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Philip Newell - Project studios 3

Project-

6.1.2 .............................................................................. 73
6.2 ............................................................................................. 74
6.3 . .......................................................................................................... 75
6.3.1 ........................................................................... 76
6.3.2 ............................................................................................................................................ 76
6.4 104 ................................................................................................................................................ 77
6.4.1 ..................................................................................................................................................... 79
6.4.2 ............................................................................................................................................. 80
6.5 ................................................................................. 81
6.5.1 ...................................................................................................................... 82
6.6 ........................................................................................................................................... 83
6.7 .......................................................................................................................... 84
7 ? ................................................................................. 86
7.1 ...................................................................................................................... 86
7.1.1 ......................................................................................................................... 86
7.1.2 "".................................................................................................................................. 87
7.1.3 ................................... 88
7.2 ............................................................................................................. 88
7.2.1 ...................................................................................................................... 89
7.3 ................................................................................................................... 90
7.3.1 , ................................................................................... 93
7.4 ...............................................................................................................................93
7.5 .................................................................................................................................................... 93
7.6 ............................................................................................................ 95
8 . ............................................................................................................................................... 96
8.1 ................................................................................................................................... 96
8.1.1 ...............................................................................................................................96
8.1.2 ............................................................................................................................. 98
8.1.3 -..................................................................................................... 98
8.2 .................................................................................................... 98
8.3 ................................................................................................................................................105
9 -, ...................................................................................................107
9.1 ..............................................................................................................................107
9.2 .................................................................................................107
9.3 .............................................................................................................................108
9.4 ................................................................................................................................108
9.5 ?....................................................................................................................................109
9.6 ..........................................................................................................................110
9.7 . ............................................................................................................................110
9.8 . ......................................................................................................................111
9.8.1 . ? ....................................................111
9.8.2 . .........................................................................................................................................111
9.9 .......................................................................................................................112
9.10 - ...........................................................................................................................................112
9.11 . ............................................................................................................................113
10 ..............................115
10.1 . ............................................................................................115
10.1.1 ..............................................................................................116
10.2. ................................................................118
10.2.1 .............................................................................................................120
10.2.2 ............................................................................................................................121
10.3 .............................................................................................................................121
10.3.1 .......................................................................................................................122
10.4 .........................................................................................................................................................124
11 ...................................................................................................125
11.1 ....................................................125
11.2 ..............................................................................................127
11.3 ......................................................................................................128
11.4 ........................................................................................................................130
11.5 .....................................................................................................................131
11.6 ........................................................................................................................131
11.7 ..........................................................................................................134
11.8 ..............................................................................................................................................134
12 . ...........................................................................................................136
Philip Newell - Project studios 4
Project-

12.1 ............................................................................................136
12.2 ...........................................................139
12.3 ?..................................................................................................................140
12.4 ...........................................................................141
12.5 ...................................142
12.6 ..................................145
12.6.1 , .......................................................................................146
12.7 ...................................................146
12.8 , ....................................................................147
12.9 .................................................................................................................148
12.10 ...............................................................................................................................148
.....................................................................................................................................................148
13 , ................................................................................................................150
13.1 , .......................................................150
13.1.1 ..........................................................................................150
13.1.2 .....................................................................................................................................150
13.2 ............................................................................................151
13.3 ......................................................................................................................152
13.4 ............................................................................................................................................155
13.4.1 ..................................................................................................................155
13.5 .........................................................................................156
13.6 ? ....................................................................................................................................156
14 .............................................................................................158
14.1. ...............................................................................................................158
14.2. .................................................................................158
14.2.1 ............................................................................................159
14.2.2 ....................................................................160
14.3 .....................................................................161
14.4 ............................................................................................................................161
14.5 ......................................................................................................................................162
14.5.1 ..............................................................................................................................162
14.5.2 , .....................................................................163
14.6 .....................................................................................................................................................163
15 surround- .
? .............................................................................................................................164
15.1 surround- ................................................................................................166
15.2 - ..............................................................................................................167
15.3 ....................................................................................................................168
15.4 - .....................................................................169
15.5 ?.............................................................................170
15.6 Hi-fi surround? ...................................................................................................................................170
15.7 ...............................................................................................171
15.8 ? .......................................................................................................................172
15.9 ......................................................................173
15.10 ..............................................................................................175
15.11 ............................................................................................................175
15.12 surround-?..............................................................................................................176
16 ..................................................................................................178
16.1 ..........................................................................................................178
16.2 ........................................................................................................................178
16.3 ..................................................................179
16.4 ....................................................................................................................................180
16.5 ..................................................................................................................................182
16.6 ................................................................................................................183
17 ..............................................................................................................187
17.1 ....................................................................................................................................187
17.2 .............................................................................................187
17.3 .....................................................................................................................................190
17.4 ...........................................................................................................190
17.5 ......................................................................................................................................192
17.6 ..............................................................................................................................................192
17.7 ..........................................................................................................194
Philip Newell - Project studios 5
Project-

