ARİF MƏLİKOV • АРИФ МЕЛИКОВ • ARIF MELIKOV

KONSERT
КОНЦЕРТ
CONCERT
FORTEPİANO VƏ SİMFONİK ORKESTR ÜÇÜN
İKİ PİANO ÜÇÜN KÖCÜRMƏ
ДЛЯ ФОРТЕПИАНО С СИМФОНИЧЕСКИМ ОРКЕСТРОМ
ПРИЛОЖЕНИЯ ДЛЯ ДВУХ ПИАНО
FOR PIANO AND SYMPHONY ORCHESTRA
APPLICATIONS FOR TWO PIANO

KLAVİR • КЛАВИР • CLAVIER

 Sevimli qızım Şirin Məlikovaya ithaf edirəm
Посвящается любимой дочери Ширин Меликовой
Dedicated to the beloved daughter Shirin Melikova

KONSERT. КОНЦЕРТ. CONCERT

Севимли гызым Ширин Мяликовайа итщаф едирям
Посвящается любимой дочери Ширин Меликовой
Dedicated to the beloved daughter Shirin Melikov
FORTEPİANO VƏ SİMFONİK ORKESTR ÜÇÜN
KONSERT.КОНЦЕРТ.CONCERT
ДЛЯ ФОРТЕПИАНО
Fortepiano СvəСИМФОНИЧЕСКИМ ОРКЕСТРОМ
simfonik orkestr üçün.
ДляFOR
фортепиано
PIANO ANDс симфоническим оркестром
SYMPHONY ORCHESTRA
For piano and symphony orchestra
İKİ PİANO ÜÇÜN KÖCÜRMƏ
Simfoniya № 4
ПРИЛОЖЕНИЯ ДЛЯ ДВУХ ПИАНО
İki piano
FORüçün köcürmə.
APPLICATIONS
Simli orkestr цъцн
TWO PIANO
Приложения для двух пиано.
Applications for two piano
Arif A.MƏLIKOV
Məlikov
 Allegro moderato
5  7 А.МЕЛИКОВ
A.MELIKOV
            
    
                   
 
    
 
   
  
 
f
 
3 7


Piano I
  5
  
                
 
(solo)

 
 
  
 
3
 
     
Allegro 
moderato   
 

     
  
 
div.
  
3

Piano II
 
(orkestr)

        

  
                 
                
           
             

    
sf 9
     
7

                       
Piano I

cresc. molto

                        
           
 sf p sub
 
         

  
7 9

  
Piano II  sf
 
     
        
 
  
              
p 

 
        
     
    

                 
fff
p 
ff

  
Piano I

        

   p


  
   

   II   
Piano
    
   
  
  
    
 
  

 3
      
 

  
 
1  Andante       

     
         


      
mf  3

  

  
Piano I
      
  
 
    
    
1 Andante
         
 
 

       



 
  
Piano II p 3

   

 



        
  
            

           
  
   
Piano I
 
      
   
  
 
  
  
         

 
         
        

        
 6 7
Piano II

             
    
 


                
      

             

  
          
3

   
 
      
Piano I

         
   
   

  
  
   
  
                
        



          
   6


Piano II 3

            
  
  
  


     

   


4
  
                 
               
        

 

    

   
3
f

            
Piano I
 
               
    
  
 
   
 

   
    



 


 

  
Piano II f

 
      
 


         
 2           
 
        

Piano I mp
            


 2               

                              
p     
          
  
Piano II
 
     
        


       
              


5 5
Piano I
  
                   

5 5 5 5

                
    
         
    
         

  
Piano II
       
   
     


 
  
 
    

5
                 
       


5

Piano I
        
                    

5 5

       
          
                    
Piano II
 
   
 
 
  

  
  
  

      
 
 


        
        

5 mf
      

Piano I
  

        
5 5

      
         
                  
Piano II 
      
  
 

    
   

       
    



Piano I

            

         
                  
Piano II 
 
 
      
   

 

  



6
 
                        


5 5

        
            
Piano I
 

5 5

               
        
5 5
Piano II

 
         
    
          



                
       


sp 5

      
Piano I
  
                  
5 5

   

       
 
                 

 
  
 
Piano II

   
  
  
   
 

    

  
 

                 
     

5 5

            
Piano I 5

       

5 5 5

              
        
                

    
Piano II

   

   
 


    

  
   

7
 
                

5

 
Piano I
               

5 5

       
       
        
Piano II
 
        
    
   
 

3   
     
 
 
         
 
   

     
   
   
  
 

ff 
 
  
3
 
      
       
