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Ivana Pantovi
Ultimately, magic and science are nothing more than the theory of thought, and as science pushed
out its predecessors so it can be pushed out by a more perfect hypothesis, perhaps by a completely
diferent approach to phenomena, which is unknown to this generation. The progress of knowledge
is continuously approaching the goal that keeps getting away.
Illustration J. Raajski
EDITIONES CONCORDIAE
Author
Ivana Pantovi
Ilustrations
Ivana Pantovi
Fotographs
Ivana Pantovi
Design
Ivana Pantovi
Cover
Ivana Pantovi
DTP
Ivan Kalnak
Proofreading
Ivana Pantovi
Translation
Marin Marko
Review
Duan Mihailovi
volume II / MMXIII
Ivana Pantovi
2013
Vina Amulets
Contents
ContentS 4
VinA Amulets Review 7
intRoDUCtion 8
the vina Culture in Southeast Banat 8
History of Amulet Studies 9
AMULet tYPoLoGY 14
Basic Characteristics of types 15
typological Analyses 19
typological Analysis Conclusion 25
FUnCtionAL AnALYSeS 28
Context of Findings 28
Functional Analyses 28
SYMBoLiSM oF AMULetS 34
Conclusion 39
Content
Vina Amulets
Review
Illustration J. Raajski
This book written by Ivana Pantovi is a comprehensive study which in detail presents amulets from the period of the Vina
culture. Those objects have not received much attention in the professional literature so far, and this book by Ivana Pantovi
is one of the irst attempts to approach this issue in a systematic and organized manner.
Amulets from a number of the Vina sites in southeast Banat are presented in the book. Based on their morphological characteristics, size, weight and manner of decoration they are classiied into eight types and many variants, which comprise all
variations in the collected material. The typology is explained by schematized illustrations and photographs of the characteristic inds, and the results of statistic analyses are shown in many tables and graphs. Drawing on those results, conclusions
were made concerning the similarities and diferences in amulets from diferent sites and changes in the workmanship style
of those objects.
By comparing the Vina amulets to Starevo inds, Ivana Pantovi points out to the parallel between the Starevo Venuses and
the seated Vina amulets and similarities in the way decoration was executed. She demonstrates that speciic types of amulets were characteristic of individual phases of the Vina culture: ornitomorphic samples and type AII of two-armed amulets
of the early phase, and seated amulets and amulets with a spout/handle of the late phase. Multi-armed amulets of CII type
turn out to have appeared earlier than assumed (at the depth of 8m at Vina) and continued to exist until the very end of the
Vina culture.
Based on the analysis of the context of the inds and the reconstruction of the way they were tied up, Ivana Pantovi hypothesizes that two-armed amulets were used in the interior rooms and that most types (except multi-armed reels) were not used
for practical purposes. Thus, having considered the belief system in the Neolithic, she suggests that two-armed amulets combine symbols of the bull, woman/goddess and a yet unidentiied animal (having the apotropeic purpose); that ornitomorphic
amulets symbolize a certain deity and that sitting amulets may portray a woman giving birth.
Taken as a whole, Ivana Pantovis work has signiicantly contributed to a better understanding of amulets in the Vina culture.
All aspects in studying this kind of objects have been considered: workmanship, typological variability, changeability over time,
spatial distribution and context, potential function and possible meaning. The methodology applied is impeccable; the conclusions are drawn from the established facts and persuasive arguments. Therefore, we think that this whole book should be
published in the monograph series of the Vrac City Museum.
Vina Amulets
intRoDUCtion
the vina Culture in Southeast Banat
Potporanj Kremenjak, all the other settlements were registered only based on the small quantity of the Neolithic material found there. Abundant material was collected especially
from the sites of At and Kremenjak2, and rescue excavation of
a smaller scale was conducted at both sites in the middle of
20th century3.
In that group of unexplored sites, the sites with the inds of amulets and perforated objects, which are being dealt with in this
book, stand out for the abundance of the collected material.
2 Felix Milleker, the curator of the Vrsac Museum at the time, deserves credit
for collecting materials from the sites of Kremenjak - Potporanj and AtVrac. During his work that lasted almost ive decades he collected tens
of thousand artefacts. .
3 The collection is still growing with presents and material collected during ield inspections.
4 The deinition of cult -a system of religious veneration and devotion directed towards a particular igure or object; the deinition of ritual - a religious or solemn ceremony consisting of a series of actions performed
according to a prescribed order (www.oxforddictionaries.com)
Introduction
Vina Amulets
Table 1
KOROEC
1962
Amulet Typology
TASI
1973
Bird-shaped
Cushion-shaped
Two-armed
Multi-armed
Seated
Anthropomorphic
Two-armed verticaly
perforated
Two-armed verticaly
perforated with a head
depiction
Multi-armed verticaly
perforated
Two-armed massive
Multi-armed massive
Bicske object
Cross-Piece
Anchor
Headless Figurine
Perforated Figurine
Y-Piece
Necked Y-Piece
Decorated Y-Piece
Tripod Amulet
Ca
Cb
MAKAJ
1996
CHAPMAN
1981
With anthropomorphic
details
Introduction
Amulet Typology
Table 1
LAZAROVICI 1979
Type IV Amulets
Vina Amulets
earth and stone. Ceramic amulets were categorized into ive
groups (table 1): 1-amulets in the shape of human statuettes,
2-amulets in the shape of seated human statuettes, 3-amulets with antropomorphic features (characteristics, features),
4 amulets in the shape od birds, and 5- amulets in the shape
of a cushion (Koroec, 1962: ibidem). J. Koroec assigned amulets shaped as antropomorphic igurines to the irst group,
and two-armed amulets with and without protomes shaped as
antropomorphic masks to the third group. The amulet shaped
as a bird appears in the irst group of animal igurines subdivision birds. J. Koroec pointed out that because of perforation it was already mentioned among talismans (Koroec,
1962: 172).
J. Koroec named multi-armed amulets branched
branched whorl expressing his opinion that they had not been amulets, as M.
Vasi argued, adding that the other perforated objects could
not be considered with certainty to have been cult or utilitarian objects either.
A pair of multi-armed perforated objects from the site of oka
was interpreted by J. Banner as ishing net weighs (Banner
1960).
The type of so called two-armed and multi-armed amulets
belonging to the Vina culture attracted the attention of J.
Makkay (igure 2). In his irst analysis of those objects made
in 1967 he named them strange clay objects of the Vina culture. Makkay recognized four types (A-D) emphasizing that
those objects are speciic inds related to the Vina culture
that do not appear independently in the material of other cultures (Makkay 1968: 9-22). J. Makkay rejected the previous
Figure 2
Aa
Some 30 years later, J. Makkay denoted the same objects, earlier described as Bicske objects, star-like ceramic objects
(Makkay Starnini Tulok, 1996: 118). That time he stated
certain reservations relating to his previous interpretation of
those objects as a part of a necklace stressing that the function of those objects had remained completely unclear to his
days. However, he did not discard the possibility that such objects may have been used as loom weighs. J. Makkay then recognized three types (Makkay Starnini Tulok, 1996: 123) (table 1).
At the site of Bicske, according to the data supplied by J.
Makkay, 34 pieces (out of 45 multi-armed objects) belonged
to type A. The enclosed drawings showed that all the objects
of A type had a diagonal perforation. The other 11 belonged
to Type C anchor-like objects with three or four horizontal
arms lying on the same plane and one vertical arm placed in
the centre where the horizontal arms joined together. As J.
Makkay pointed out, there was not a single two-armed amulet
at the site of the Sopot-Bicske culture nor was there any specimen without perforation, as noted by J. Chapman (Makkay
Starnini Tulok, 1996: 123).
The irst comprehensive typology of the Vina amulets was offered by N. Tasi (Tasi, 1973). He recognized four groups (twoarmed, anthropomorphic with raised stubs (i. e. arms), seated
stylized animal igures and multi-armed) and several variants
within each of them (Table 1).
G. Lazarovici also ofered a typology of the Vina amulets in his
analyses of the Neolithic in the Romanian part of Banat in 1979
(Lazarovici, 1979: 94-101). According to Lazarovicis typology,
there are three types of anthropomorphic igurines and idols
(cylindrical, prismatic and igure-shaped idols) in phase A of
the Vina culture in the Banat area (Lazarovici, 1979: 88 90).
In phase B of the Vina culture in Banat, G. Lazarovici recognized ive categories of igural cult objects: A anthropomorphic idols, B perforated idols and amulets, C zoomorphic
idols, D other cult objects and E - altars (Lazarovici, 1979: 91)
(Table 1).
Several subgroups were distinguished within each group of
cult igural artefacts. G. Lazarovici stressed that the object classiied into group B perforated idols and amulets, also appeared in the literature denoted as Thessalian type idols, idols
with a mobile head, headless idols, idols and amulets of Bicske
type, Zorlenc type idols (Lazarovici, 1979: 94). Six groups were
deined in group B to be further sudivided into a number of
variants (Lazarovici, 1979: 94-101) (Table 1).
Based on the name of the groups, we may conclude that G.
Lazarovici was guided by assumed representations when
creating the typology of perforated objects. The irst group
contains objects whose appearance can be associated with
anthropomorphic igurines, with or without the representation of a head (Table 1). In the second group of stylized, anthropomorphic perforated idols, there are a number of types
whose appearance associates human igures (Table 1: type
II/a, c), together with two-armed idols with protomes on the
arm tips and applied chest (Table 1: type II/b1-b3). The object, often deined in the professional literature as aryballos
Introduction
(Table 1: type II/d), also belongs to this group. The third group
of stylized idols consists of two armed items with or without
protomes (Table 1: type III/b1-2), and three armed (Table 1:
type III/c1) and multi-armed items (Table 1: type III/c2-4, d,
e). Multi-armed and cushion shaped items are in the group
of amulets. Two-armed amulets with zoomorphic protomes
are also found in the group of perforated zoomorphic igurines, along with zoomorphic igurines and cushion-shaped
amulets, on top of which there are zoomorphic protomes
(Table 1: type V/b2).
The opinion that amulets are actually loom weighs was also
supported by R. Tringham and M. Stevanovi (R. Tringham M.
Stevanovi 1990: 334-338). They explained that they had based
their classiication on the functional category of objects, as
Chapman also did (Chapman, 1981), and classiied the objects
from Selevac, which had vertical or horizontal perforation and
protuberances, into the group marked as possible reels, spindles or loom items (R. Tringham M. Stevanovi,1990: 324).
In their typology of the Vina culture, M. Garaanin and S. That group contains the artefacts traditionally termed amuStankovi classiied two-armed and multi-armed items as am- lets, cross-pieces, Bicske items, perforated igurines, boats,
ulets and divided them into two groups based on the number perforated cylinders (R. Tringham M. Stevanovi, 1990: 334of arms (Table 1). Each category had variants punctured and 5, Fig. 10. 11/a-i). Tringham and Stevanovi used the term amumassive. Each of the previously mentioned amulets can be fur- lets for two-armed amulets, with or without protomes, which
ther distinguished depending on whether they are ordinary were occurring at Selevac starting from the Gradac phase, but
or with the representation of a head (Garaanin-Stankovi, in the greatest number in the Plonik phase.
1985: 10-30). Unfortunately, there is no detailed description
of those amulets so that we could only assume that massive It should be noted that the boat is ellipsoidal in shape,
here implies amulets without perforation.
squeezed at its narrowest points with lat perforated parts,
so that along with the interpretation that they really repreJ. Chapman took the functional role as the main parameter sented the model of a boat, the authors did not rule out the
for classifying small perforated items. Speaking about textile possibility that the object could have been used for keepproduction in the Vina culture (Chapman, 1981:122-124) he ing a small quantity of thread in its cavity (R. Tringham M.
pointed to ten types of loom objects (Table 1) 1 Bicske; Stevanovi,1990: 336).
2 Y-piece; 3- necked Y-piece; 4 anchor; 5- perforated
headless igurine; 6- perforated igurine; 7- cross-piece; As for the items that Chapman named cross-pieces, and said
8- decorated Y-piece; 9 tripod amulet.
that they were not perforated, it should be pointed out that
among all published amulets, and yet unpublished inds from
As for perforated headless igurines J. Chapman stressed that Vina and sites in southeast Banat, there is no object with such
most samples had vertical perforation up to 1 cm deep, but a shape without perforation. This information was also providthere were samples where perforation had been made along ed by J. Makkay, who analyzed 45 multi-armed artefacts from
the total height of the body. He indicated that those headless the site of Bicske (Makkay Starnini Tulok, 1996: 122).
and partly perforated igurines may have not been used as
loom weighs.
J. Makkay and J. Chapman advocate the same opinion in their
conclusions about distribution of amulets all these types can
J. Chapman believed that all those objects - except for the be found in the Vina culture only, while speciic types can be
above mentioned partly perforated igurines may have had found within some other cultures in the Pannonian basin, such
the utilitarian function related to weaving, that is to say, they as the Sopot-Bicske and Lengyel cultures (Chapman, 1981:124;
had been used as handloom weighs, which was conirmed by Makkay Starnini Tulok, 1996: 119). J. Chapman argued on
the string wear marks around the perforation and on the bod- the ground of the available data that so-called cross-pieces
ies of those objects (Chapman, 1981:122). Such marks could and Y-necked pieces were limited exclusively to the Vina culhave been created only by fast or/and repeated movements ture (Chapman, 1981:124).
of rope (Chapman, 1981:122). The use of anthropomorphic
forms in the functional context, in Chapmans opinion, illus- With reference to his irst analyses of these objects some thirty
trates the connection of the Vina deities with domestic activi- years ago, J. Makkay pointed out that the territory of their disties (Chapman, 1981:123).
tribution had not expanded either in terms of time or space,
but the density of places has increased (Makkay Starnini
Judging from their distribution, J. Chapman concluded that Tulok, 1996: 119). J. Makkay said that, based on the available
there had been two innovative centres for loom weigh pro- information, the oldest inds on the territory of Serbia origiduction in the early Vina phase: in the middle Morava valley nated in Vina B2 phase, but similar objects kept occurring 13
and in the upper Tami valley (Chapman, 1981:124). The ear- until Vina D phase. He especially stressed the signiicance of
liest form was a headless igurine originating from the epo- amulets as being characteristic of the given period and territonym site. Y-pieces and perforated anthropomorphic igurines ry. The occurrence of star-shaped clay artefacts in the Sopotwere developed in so called innovative centres. Toward the Bicske and Vina, in Makkays opinion, clearly shows that the
end of the ifth millennium other forms were also developed origin of the Sopot-Bicske culture is partly rooted in the earlier
in those centres. Bicske type items have not been found at the and widely- spread Vina culture (Makkay Starnini Tulok,
sites in the Morava valley, and J. Chapman believed that they 1996: 119). On the other hand, he eventually concluded, the
were most likely to have originated in the Tami valley. He em- occurrence of these objects in the Lengyel culture indicates its
phasized that most of those objects were associated with the origin in the local, preceding Sopot-Bicske culture.