(Philip Newell)
1966 . (Blackburn)
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.
.
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, Townhouse 1978 .,

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1973 .
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Philip Newell - Project studios 6
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Philip Newell - Project studios 10
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Philip Newell - Project studios 11
Project-

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Philip Newell - Project studios 12
Project-

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Philip Newell - Project studios 13
Project-

1 2. ( )
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"Ommadawn",
Neve, 24- Ampex MM1100, DBX type I
Westlake Audio.
"Tubular Bells",
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Philip Newell - Project studios 14
Project-

3. 1991 .,
"Tubular Bells" .

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"Sweet Dreams" Tascam - .
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Philip Newell - Project studios 15
Project-

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Philip Newell - Project studios 16
Project-

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Philip Newell - Project studios 17
Project-

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Philip Newell - Project studios 18
Project-
Philip Newell - Project studios 19
Project-
Philip Newell - Project studios 20
Project-

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Philip Newell - Project studios 21
Project-

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Philip Newell - Project studios 22
Project-

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Philip Newell - Project studios 23
Project-

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Philip Newell - Project studios 24
Project-

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Philip Newell - Project studios 25
Project-


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Philip Newell - Project studios 26
Project-

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Philip Newell - Project studios 27
Project-
Philip Newell - Project studios 28
Project-
Philip Newell - Project studios 29
Project-

: ., " ", "Studio Sound", . 122 ( 1997)


Philip Newell - Project studios 30
Project-
Philip Newell - Project studios 31
Project-

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Philip Newell - Project studios 32
Project-

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Philip Newell - Project studios 33
Project-

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Philip Newell - Project studios 34
Project-

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Philip Newell - Project studios 35
Project-

3.2.1
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Philip Newell - Project studios 36
Project-

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Philip Newell - Project studios 37
Project-

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Philip Newell - Project studios 38
Project-

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Philip Newell - Project studios 39
Project-

, ,
.
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Lexicon, .
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(auxiliary outputs)
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Philip Newell - Project studios 40
Project-

(John Ruskin) (1819-1900): " -, -


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Philip Newell - Project studios 41
Project-

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Philip Newell - Project studios 42
Project-

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Philip Newell - Project studios 43
Project-

" " " ",


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project-
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1 Muncy, Neil A., 'Noise Susceptibility in Analog and Digital Signal Processing Systems', Journal of the Audio
Engineering Society, Vol. 43, No. 6, pp. 435-53 (June 1995)
Philip Newell - Project studios 44
Project-

2 Macatee, Stephen R., 'Considerations in Grounding and Shielding Audio Devices', Journal of the Audio
Engineering Society, Vol. 43, No. 6, pp. 472-83 (June 1995)
3 Duncan, Ben, 'The New Age of Radio Defence, Studio Sound, Vol. 38, No. 10, pp. 85-8 (October 1996)

Davis, D. and Davis, C., Sound System Engineering, Focal Press, Boston, USA (1997) Giddings, P., Audio
System Design and Installation, Focal Press Boston, USA and Oxford, UK (1995)
Giddings, P., Audio System Design and Installation, Howard W. Sams, Indianapolis, USA (1990)
Journal of the Audio Engineering Society, Vol. 43, No. 6 (June 1995) issue dedicated to papers on audio system
grounding and interconnecting.
Philip Newell - Project studios 45
Project-

4 .
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Philip Newell - Project studios 46
Project-

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Philip Newell - Project studios 47
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Philip Newell - Project studios 48
Project-

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Philip Newell - Project studios 49
Project-
Philip Newell - Project studios 50
Project-

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Philip Newell - Project studios 51
Project-

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Philip Newell - Project studios 52
Project-

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( 530-70 530-73). ,

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Philip Newell - Project studios 53
Project-

, , ,
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Philip Newell - Project studios 54
Project-

, ,
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1 Newell, P.R., 'Namouche', Studio Sound, Vol. 36, No. 12, p. 48 (December 1994)
2 Glassband, Martin, The Origin of Balanced Power', Sound and Video Contractor, pp. 54-60
(September 1997)


Davis, D. and Davis, C., Sound System Engineering, Focal Press, Boston, USA (1997)
Giddings, P., Audio System Design and Installation, Focal Press, Boston, USA and Oxford, UK (1995)
Giddings, P., Audio System Design and Installation, Howard W. Sams, Indianapolis, USA (1990)
Journal of the Audio Engineering Society', Vol. 43, No. 6, issue dedicated to papers on audio system
grounding and interconnecting (June 1995)
Sound and Video Contractor, (P.O. Box 12901, Overland Park, KS 66282-2901, USA) (September
1997). Issue dedicated to power quality.
Philip Newell - Project studios 55
Project-