Piano I
      
 
   
        
 3

 3  


   

 
  

       

 
       
    
Piano II 3
  
ff

   

    
 




   

                  
                 
                
   
  
fff
Piano I
           

 
                 
               


              
   


      

     

 

Piano II    
        
          


 
 


8
 
        
 

        
          
              
   
3        

Piano I
        
         
          
                
 
3

               

           
      
3
 
Piano II   
    
             
  
 
  
 
  
 
               
       
            
     
       
 3 f
 
      
Piano I
   

     
        

       
3

    
   
     
 
       
  
  
                 
                      
  
  3
 f

Piano II
             

        
      
 
 
  
 

 
               
 
 
 

       
mp
      
 
Piano I
  
       
      


  
 
               
 
 
 
  

       

Piano II
       
  
    
 
 

9
   
 
rit.
 

Piano I
    
  

    
rit.

  
 

Piano II
     
          
    

4 Allegro giusto
     

Piano I
     
4

                   
                
f
             
Piano II

        
                     
    

    

Piano I
     

       
                       
      
                  
Piano II

      
                   
    

10
      
         
          
f
Piano I
              
          

                     
           
Piano II

      
          
   
    


        1              
          

                  
Piano I
   
  
       

 
                            
                
Piano II

   
    

   

       
      
   


                    


                    
Piano I

     
                      
          

    
Piano II

    
   
     
 

   

 
     
    

11
            
poco a poco cresc.
           

sp
Piano I
        
         

     

      
     
     
poco a poco cresc.
Piano II sp

 
     
    
  
        

           
           

Piano I
        
         
     
      
     
     

Piano II

 
  


  
 


  
 





5
           
                
  
f

               
Piano I

            
  

               
5                            
       
Piano II f

          
               

 
     

12
                
                             
       
Piano I
                    
        

               
           
  
Piano II
 
                             
  

   
6                
  
                       

   
f
Piano I
       
           

             

    
6
 
         
f        
Piano II

    
               

     
             
   
Piano I
     
            
   
                     
                            

           

Piano II

       
                      

13
 7

          
    
  
Piano I f
            
     

7 
         
      


 
f f
Piano II
 
        



s.   
 glis   
f
Piano I

 gliss.     
 


                  

 

 
Piano II
 
f
           
  

        
                 
f

   
Piano I
   
 
        



 
ss.  
     
 gli  
f
Piano II
 
      gliss.   





14
  
      gliss.
 
          

Piano I 
      gliss. 
     
  
 

                
      


Piano II
   
 
   
  

            

Piano I

 

    
 

                
 
Piano II


           
 
      

         
            

Piano I

  
            
 

iss.
 
  gl   


Piano II

 gliss. 
    
 

15
      
           


Piano I
    
              
  
       

       
   
3

 
        
    3 6
Piano II

                 
3
      
  3 6


       
8                  
         
f
  
  
Piano I

           
         

8 
      
                 
       
f
Piano II
         

         
       
 


     
                 
              
Piano I
        
         
 
        
 

                 
    
             
  

    
  
Piano II

        
                    




16
                
9                            
       
Piano I
                   
    
   
9

                             
  
Piano II
           
                
  

                
           
  

               
Piano I

           
  
               
                            
       
Piano II

      
         
  
    
   

10  
               
   

f p
Piano I
        
          





10         
               
 
f mf
Piano II

      
 

17
    
               
    
Piano I
  
  
         

        
                     
          
Piano II

    

       
         
             



       
                
poco a poco cresc

             


Piano I
  
          
         
  

                     
       
poco a poco cresc
Piano II
              
      
 

   
 
 
   
 
  
11
 
  
   
f


  
Piano I
  
    

    
 
       
       
11
     
     
     
f
Piano II
   
     
5

18
 
 
            
  
     
      
    

Piano I

        
             

              
                   
 
Piano II

  
 
  
   

     
           
12
  

Piano I

  
  








 
  
12  
   
       
  
  
   
Piano II

      
        
     

 

 

 

 
  
 
     
 

   
Piano I

      
  

       
      
   
  
Piano II

    
 
            
 

19
      
      
       
 
Piano I
          
         
 

    
 
   
  
   
    
 
 

Piano II

    
       
      
 
5

           

13                    
 
Piano I
   

   

   
 
 
   
 
  
13
 
  
   


  
Piano II
  
    

 

    

              
                    
   

 
Piano I

 
   
   
          
  
      
        

     


Piano II

          

        


20
 
 
   
      
14
 
  
 
   

  
Piano I

     
  
     
  