Vina Amulets
AMULe t t YPoLoGY
Amulet Typology
. two-Armed Amulets
Table I A-D
B. three-Armed Amulets
Table II
Three-armed amulets are often interpreted by many authors
as anthropomorphic. J. Chapman designates them as necked
Y-pieces and decorated Y-pieces, where the main diference
is that the former are without decoration and the latter are
decorated (Chapman, 1982: 384). N. Tasi names them anthropomorphic (Tasi, 1973:23), while G. Lazarovici deines them 15
as stylized, anthropomorphic, perforated idols and stylized
idols, where the two types difer from each other in the cylindrical central arm, which with the irst type is characterized
by an emphasized applied modelled nose, while with the second type no relief modelling is noticeable on that vertical arm
(Lazarovici, 1979: 94-99).
In our typology, the main diference between three-armed
and anthropormhic amulets lies in the shape of their bodies.
Vina Amulets
Anthropomorphic amulets are often represented in the same
way as igurines so that their bodies are always cylindrical or
lat and features a head. On the other hand, three-armed amulets are characterized by a globular, pear-shaped or biconical
body. The head is never represented - one arm is always vertically placed on top of the central part of the body instead.
It is always cylindrical in shape and in rare cases the tip of the
vertical arm may have a stylized marked nose. The two other
arms are placed on two sides, horizontaly or at an oblique
angle relative to the body. The object is perforated along the
whole length of the vertical arms and body. The base can be
lat or rounded. Unlike anthropomorphic amulets which have
arms shaped like stumps of igurines, three-armed amulets
have tongue-shaped or cylindrical lateral arms. Furthermore,
among the amulets of this type found so far, there are no specimens with arms whose tips are moulded in the form of animal or human representations.
Two types (I II) have been recognized based on the diferences in the shape of bodies and arms.
Type B I
Table II
Type B I represents amulets with a spherical or pear-shaped
body, a short cylindrical vertical arm and short, cylindrical lateral arms. The lateral arms may be placed horizontally or diagonally upwards.
variant i a with a rounded, narrow base
variant i b with a lattened base
Type B II
Table II
Type B II contains three-armed amulets with a pear-shaped or
biconical body and a high central vertical arm. The lateral arms
are tongue-shaped. Based on the diference in the body and
arms, two variants have been recognized.
variant B ii a - with a pear-shaped body and shorter tongue-shaped lateral arms.
variant B ii b the body is shorter, distinctively biconical; the
lateral, tongue-shaped arms are prolonged.
C. Multi-Armed Amulets
between the types of so called multi-armed amulets is somewhat diferent from the principle applied for the two other
groups of amulets two-armed and three-armed amulets.
Namely, with respect to the way two-armed and three-armed
amulets were made, a uniform principle can be observed: two
or three arms are placed on the top end while the body is always vertically perforated. Such a uniform shaping principle
and the appearance of two-armed and three-armed amulets
enable us to take the shape of the body as the basis for our
classiication and draw the conclusion that all of them were
used for the same purposes, regardless of the modelling of
their body or arms.
On the other hand, so-called multi-armed amulets display
great diversity - although a diferent shape does not necessarily imply a completely diferent purpose. Occasionally, they
may have the same or a similar shape, but perforations made
on diferent places indicate a diferent manner in which these
items were used.
This was the rationale behind recognition of as many as eight
types and several variants within individual types among not
more than 38 items which we studied here.
Looking at typology (table iii a-b), one can clearly see that
the classiication is based on the shape. The second parameter
used for further classiication is the place where the perforation was made, along with the arm arrangement.
Type C I
Table IIIa
This type comprises spatial cross-like items, as deined by S.
Dimitrijevi (Dimitrijevi 1979: 289), or Bicske, according to J.
Chapman (Chapman 1981: 122), type A, according to J. Makkay
(Makkay, 1968: 9), or multi-armed amulets in typologies devised by M. Garaanin, S. Stankovi and N. Tasi (GaraaninStankovi 1985; N. Tasi 1973), i. e. six-armed items with diagonal perforation through the central arms connection point.
With this, so-called six-armed amulet, there is a vertical axis,
made up of two arms, while the other four arms are horizontal,
arranged perpendicularly at the axis half height. All the arms
have the same shape and size. The arms may have lattened
tips or be moulded as a cone. Specimens with tips shaped as
zoomorphic heads have been found at some sites. The perforation is diagonal through the body, i. e. through the central
arms connection point.
Type C II
Table IIIa
Type II is established in the same way as Type I. There is an axis
made up of two arms, with three or four short arms placed
in the middle or at the widest section of the body. The perforation is, however, diferent, since in this case it runs through
the axis. Another diference is the number of crosswise set
arms. In addition, the body or axis is sometimes cone or pear
shaped, so that its appearance associates an anthropomorphic form. J. Chapman (Chapman 1981: 123) names such items
cross-pieces, but they are said not to be perforated. J. Makkay
classiies such items in his Type C (Figure 2), and G. Lazarovici
assigns them to stylized idols Type III/C4, or amulets- Type
IV/C (Table 1).
Amulet Typology
D. Anthropomorphic Amulets
Table IV a-b
Anthropomorphic amulets look like free standing anthropomorphic igurines, made in a more summarized manner.
Stubs or arms, which are set horizontally or raised upwards,
are shaped following the pattern of an anthropomorphic igurine. Heads are always represented on anthropomorphic amulets; perforation is in the head centre and along the whole
height of the body. The changes in the shapes of anthropomorphic amulets follow the changes in anthropomorphic igurines so that older examples difer from later ones in their
stylization.
So-called kourotrophos representations also belong to this
group of amulets. It should be noted that the term kourotrophos is kept because it is the most common term in the literature relating to dual representations. However, since both igures, i. e. heads are of the same dimensions, they cannot represent the mother and child, but they represent a couple.
Type D I
variant D i a Amulets shaped as free standing anthropomorphic igurines. Vertical perforation runs through the head
centre and along the whole height of the body. Additional
classiication can be made within this type to diferentiate between the items with raised stubs and those with horizontally
set stubs.
variant D i b These anthropomorphic amulets are extremely
stylized so that their body almost have a cross-like form. The
head does not project from cylindrical body mass and is only
marked with an applied nose. The body diameter is small, only
slightly bigger than the diameter of the stubs, which are also
cylindrical in shape and set horizontally. Perforation is made
along the whole height of the body.
17
Type D II
Amulets in the shape of kourotrophos (double-headed) igurines, or a couple, with two stylized head of the same size and
one body. Vertical perforation is executed through the body
centre with the upper aperture between the two heads.
Vina Amulets
E. Seated/ Zoomorphic Amulets
Table V
This category is represented by zoomorphic (birdlike) amulets, mostly in a seated position with a zoomorphic head. Two
variants have been recognized among these seated amulets,
based on the diferent manner of head shaping (modelling).
A few samples are considered separately and cannot be precisely classiied due to fragmentation of the head.
Although seated igurines without clear characteristics are
equally likely to represent stylized anthropomorphic igures,
their body look almost the same like the bodies of seated igurines with animal features, which makes us classify them into
the category of zoomorphic, perhaps, birdlike amulets.
Like all other amulets, seated amulets are also characterized
by perforation through the body. It is always executed in the
same manner. The upper aperture is made on the back or a
hump, immediately below the head. Perforation is then made
at an oblique angle, so that the lower aperture is placed in the
base of the seated part.
Type E I
Seated amulets: the basic shape of the body could be described as globular, with one lattened side. At the level of that
lattened surface there are two applied cone-like modelled
legs. A head is added to the upper part. The whole appearance associates a igure that is seated with its legs stretched
and the body slightly bent forward.
variant e ia The head moulded to display zoomorphic and
birdlike characteristics. The shape of the body and the point
of perforation are the same as with Variant b.
variant e ib A very stylized head in the shape of a small cylindrical protuberance.
Type E II
A zoomorphic head. Perforation is executed through the nape
and along the whole height, with the lower aperture in the
centre of the neck base.
F. ornitomorphic Amulets
Table VI a-b
Amulets in the form of a bird. Most of these amulets are widely believed to represent ducks. They are characterized by the
skittle or egg body shape or a lat body, oval or quadrangle in
horizontal cross-section, a longer or shorter neck with a head
dominated by a beak and a short, cone-like tail on the rear
part of the body. The body is perforated, and most specimens
18 have a lattened base.
On the ground of the body shape and the way it is perforated,
two types (I II) have been established. Within Type I, two variants have been recognized on the basis of the diference in the
shape of the body, which may indicate diferent bird species.
Type F I
Amulets with a realistic shape of a bird. With this type of ornitomorphic amulets perforation is executed in the same manner:
G. Cushion-Shaped Amulets
Table VII a
Items that by the way they look resemble a cushion. The body
is lat, rectangular in shape with extended ends. Those ends
may take conical shape, and with some specimens two ends at
the broader side are shaped in the form of a zoomorphic head.
The body is perforated along its whole height with apertures
made in the middle of the narrow sides.
Table VII b
Table VIII
This group includes all other items that do not have a shape
like any of the above explained groups, but due to the dimensions and perforation through the body are generally denoted
as amulets in the professional literature.
Amulet Typology
ADDitionAL CLASSiFiCAtionS
Statistical Analyses
typological Analyses
small: the height does not exceed 4.5-5 cm and the weight
is between 4 to 45 g.
A. two-armed amulets
With respect to the way decoration is executed, amulets may
be divided into the following groups:
Decoration
incised; specimen Cat. No. 217, 218, 343, 219, 318, Table I
stabbed; specimen Cat. No. 128, 16 Table I
painted; Cat. No. 231 Table I
Two-armed, three-armed and multi-armed amulets may be
further subdivided taking into account the:
Shape of arms or protomes
arms with a cone-like shaped tip; specimen Cat. No. 205/
Table I
arms with a lattened tip; specimen Cat. No. 209/Table I
arms with a stylized animal head; specimen - Cat. No. 252
Table I
arms with a stylized bird head; specimen Cat. No. 40 Table I
fan-shaped arms; specimen Cat. No. 219 Table I
tongue-shaped arms; specimen Cat. No. 275 Table II
Vina Amulets
noted that among the two armed amulets, massive examples
are biggest in number at the site of Potporanj, while at At, the
most common amulets are those 5 to 5.9 cm high. The miniature amulets 2.5 to 3.7 cm high weighing from 11 to 15 g (Cat.
No. 34, 89, 110, 114) typically appear among the amulets from
later phase all of them come from the site of At, except the
specimen with Cat. No. 301 from Potporanj.
Graph 1
The amulet with Cat. No. 84 stands out for having the tip of
one arm shaped like a zoomorphic head, and the second like
an ornitomorphic head. The amulets with Cat. No. 40 and 115
also have an arm in the shape of a bird head. The amulet with
Cat. No. 219 from Potporanj features fan-shaped arms, which
makes it unique in this collection of amulets. Until now we have
not found a similar example among the published amulets.
The total number of nine amulets are decorated with incision,
two with stabbing and incision both of which come from
At. It should be noted that among the tongue-shaped type
of two-armed amulets there is not any amulet ornamented
with incision or stabbing. Most of those ornamented amulets
come from Potporanj (6), At (3) and one from Staro Selo and
Iberland. The most common motif is the meander, while the
motif in the shape of the letter X appears on two amulets from
Potporanj.
The unique feature of the triangular type is that almost half
of all the specimens have a convex bottom, which makes it
unlikely that those items could be free standing. The tongueshaped type of two-armed amulets clearly indicates by its
shape that they were not designed to be free standing, or to
be laid on the lat surface.
B. three-armed amulets
A total of 21 amulets come from four sites: At (6), Carina (2),
Cerovica (3), Potporanj (9) and olakova vodenica (1) (Table
II).
13 specimens have been assigned to variant B I (variant a-b)
based on the shape of their bodies and arms. The only examples recovered during the excavation is Cat No. 51 from At. It is
recorded as having been found in the second excavated layer2.
As for the items from the site of Carina, we learn about them
only from a drawing and a short description (. Joanovi, 1990:
T VI/3, 4). They are part of a private collection.
The amulets from the site of Potporanj are by far more massive
than the specimens from the other two sites.
The specimen with cat. No. 173 stands out for an incised ornament in the shape of a triple spiral line and meanders. Two
items from Potporanj, Cat. No. 264 and 305 have a meandroid
ornament.
20
Amulet Typology
Figure 3
a.
b.
c.
a. site Jugovo near Grocka (illustration after -: 2009: Cat. No. 188)
b. site Kormadin near Jakovo (illustration after -: 2009: Cat. No. 201)
c. site Cerovica near eko Selo, Cat. No. 192
C. Multi-armed amulets
38 items in total have been assigned to the group of so-called
multi-armed, in which as many as eight types (C I VIII) have
been recognized based on the diferences in the shape of the
body, the number of arms and their arrangement, the place
where perforation was made (Table III a-b). Most of them
come from At (18) and Potporanj (15), and then from Carina
(2), Cerovica (2) and Staro Selo (1).
Types C I and C II (26 out of 38 specimens) are the most common, with other types being represented by only one or two
specimens.
a.
b.
The most typical are multi-armed amulets with ive and six
arms, although there are also items with four or more than six
arms. The arms of this group of amulets are usually cylindrical
in shape, with lattened or broadened tips (button-shaped).