5 .
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Philip Newell - Project studios 56
Project-

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Philip Newell - Project studios 57
Project-

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Philip Newell - Project studios 58
Project-

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Philip Newell - Project studios 59
Project-

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Philip Newell - Project studios 60
Project-

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Philip Newell - Project studios 61
Project-

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Philip Newell - Project studios 62
Project-

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Philip Newell - Project studios 63
Project-

5.9.1 .
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Philip Newell - Project studios 64
Project-

(SPL), . ,
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Philip Newell - Project studios 65
Project-
Philip Newell - Project studios 66
Project-
Philip Newell - Project studios 67
Project-


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Philip Newell - Project studios 68
Project-

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Philip Newell - Project studios 69
Project-

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Philip Newell - Project studios 70
Project-

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Philip Newell - Project studios 71
Project-

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Reflexion Arts.
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:
1 Newell, Philip R., Studio Monitoring Design, Focal Press, Oxford, UK, p. xvii (1995)
2 Newell, Philip R , Holland, K.R. and Hidley ,T., 'Control Room Reverberation is Unwanted Noise',
Proceedings of the Institute of Acoustics, Reproduced Sound 10, Vol. 16, Pan 4, pp. 365-73(1994)
3 Newell, Philip R. and Holland, K.R., 'Impulse Testing of Monitor Loudspeakers', Proceedings of the
Institute of Acoustics, Reproduced Sound 5, Vol. 11, Part 7, pp. 269-75 (1989)
4 dark, David, 'Precision Measurement of Loudspeaker Parameters', Journal of the Audio Engineering
Society, Vol. 45, No. 3, pp. 129-41 (1997)
5 Colloms, Martin, High Performance Loudspeakers, 5th edn, Chichester, UK, John Wiley & Sons(1997)
6 Duncan, Ben, High Performance Audio Power Amplifiers, Newnes, Oxford, UK (1996)


Berwick, John, Loudspeaker and Headphone Handbook, 2nd edn, Focal Press, Oxford, UK, (1994)
Colloms, Martin, High Performance Loudspeakers, 5th edn, John Wiley & Sons, Chichester, UK, (1997)
Howard, David M. and Angus, James, Acoustics and Psycho-acoustics, Focal Press, Oxford, UK (1996)
Philip Newell - Project studios 72
Project-

6
, project-,
, Alesis ADAT Tascam DA88.
, .
,

"professional", .
, , VHS
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.
Regiespectaculo Amadora.
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Supertrue Alesis BRC 'Big Remote Control' ADAT.
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1993
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Philip Newell - Project studios 73
Project-

, .
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Philip Newell - Project studios 74
Project-

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1993
de Belem .
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KLH Model 5
, Crown PSA2.
Mackie 1604, .
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0VU (1,23 ), .. , EDAC
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Philip Newell - Project studios 75
Project-

,
.
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ADAT-. Mackie ,
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Soiti)). , ,
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Philip Newell - Project studios 76
Project-

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Philip Newell - Project studios 77
Project-

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1995 . 17
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Philip Newell - Project studios 78
Project-

17. 104- ADAT.


"" 1995 .
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Philip Newell - Project studios 79
Project-

104- , Alesis BRC.


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Project-

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Philip Newell - Project studios 83
Project-

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Philip Newell - Project studios 84
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Project-

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Project-

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Project-

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Project-

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Project-

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Philip Newell - Project studios 94
Project-

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Project-

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Project-

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Beranek, L., Acoustics, McGraw-Hill, London (1974)
Borwick, J., Loudspeaker and Headphone Handbook, 2nd edn, Focal Press, Oxford, UK (1994)
Colloms, M., High Performance Loudspeakers, 5th edn, John Wiley and Sons, Chichster, UK (1997)
Newell, P.R., Recording Spaces, Focal Press, Oxford, UK (1998)
Philip Newell - Project studios 125
Project-

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1 Newell, P. R., 'Monitor Equalisation and Measurement', Studio Sound, Vol. 34, No. 9, pp. 41-51
(September 1992)
2 Newell, P. R., Studio Monitoring Design, Focal Press, Oxford (1995)
3 Newell, P. R., Holland, K.R. and Hidley, T., ' Reverberation is Unwanted Noise',
Proceedings of the Institute of Acoustics, Reproduced Sound 10 Conference, Vol. 16, Part 4, pp. 365-373 (1994)
(Republished in 2 above)
Philip Newell - Project studios 136
Project-