14                 

 



  

Piano II
 
  

     
 
 
  


   
     
     
        


     

Piano I

       
     

 

 

 

 
  
 
     
 
   
 
Piano II

     
 
  
     

 
  
     
      

       
 



      
Piano I
   
  
     
 

            
       
 
Piano II

             
 
       


21
 15
          
                    
f f
Piano I
   
               

  
15
         
        
f
     
Piano II

        

         
           
       
Piano I
     
         
  
         
        
Piano II
     
      
  

               
                          
   
f
Piano I
          
        
      
                   
              

f
          
Piano II
       
         
     

22
                  
                            
   
   


Piano I
       
            
      
  
    

                         
     

                       
Piano II
 
     

    16
                        
        
Piano I
      
                






      
   
              16
   


      
Piano II
                      
 


               
                 

        
   
Piano I

    


  
        
        

.
     
gliss

  
Piano II
           g 
  liss.
 


23
 
17
        
       
         
Piano I
           
              
17

            

Piano II
        
  
             


 

      

s. 18

     
glis
       

Piano I
        
  gliss.    
          



18
      
                       
                
Piano II
       
     
         
   

           
     
Piano I      
      
           
    
       
          
 
Piano II
            
             


24
 19
         
             
  
3

       
3 6 f
   
Piano I
 
         
        

      
3

 



3 6
19         
        
   
          

f
Piano II

                   

     

           
                     
            

    
         
Piano I
      
               

             
            
    
       
  
Piano II
      
       
     
  



20
     
            
   
f

  
   
Piano I
            
     

           20    
  
                   
f
  
Piano II

                  
     




25
 
                
                
   

              
Piano I

          
   

            
                             
      

Piano II
      
       
  
        
  

           
                
Piano I
   
       
   

     
  

             
     
 
Piano II
            
       
 

21
    
         
 
sf f
Piano I
   
         
 

21 
           

Piano II f

        

         

26
 
              
      
   
Piano I
              
          
       
       

Piano II

  








   
  


                  
     

Piano I
                  
     

           

               
   
  
Piano II
       
 

    
     


                    


                    
Piano I

    
                       
    
          
Piano II

   
 

       
 
 
    
         

27
 
22

 poco apoco cresc

         
            
pp
Piano I
        
         
poco a poco cresc

           

22            
pp
Piano II

         
        


       
       
   
    

     
Piano I

     
  
   
       
       
    con Ped

    

Piano II

         

        
con Ped


               
                

           
 
Piano I

          
               
                

            
Piano II

           

28
 
f
mf
                    
     
   

     
fff

  
Piano I

   

     

      

Piano II ffff

 
  
  
 
     


p

 
          
      

     

  
Piano I

   
 

     

      



 
  
  
 
Piano II


Cadenza
 

23 Moderato

       

f
    
  
Piano I
     
3
 
 

  

    
 
pp

23 Moderato

  
Piano II
   

29
       


 
        
f  p
Piano I  pp
   
       
  
 
     pp

   
 
  
 
 

   
Piano II

   


   
   

  


   



 
Piano I 3
 
 
 
    
  

  
 


   
Piano II

   

24 Andante
      

Piano I
     


 3               3 
   
24
 
Andante

     
 
f  3
  
      
Piano II
  
         
  


        

 
   


30
            
          

        

3 3

 
Piano I mf

            3   
3
    
        

  
           
  
   

    
 


3
Piano II
  
  

 

      


    

     


     
 
      
  
       
 


3 3

              
3

       


          
Piano I

 
           
 3   3  
          
3
     
        
     
         
Piano II

 
   
    
    


          
        
  
3

       
        

        
3


3

   
        
 3  3
Piano I

       
   
 
         

         

3

   
        
      
 
Piano II
 
  

    
   

31
           
        
  


   
     

3

   

Piano I
              
3

          

         

   
  
      
    

 
Piano II
 
 


    
 


            

   
 
     
  
3 3
Piano I

                 

 3 3

         
    
    
      
  
 
 

    
   f
     
  
Piano II
      
            
 
   
  
   

25
     
Piano I

     

 
           
25 3  
 
      

3

  
Piano II
  

  
  
      
   
 

32
 Cadenza
   

Moderato
 
26
             

p  
Piano I   
        
     
    
  

26
   
Moderato
    
Piano II

        

  
       

Piano I
 
         
   
    
    
Piano II

    




     
   
 
 
 
  
 
Piano I
 
         
   
  

 

        
Piano II
        


33
 Moderato 
          
  
 27
              


 
 

 
Piano I p

          
           

