Cepreit CIOHAMCKMM PEKBUEM uA conucmos, cCmMewanHozo xopa u cumqbonuueckozo opkecmpa Kuapyp Sergei SLONIMSKY REQUIEM Jor soloists, mixed choir and symphony orchestra Piano score ‘hi Kownoanrrop + Canxt-Ilerep6ypr Compozitor + Saint PetersburgCepreit CIOHAMCKMM PEKBUEM OA COMUCMOB, CMeWAaHHOZO Xopa u cum@ouureckozo opkecmpa Kuasup Sergei SLONIMSKY REQUIEM Jor soloists, mixed choir and symphony orchestra Piano score Ai Komnosirop + Canxr-Ierep6ypr Compozitor * Saint Petersburg 2017YAK 784.22 BBK 85.941 C48 Cronuncxuit, Cepreit Muxaiaonn (C48 PEKBHEM ata coaucton, cmeml. xopa m cud). opx. Kaasup. — CII6. : Komnosurop + Canxt- Terepbypr, 2017. — 56 . ISMN 979-0-66000-044-1 Cepreli Muxaiizonn Cnoumucknii (p. 1932) — onnn we mtrepecneiiamnx oresiecTBeHITEIx KOMHOSHTOPOB HACTO- mero BpeMeHH, aBTOp NpONaReAeHTIT BO BCX >kAMPAX: OT OEP H CHMGONHH 20 MeOH IX KHHeMaTOrpaga. Pexswtew coantan xoxtto3irropom » 2003 roxy. Or GonsumHcrea nponsserenil 8 270M 2kanpe OH OTAINYAeTER HSMe~ HeHHBIM — TO cpaBHeHTto c KaHoHHMecKHM — nopa”IKOM crenonarng TeKCTOB. PeKBiteM CHOHHMCKOTO HBHavambHO He npenwasnasaeTox {1M cOBEpLLeHHs OOpsxa. ITOT AK Aa KOMMOSHTOpa CiTyAGHT HOCHTENIEN OFUICH HAH NOKA- ‘uta, moms6H1 06 oTHyiLeat rpexon. [IporsBombHO HepeAys TeKCTE, ABTOP AKI[EHTHPYET Te CMBIEAIOREIC H SMOMHO- asbitbie MOMENTS, KOTOPHIE BAKHGI JAX NETO D BIspAReHHH ITOH WACK. ‘YIU 784.22 BBK 85.941 Ceprei Muxaiinosns Caonmmcxuii (p. 1932) — onui u3 nirrepecueliumx oTevecTBeHHEIX KOM- osHTOpOB HACTOAIICTO BPEMEHH, ABTOP NPOKSBENeHHM BO BEX AANpAX: OT Onep H CHMKpOHIT 20 Menonuii ans KHHeMaTorpada Pexsvem cozai KoMno3HTOpoM # 2003 roay. OT GonbInHHCTBA CoMMHEHHIt B STOM 7aHpe OH OTSIK- WaeTCa UIMeHEHHEIM — 10 CPaBHeHHMIO c KAHOHHYECKHM — rlopalKOM cslenoBaHua TeKcToB. Hctopus snaet npamepti caoGoavtoro obpamleHts c ycTaHoBMBilHMes B XTV BeKe KaHOHOM PeKBHEMA: COMHIC- nna Oxerema, Opaanto Jlacco 4 HeKOTOpHIX HX COBPEMEHHUKOB COMEpAKAT He BCC YACTH PHMCKOTO xanona, Fa6pnom Dope » XIX sexe nponycran sacrs Dies irae, Benstkanun Bpurren p pexe XX coemminn 8 cBOeM “BOCHKOM pekBHeMe> KAHOHHYECKHE NaTHHCKHE TEKCTEI CO CTHXAMI Ha aNraitiic- KOM a3nike, CymlecTBYeT Takcke TPAHILHs «HeMeUIKOTO PeKBHEMA», CBASAHHAA C HCONLIOBAHHEM TEK- cTos 13 moTepancKoli BHOAHH BMeCTO AATHHCKHX. Pexsvem npouien soariii HCTopHNeckHil nyTs OT arpHGyTa lepKOBHOH cny-xGH! Jo caMocrosTeNb- Horo My3sIKaibHorO 2KaHpa. PexeHem CHOHHMCKOTO H3HAYANGHO He mpeaHastaaeres Ain CoReplie- Hus OSpaja. Stor xKaHp Au1a KOMMOSHTOpa ChYAHT HOCHTeNEM OGmelt MACH MOKaAIHA, MoaLOEI 06 ornyutenun rpexos. TponsnosbHo Yepenys TeKCTEL, aBTOP aKUICHTHPYCT Te CMBICAOBBIE H 2MOUHO- HAIbHBIC MOMEHTBI, KOTOPHIe HaHOONICE BAKHDI JLIA Hero 8 BHIPAXeHHM STO MACH. ‘Sergei Mikhailovich Slonimsky (born in 1932) is one of the leading composers belonging to the modem Russian music, the author of works in different genres, from operas and symphonies to cinema sound-tracks. ‘The Requiem dates 2003. This