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Project-

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Philip Newell - Project studios 139
Project-

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Philip Newell - Project studios 148
Project-

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Philip Newell - Project studios 149
Project-

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1 Newell, P.R., Holland, K.R. and Hidley, T., 'Control Room Reverberation is Unwanted Noise', Proceedings of
the Institute of Acoustics, Reproduced Sound 10, Vol. 16, Part 4, pp. 365-73 (1994)
2 Newell, P.R., 'The Non-Environment Control Room', Studio Sound, Vol. 33, No. 11, pp. 22-9, (1991)
3 Newell, P.R., Studio Monitoring Design, Focal Press, Oxford (1995)
4 Darlington, P. and Kragh, J.G., 'The Active Bass Reflex Enclosure', Proceedings of the Institute of Acoustics,
Reproduced Sound 12, Vol. 18, Part 8, pp. 55-66 (1996)
5 Holland, K.R. and Newell, P.R., 'Loudspeakers, Mutual Coupling and Phantom Images in Rooms,' Presented
at the AES 103rd Convention, New York, Pre-print No. 4581 (1997)
6 Holland, K.R. and Newell, P.R., 'Mutual Coupling in Multi-Channel Loudspeaker Systems,' Proceedings of the
Institute of Acoustics, Vol. 19, Part 6, pp. 155-62 (1997)
Philip Newell - Project studios 150
Project-

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Philip Newell - Project studios 153
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Project-

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Philip Newell - Project studios 156
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Philip Newell - Project studios 159
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Project-

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Philip Newell - Project studios 161
Project-

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Philip Newell - Project studios 163
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Philip Newell - Project studios 164
Project-

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Philip Newell - Project studios 165
Project-

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Philip Newell - Project studios 166
Project-

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Project-

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Philip Newell - Project studios 168
Project-

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Philip Newell - Project studios 169
Project-

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Project-

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Project-

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Philip Newell - Project studios 172
Project-

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Philip Newell - Project studios 173
Project-

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Philip Newell - Project studios 174
Project-

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Philip Newell - Project studios 175
Project-

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Philip Newell - Project studios 176
Project-

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Philip Newell - Project studios 177
Project-

, .
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21- , 96 kHz, 16-
48 kHz -.
3- . ,
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. , ,
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hi-fi surround.


1 Newell, P.R., 'From Mono and Stereo, Through Quadrophony, to Surround', Proceedings of the
Institute of Acoustics, Reproduced Sound 13, Vol. 19, Part 6, pp. 135-154 (October 1997) (Reproduced in Audio
Media, European Edition, Issues 85 and 86. December 1997 and January 1998.)


Chase, J., 'Hi-fi or Surround? Part Two', Audio Media, European Edition, Issue 92, pp. 122-6 (July 1998)
Hidley, T., 'Full Bandwidth', Audio Media, European Edition, Issue 98, pp. 72-6 (January 1999)
Holman, T., 'Audio for Digital Television', Audio Media, European Edition, Issue 89, pp.
114-18 (April 1998)
Newell, P. R., 'Hi-fi or Surround? Part One', Audio Media, European Edition, Issue 90, p. 188 and pp.
190-2 (May 1998)
Newell, P. R., 'Surround Monitoring', Audio Media, US Edition, Issue 9, pp. 54-61
(July/August 1998)
Philip Newell - Project studios 178
Project-

16

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16.2
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Philip Newell - Project studios 179
Project-

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16.3
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Philip Newell - Project studios 180
Project-

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16.4
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Philip Newell - Project studios 181
Project-

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Philip Newell - Project studios 182
Project-

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16.5
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Philip Newell - Project studios 183
Project-

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Project-

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Philip Newell - Project studios 185
Project-

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Philip Newell - Project studios 186
Project-
Philip Newell - Project studios 187
Project-

17


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Philip Newell - Project studios 188
Project-

, 0 VU
3 dB .
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:

W = V2/R : V2 = WR
:
W =
V =
R = ( ) .
100 8 :
V2 = 100 x 8

V2 = 800

V = 800

V = 28,3
3 dB , :

V2 =WR

V2 = 50 x 8

V2 = 400

V = 400
Philip Newell - Project studios 189
Project-

V = 20
(: 3 dB ; 6 dB
).
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W = 800 / 400

W=2
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400 / 6 = 66,6
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W = V2/R

W = 28,32 / 66

W = 800 / 66,6

W = 12
12 2 .
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W = 800 / 20

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Philip Newell - Project studios 190
Project-

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Philip Newell - Project studios 191
Project-

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Philip Newell - Project studios 192
Project-


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Philip Newell - Project studios 193
Project-

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Philip Newell - Project studios 194
Project-

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Philip Newell - Project studios 195
Project-

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