There are also conically moulded tips, and tips with a zoomorphic shape. No specimen the tips of which have an anthropomorphic or ornitomorphic shape has been found yet.
Type C I known as Bicske object is represented by eight specimens. They weigh about 30-50 g, the most massive among
them (Cat. No. 152) weighing 83 g. The arm-span for most
specimens (ten out of eleven specimens) ranges between 4
cm and 5.5 cm, while Cat. No. 263 has a span of 6.7 cm.
The item completely diferent from typical examples of Bicske
objects is Cat No. 152 from At. The body is rectangular in crosssection, with extremely roughly worked surface. Starting from
a perforation opening, one can notice deep grooves running
down to the opposite openings. These notches are obviously
wear traces left by strings. This item could be compared to the
item found at the site of Banjica in terms of its shape and the
arm arrangement (Toorovi-Cermanovi, 1961: T V/5; Tasi,
1973: T. XIV/44; --: 2009: kat. br. 170).
Figure 5
21
The traces of strings are visible as notches around the apertures and/or as depressions or narrow grooves around the
arms.
Medium fabric prevails, although the ratio between admixtures may difer. The body surfaces are burnished; the traces
of red paint are still visible on Cat No. 46. A black-ired amulet
made of compact clay in ine fabric, found at At, displays the
traces of ochre paint.
a.
b.
a. site Banjica
(illustration after --: 2009: . . 170)
b. site At, Cat. No. 152
Vina Amulets
The traces of strings are visible along the rim of perforation on
all the items. Clearly discernible notches around the opening,
and partly on the surface can, be noticed on Cat. No. 151
30 g (Cat. No. 47) to 163 g (Cat. No. 1). The principle that the
earlier samples (from Potporanj and Cerovica) are more massive than those from At and Carine is conirmed once again.
Specimen Cat. No. 153 from At stands out for being determined
as Variant c, Type C II, which is represented by only one specimen. It is characterized by conical knobs placed between the
two button-shaped arms. A similar specimen was recovered at
the site of Brestovik, Beli Breg (--: 2009:
. . 187), the only diference being horizontal perforation
through the arm used for winding.
Figure 6
a.
22
b.
The traces of strings are visible around the rim of the central
perforation on all the specimens.
This type of multi-armed items vary much more in size and
weight than the previous type. The height ranges from 4cm
(Cat. No. 249) to 9 cm (Cat. No. 1), and the weight from about
3 Documentation of the City Museum Vrac. Rescue excavation conducted
during construction of the Danube-Tisza Danube canal in 1957.
D. Anthropomorphic amulets
Table IV a b
Amulet Typology
F. Ornitomorphic Amulets
E. Zoomorphic / Seated Amulets
Table V
Table VI a-b
Private collection -by courtesy of the owner used for this analysis.
Vina Amulets
part, while Cat. No. 329 is decorated with angular mendroid
lines. The traces of red paint are visible on Cat. No. 296.
Variant I b is set apart due to a diferent, lunular shape of the
body no analogy has been found yet.
On most specimens, perforation was made in the root of the
neck on the back, vertically toward the base, although there
are a couple of samples where it was executed at a slight angle so that the aperture is closer either to the tail or to the
front part.
Type II is characterized by a cylindrical appendix, vertically
centred in the back. In addition, unlike the other examples,
these have heads represented as crests. On all the examples,
traces of some sort of the string can be noticed around the rim
of perforation. Cat. No. 245 displays very clear, multiple notches left by strings. That amulet and Cat. No. 250 were coated
with an ochre slip. In addition, Cat. No. 250 features incised
ornaments, the traces of which are visible from one side only.
They are parallel zigzag lines.
The large size of these amulets can be understood from their
weight (107-108g). Until now, such types of amulets have not
been found anywhere else.
Ornitomorphic amulets are the most massive of all the categories of this kind of items, weighing on average from 100 to
200g. With its 40 g, Cat. No. 327 is a unique case. The stylization of the body, the fabric and ornament could indicate earlier and later types within Type I a.
G. Cushion-shaped Amulets
Table VIIa
There are only three examples, all from the site of At. They
difer in size, stylization of body and fabric. Cat. No. 148 with
rounded angles is the largest of all. Two parallel series of imprinted short arched lines run along a wider side. Cat. No. 150
is highly stylized, with the angles shaped almost as a right triangle. They are similar in height from 4 cm to 4.5 cm, but vary
in weight because of the thickness from 14 g (Cat. No. 150) to
54 g (Cat. No. 149). Traces of the string can be noticed only on
the rim of perforation.
I. Others
Table VIII
There are 11 items that, based on their shape, cannot be assigned to any of the above described types. It is doubtful that
some of them can be considered amulets in the irst place,
nevertheless they are presented here because of the perforation through the body and traces of strings, which many authors hold to be one of the criteria for categorizing an item as
an amulet.
Among them, there are items of a prolonged biconical shape,
resembling large beads; a decorated triangular plate; objects
with a semi-globular lower part, bent sharply on the shoulder and narrowed into a high cylindrical neck; an object bearing resemblance to a biconical vessel with four handles; a cylindrical item with four arms or footings on one end; an item
that looks like a stylized bull head; and a miniature very stylized igurine.
Sample Cat. No. 255 from the site of Potporanj can be singled
out because of vertical perforation along the overall height of
the body. It may have been used as an amulet. Vessels that look
similar were found at the site of Vina (, 1932: p. 69/ig.
120, 122). M. Vasi named them aryballos arguing that those
small bowls may have been used for cosmetics. They are 6.4 cm
to 6.8 cm high and were recovered at the depth of 5.8 to 6m.
The bowls found at Vina difer in having a narrow (0.5 cm to
0.7 cm) app. 5.5 cm deep aperture, instead of perforation along
the total height of the body.
No analogies for the specimens from this group have been
found.
Figure 7
Table VIIb
There are 11 items in the shape of biconical vessels with a spout
or handle, 10 of which originate from the site of At. Amulet Cat.
No. 28 with a small aperture has a clear representation of a
24 spout. Item Cat. No. 27 also has an aperture on the curve of
the cone, but a spout as a separate part is not represented.
Notches made by the string can be noticed around the arms,
or the handle/spout, as well as in the opening of perforation in
the base. Most items are small in size ranging between 3 and
4 cm and 20 to 50 g. Cat. No. 29 with the height of 5 cm, and
the largest very massive Cat. No. 67 with the height of 7 cm
and the weight of 83 g (fragmented) stand out.
Amulets Cat. No. 28,29 and 65 are characterized by ine fabric,
while the other items are made with sand of coarse granulation
Amulet Typology
tYPoLoGiCAL AnALYSiS Most amulets come from the site of At (168) and Potporanj
(133). The inds from other sites are signiicantly fewer in
CONCLUSION number: Carina 11, Cerovica 21, olakova vodenica 2,
Iberland 1, Kanal Mesi 1, and Staro Selo 6. Notable diferences in the number of amulets from individual sites inevitably posed certain reservations regarding the frequency analyses, so that in this context the sites of At and Potporanj are the
most representative. However, even a few samples from other
sites can reveal speciic indicators.
The typological analysis included 343 artefacts whose main
characteristics were small dimensions, perforation and traces
of strings on the body or around the perforation opening/rim.
Those characteristics, in addition to inability to accuratelly determine their function, have resulted in designation of these
artefacts in the professional literature as amulets.
The study covers the area of Southeast Banat, with inds coming from eight sites: Vrac-At, Crvena Crkva Carina, Banatska
Subotica Cerovica, Kovin olakova vodenica, Jasenovo
Iberland, Vrac Kanal Mesi, Potporanj Kremenjak and
Potporanj Staro Selo. Small scale archaeological excavations
were conducted only at At and Potporanj, but not more than
an insigniicant number of samples have been recovered during excavations. Most amulets, even from those sites, were discovered during ield survey or were obtained as gifts. This is
the reason why for the majority of the analyzed amulets there
are no data relating to the conditions under which they were
found. Some of the processed items are kept in the collection
of the Vrac Museum, while the others are part of private collections - they are marked as PK (see the catalogue).
Eight types of amulets have been recognized along with several variants within each of them. Those types are: two-armed,
three-armed, multi-armed, anthropomorphic, seated/zoomorphic, ornitomorphic, cushion-shaped, and in the shape of a
vessel with a spout/handle.
The main parameter in the typological classiication is the
shape of the body, and in the group of amulets with arms,
subdivision is made on the basis of the number of arms. In
the group of multi-armed amulets additional subdivision is
also made on the basis of the place where perforation was
made. The last ninth group contains the items that cannot be
assigned to any of the other eight groups. Most objects from
the last group are, at present, unique examples in the territory of the Vina group. Due to their diversity, they were not the
subject of the statistical analyses.
As for the groups of amulets with arms (two-armed, threearmed, multi-armed), they were named based on the number
of arms, considering the possibility that the shapes can be interpreted diferently. Cushion-shaped amulets are named after the shape they obviously associate.
The most represented amulets are two-armed amulets. With
190 samples, they make more than a half of the total number
of the studied amulets. They are followed by multi-armed (38
samples), ornitomorphic (26), so-called three-armed (21), anthropomorphic (20), seated/zoomorphic (16), in the shape of
vessels with a spout/handle (11), cushion-shaped (3). Amulets
difer from each other not only in their shape, but also in size
and fabric. Within the same type of amulets, the diferences
can be detected in the way the body was shaped stylization,
so that one can argue that there is no uniformity in the way
these artefacts were made.
Graph 3
The diferences in shaping of the body, or stylization, are noticeable within each amulet type. They are most obvious with
two-armed amulets, primarily because they are the most numerous group, but are also present in all the other groups.
Similar to the evolution in style of anthropomorphic igurines,
here the existence of both softly shaped bodies and highly
schematized forms can be observed. As symbolism and plas- 25
ticity of form are the common and basic features of anthropomorphic igurines and amulets, drawing parallels between
these two groups of cult objects seems to be well grounded.
The development from naturalistic to realistic forms at the
height of the Vina culture and gradual tendency to ultimate
stylization relect the general climate and spirit of the culture,
which were inevitably expressed in the manner amulets were
shaped. For these reasons, we believe that distinction between
amulets from the older (earlier) and younger (later) phases can
Vina Amulets
be made, as in the case of anthropomorphic igurines, on the
grounds of the shape of their bodies. Furthermore, that spiritual evolution seems to be mirrored in the tendency to give a
shape of a symbolic representation to utilitarian objects in the
earlier phases in order to increase the power of the object, or
the activity for which it was used. In the inal phases this characteristic was vanishing and utilitarian objects were given exclusively practical forms.
Amulets also difer from each other in size and weight, within
the same type, and in general. Three groups have been recognized: massive (with the height exceeding 6.5 cm, and weighing more than 75/80 g), medium (the height between 4.5/5
and 6.5 cm, weight 45 g 75 g) and small (the height do not
exceed 4.5-5 cm and weight ranging between 4 g to 45 g).
The height ranges from 2.5 cm (Cat. No. 35/type A III/At) to 9.4
cm (Cat. No. 225/type A I/Potporanj) and weight from 3.9 g
(Cat. No. 35/type A III/At) to more than 200g (Cat. No. 225/
type A I/Potporanj; Cat. No. 309/Type F II a/Potporanj the
preserved half 104.81 g). The largest of all amulets types are
ornitomorphic amulets, with the weight between 100 g and
200 g, while on average the lightest and smallest amulets are
those in the shape of vessels with spouts/handles mostly between 30 and 40 g and not higher than 5 cm. Majority of the
amulets classiied as the early phase samples due to the manner their bodies were shaped are larger and heavier than the
later phase samples.
As for the amulets with so-called arms (two-armed, threearmed and multi-armed), there are the diferences in the way
the arm tips were shaped. Two-armed amulets display the
greatest diversity in arm shaping, where zoomorphic arm tips
are common, but conical shapes prevail. Protomes with ornitomorphic shapes occur only in this type of amulets. There is
the possibility that many other samples of two-armed amulets may have had stylized protomes but due to the extent of
damage and erosion the original shape cannot be reliably determined. It should be noted that zoomorphic-shaped arms
are very rare among multi-armed amulets, where lattened
and less often conical samples typically prevail. There are no
samples of so-called three-armed amulets with arms shaped
into a stylized animal head. They are predominantly cylindrical or tongue-shaped.
Just a small number of amulets are decorated. Relative to the
number of amulets in each type, ornaments executed with
incision or stabbing are most common among ornitomorphic
amulets (6 out of 24), somewhat less common among threearmed (5 out of 21), anthropomorphic (2 out of 20), two-armed
(10 out of 189) and seated (2 out of 16) amulets. There are no
multi-armed or so-called tongue-shaped amulets or amulets
26 in the shape of vessels with spouts/handles that are decorated
with incised ornaments or with stabbing. Incised ornaments
mostly occur on amulets assigned to earlier phase samples
based on the way their body was shaped.
Ornamental motifs occurring on amulets are not as diverse
as those appearing on vessels or anthropomorphic igurines.
Obviously, each ornament bears a clear meaning so that its application is connected with speciic objects. It should be noted
that in the case of two-armed and anthropomorphic amulets
only linear motifs are used: angular line, meanders and zigzag
lines. Curvilinear motifs are mostly used on ornitomorphic amulets parallel arched lines, and on only one example a meandroid ornament. Parallel arched lines occur also on an example of seated amulets (Cat. No. 196), while a combination
of arched and linear angular lines appears on a sample of
seated amulet Cat. No. 6. Parallel arched lines make an ornament, absent from other items, which most certainly aims to
represent bird wings. A curvilinear ornament the spiral, and
linear mostly the meander, are used for three-armed amulets.
Two samples of two-armed amulets feature an incised symbol
in the shape of letter X.
The high extent of erosion, combined with washing in hydrochloric acid, make it impossible to reliably determine the frequency of painting as decoration and express it as a percentage, but given the presence of samples painted in ochre or red
in all amulet types, one may conclude that a large portion of
these items are likely to have been decorated in this way.