grand canvas is distinct from the numerous similar compositions of this genre. It happens because of the text order, which is changed in comparison with the canonic ecclesiastic one. The music history witnessed the cases of this genre's (established in the 14th century) free interpretati mn. Remember the requiems by Ockeghem, Orlando Lasso and their contemporaries. Not all the Roman canon’s movements are present in those works. Gabriel Faurd omitted «Dies irae» in the 19th century, while Benjamin Britten amalgamated canor his Latin texts with the English verse: «Military Requiem» dating the 20th century. The Requiem’s German tradition allows to resort to the Lutheran Bible’s verses instead of the Latin ones. It took rather a long time to make the Requiem independent of the church service. Now it’s affirmed as the mere musical genre. ‘Slonimsky's Requiem is not initially implied as the part of some ritual. Lofty thoughts, repentance, the prayer of sins’ redemption. The composer sets himself free of the canonic textual disposition, marking the most vital shades of meaning, which emotional kernel looks extremely burning for his mind. ISMN 97 Toc, Ne .0-66000-044-1 ©C.M, Corser, 2004 471s © Komnoawrrop * Canxr-Tlerep6ypr, 20043 REQUIEM +: C. CIOHUMCKHE L Lacri S. SLONIMSKY Andante (J=72) ~ Maerimosa ‘mp cantabile Soprano solo La. crimo.sa di = esil-ta, qua re.sur- get. ex fa-vil . Coro cas xLa ~ cri.mo.sa = ¢rimo.sa, de ik, e475 xmf cantabile Asolo re.sur . get fa.vil . la, S.sclo Asolo attacca eaxIL. Dies irae Allegro (¢.-132) tel vil-ta, ca7IS«tremor dis - cus. dis . eas [dis - cus — [su_rust nea cisea’ Coro mf crese Di. mf. crese. Di. mf crese. Di. nif.erse__ P crese, Di. P irese, Di. Pp crese Di. P erese, 475K‘Moderato (4-182) (J=6s) Sf. =—— = B.solo bor non sit cas. sus, em ma. . 0. nis attacea CATS «0 III. Requiem aeternam Moderato (J=182) A cI ta ‘Asolo £ © Re. quivem ae Sf; Re-qui-em a | A.solo A.soh Coro e475 xu cS «attaces 4715 xTV. Lux aeterna Adagio (J=60) s A Coro me Vv f= T oo nna, tux ae-ter-na,| tux ae - ter rna,lux ae.ter. na B Luxae ter. na, lux arster 5a, luce. at eis, Do. mi. ne Lux acter 2 natu. ce. at e - is a WE 4715 x14 otis tu. is in ac. ter | mam, quis pi. us , _Do-mi-ne, Lux ae. ter - a, ca7sxV. Tuba mirum Moderato (d=60) so_num, © -num, co. get omnes an te e475 xCum re sur get crea. re. sur-get crea. Mors stu .| pe. bit et L a jue di. can.ti Jus di. can.ti res 47SBa Pep ee eee Liber serip.tus pro.fe-re-tur | in quo totum con ti - ne tur Lp nil i multum re. ma. ne - bit, P, Ju-dex ergo cum se. debit |quid.quidla.tet ap.pa-re-bit: | nil i. nul.tum re ~ ma - ne - bit eiat. - hetbe p . . |P Ju.dex ergo cum se. de.bit quid.quidla.tet ap . pa . re - bit f= fm Quid sum mi. ser quem pa. tro. num Quid sum - ser quem pa tro. num case= tunis? 