University Press, 1988). . 213.
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12 Eco U. The Aesthetics of Chaosmos. The Middle Ages of James Joyce (Harvard University
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13 Eco U. The Open Work (Harvard University Press, 1989). . 13.
14 .: Eco U. Semiotics and Philosophy of Language (Indiana University Press, 1984). . 104.
15 . // XIX-XX . .,
1987. . 370.
16 Eco U. The Open Work. . 5-6.
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1994). . 2.
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5 .: Eco U. Apocalittici e integrati (Milano: Bompiani, 1964).
6 .: Eco U. Apocalittici e integrati; .: Eco U. Apocalypse Postponed (BFI
& Indiana University Press, 1994).
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10 Eco U. Apocalypse Postponed (BFI & Indiana University Press, 1994). . 18.
46
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13 Ibid. P. 26.
49
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15 Eco U. Apocalypse Postponed. P. 30.
16 .: Eco U. Travels in Hyperreality (London: Picador, 1987). . 140.
50
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18 Ibid. . 142.
19 Ibid. . 141.
20 Eco U. Apocalypse Postponed. . 25.
51
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21 Eco U. Apocalypse Postponed. P. 54.
22 .: Eco U. Travels in Hyperreality. . 138.
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2 Eco U. The Open Work (Harvard University Press, 1989). . 183.
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14 .: Eco U. The Role of the Reader (Indiana University Press, 1979). . 21-22.
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2 , - "
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., 1996. . 34).
3 .: Eco U. Travels in Hyperreality. . 43.
64
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5 Ibid. P. 11.
6 Ibid. P. 14.
65
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7 Eco U. Travels in Hyperreality. . 47-49.
8 Ibid. . 31.
66
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10 Ibid. . 39.
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68
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13 .: Goodman N. Ibid. P. 104.
69
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14 .: Ginzburg . "Clues: Morelli, Freud and Sherlock Holmes", in The Sign of Three /ed. by
Eco and Sebeok (Indiana University Press, 1983). . 105-107.
" " (Benjamin W. "The
Work of Art in the Age of Its Mechanical Reproduction", in Illuminations (Pimlico, 1999). .
215).
16 .: Eco U. "Fakes and Forgeries", in Eco U. The limits of interpretation (Indiana University
Press, 1990). . 176.
17 ( 2- . ., 1991) () "
" (. 2. . 162); ( . copia - ) - " ,
, -" (. 1. . 628); ( . falsifico ): "1) , - ; 2)
; " (. 2. . 540); (
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( )" (. 2. . 81); () ( . Authentikos
- ) - ", , ,
, , ,
" (. 1. . 87).
18 Eco U. "Fakes and Forgeries". . 174.
19 Ibid. . 178.
20 : " -
" (Baer E. "Freud and the Trope of Enigma", in Semiotic Unfolding (Berlin, 1984,
Vol. I). . 14).
71
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Press, 1990). . 185.
22 ",
" (Peirce Ch. S. "Logic as Semiotic: The Theory of Signs", in Philosophical Writings
(ed. by J. Buchler. Dover Publications, 1955). . 99).
23 . ,
" - ",
. , "
, " (Ibid. . 100).
24 Eco U. Fakes and Forgeries. . 188.
25 Peirce Ch. S. Logic as Semiotic: The Theory of Signs. . 102, 104.
73
, "26.
, , .
XV ,
,
IV . XVII
, Corpus Hermeticum
, . , ,
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26 Eco U. Fakes and Forgeries. . 193.
27 Ibid. . 195.
74
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28 Eco U. Fakes and Forgeries. . 201.
75
, (1968)
(1997),
, (
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, .
, ,
.
, 60- 70- .,
1,
, , ,
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1 (., , : Eco
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1967
(.: Linguaggio e ideologia nel film // Atti della Tavola Rotonda alia III Mostra
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(.: Eco U. La struttura
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,
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3 .: Eco U. Kant e I'ornitorinco (Milano: Bompiani, 1997). . 301.
77
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78
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82
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Indiana University Press, 1979. . 59.)
83
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84
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9 Hall S. "Encoding / decoding", in Culture, Media, Language (ed. By S. Hall, D. Hobson, A.
Lowe and . Willis. London, 1980). . 131.
86
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87
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12 .: Arnheim R. Art and Visual Perception A Psychology of the Creative Eye (Berkley & Los
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88
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1 Robey D. Introduction // Eco U. The Open Work (Harvard University Press, 1989). . VIII.