Based on fabric, eight types of these artefacts have been recognized. The chronological diferentiation between amulets
and the settlements in which they were originated is relected in the way the clay for their production was prepared. The
earlier samples were typically made of clay mixed with ine
sand and a little inely crushed stone, while later samples were
made of clay with a larger quantity of ine or coarse crushed
stone admixture. Surfaces are predominantly ochre in colour,
although in diferent shades, with reddish-brown and black
colour occurring sporadically.
A few samples made of clay mixed with extremely ine sand
in such a way that when touched it feels as if the surface is
being wiped away stick out. This is characteristic features of
the inds from the site of Potporanj. Firing colour is buf-ochre
(Potporanj / Cat. No. 279, 313, 257, 250, 325). On the other
hand, some amulets from Cerovica (Cerovica / Cat. No. 190,
194, 196) contain extremely coarse crushed stone added to
clay in a large quantity. The surface of most samples is polished, but three samples of two-armed amulets from the site
of At have burnished surface (Cat. No. 8,74, 76).
Variations in fabric not only indicate diferences in terms of
chronology, but also point out that clay was not specially prepared for these items but in all probability clay prepared for
vessel production was used instead.
There is another feature typical of this kind of the Vina culture
artefacts. All these items display traces of strings. Depending
on the type, they appear on diferent sections of the body, although the characteristic position is along the rim of perforation. With two-armed and three-armed amulets, amulets in the
shape of vessels with spouts / handles and anthropomorphic
amulets, they appear at the base of arms, spouts/handles, or
stubs; seated and ornitomorphic amulets have traces around
the neck, while with multi-armed amulets they become most
visible along the perforation rim and in speciic cases around
the arms. Undoubtedly, variations in fabric in part are the reason why the traces of string are more visible on some samples
while they can be hardly seen on the others.
Amulet Typology
Graph 4
We have also considered the state of preservation as an additional factor in our analyses (graph 4). In the Appendix, the
preserved part of the amulet is expressed as a percentage.
Statistics has shown that 56% or 181 out of 343 amulets have
been preserved to the extent of 90 to 100%. Amulets missing
a part of the arm or a whole arm provided that it is small in
size-tail, handle or head are in this group. Judging from their
appearance, those parts are so fragile that they could have
been accidentally broken.
27
Vina Amulets
F U n C t i o n A L A n A LY S e S
28
Context of Findings
Little is known regarding the context in which the amulets
were unearthed. The most accurate data originate from the
site of Jakovo Kormadin. There, in the house 2, two columnar two-armed amulets, one with conical, and the other with
zoomorphic arm tips ( , 1961) were found.
Judging by the other portable material (30 vessels, most of
them being amphorae and pithos), and two stoves, the house
was primarily used for storage and preparation of food. The
Functional Analyses
As shown in the history of research, the question of use of the
objects called Vina amulets remains questionable. Most authors classify two-armed and three-armed objects, as well as
those in the form of anthropomorphic igurine, seated, cushion-shaped and ornitomorphic as amulets. Multi-armed objects are usually referred to as multi-armed amulets, but it is
pointed out that most probably they are not cult but utilitarian
items. Lately, thanks to J. Chapman, there is a tendency that all
Vina amulets are classiied into objects used in weaving, either
as weights or as reels. Although there is no reliable evidence,
the assertion is based on the data that the majority of these
objects display traces of strings. J. Chapman (Chapman, 1981:
122-124) explains this hypothesis by the fact that most of the
amulets weigh less than 200 g, and such traces of strings could
only result from exposure to rapid and/or repeated moving
of the string. Therefore, J. Chapman believes that traces were
most probably caused by constant moving of the string, not of
a hanging rope, but the string in a simple mechanical device
such as a loom. He states that today the objects similar to twoarmed amulets are used on horizontal looms in rural Greece.
In addition to so-called Y (Type A two-armed), Bicske (Type
Functional Analyses
Vina Amulets
Multi-armed Amulets
The biggest concern about the use arises over so-called multi-armed amulets, or perforated objects with multiple arms.
Their appearance is very reminiscent of some reels, so most
authors believe that these items were used in the process of
weaving or making ishing nets. For now, it is not possible to
prove, given that very little attention was paid to the context
in which they were found, and that there are no parallels in
later historical periods. An additional problem is the fact that
these items occur only within the Vina culture group, while
in the areas of other cultures they occur only as a result of imports, or contact with representatives of the Vina culture. If
the assumption that these items had only a utilitarian purpose
is conirmed, there is a very interesting question: why was not
this practical tool used in other cultures, and what caused the
emergence of the object in the Vina culture?
As for types I and II of multi-armed objects, it should be noted
that there is the same underlying concept in each of them: the
axis with the arms diagonally arranged around it (Figure 12).
There is a diference in the place of perforation, so in type I,
perforation was not performed through the axis, but through
the place of joining arms, which are all of the same length. In
type II, perforation was performed through the axis, and it is
characteristic that there are diferences in the shape of the
body, although it is not clear whether the diferent shape of
the body caused diferent function.
Figure 12
Type C I
Type C II
In order to come closer to any possible use of the object indirectly, the weights and span of arms were measured. In type I,
the weights range from about 30 grams to 70 grams. The arm
span varies from 4 cm to 6.7 cm, and compared to inds from
other sites those are generally the sizes in which these objects
were made. As for the objects analyzed in this study, the greatest number of samples (as many as 7 out of 8 samples) has
the arm span between 4 cm and 5.5 cm. The measurements
also showed that the same span of arms did not necessarily
mean approximately the same weight. Based on this, we have
drawn the conclusion that the weight was not the primary fac30 tor, but the size of the object and the length of the arm played
the crucial role.
Items of type C II are much more variable in size and weight.
The height ranges from 4 cm (Cat. No. 249) up to 9 cm (Cat.
No. 1), and the weight from about 30 grams (Cat. No. 47) to
163 grams (Cat. No. 1). Therefore, in this type of objects, neither weight, nor size, and therefore no span of arms, had an
important role. It is characteristic that cylindrical, biconical or
pear-shaped bodies occur, and what is common is that the
Functional Analyses
amulets two strings are pulled through the upper hole, and
then branched of on the base and wrapped around the arms.
In three samples, from the sites of Potporanj (Cat. No. 270),
Carina (Cat. No. 171) and At (Cat. No. 166), perforation was executed through the back. In addition to this, the sample from
the site of Potporanj, has a central perforation through the
body. They vary in size, from 6.3 cm and 113 g to 4 cm and 24
g, and they certainly had to be carried, worn or used in a different way.
Seated Amulets
Figure 16
31
Vina Amulets
usually made directly behind the neck and at an oblique angle, towards the base. Since the base is always lattened, and
thus adapted for mounting on a lat surface, the question is
why they were additionally tied. Traces of strings indicate that
they were pulled around the neck, through the back hole towards the bottom one. This suggests that the bottom ends of
the string were used to tie them to something that was likely
to be moving, so tying secured the object from falling down.
When it comes to the ornitomorphic amulets of type II (shaped
as ornitomorphic vessels), traces of strings are visible on the
rims of the hole in the base and are directed towards the sides
or to the head and tail. Based on this, we can assume that they
were tied in the same way as three-armed amulets.
Cushion-shaped Amulets
Unfortunately, on three samples of so-called cushion-shaped
amulets there are no traces of strings on the body; only sample Cat. No. 64 displays a slight widening of the perforation
rim, caused by pulling the string. They are approximately of
the same height: Cat.No. 64/4 cm, Cat. No. 149/4.5 cm, and Cat.
No. 150/4 cm. However, the weights are signiicantly diferent
30 g, 54 g, 14 g, due to both the composition of the clay and
the thickness of the body.
Amulets Shaped as vessels with a Spout/Handle
When it comes to the amulets shaped as vessels with a spout
/ handle, traces of strings are noticed at the rim of the perforation bottom hole and around the handle / spout. Therefore, the
string was probably pulled in the same way as in the so-called
seated amulets. A thread was pulled through the top hole,
wrapped around the spout/handle and then back through the
hole. In this way, this became a hanging amulet, or the object
could be hung around the neck or in a particular place in the
house. The weights of these amulets range from 17 g to 83.31
g (Cat.No. 67), although such a great weight is rare since most
of them weigh about 30-40 g (6 of 10 samples). The heights
are usually from 3 to 5 cm (9 of 10 samples), the only exception again is Cat. No. 67, being 7 cm high.
other Perforated items/Amulets (table viii)
There are several objects of unique appearance, but with the
characteristics of amulets: small, perforated, with traces of
strings and of unclear purpose. Massiveness and/or a form unsuitable for being worn (Cat. No. 256, 255, 148 and 248) char32 acterize some of them.
Thus, object Cat. No. 256 has a weight of about 180 g. Its massive, columnar body and four arms suggest that this is some
kind of a pedestal. However, a fragmented circular base with
the incised circular line surrounding it can be seen in the centre of the circular area from which the arms stick out. From
the remains of the base, we cannot conclude what the central missing part was like, but apparently, it was the top of the
object. The opposite bottom base is lat and undecorated.
On the rim of the hole in the bottom base, there are remains
of pulling the string. At present, it is not possible to determine the purpose of the object, but it is unlikely that this is
an amulet.
Object Cat. No. 255 resembles a biconical vessel with a cylindrical neck (partly fragmented) and four (tongue-shaped) handles on the shoulder. Traces of strings are visible only at the
hole in the base, and due to fragmentation of the top and the
handles, it is not possible to determine as to how the string
was pulled through and whether the handles were also perforated. The weight (about 150 g) suggests that the object was
not carried or worn as a "personal item" but probably hung
inside the house.
The object, Cat. No. 295 looks like a stylized head of a bull. It is
horizontally perforated at one end, with a wide diameter of the
hole and very distinct and deep traces of some kind of a string.
These notches are radially arranged, and there is a possibility
that more threads were pulled through. The upper part of one
side is depressed so it can sit properly on a rounded surface.
Object Cat. No. 323 is small, with a horizontal aperture at the
top, quite obviously designed for pulling strings. A decorated
triangular tablet (Cat. No. 247) has two deep notches left by
strings around the aperture. One is directed towards one of
the angles, while the second extends the opposite direction,
towards the middle of one of the sides. It is not possible to determine the purpose of this object, either.
On the other hand, two objects one from the site of Potporanj,
the other from the site of At (Cat. No. 248 and 148) are almost
the same in height (5.3 cm and 5.5 cm), and approximately the
same in weight (78 g and 63 g ). Since both objects are perforated vertically through the middle and have rounded bottoms
they could not be free standing. Identical shapes and similar
sizes and weights enable the assumption that this object was
made in accordance with speciic parameters, as required by
its intended use. For the time being, however, we cannot prove
whether it is a kind of a whorl or, perhaps, a weight.
An item from the site of Cerovica (Cat No. 185) has an extremely eroded surface, so we cannot reliably talk about its original
form. A biconical object with vertical perforation, but no traces
of strings also originates from the same site. There is a possibility that it is a ceramic bead, although relatively coarser fabric
gives rise to consider its exclusively practical application. Two
similar objects originate from the site of Potporanj (Cat. No.
293, 337). The diference is that in these samples the transition
from one cone to another is extremely pronounced, and one
side is completely lattened. Because of the damage, it is not
possible to determine whether this is due to the use or not.
Both are vertically perforated, but Cat. No. 293 has a large perforation diameter, so that something slightly thicker may have
been pulled through the hole.
Functional Analyses
Fabric
Speaking about the composition of clay, one should be aware
that throughout the development of the Vina culture, all
three main types (coarse, medium, ine) of fabric were present,
but admixtures used varied. Therefore, the fabric can point to
the relative chronological framework, and the purpose of the
object.
Eight diferent fabrics were abstracted among 343 amulets
at eight sites, covering a relatively small geographic area. The
fabrics are diferent in composition, or quantity of admixtures
(sand, coarse and ine crushed stone). The colour of iring varies from light buf-ochre, ochre, through reddish brown to grey
and black. Surface area is usually polished, although there are
also the samples with summary treatment, and, rarely, a burnished surface.
It is well known that clay is very rarely used untreated, or without any other admixtures. Within each culture, we can see the
use of clay of diferent fabric depending on the use of the object that is made. For example, to increase resistance of the vessel to high temperatures or water, certain admixtures are added to clay or the surface is treated in a special way. Based on
that, within each culture there are vessels intended for cooking, storing liquids or food preparation. In other words, if the
purpose is the same, then the composition of the clay is the
same, too, although the forms may be diferent.
When it comes to ceramic objects designed to be cult/ritual objects, the assumption is that they will not be exposed
to high temperatures, so there is no need to get such fabric
when making them. Some ritual vessels were designed to hold
liquids, so their fabric and treatment of the surface were adequate to that function. When it comes to anthropomorphic
igurines, we can assume that the choice of clay was due to
the ease of modelling and aesthetic component. On the other
hand, coarse fabric of cult items suggests that the object was
made of the clay prepared for manufacturing everyday dishes.
This suggests that the aesthetic component was not of great
importance, but purpose and symbolism were.
The great diversity of amulet fabric shows that clay was not always prepared in the same way for production of those items.
This means that their function was not conditioned by a speciic fabric. Two-armed amulets, which are the most numerous,
and probably for that reason made from the most diverse clay
fabrics, were made of clay mixed with ine sand, in which case
they had well polished or even burnished (though rarely) surfaces, as they were made of clay with a lot of coarse crushed
stone. The way of modelling also shows the greatest deviation in this group of amulets: from the very summary to the
extremely precisely and meticulously shaped. Most of threearmed amulets were made of ine fabric clay, mixed with ine
sand, although there are also two samples with coarse crushed
stone. Most of them are meticulously modelled. As for multiarmed amulets, the fabric difers depending on whether iner
or coarser sand is added to the clay, but no sample was made
of clay mixed with coarse crushed stone or a big quantity of
large grain sand. This group of amulets exhibit the most accurate workmanship made. Finer fabric is also dominant among
33
Vina Amulets
SYMBoLiSM oF AMULetS
The fundamental issue in the analysis of cult objects of a culture is the issue of the meaning of certain symbols for the
members of that culture. As for the oldest periods of civilization, the parallels are made with the later, well-known symbolic systems. Very often, we have seen that some symbols
were accepted among the most remote communities, and that
many of these symbols remained in use for a very long period
retaining their original meaning. Although ethnological and
ethno-archaeological studies allow us to analyze the meaning and role of certain symbols in historical periods, their direct analogy with Neolithic cultures seems not to have a reliable basis yet.
two-armed Amulets
As for the symbolism of two-armed amulets, the interpretation that is usually quoted is that they represent the head of a
bull or so-called horns of consecration. Interpreting Starevo
amulets, S. Stankovi pointed out that the representations of
a bull are very common in prehistoric times, mostly occurring in the form of an inverted letter A or the letters Y and T.