              
 27

Moderato

      
 
 
p

 
Piano II

   
 
      
         

         
3
          


  
         
         

p
Piano I

         
    
    



  
     
     


 
 
Piano II p

         
    
   
  

         
3

      
    
    

        
      

 
Piano I

          


 
        

      


    
      
       
Piano II

            
         
   

34
  
 
28
 


      
    
 

   

       
 3 3 3

Piano I
 
   
        

    
 

 
   
  
  

  
     
28

 
       
      
Piano II

 
   
   
 

      
       
 
    
         
3 3

Piano I
  
 
 
     
          
   

            
     
 
                
           
Piano II

    

   

 
 
 
    
 
      
    
3 3

Piano I
  
        
      
    
     
  
   
      
        
      
Piano II

  
  
  

35
      
       
  
      
 
3 3

 
Piano I

   
  
  

   
     
  

  
      
 
            
       
Piano II

   
  
  

    
            
          
       
           
3 6

Piano I  6

            
     
     
    
  
      
    
 
 
          
     
             
6
Piano II
   
     
    


     

29   
            
  
      
  
   
 
  
  
3 3 3

f
Piano I

   
3 3 3

               
      
        
29
      
    









Piano II
    

f
      

  

36
      
        
            
 
3 7
f
Piano I

7
3
        
   
          

          



        


f


Piano II

   
 
 
 

 

          

           
   
           
      
  
Piano I
          
 
                  
           

  
                               
 
  
Piano II 3


    
   
  

          
                    
30
 
Piano I p

        
                       

30
     
mf
Piano II


 

p
 

37
                               
  
Piano I

                
               

             
3
Piano II

  
 

                                

Piano I

              
             

    
Piano II
 
 


                              
  
Piano I

        
                        

        

Piano II
 
 
 

38
             
                   

Piano I

 

            
       

         

3
Piano II

 
 


 
     
31
     
       

mp 3 3 3

Piano I  
   
 
   
  
   
 

    

 


31
 
           



    
p
Piano II

   
  
 

        
 
   
        

3
Piano I    
       
 
 
       
   
 
    
 
            
        
Piano II

   
  
  

39
 
   

   
    
   
 

     
3 pp
rit.
Piano I
 
  
            
     
    
  
     
 


 

   
pp
Piano II rit.
      
  
32
                             
Allegro vivo

                                     

f

    
         
Piano I

     





        
   
32 Allegro vivo
    
   

    
   
            
                        
f
Piano II

                 

         


              
    

                                     
                                    


  
     
Piano I

   















   
             
         
  
     


   
 
     
 


      
Piano II

                           
 
               
           

40
                
                         
      
              
Piano I

    


  
 
 
 

     
                     
    

Piano II

        

              
  
 

 

                 
33
    
                      
mf

  
Piano I
   
        
 

    

           33
          
    
mf


Piano II

        
      

       
     
 

       
                  
   

  
Piano I
     

  
 
    
 
f

 
Piano II
       
            
           


41
 34
 
                  
 
f

      

Piano I
   
     
 
34 
       
           
                     

       

Piano II f
                          
      
     

                  
                  
              
 
  
 
    
Piano I

                 

       
       
         
                            
  
Piano II

                  

                   
       

       

  
       
35
             
 

p f
Piano I sf

       

            
   
   
    
        

 35
                       
       
sf p
Piano II
             
  
 

  
  

 


42
                                          

  

f

              
   
Piano I

   

         

                     
                    
Piano II

       

    
  
     
  


36
 
                             
                          
    
f
Piano I

  
          
   
          
 

36 
    
                         

Piano II f

                       
    


    
 
  
   


   
   
   

   
ff

 
Piano I
  

    
    

     
   
                         

f
Piano II
    
                      
 
 

43
 
     
 
     
          

  
Piano I
  
 
     
          


   
                         

Piano II f

 
                         

 

   
    

  
            
     

       

  
 
 
  
Piano I
   

     

   
   
  

      


   
  
Piano II

    


37         
       
            
 
   
    

  

    
Piano I

  

  
37
   
     


 
Piano II

       
  
             

44
     
     
       
      
             

     
          
Piano I
    


               

    
 
 
       
  
   

 
 

Piano II

       

 

           
   
 
   

          


  
Piano I     
     

   
             
    


 
Piano II
  
            
  

38
                                     
                                     
p cresc. poco a poco

    
         
Piano I

      
           
   
38 
    
   

    
   
         
            
p cresc. poco a poco
Piano II
                 
         


             
     

45
               
            
            
      
              
Piano I

       