2, casea720 e475VIL. Agnus Dei 2 Larghetto (J=72) — \ 7p dim. -di, do. me . is re. quis em, do. oma 2 ral stone Ag. eae22 T. solo e475 xcams x24 VII. Rex tremendae majestatis Allegro moderato (/-182) ( (ie men . dae ma. jes Ei25 Bsolo = «= van.dos sal.vas gra sal . va me, fons pi. \ piacere sub pp” mesto —_ B. solo -tist sal. vaome, fons pi - ¢ - 2. tis! caTIS«26 Tempo I (J=182) 5) Allegro moderato ca7is x2 VIII. Domine Jesu [43] Andantino (1-50) J fl of . ciseab . sor-be.at : ta. ms, ca. dant in ob.scu e475 «S.s010 prac-sen.tet € a8 in lu.cem sane tam: quam 0. lim A. bra. hae cas* IX. Hostias Moderato (J=120) mf lau. dis of fe - ri. mus] Tu mf = ees - Re, «dis of. fe.ri-mus. cask31 S.solo a8, Do.mi-ne, | de mor Asolo Fac ¢ - as, Do.mi.ne, | de mor . te tran} si- e475 x32 S.tolo A.soto T.solo Bi solo \ 4 v=) ca7IS xX. Sanctus [5] Vivace (J-210, J-120) Sane. tus, f Sane. tus, F De - us} De - us, e475ea715 xSane . tus, sane . tus, } sane. tus, Sane. tus, — sane — ts, Sz = e475 « 3536 Coro A715 x37 XI. Benedictus Andante (66) 5 tus, [be ~ ne - dic P. qui ve-nit in [no lps so sdic tus, gui ]ve - nit inno anf cresc no mine Do. mie ai case“A Coro bene. die. tus, nf t Be-ne.dic - tus,|be be - ne. dic. tus, fe B Be.ne. die. tus, be. ome. dic . tus, bene. die - ms, be-ne-dic - tus, | benedic tus, e475 xXIL. Libera me Lento (4=60) P crese. nf quan - docoe . ti mo ven . di sunt etter —s— re sac-culum per ig 47S40 Asolo Aso Di. es i-rae, fac. tus. sum discs ily es go ATS « ct mi. se ri-ae,a 2—~ =I Zs sub p A.solo 4715 xe XIIL. Kyrie eleison Allegro moderato (J. | Ky-He etd. sm Guise I. son Ky. 2 e eulei ea7ISKATICoro son, Chri. 4715 x45 Chi. ste e [lei Coro \ cals x4715 x47 Coro son, Christe e son.Chri-ste e ATS x48 Coro ky a749 Pitt mosso (J.~100) t. A715 «50 Coro \ Tempo I (J.-80) e475 «s. © cree. mole 2, © crs mato cre mat © @) cree male Mio © crs mali pecs owe FF TLS cere mat ao | HSS HP cere motoAndante (J=72) es il. la XIV. Lacrimosa ease P doleissimo33, cATS xCoro La cri.mo.sa s if cant re-sur - get ju. di.ean . dus38 —_—=, - — Lact. mo PP _ La.cri-mo easeConepaanne I. LACRIMOSA. IL. DIES IRAE. Il. REQUIEM AETERNAM ... IV. LUX AETERNA, V. TUBA MIRUN ..... VI. AGNUS DEI... VII. REX TREMENDAE MAJESTATIS VIII. DOMINE JESU .. IX. HOSTIAS ... X. SANCTUS -osssssseee 233 XI BENEDICTUS ...... 37 XII. LIBERA ME... XII. KYRIE ELEISON XIV. LACRIMOSA .. Cepreit Muxaitzosi Caommmexait PEKBHEM ‘xz cosuemoe, ewewannozo xopa uw cuncpomueckozo oprecipa Krasup ‘Texuusecenli peaaxtop 7.10. Padeesa. Koppektopst 0. C. Cepoea, A.E. Monocos. Aurawlickwit texct A.J7. Apdosoi. Horuuit naGop JM. Ozopodnoea, E. B. Haenxo. Dopwar 60x90 1/8. Byw. ofc. Vapi. raituc, Mew. a. 7. Yo.naa. 1 95. anarenverao «Kownosrop » Cauxr-llevep6ypro. 190000, Canncr-erepbypr, Boshuan Mopexan yn. 45 Tex /tpaxc: +7 (812) 314-50-54, 312-04.97 e-mail: market@compozitor spb.ru._-www.compoziter spb.ru ‘wan sonarenscrsa worm waraain «Cepepaan spe» 191186, Cauer-Mlerep6ypr, Heecxni np., 26 Teafpaxe: +7 (B12) 312-0796 e-mail: severira@meil.u Ornevarayo # tunorpapun wanaremcrea «Komnoamrop + Cater Mlerep6ypro