When it comes to objects, painted representations or Y-shaped
notches, the analyses have shown that they may portray a cattle head, but the same form with a slightly longer lower part
may also be a representation of the whole animal (Stankovi
1992:169).
Diferences in the body shape of two-armed amulets of the
Vina culture could favour this interpretation. In fact, as the
typological analysis reveals, columnar bodies that are taller
than the height of the arms are represented; then, triangular bodies whose height is similar to the height of the arms;
stocky bodies with small hornlike or long conical arms; and at
the end, tongue-shaped bodies with very short arms usually
conical in shape.
If we accept the hypothesis that the Y form may represent
both the head and the whole animal, the type of columnar
two-armed amulets, due to their body height, could be interpreted as a representation of the whole cattle/bull. Given the
Figure 19
34
A good example of unifying
symbols of a bull and
representation of a woman
is a bone amulet from the
site Bilche Zolote in Ukraine
(Dumitrescu 1960: 43), the late
phase of the Cucuteni group.
Symbolism Of Amulets
For now, the unique combination of symbols is found on sample Cat. No. 84 from the site of At. It is a two-armed amulet with
one arm moulded in the form of an animals head and with
ears, while the second is likely to represent an ornitomorphic
head with the emphasized top (crest?) and nose (beak?). This
sample certainly provides the best example of a symbiosis of
several symbols, each of which has a diferent meaning and
role and contributes to the protective nature of the object.
three-armed amulets
The simplest interpretation of three-armed amulets would
be that they represent anthropomorphic representations.
However, given that there are amulets clearly displaying a human form, the question is why the human igure would be represented in two completely diferent ways. In addition, there
is a distinct diference in shaping of the body. In three-armed
amulets, the body is globular or heart-shaped, while in anthropomorphic amulets, the body is always columnar and/or lat.
It is interesting that in three-armed amulets, in contrast to anthropomorphic ones, the head is never represented in a realistic way, but the central/ upper arm has a cylindrical shape.
Figure 21
a.
b.
a. site Achilleion
(illustration after Gimbutas, 1991: Fig. 7-49/5)
b. site Medvednjak
(illustration after , 1977, p. 42)
Vina Amulets
Figure 24
Figure 25
a.
a.
b.
a.
b.
c.
d.
c.
b.
d.
e.
c.
d.
Site Vina (illustration after 1932: . 106 and
1936: . 47/506)
Cat. No. 257
reconstruction Cat. No. 257
site Troy, level III
(illustration after Schliemann 1881: page 388, ig. 241)
Anthropomorphic amulets
As for this kind of amulets, there is no doubt regarding their
symbolism. They clearly represent an anthropomorphic igure, most probably a deity. Unlike igurines, they are roughly
worked, displaying much less detail. In addition, neither sample has sexual characteristics. Moulding of anthropomorphic
amulets followed the style of igurines, so that very abstract
representations appeared in the inal phases. The overall appearance of the body is cruciform, with a small head and the
nose sticking out, while ornamentation has almost vanished.
Among anthropomorphic amulets, there is also a variant of
double-headed items that is, the representation of Magna
Mater and her male companion.
The largest number of anthropomorphic amulets is the size of
anthropomorphic igurines, so the question arises as to why
the amulets of the same shape and size as the igurines, i.e.
deities, would have been made. At this point, we can only assume that igurines were used in certain rituals, while anthropomorphic amulets had a protective role.
Seated / zoomorphic amulets
Within this group of the Vina amulets, two variants are singled out, based on the manner of head representation. The
irst variant includes those amulets in which the head is represented in a very stylized form as a small cylindrical bulge,
so we cannot determine whether it is an anthropomorphic or
zoomorphic/ornitomorphic representation. The second group
consists of the samples with clearer modelling of the head, so
that zoomorphic representations can be clearly recognized.
Symbolism Of Amulets
In their shape, seated amulets are a group of objects that closely resemble the Starevo seated igurines, interpreted as representations of a female deity. This could provide us with a
framework for interpreting these representations. However,
a sample from At (Cat. No. 3) was unearthed with a bird bone
in the perforation hole (which, unfortunately, has not been
preserved). When found, the bone was interpreted as a support on which the amulet could stand in an upright position.
Nevertheless, we can conclude that the bone did not have a
support function, but that the bird bone was put into the amulets because the amulet was supposed to symbolize a bird.
In favour of the possibility that those were representations of
birds, the decoration on a sample from the site of Cerovice (Cat.
No. 196) should be mentioned. The body is decorated with
parallel arched incisions, like the ornitomorphic amulets from
the site of Potporanj Kremenjak, apparently with the intention to imitate feathers and wings. Within Variant I b, seated
zoomorphic amulets are recognized, for the representation of
ears and nose/snout, although it is diicult to determine precisely what animals they represented (bear?).
Figure 26
Figure 27
a. Site Cerovica, Cat. No. 196
example of parallel arched
incisions, apparently with
the intention to imitate
feathers and wings
b. Site At, Cat. No. 53
zoomorpfhic seated amulet
a.
b.
a.
ornitomorphic amulets
This group of amulets clearly represents a bird. There are two
basic types. In the irst group, representations of birds are realistic, often decorated with arched lines that are supposed to
b.
those birds personiied a certain deity. Birds are also interpreted as symbols of change of seasons, and above all, the arrival
of spring and the beginning of a new cycle of regeneration of
nature and fertility.
D. Garaanin highlighted that those water birds no distinction was made between the ducks, geese and swans then were a symbol of fertility, marital faithfulness and blessings
given by the river (. , 1951). They had a primary role of an aphrodisiac and were often represented next to
women. The goose was sacriiced to Venus and Apollo in Delos
and to Mars in Rome; it was also dedicated to Juno, the protector of marriage. For the Etruscans, the goose accompanies fertility goddess, and in Egypt, it was dedicated to Isis and Osiris
37
the god of vegetation.
S. Terzijska-Ignatova (2004) assumes that birds symbolize tutelary spirits, into which the souls of ancestors transformed. The
idea of birds as the souls of the dead or conveyers of the souls
to the other world exists in the myths of many communities
around the world. In addition, birds have long been considered as intermediaries between the Heavens and the Earth,
messengers and interpreters of Gods will. They were an omen
of good or bad events.
Vina Amulets
Cushion-shaped amulets
Figure 28
There are similarities with the lamps appearing in the subsequent periods, but only chemical analysis can conirm them.
Should it be conirmed that these were oil lamps, then this
form of amulets could be interpreted as a symbol of connection to the dead (in the Roman period, weevils were placed in
the tomb, in the belief that it would light the way to the other world), or as a symbol of ire or light. Perhaps, they were
also a part of a ritual (in the Orthodox Christianity, oil lamps
cressets are still used in church rituals and stand in front of
the icon).
Figure 30
Figure 29
a.
b.
c.
At the site of Vitkovako polje near Aleksandrovac, a zoomorphic amulet was unearthed, shaped like two halves of the
body, with the heads facing the opposite directions and connected in the middle (Figure 29). The amulet has an aperture only at the top of the body. The speciic feature of the
Vitkovako polje sample is that it has a conical protuberance
on the lower side of the body. Was it a representation of an udder or if zoomorphic igures are to be interpreted as dogs,
38 could it be a female dog with prominent breasts? The sample
from Vitkovako polje, as well as the Vina sample, opens the
possibility for so-called cushion-shaped amulets to be interpreted as stylized forms adapted for portraying these dual
zoomorphic representations. As in much later historical periods, double zoomorphic representations have always had a
protective character. However, the possibility that the cushionshaped amulets were just utilitarian objects, on which as on
many other items of practical purpose apotropaic symbols
were added, certainly cannot be excluded.
Symbolism Of Amulets
At the same time, the lower biconical body and the high cylindrical and narrow neck of the aryballos is very reminiscent
of a small vessel found at Vina (Figure 31a) lying next to an
amphora with two faces (Fig. 24a) in the house at the depth
of 6.6 meters. If we accept the hypothesis (which will hopefully be tested by chemical analysis), that oil was kept in such
small bottles, it could be concluded that the amphorae with
the representation of a face or a prosopomorphic lids were the
main receptacles for storing large amounts of oil. Furthermore,
if we accept the thesis that a speciic symbolism was applied
on speciic items, in other words, that every object (whether
of utilitarian or cult purpose) had a special symbolism relecting its importance or associating a deity a protector of speciic activities, then we can draw the conclusion that the vessel
shaped as aryballos with two faces (Figure 23) from the site
of Bukovac had the same purpose as the amphorae with the
representation of a face or prosopomorphic lids.
Conclusion
a.
b.
they had got there through the penetration of the Vina culture. Similar vessels occurred at several locations in Croatia and
Slovenia; some of them were found with a small plate lid.
Several aryballos were discovered at the sites near Zrenjanin4.
The experiment has showed that oil easily pours out from such
a narrow interior of the vessel. It is possible that special kinds
of oil liquid were kept in such vessels, and that the vessel itself
because of the holes for pulling a string through was either
carried or hung in a special place in the house.
4 Collection of a private collector J. Bakalov from Zrenjanin, who was the
one who did an experiment with pouring water and oil in the bowls
By deinition, the amulet5 is an object made of various materials to which supernatural power is attributed, and which will
protect the one who owns it from all evil ( 1997: 45).
The amulets are often worn attached on a string around the
neck, alone or inserted into a necklace. They are sometimes
tied to some other parts of the body, depending on what is
to be specially protected. Amulets can also be put inside the
house and hung over the bed or window, or outside in the
doorway. Less known is that amulets were hung on animal
horns, foreheads or at the junction of the buttocks and tail
of the main animals in the herd. Amulets were hidden in the
walls of houses or under them, or they were put on diferent
pedestals in the courtyard, in the ield, or in the centre of a village (Budge 1933).
Very few data on the context in which the Vina two-armed
amulets were unearthed in the houses, or sometimes, in pits
below the loor of the house - indicate that these items were
used in the interior space. Unfortunately, we do not have data
for other types of amulets (three-armed, anthropomorphic, ornitomorphic, seated, in the form of a vessel and others), but
it seems that symbolism prevails, and that their shape made
them completely useless for any practical purpose.
Diferences in the size of amulets indicate that they were not
only used as personal items for protection from any evil, or
as talismans hung around the neck or other part of the body,
but that the amulets of speciic dimensions may also be used
and hung in the house. Unfortunately, we do not have many
data relating to the ritual space inside the house. However, the
site of Jakovo Kormadin provides some data at least. There, a 39
pair of two-armed amulets was found in a house of the secular
character, while the other two samples were found in a structure designated for worship.
Ethnological studies show that, from the moment it emerged
as a form of a shelter and habitat, the house had a much more
important purpose than just physical or utilitarian. It became
5 Kulii Petrovi Panteli, 1998. The name comes from the Latin amuletum and is widely used for the means that removes all evil.
Vina Amulets
a protected area, both literally and iguratively, and in order
to ensure the full protection, rituals that would appease the
forces of nature were performed in it. Moreover, the house
also symbolized the continuity of life and the continuity of a
family, so it was the habitat of not only the living but also of
the dead.
. Eliade believes that to dwell in a territory ultimately means
to make it sacred (Eliade 2004:29). In other words, unoccupied, foreign territory is part of the Chaos and only by settling
in it, one turns it into his world through a series of ritual and
symbolic acts. It is in the houses that we ind items that served
the cult the altars, ornitomorphic, zoomorphic and anthropomorphic vessels, bowls with protomes, footed cups, etc., so
it is not hard to imagine that each or almost every house had
a space where the cult was practiced and where these items
were stored. In addition to these items, there were igures of
deities or amulets that protected from the evil eye. Insuicient
data prevent us from making conclusion as to whether the cult
was practiced in every house or the cult items could be found
in one of ive, ten, etc. houses; or whether the ritual activities
may have been performed at the level of the extended family, which consisted of several households?
Amulets of the Vina culture appear in a great variety of types,
each of them containing a certain symbolism and therefore a
special meaning and apotropaic power. This demonstrates a
developed spiritual life of its members, who in that way sought
to secure some protection or advantage for themselves. Unlike
the igurines, where representation of a woman plays a dominant role, the symbolism of the amulets turns to other representations. Some amulets have very clear characteristics,
which makes the attempt to make sense of their symbolism
less puzzling. The symbolism present among the Vina amulets
also occurs in all Neolithic cultures of South East Europe, the
Mediterranean and Asia Minor. Horns of consecration, birds,
quadruped animal (dog/leopard) and female deity are part of
a religion that in later periods reappeared in various myths,
cults and alleged new religions.
Two-armed amulets indicate the symbiosis of a number of
symbols (female deity, a bull, a bird, a dog?, a ram?), which,
because of being primarily associated with fertility and the
cyclical renewal and able to provide a great protective power,
were surely the most used ones. Amulets in the shape of vessels (B amphorae, F I ornitomorphic vessels, H vessels with
a spout/handle) show how important the vessels of a realistic size, as well as their content and purpose, were for the representatives of the Vina culture. As all types of these vessels
(amphorae, ornitomorphic vessels and bowls with a spout) indicate that a kind of liquid was kept in them, it would be worth40 while to examine the substance in question. Anthropomorphic
amulets unambiguously represent the Deity, while we can only
assume that ornitomorphic amulets symbolize the cyclical renewal of nature. As the anthropomorphic igurines in the inal
phases usually had bird heads, we could undoubtedly link the
principal female deity with the representation of the bird. It is
possible that at the beginning, the symbolism was separated,
but over time, it merged, so the attribute of divinity eventually
became its integral part. Such fusion can be observed in the
seated amulets, where the head is sometimes portrayed as a
o Ri G i n A n D De v eLo PM e n t oF Be L ie F
origin of Belief
Archaeological, historical and ethnographic studies have
shown that a speciic way of life and work is relected in a speciic form of religious belief. That religion eventually becomes
part of the cultural ethnic identity of a particular population
and turns into tradition, and then, at least in the most basic elements, is passed on to subsequent generations.