         

      
               
              
       
 
Piano II
 
                    
             
      

               
      
             
      
Piano I f

            
  
       

   
 
 


            
                           
          
Piano II f

        
      
  
      
  
      

 
           
 

                            
                    
ff
Piano I
  
                
               
           
     
                        
           
Piano II ff

                
                         
            

46
              
   
      

 
          
fff
  
Piano I

  
            
   

             

         
           
         
           
  
Piano II fff

           
   
          



          

Cadenza

 
 
39 Allegro vivo

       
         
        

3

Piano I 3

3

   
3
  
f 3 3

    
        
39 Allegro vivo

       
Piano II

        


  
        
  
         


     


sf
 f
3 3

3

Piano I 3 3

       

 
  
3
     



       
Piano II
        


47
      
Poco string.Presto
 
           
  
 3
p

  
Piano I 3
  
   
3


      
 
Poco string.Presto

     
Piano II

     

     
               
 
Piano I
 

 
Piano II
 

         
               
  
Piano I
 

 
Piano II
 


48
 
  
                         

         
Piano I
 

 



  

Piano II
  


       

           
           

f
Piano I
    
         
   


   
   
  

Piano II


   
   
  


 
             
       
        


Piano I
     

  
      


   
   

Piano II

     
  

49
 
      
      
               
           

     
Piano I

  
  
     

   

   
  
  

Piano II

      
   

  
         

      

 
 sf

 
Piano I
  
 
 
   
   

   
    
Piano II
    
     

   
Maestoso
    
 
   
         
3

  
40
           
  3 3

3

           
Piano I ff

      

3
 
3
     
      
 3


3

40  
Maestoso

  
 
      


 

  
ff

    
Piano II
            
         
3 3 3 3 3 3 

50
  
     

          
  
             
     
          
3 3

Piano I 3 3

       
        
     

 
3 3 3

 
3

      
 
        

 

               

Piano II

 
            
3 3 3 3 3 3

   


  
  
 

    
  

   
  
Piano I
        
    


        
       
 
  
    
 
  
  

Piano II
    
       



 
 

     

        
   
 
 
   

  
 

Piano I
     
 
   
    


  
  
    
  
        
       

Piano II

  
     
      
       
  
   


51
    

  
        
 
  
Piano I
   
       
  
 
 


 
     
 
  
      
 
  
   
 

  
Piano II

  
     
 
    
       
    
        
     
     

  
 
Piano I
   
  

 
     
 
  
  
   
 
 
         
   


   
Piano II

  
     
       
      




  

   

           41  
   
           
3 3
 
3 3
sf

 
ff

    
Piano I
 
    
3 3
  3
  
        

       


41  
3

  
 
        
 

 
          
   
ff


sf

  
Piano II

            
        
     


52
          
      
   



    
3

  
      
3 3
  
   
3
Piano I      3       
 3

           

   
  
3 3

      
 


   

      
 

      
Piano II

                 


 
 
 
 
 
 
 
 
 
 
 
      

3 3 3 3 3 3

       

         
    

      
      
 
 
  
3 3 3 3

  
      
Piano I

                
  
  
    

  
3 3 3

 
3

 



  
 

 
Piano II

       
            
3 3 3 3 3 3


           
    
      
 
 
     

   
Piano I
     
    
    

 
 
      
  

  
           
   
    
         
       
  


Piano II


 
      
 
              
             


53
             
                
 
     

Piano I
    
       
 
      

   
 
  
 
   
 
           
    
  

     
             
   
  
   
 
     
Piano II

   
         
      
       
Allegro moderato
5 7

42
               
  
   
  

 

    
  
 
 
ff 5 7

       
Piano I
     
    
  
 
   
 

42 Allegro moderato
  
 
 
Piano II
ff
 
 
   
 

                              
  
                      
     
7 9
Piano I cresc. molto
        
                
                        
   
7 9


      
   
    
Piano II cresc. molto

  



54
  
 
                  
ff
                  
Piano I
 
 
 


 



  
Piano II

    




  


fff



Piano I
  



  

fff


Piano II

  

 

Andante (rubato)
 
           

p
pppp

   

Piano I

        




Andante (rubato) 

pppp
Piano II

  

55
 Layihənin koordinatoru:
Xalq artisti, professor
Arif Məlikov

Musiqi redaktoru:
Əməkdar incəsənət xadimi,
professor
Ceyhun Allahverdiyev

Kompüter not qrafikası:

Yavər Nemətli

Dizayn, səhifələyici:
Samir Bayramov
Diana Kuznetsova