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5 Eco U. The Aesthetics of Chaosmos. The Middle Ages of James Joyce (Harvard University
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94
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8 ., .: . . .: , 1992. . 12-13.
9 . "Voulez-vous tenir ceci, s'il vous
plait?" :
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., 1990. . 296.
16 Eco U. A Theory of Semiotics (Indiana University Press, 1979). . 274.
17 Eco U. The Aesthetics of Chaosmos. . 67.
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6 Eco U. From Internet to Gutenberg.
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yanko_slava@yahoo.com ])
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11 Ibid. . 83-85.
120
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3 Eco U. Semiotics and the Philosophy of language (Indiana University Press, 1984). . 1.
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123
5.
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7 Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism", in The limits of
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125
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126
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127
, -, . ,
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17 Eco U. Unlimited semiosis and Drift: Pragmaticism vs. "Pragmatism" in The limits of
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128
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2 .: Eco U. Six Walks in the Fictional Woods (Harvard University Press, 1994). . 1.
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9 Eco U. "Intentio Lectoris: The State of the Art" // The limits of interpretation. . 45.
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,
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10 ,
.: Eco U. Intentio Lectoris: The State of
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.
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11 .: Eco U. "Intentio Lectoris: The State of the Art". . 44.
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13 Rezeptionsasthetik - ,
. , , ,
1963 , . . .
, ,
, ,
"" ,
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17 .: Eco U. "Intentio Lectoris: The State of the Art". . 45; : Staiger J. Interpreting
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19).
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coincidentia opposito18 Eco U. "Intentio Lectoris: The State of the Art". . 46.
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21.
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32 Eco U. "Intentio Lectoris: The State of the Art". . 49.
143
" " , , - .
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, , ,
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10 Smith W. "Umberto Eco", Publisher's Weekly. 1989. Vol. 236. N. 17. . 51.
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"12.
1990 ,
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, , 1985 1990 .
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16 Eco U. "Introduction", in The limits of interpretation. . 3.
150
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17 Eco U. "Introduction", in The limits of interpretation. . 4-5.
18 .: Eco U. "Intentio Lectoris: The State of the Art". . 54.
151
,
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19 .: Eco U. "Small Worlds", in The limits of interpretation. . 64.
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, - .
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1990 ,
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20 Eco U. "Intentio Lectoris: The State of the Art". . 57.
21 Ibid. . 60.
, .
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II - . ,
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:
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, inter alia,
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,
, 25 Eco U. "Interpretation and history", in Eco U. Interpretation and overinterpretation. . 32. 26
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155
, , , , , , , ,
, . , ,
.
: Il ' a pas de vrai sens d'un texte.
,
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27 Eco U. "Interpretation and history", in Eco U. Interpretation and overinterpretation. P. 39-40.
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28 . : Eco U. Interpretation and overinterpretation. . 40.
29 Ibid. . 50.
157
, ,
- intentio lectoris. ,
intentio operis
,
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31. , ,
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30 .: Eco U. "Overinterpreting texts", in Eco U. Interpretation and over-interpretation. . 63.
31 Eco U. "Between author and text", in Eco U. Interpretation and overinterpretation. . 68.
158
. ,
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De laudibus snt , 32.
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32 Eco U. "Between author and text". . 72.
33 Ibid. . 73.
34 Ibid. . 81.
160
35.
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36. , ,
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35 Eco U. "Between author and text". . 83.
161
"". ,
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(overinterpretation)
(underinterpretation).
, intentio opens,
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36 .: Rorty R. "The pragmatist's progress". . 92. 37 .: Culler J. "In defence of
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: " "
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, 3.
, ,
"". - "
"4.
, 1 Eco U. Six walks in the fictional woods. . 15.
2 . "Sur Sylvie"
VS. 31-32, 1982.
3 .: Eco U. Interpretation and overinterpretation. . 147.
4 Eco U. Six walks in the fictional woods. . 20.
164
, "", ,
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5 Eco U. Six walks in the fictional woods. . 3. 6 Ibid. . 41.
165
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. suspense
- .
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. 7 Eco U. Six walks in the fictional woods. . 27.
8 Ibid. . 50.
166
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12 Eco U. Six walks in the fictional woods. . 108.
169
.
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XIII), ,
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19 Eco U. "Iconismo e ipoicone", in Kant e L'ornitorinco. . 336.
20 Ibid. . 312.
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