It is interesting that, so far, all identiied Neolithic communities
demonstrate a very similar way of belief derived from or because of the same economic conditions. Since the Neolithic period is a period of transition to a sedentary lifestyle and growing crops and livestock breeding as a primary source of subsistence, it is logical that the belief would be directed to providing
these food supplies. Fertility becomes a primary factor in the
life of a man dependent on nature and, hence, it is not surprising that female deities emerged, as a universal symbol of fertility. Because of this, the female igures are usually referred to
as the Great Mother (Magna Mater), Mother Earth. The number
of igurines used to represent it in a symbolic way has led to
the interpretations of Neolithic religion in which the dominant
and almost exclusive role has been given to the Great Mother.
In subsequent periods, the supreme female deity was worshiped under various names throughout the Mediterranean and
Middle East.1 Although some authors connect the representation of Magna Mater from the historical period to the Neolithic
female deity, there is currently no evidence that would conirm this hypothesis.
However, the supreme role of female deity is not contested,
nor is the occurrence of her male companion, always portrayed
as a bull, in all of these Neolithic cultures. Recent research indicates that during 10th millennium in the Levant (Cauvin, 2000),
the representations of a woman and a bull appeared for the
irst time, and in the coming millennia they would become a
general symbol of a religion, which covered a very large geographic area from the Middle East to the Mediterranean and
Central Europe. Their shapes appear in diferent forms on vessels, on the walls of houses, igurines, amulets...
The occurrence of anthropo-zoomorphic and anthropo-ornitomorphic representations can be regarded as a result of the
1 The cult of Magna Mater is of Asia Minor-Friesian origin (A: Cermanovi
Kuzmanovic, D. Srejovi, Belgrade, 1992). From the time of Emperor
Claudius, in Rome in March they celebrated a day in honour of Magna
Mater and her favourite Attis. On the irst day of the holiday, a bull was
sacriiced for ield fertility. In Phrygia, it was called Cybele and was revered
as the mother of the gods, and the whole of nature. Her companion and
favourite, Attis, was worshiped as a deity of vegetation.
Worship of the supreme goddess is kept up to date with the Basques, a
European nation that has managed to remain isolated and not to fall under the inluence of the Indo-Europeans. They call her Mari, and she is the
mistress of many spirits, most of them female. She is associated with the
Moon. It is considered that the variations in the representations of Mari
occur because of its original functions, as a deity who was related to the
cycle of birth death rebirth. Bird goddess is the one that rules over the
birth and destiny and occurs in the form of ducks, swans and other water
birds. As a symbol of death, she is depicted in the form of birds of prey,
while as the source of life and regeneration she is associated with eggs,
and a snake. Curved spiral signiies the energetic aspect of the goddess
who gives life. Such spirals sometimes appear as the eyes of birds, ram
horns, which makes it a sacred animal linked to the goddess.
41
Vina Amulets
way economic activities were performed. Characteristics of
certain animals and birds were ascribed to/united with anthropomorphic deities, thus symbolically reinforcing speciic features necessary for securing continuation of living. However,
another conclusion is possible - that divine character was ascribed to certain animals that were typical of a speciic region.
These animals became earthly manifestation of the deity and
thus became sacred. Their appearance and their behaviour
were always understood as a certain omen. It is interesting that
animals that are characterized by strength (bear, bull, lion), or
fertility (bull, deer, frogs...) were chosen, or the appearance of
those animals was linked to a particular time of the year (birds
wild goose/duck the beginning of spring and new fertile
period, the bear winter hibernation, ram fertilization in the
spring).
Looking back on those objects and phenomena belonging to
diferent cultures in such a large area it is clear that the symbolism had its regional variants or varieties within cultural
groups. Sometimes, the symbolism is less recognizable, due
to the mans need to summarize some representations and
symbols over time. However, it seems that the arguments that
might challenge the hypothesis that there was a centre from
which the inluence was spread, either indirectly, or through
direct contact are getting increasingly fewer. It was an ideology, which, as mentioned by J. Cauvin (2000), may be traced
to the Spanish bullighting tauromachia.
Initial stages of the Neolithic belief were characterized by covert and discreetly emphasized symbolism. Bull skulls were initially built into the wall, and then placed on the wall, while the
goddess was present in the form of a few igurines. Seizing
the momentum of the newly established system of life and
thought, the religion was spreading from the northern Levant,
across Anatolia, toward South East Europe. In the seventh millennium, it was already quite clear that this ideology was deeply rooted in Central Anatolia. Every house in Catal Hyk had
a room dedicated to the divine couple the Goddess and her
male companion represented in the form of a bull. They dominated the area and obviously peoples lives. According to the
interpretation of the irst researcher, J.Mellart, it was at this site
in Konya Valley that a male - female principle of symbolism
and connection between the bull and birth, fertility and death,
was irst observed. The male deity was represented as riding a
bull or his symbol bucranium was placed on the walls, while
the goddess appeared on the throne, surrounded by animals
(wild or tame), which were her protectors and subjects at the
same time. In South West Anatolia, in Haclar, the Goddess was
represented in childbirth or with a child in her arms, obviously
symbolizing birth and motherhood.
42 The development of belief was accompanied by emergence
of new rites and rituals, and was relected in the occurrence of
a number of objects with strong symbolism. The igure of the
Goddess was depicted or modelled on vessels, so her power
could be transferred to the contents of the vessel, which obviously was of paramount importance to the community. Based
on the bowls shaped in the form of a deer- another animal
whose symbolism was to expand to the central Balkans - we
can conclude that the libation ritual was introduced to the
cult. In the mid-sixth millennium, at Catal Hyk there was the
object, much like the ritual breads of the Vina culture. Was it
a symbolic sacriice in bread?
When it comes to amulets, based on the inds of these objects
even from the Palaeolithic, we can assume that the man has
always felt the need to protect himself by possessing an object
which he believed that it could have that power. Whether it
was a part of an animal, or a special stone, its power was transferred to the one who carried or wore that object. With the use
of clay, but primarily with the development of religion, amulets
acquired a much wider range of shapes and meanings.
Those symbols, which characterized the following millennia,
surviving in some forms and cults until today, can be tracked
across South East Europe. By following the expansion path, we
can ind answers regarding symbolism of cult objects of the
Neolithic cultures in the area.
The same religious principles expressed in the same symbolism and cult objects were present in the central Balkans in
the Early Neolithic cultures, or the cultural complex Starevo
Krs Cri, where the Vina group was later formed.
Anthropomorphic igurines, anthropomorphic, zoomorphic
and ornitomorphic vessels, vessels with an anthropomorphic
face on the neck, found almost across the entire territory of
Starevo, in their appearance, followed the Middle Eastern
models. The male female principle existed throughout the
period. The female deity represented in the form of igurines
took on local characteristics manifested in detail, but the basic principle remained the same everywhere: it was shaped as
either standing or sitting on the ground. Undoubtedly, each
of these positions/postures should be interpreted as the representation of a particular function that the Goddess had. On
the other hand, representations of the male deity in the form
of a igurine were far less common. It usually appeared as a
bull, or only the head (bucranium) or horns (so-called horns
of consecration) were executed.
In the area of the Krs culture, at several sites, a number of objects were found that some researchers of that culture (KaliczRaczky 1981) interpreted as the earliest examples or predecessors of horns of consecration. N. Kalicz and P. Raczky reported
on the objects with similar characteristics from the area of the
Starevo and Karanovo cultures, arguing that these objects
were evidence of a common ideological background of the
three Neolithic cultures and that they were actually the evidence of genetic links to the remote regions (Kalicz-Raczky
1981). Representing the bull by the horns of consecration, in
the opinion of those authors, gave a new dimension to the
Early Neolithic religious representations, where a woman
played the most important role as the primary symbol of fertility (Kalicz-Raczky 1981).
Starevo tradition And its inluence on Since so-called seated amulets typically appeared in the inal
of the Vina culture, the possibility to connect them to
the vina Culture phases
Starevo igurines is questionable. However, as the amulets are
Vina amulets are speciic only to the Late Neolithic /Eneolithic
culture and do not appear independently in other cultures. J.
Makkay was the irst to observe this in 1968 in his discussion
about two-armed and multi-armed items of the Vina culture
(Makkay 1968). Almost two decades later, J. Chapman claimed
the same thing (Chapman 1981: 123).
As for the form of Starevo amulets (Table B), few types can
match later forms of the Vina two-armed amulets. The bodies
not found in other cultural groups, and there are no forms that
would indicate the potential development of this form from 43
Vina igural sculpture, the question arises as to whether amulets were one of the remnants of the Starevo tradition. In
other words, is this a possible proof that the Vina culture came
into existence through the evolution of the Starevo culture?
We can ask the same question when it comes to a multi-armed
object of Type C I / II of the Vina culture. At the site of Tei
near Rekovac (, 1961; , 1986), where the material has been dated to the inal stages of the Starevo culture,
Vina Amulets
and where there is no Vina horizon, the object of almost the
same design as a Vina multi-armed amulet of Type C II (Table
B/VIII ) was found. The ind continues to raise doubts, and the
lack of evidence from other sites of the Starevo inal phases
does not allow us to conirm deinitely the existence of such
items prior to the formation of the Vina culture.
Figure 32
Site Tei
(illustration after 1961)
Starevo amulets in the form of bucranium are neither perforated, nor can any traces of strings or wear-tear marks be
noticed. Since they were not freestanding, it is assumed that
they were placed in leather bags, or may have been bound
with some broad leather straps that could leave marks on the
surface. The Starevo and Vina amulets also difer in decoration. Although there are not many ornamented samples, they
are still present among the Vina amulets, but not among the
Starevo amulets. Unlike the Starevo amulets, Vina amulets
may display arm tips that are sometimes shaped in the form of
animal or bird heads, or anthropomorphic masks like the one
typical of the Vina igurines.
Both Starevo and Vina amulets can be found inside the houses. However, perforations and traces of strings on Vina amulets may point to the possible diferent way of placing the amulet inside the house. It is likely that the cult practices evolved
into a higher and more developed form leading to changes in
the use of ritual objects.
44
R e L At i v e C H R o n o L o G Y A n D
DiStRiBUtion oF AMULetS
The majority of the objects presented in this paper are the result of incidental inds, hence some important stratigraphic
data and the context in which they were found are missing.
For that reasons, a number of amulets from the site Belo Brdo
Vina, which are stratigraphically determined, are published
in this paper.1 Despite the fact that most of them have not
been published yet, the amulets from the eponymous Vina
site will be presented only as a benchmark to stratigraphic and
chronological associations of the samples from the territory of
Southern Banat, without any intention to make them the subject of the analyses in this study.2
The chronological association and distribution of the items in
the Vina culture were determined with reference to the material that has been published so far. We especially focus on
the distribution of amulets due to its signiicance relected in
the fact that they are unique to this cultural group. Thus, they
can be used as the material based on which we can track the
established contacts and/or observe the impact of the Vina
culture on other cultures.
Vina (depth)
M. Garaanin
V. Miloji
Vina Tordo I
Vina A
8.5 m 6.6 m
Vina Tordo II
(IIa 8.5-8m; IIb 8-6.6m)
Vina B (up to 7 m)
6.5 m 6 m
Gradac phase
Vina B2
6 m 4.1 m
Vina Plonik I
4.1 m 3.48 m
Vina C
3.48 m
Vina D
Vina Amulets
classiications of the Vina culture. The main reason is that there
is still no comprehensive and reliable analysis of the Vina material, while the periodization by M. Garaanin distinguishes
typological And Stratigraphic overview of Finds From the Site of vina Belo Brdo
Table C According to the available data, not all types of amulets found at the sites in South Eastern Banat are represented at the site of
Vina Belo Brdo.
46
47
Vina Amulets
ReLAtive DePtH 6 41 metres / 90 samples
In the Vina Plonik I phase, new types of amulets appeared. Most amulets come from these depths.
At the depth of 5.9 m, a multi-armed amulet of Type C IV appears for the irst time (Table C/ No. 11). So-called cushion-shaped
amulets also appear at these depths: the irst sample at 5.7 m, and the second, which is at the same time the last, at 4.4 m
(Table C/ No. 13 and 19). At the depth of 4.2 m, the only sample of double-headed amulets appears (Panel C/ No. 23). In this
phase, two-armed columnar, triangular and tongue-shaped amulets occur at all depths (Table C/ No. 10, 15, 16, 17, 18 and
20). However, it can be noted that Type A I (columnar) from the depth of 5.9 m (Table C/ No. 10) has the body softly modelled into a rounded shape, while the same type at the depth of 4.9 m (Table C/ No. 17) appears in a variant with an elongated, thin body, and considerably longer and thinner arms. A similar diference can also be noticed in Type A III (triangular),
which occurs at 5.1 m (Table C/ No. 16) and at 4.6 m (Table C/ No. 18), where the body of the former is much more massive,
and the body of the latter takes almost geometric shape. The most common are multi-armed amulets of Type C II and anthropomorphic amulets.
48
49
Vina Amulets
50
51
Vina Amulets
typological Chronological Parallels with Beletinci, Crkvine and uria vinogradi near Obrenovac,
Kormadin near Jakovo (-, 1960; Tasi 1973)
other vina Sites And Distribution and Meuluje near Jablanica ( Vasi, 1902).
Vina Amulets
The inds of Type C II (so-called cross-piece) are far
more numerous, but unlike Type C I, have not been
found yet at the sites of the Sopot and Sopot - Bicske
culture (Map 4). It is also far more common in the
Morava Valley region (Selevac, Supska, Crnokalaka Bara),
where only one sample of Type C I has been found so far. In
addition to South East Banat, its presence has been noted at
sites along at the river Danube, including Donja uma near
Bogojevo. Along the Sava, the westernmost site is Jela near
abac, and the northernmost ind comes from oka (Banner,
1960: T/XXXII, ig. 6; T/XXXIII, ig. 8). Not many have been found
in Romania, for the time being we only know about the inds
from the site of Zorlen in Banat and Liubcova at the Iron Gates.
At the same time, Type C II is the most common type of multiarmed items at the site of Vina, where the biggest number of
samples (52) have been found. In South East Banat, Type C II is
also more frequent than Type C I, mainly because of the samples from At (9), and two samples from Carina and Cerovice,
while at Potporanj, Type C II (4) is represented in almost the
same number as Type C I (3).
The irst sample of the eponymous site comes from the depth
of 6.2 m (8 m) (Table C/No. 1), and the last from the level of
2.9 m (3.4 m) (Table C/No. 26). Among the oldest samples are
the inds from the sites of oka (Banner, 1960), Matejski brod
and Aradac (, 1923), assigned to the initial Turda
phase. At the Romanian sites, they sit in the layers dated to
B2, B2/C and C (Lazarovici 1979: T. XXII/B, 13; E, 8.9; T XXI/A-9;
D-2), according to Lazarovici, or to the end of Vina Turda II
and Vina Plonik I and the beginning of the Vina Plonik
II phase. Other sites where the indings of type C II have been
recorded are assigned to the Plonik phases. The inds of this
type, which can be accurately dated to the inal phases of the
Vina culture, come also from the sites of Jakovo Kormadin,
Jablanica Meuluje, Supska and Selevac, where they were
found in the Vina Plonik II layers.
The ind from Tei (Figure 32) is of special importance. There,
in the horizon belonging to the Starevo inal phase, an amulet in the form completely matching our Type C II was found.
However, perforation was not executed through the axis or
vertically, but diagonally at the centre where the arms join.
Therefore, it could be considered a mixture of our types C I
and C II. As this amulet is the only amulet found within Starevo
materials, the ind still raises doubts, considering that there is
no Vina horizon at the site.
As for multi-armed amulets of types C I and C II, one may note
their low frequency at the Romanian sites. According to the
available data, the anchor-shaped type of multi-armed items
prevails in this area of the Vina culture. This type frequently
54 appears at the sites of the Bicske variant, but is poorly represented in the territory of Serbia.
There is only one example of Type C II c, provided
by a sample from At. The analogy has been found
only at the site Brestovik Beli Breg, assigned to the
later phases of the Vina culture (-: 2009: Cat. No. 187).
Vina Amulets
As for the last group, labelled as other items, a ind from
Potporanj stands out (Cat. No. 255). In its shape, it is very
similar to so-called aryballos (, 1932: p. 69), represented at Vina by several samples from about 6 m (6.2 m; 6.0 m;
5.8 m; 5.4 m), and perhaps used for a short time. All Vina
samples are perforated along no more than 2/3 of the vessels height, unlike our sample, which is perforated along the
entire height.
Graph 5
The graphs presenting statistics of the inds from these two sites
also indicate their diferent chronological distinctiveness.
A similar situation is at the sites of Carina and Cerovica, although the number of inds is much smaller there.
Graph 6
Graph 7
Vina Amulets
assigned to the later phases of the Vina culture, while Type VII
has its analogies only at the site of Jablanica. At the same time,
some types are present at Potporanj but not at At (Type C IV,
C V, C VIII), and based on a Vina ind (Table C/No. 11), Type C
IV can be assigned to the horizons between 5.9 5 m more
accurately.
Graph 8
Conclusion
In former analyses of the amulets, authors have presented different views regarding the origin of these items, although most
of them believe that they are typical of the Vina culture after
6 m at Vina. M. Garaanin argued that two-armed and multiarmed igures are typical of the Vina Plonik I phase, and
that their number decreased signiicantly in the inal phases of
the Vina culture (Garaanin, 1951: 61; Garaanin, 1979: 180).
He pointed out that the Vina Plonik II phase was characterized by special kinds of igurines, with a bird face and separated horizontally placed legs, which are a very special and degenerative type of seated statuettes (Garaanin, 1979: 180).
According to N. Tasi, who divided the Vina igural items into
three phases, the latest period of the Vina culture (after the
depth of 4m at Vina), which was the third phase in the development of igural items, was characterized by new phenomena such as abstract and zoo-anthropomorphic igurines, and
a remarkable number of amulets with two protomes or other well-known forms (Tasi, 1973: 23). G.Lazarovici believes
that perforated idols and amulets appeared in phase B of the
Vina culture in Banat (according to the periodization by G.
Lazarovici), or after 7.5 m at Vina (Lazarovici, 1979: 91).
Taking amulets as utilitarian items designed for weaving, J.
Chapman (Chapman, 1981: 123) concludes, based on their distribution, that there were two innovation centres in the early
Vina phase. Those were the Central Morava Valley and the
Valley of the Upper Tami. The earliest form was a igurine without a head, which originated at the eponymous site, but in that
period, other types of amulets, i.e. weights/reels had not been
formed yet at Vina. The earliest forms, in J. Chapmans opinion,
were the simplest Y forms of two-armed amulets and perforated anthropomorphic igurines. More complex types were developed in both zones in the late 5th millennium BC9, primarily
three-armed (necked Y-piece), Type C II (crosspiece) and inally
type C I (Bicske), although this type has not been conirmed in
the Morava Valley and probably originated in the Upper Tami
zone (Chapman, 1981: 124). J. Chapman concludes that in the
4th millennium BC the distribution of two-armed (Y-piece) and
type C I (Bicske) did not coincide, while in the second half of
the millennium, amulets reels, were densely distributed in
the Sava Valley and Northern umadija.
R.Tringham and M.Stevanovi (R. Tringham M. Stevanovi,
1990: 336) agree with this opinion on the purpose of amulets, and, based on the inds from the site of Selevac, conclude
that amulets, or the objects used in the production of textiles,
9 J. Chapman dates Vina to 4500-4240 BC; Vina B to 4240-4100 BC; Vina
C to 4100-3850 BC; Vina D to 3850-3300 BC
Vina Amulets
C II (crosspiece) at the eponymous site appears at the depth
of 8 m (Table C/No. 1), and the occurrence of that type of
amulets in the Turda phase earliest stages is corroborated by
the inds from oka, Matejski brod and Aradac. As J. Chapman
and J. Makkay argued, Type C II has not been found outside the
Vina culture, and is very rare in the Romanian territory. In addition, unlike Type C I, Type C II is far more common south of
the Sava and Danube Rivers. Both types are present until the
end of the Vina culture.
Nevertheless, the diversity and frequency of types at the eponymous site are not the indicators to be used for the entire territory of the Vina culture. Ornitomorphic amulets, a feature of
the earlier Vina phase, appear in a large number at Potporanj,
but with only one sample at Vina, at the depth of 6.2 m.
Another sample comes from the site Zorlen in Romanian
Banat, which has been dated to phase B2/C (Lazarovici 1979:
T/XXII, 7, 8). For the time being, analogies provide for a reliable classiication of ornitomorphic amulets into the Gradac
phase. However, given the presence of ornitomorphic amulets at Potporanj in large number, as well as their presence at
the neighbouring sites of the early Vina phase Staro Selo,
Kanal Mesi and Cerovica, and taking into account that the ornitomorphic vessels appear from the depth of 8 m at Vina,
we are inclined to conclude that these amulets should be associated with the Turda phase. Three-armed amulets, which
at the type site appear at the depth of 6.1 m, are also rare
and analogies indicate their presence in the Gradac phase.
However, some samples from Potporanj, in both their fabric
and a deeply incised meandroid ornament, open up the possibility of somewhat earlier occurrence.
The small number of amulets found, as presently believed, in
the Vina Plonik II phase at the eponymous site does not
relect the situation in the whole territory either. Those characteristic of the latest stage so-called seated amulets (represented by only a few samples), occurring from the depth of
2.6 m, and amulets shaped as vessels with a spout/handle,
not registered at Vina, appear in a signiicant number at the
site of At, and another two sites of the inal phases Kormadin
and Meuluje, near Jablanica. So-called cushion-shaped amulets are the fewest, so far registered at seven sites only (Vina,
Kormadin, Jablanica, Korbovo, At, and in Romania Turda and
Rast). At the eponymous site, two samples were found: one at
the depth of 5.7 m, the other at 4.4 m (Table C/No. 13,
19), but the inds from the sites mentioned above conirm their
occurrence in the Vina - Plonik I phase, and their presence in
the Vina - Plonik II phase.
The current state of research suggests that amulets are not
evenly distributed throughout the whole territory of the Vina
60 culture, either across the regions or among the individual sites.
The distinction is clearly marked both in the quantity the total number of samples and the variations in the frequency of
individual types.
The most common and most numerous are two-armed amulets (Map 1 43 sites). They are found along the Danube, from
Oltenia (Rast), through the Iron Gates (Liubcova, Zbradila),
Eastern Serbia (Oraje), Southeast Banat, around the conluence of the Sava and the Danube and along the Sava River
with the westernmost site of Jela near abac. In the northeast of the Vina culture territory, the only ind known so far
comes from the site of Bogojevo Donja uma, on the bank
of the Danube. They appear in great number at the sites in the
Morava Region, and the southernmost sample comes from
Gradac near Zlokuane and from Metohija (Fafos or Vala
an incidental ind). To the northeast, in Romanian Banat and
Transylvania, we ind them at Zorlen and Turda. In Central
Banat, two-armed amulets have been noted at several sites
(Matejski brod, Aradac, Stara Sara, Boto). At present, the only
sample of the two-armed amulet found outside the territory
of the Vina culture comes from the site Samatovci in Slavonia.
A very small number of amulets have been registered in the
north and south of the Vina territory, while no data about amulets in its western part are presently available. Looking at the
map of the distribution of two-armed amulets, one may notice several zones, higher concentrations of sites with the inds
of this type. These zones are: Central Banat around Zrenjanin
(Map 1/No. 36-38), Southeast Banat (Map 1/No. 1-7), the wider region of the conluence of the Sava and the Danube (Map
1/No. 10-20), the zone around the lower course of the Velika
Morava (Map 1/No. 22-27), and the area around the conluence
of the two Moravas (Map 1/No. 29-31). Currently, the lack of
published material prevents us from establishing the existence
of speciic regional zones with certainty, although the available data suggest such a conclusion.
Type C II is characterized by the similar distribution (Map 4), although, except for the eponymous site, the samples are far fewer than the samples of two-armed amulets. Thus, the number
of the sites where Type C II appears is twice the smaller (22). In
Vojvodina, three-armed (Map 2) and anthropomorphic amulets (Map 5) characteristically appear only in Southeast Banat.
The exceptions are a few sites along the Sava River in Srem and
the ind of anthropomorphic amulets at the site Bogojevo
Donja uma in Baka. In Romania, three-armed amulets are
more common than anthropomorphic. Outside the territory of
the Vina culture, one specimen of three-armed amulets was
found again at the site of Samatovci in Slavonia.
Type C I of multi-armed amulets is speciic in that it occurs at
the sites north of the Sava and the Danube, with only one exception being the site of Crnokalaka bara, near Kruevac (Map
3). At the same time, Type C I is very frequent in the territory of
Sopot, Sopot-Bicske and Lengyel group.
The amulets of the Vina inal phases, i.e. seated amulets and
amulets shaped as vessels with a spout/handle, have a distinctive distribution, as their presence has been noted within a
very small area. In terms of the number of samples, they dominate in Southeast Banat, and also occur in the close vicinity
of that region, on the other side of the Danube River (the site
of Dubravica Oraje). Besides Vina, several samples of seated amulets were found in Kormadin, Meuluje, Selevac and
Medvednjak, while amulets shaped as a vessel with a spout/
handle, apart from At and Potporanj, appear only at Kormadin
and Jablanica. As those amulets are typical of the inal phases of the Vina culture, it seems appropriate to conclude that
these areas were the last enclaves. Looking at the distribution
map of two-armed amulets and the areas with the highest
concentration of the sites with such inds, one may see that
the last enclaves lie right in the three largest zones: Southeast
Banat, the conluence of the Sava and the Danube and the
lower course of the Velika Morava.
Except for these sites, Types C I and C II have a diferent distribution: Type C I is present north of the Sava and the Danube,
whereas Type C II is prevalent south of that zone. Thus, the
zones in which both types occur simultaneously should be
considered the primary zones of inluence, or the zones in
which there were major centres from which the inluence
spread. In the area around the conluence of the Sava and the
Danube - it was Vina; in Southeast Banat Potporanj, and
when it ended- At; in Baka- it was Bogojevo-Donja uma; and
in the Morava Region Crnokalaka bara (based on the available data). In Romania, it was the site of Zorlen.
This is also conirmed by the highest concentration of amulets, which, based on the available data (Map 7), extends
across Southeast Banat - with the main sites of Potporanj and
At, the wider region of the conluence of the Sava and the
Danube - with the largest number of amulets at Vina, and
then at Kormadin, and in Romanian Banat - with the site of
Zorlen. In the Morava Region, amulets are best represented at Selevac, Medvednjak and Crnokalaka bara, while their
number decreases at the sites along the Sava and the Tisza
and in Southwest Baka with the main site of Donja uma,
Bogojevo, being dominated by multi-armed amulets. The earliest samples of amulets have been found in Banat (Aradac,
oka, Matejski brod, Potporanj, Kanal Mesi, Staro Selo), at the
eponymous site, and in the Morava Region (Tei?, Crnokalaka
bara).
A possible explanation of such a situation would be that they
belong to diferent periods of the Vina culture development.
However, it is evident that considerable diferences in frequency of amulets equally appear between the sites of the same
period, so the question arises as to how to interpret the Vina
10 The site of Potporanj also belongs to the earliest horizon, but the lack
of stratigraphic data does not allow classifying this site among those at
which Types C I and C II occur simultaneously.
The sites from the Plonik phases that lay in the primary northern zone took over the use of both C types of amulets. Outside
the zone to the north, only Type C I and only in the Vina C
phase is present. This is most noticeable in contact with the
neighbouring groups, i.e. Sopot and Sopot-Bicske, where Type
C I was massively present in the Vina C phase, and then disappeared from portable material. On the other hand, Type C II
remained dominant in the area south of the Danube, so it can
be concluded that the primary northern zone in the Plonik
phase was in closer contact with the northern territories. At
the same time, south of the Danube Region, in the Plonik
phase, diferent characteristics clearly distinguishing this area
from the northern area could be observed in the rest of portable material. Although the basic characteristics of the Vina
culture were still preserved, thus indicating ethnic uniqueness,
south of the Danube Region, the inluences from some other
regions in the south and east started growing.
As already pointed out, so-called seated amulets and amulets
shaped as vessels with a spout/ handle, chronologically limited to the inal phases of the Vina culture, may indicate the
last zones of that culture.
61
Vina Amulets
PA R A L L e L S t o t H e
n e i G H B o U R i n G L At e n e o L i t H i C
C U Lt U R A L G R o U P S
Due to its central position in the Balkan peninsula, and the
fact that their territory provided the shortest passage from
the southeast to central Europe, representatives of the Vina
culture made contacts with their neighbours and, directly or
indirectly, with distant cultural groups.
Establishment of trade ties and development of good relations
between the neighbours were conditioned by the abundance
or shortage of natural resources. Thus, objects originated in
some other cultural or ethnical circle are sometimes found
among the portable material in the Vina culture settlements,
and at the same time objects originated within the Vina group
are found beyond its territory, conirming the eternal human
need for the exchange of goods in order to ensure a more
comfortable existence.
However, cult objects mirror the cultural and ethnic identity of
a speciic group, so that their occurrence outside the territory of
their origin indicates coexistence. It is achieved either through
migration of a part of the population or by exogamy.
Given uniqueness of Vina amulets (two-armed and multiarmed perforated items in the irst place) to that Neolithic
group, their occurrence may point to the established contacts. At the same time, we should not forget that during the
Neolithic the same symbolism, relected on the numerous cult
objects in various forms, appeared across the vast area from
the Middle East to the Central Balkans. It indicates not only
the existence of one centre, but also the powerful inluence of
those ideas expressed in these symbols, which were accepted
by diferent cultural / ethnic groups. Thus, certain resemblance
between cult objects can be noticed both in distant areas of
Anatolia and much closer regions of the Balkan peninsula.
For the time being, the oldest ind of two-armed amulets is
found at the site of Mezkvesd in northeast Hungary, within
the Satmar group. A specimen of an idol with the cylindrical
body and two arms was discovered in a house, within the layer
dated on C14 analysis to the period between 5600 and 5500
BC, or to the period parallel to the inal phases of the Starevo
Krs Cri cultural complex and the early phases of the
Vina culture (Kalicz-Koos, 1997). That object looks very much
like Vina two-armed amulets, but is diferent in perforation,
which in the case of the Hungarian specimen was executed
62 horizontally through the tips of both arms.
As for the idol with horns (Figure 33a), N. Kalicz and J. Koos
suggest that horns are characteristic symbols appearing from
the Krs to Herply cultural groups. Cult sculpture is represented to an unusually large extent at this site, if compared, as
Hungarian archaeologist stress, to only a few such specimens
found so far in the territory of the group. In addition to these
two objects, free standing anthropomorphic igurines have
also been discovered, along with animal igures with human
heads which, as the authors say, resemble Vina centaurs.
Figure 33
a.
b.
A ind of the cult object from Mezkvesd, Satmar group
(borrowed from Kalicz-Koos, 1997)
a.
b.
Cross-shaped idols,
site of Jonacite
(Terzijska-Ignatova, 2004)
She claims that igurines and rattles similar in shape were found
within the Cucuteni Trypole culture (Terzijska-Ignatova 2004:
385). Free standing bird igurines, like cross-shaped ones, were
mostly found in houses or in dwelling zones. The contemporaneous occurrence of cross-shaped birds typical of the Krivodol
Salkuca Bubanj complex and more realistic, standing birds
from the Kodzadermen Gumenlica Karanovo VI complex
proves once again, in Terzijska-Ignatovas opinion, that there 63
was mutual inluence, especially present at the sites such as
Jonacite lying in the contact zone of the two cultural circles.
In the Cucuteni Trypole culture (Phase A3) (Gibutas, 1987),
like in the Lengyel (Gimbutas, 1991) culture and Karanovo VI
(M, 1994; Terzijska-Ignatova, 2004), ornitomorphic
igurines / amulets are characterized by a small reel-like foot,
and a body that is somewhat diferent in shape from bodies
of Vina amulets.
Vina Amulets
F i n A L C o n S i D e R At i o n S
Final Considerations
Graph 9
65
Vina Amulets
However, Gradac phase brought changes. Although all categories of cult objects were still present, their number reduced
to almost a half. On the one hand, there were half as many altars, prosopomorph lids and igurines as in the previous phase,
while on the other hand the number of miniature vessels and
amulets even increased to a certain extent. Were speciic rituals less practiced?
The most quantities of obsidian in the territory of the Vina culture came from Potporanj, and then Vina. The possession of
those large quantities of that extraordinary valuable raw material, brought from a great distance, undoubtedly points to
the importance of those settlements as the main trade centres.
The distribution map, which includes the regions outside the
territory of the Vina culture, makes it clear that the inds from
the sites along the Tisza such as oka, Matejski Brod, Aradac
and Boto may indicate the occurrence of amulets in the early phases of the Vina culture. In southeast Banat, small inds
from Potporanj, Staro selo and Kanal Mesi suggest that those
settlements may have been founded also in the irst wave of
occupation. In that irst phase of the emergence of the Vina
culture two-armed amulets (type A) appeared. In the same
phase, at the same sites, which means along the same route
from southeast to central Banat, multi-armed amulets reels
were present (Type CI and CII). From southeast Banat, around
the edges of that time marsh, through central Banat, the route
ran along the Tisza toward the Slovakian obsidian mines. In
the foothills of the Carpathians, at the north-eastern region of
Hungary, at the site of Mezkvesd within the Satmar group, a
sample of an idol that looked like a Vina two-armed amulets
was found in a house. Among other cult material a lat object
was found. It was oval in shape, with slightly protuberant upper side decorated with angular mendroid lines, and resembled ritual bread of the Vina culture to a great extent. C14
analysis dated it back between 5600 and 5500 BC, i.e. to the period parallel to the inal phases of Starevo-Keres Cri cultural
complex and the early phases of the Vina culture (Kalicz-Koos,
1997). The analyses of the obsidian from the site of Vina Belo
Brdo, shows that the largest quantity of that raw material was
found in the earliest layers of the settlement (Tripkovi Mili,
2009), so that the route along the Tisza must have been of paramount importance. The reasons of the oldest Vina deposits
along that route could be possibly explained by that fact. As
early as in Turda phase, the demand for obsidian decreased
leading to gradual disappearance of the settlements along the
Tisza. During Turda phase the settlements in northern and
central Banat (oka, Matejski Brod, Ardac) were not occupied
by representatives of the Vina culture any more. The characteristics of two-armed and multi-armed amulets from the site
of Stara Sara near Zrenjanin indicate the presence of the Vina
culture in its later phases. However, that is the northernmost
site in present-day Vojvodina, where amulets appeared after
Turda phase, so that the zone may be considered the border
area with the Tisza culture.
From the east, up the Danube valley, the oldest ind of amulets, i.e. multi-armed reel (Type C II), was uncovered somewhat later at Vina ( 8 m), and in the second Turda phase at
Banjica (Type C I). The situation at eponym site suggests that it
may have come to existence a little bit later during the phase
of primary occupation and that, as in other sites south of the
Final Considerations
Those enclaves emerged not far from the former largest and
most important economic and cultural centres Potporanj
and Vina.
In Plonik phase, technology of copper exploitation and
processing reached a higher level, which is shown by the
inds from Plonik. Obsidian was losing its importance and
Potporanj, which obviously had been the most important
obsidian trade centre, and based on some data the centre of
production/distribution of stone and lint tools, slowly faded
away. On the other hand, Vina with its trade in salt and cinnabar continued to exist almost until the inal stages of the
Vina culture. We can only wonder whether increasing social
diferentiation in this wealthy and extraordinary advanced culture eventually led to its collapse. The fact that in the periphery of its territory in ethnically mixed zones in the subsequent period a number of groups were formed, with a completely diferent cultural perception but still relecting Vina
inluence, could point to such explanation of the causes for
its disappearance.
The Vina culture was extraordinary rich in cult objects, which
indicates not only developed forms of spiritual life, but also
deep religious beliefs and the importance of the faith for their
representatives in their everyday life. Each house had its sacred space, its sacred objects used in rituals that were important for ensuring the familys existence. Rare inds of zoomorphic, ornitomorphic and anthropomorphic vessels, used in libation rituals, perhaps can indicate that such rites were not
performed in every house but were practiced at the community level, where it is possible that an appointed individual may
have performed that very act.
As for the later phases of the Vina culture development, the
inds from the site of Jakovo Kormadin and Para enable us
to conclude that special cult-related structures already existed
then. However, amulet inds from Kormadin show that amulets
were used both within structures for everyday use and those
special structures used for cult and ritual purposes.
String marks, i.e. the way strings could be tied, and the size of
amulets indicate that they were either hung or tied to a specific place inside the house, which must have had a special significance. Thus, they were protective devices of a household or,
perhaps, even a speciic space, with only a few of them being
used for personal protection as something worn all the time.
Although amulets are a group of cult objects that can be characterized as secondary in relation to anthropomorphic igurines and sacriice altars, due to its uniqueness they provide
precise outlines of the cultural identity of those who wore or
used them. Furthermore, along with the presence of other 67
cult objects and valuable raw materials, their distribution and
quantity in some regions and settlements of the Vina culture
demonstrate that in the Late Neolithic social and cultural differentiation of the population had already taken place.
Vina Amulets
S iteS
Site of At (Westrand)1
Location:
It lies on the northern edge of the city of Vrac, on the foot of Vrake planine
(Vrsac hills). The site is spacious, conirmed over the area of approximately 16 hectares (Joanovi, 1991)2. It is located on a loess ridge surrounded by alluvial depressions - Veliki and Mali Rit
Research history:
1888 The irst inds were uncovered during the construction of the Central
Canal
In the 1970s the irst rescue and trench excavation was conducted in the area
of 200 square metres. The presence of the Starevo and Vina group was deined,
along with some artefacts from the Upper Palaeolithic, Eneolithic, Middle Bronze
Age, Earlier and Later Iron Age and Sarmathian material (-, 1978).
The area covered by the site has been extensively used for agriculture, and between
the two world wars, it was used as a vineyard which resulted in layers being signiicantly disturbed.
Dating:
. Joanovi Vina-Plonik I-IIa, Vina-Plonik IIb (Joanovi 1986; Joanovi 1989; Joanovi 1996). The analysis of anthropomorphic igurines reveal the dominance of those artefacts from Vina-Plonik I-II period, although there are a small number of
specimens that can be associated with Vina-Turda, even with the Staevo culture (, 1996).
M. Garaanin Vina-Turda, at the depths between 9 and 8 metres, but the material from Plonik phase is also present
(Garaanin, 1951: 72, 91).
G. Lazarovici Vina Plonik IIa. He argues that in the area of Banat a special facies of this Late Neolithic culture was formed
(Lazarovici, 1979: 137). Lazarovici points to the material from At and Kovin as the examples of that special cultural style in the
Serbian part of Banat.
The most of At material has never been published. Some material is kept in Vrac Museum, while signiicant quantities of the
material are kept in private collections.
Location:
Along the eastern side of the road to Timisoara and the side opposite the former marsh, across from At, on the northern fringes of the present city (Milleker, 1906; Joanovi, 1978: 24).
Research history:
1903 during works on regulating the course of the Mesi, F. Milleker inspected the area and collected very rich material.
1954 a lake was made, which resulted in destruction of the site.
No excavation has ever been conducted at the site, but based on the small material the conclusion has been made that a settlement existed in the Early Neolithic (Starevo), Late Neolithic (Vina) and Eneolithic (ernavoda III culture) along with a necropolis in the Bronze Age (-, 1978: 24).
Dating:
M. Garaanin thought that the settlement had been occupied from the early Turda phase (Garaanin, 1951: 73).
68
1 F. Millekers documentation, although meticulously kept, sometimes does not state the precise location of the sites, since it relied on the benchmarks
that are not known or present anymore. It is still ambiguous whether the sites of At and Westrand are the same site, because, according to the documentation, they lie on the same northern side of the city, i.e. in the same zone. In the older Serbian archaeological literature, both names occasionally occur referring to two sites. Based on a detailed insight into the documentation and material, S. Jovanovi concluded that there was only one site,
so since the 1970s that site has been named only At, although doubts regarding the name of Westrand have not been completely dismissed. Namely,
in the book registering the entry of the museum material, the inds from At are registered as the inds recovered during the construction of the Lugoj
railways. The items discovered during the construction of the Canal are registered under the site of Westrand. In my opinion, F. Milleker denoted by the
name west sidea part of the site of At that he had noted along the west bank of the Grand Canal, stretching toward Vatin. Given a very small distance
between these two locations, it is certain that it is the same site on the northern edge of the city, on the southwest ridge, stretching toward Vatin and
the Romanian border.
2 The next excavation in the same zone took place in 1984 with the aim to determine the stratigraphy of the Palaeolithic inds at this site.
Sites of SE Banat
Location:
In the village of Potporanj, 15 kilometres south of Vrac. It has been determined that the former settlement lay along the eastern edge of the present village,
stretching eastward to the Vrac Bela Crkva railway. The Danube Tisza Danube
Canal (DTD) cuts through the site and a major part of the site was destroyed by
its construction. The site is believed to expand over 100 hectares, while the depth
of the cultural layer varies from 2.5 to 3.4 metres, which makes it one of the largest Vina settlements in the Danube basin (O., 1960: 230; J, 1982;
Chapman, 1981).
Research history:
1882 The site was noted by F. Milleker following hydrological work in the area.
1899 The irst excavation by F. Milleker (-, 1978). By excavating
and ield surveying and some gifts he managed to collect rich and extraordinary
material of the Vina culture (Milleker, 1938).
1957 Protective archaeological excavation due to the DTD construction3. The existence of above-ground, rectangular houses over the area covering 16 square meters
was determined, with the remains indicating that the settlement must have been destroyed in ire (O., 1960: 230).
2011-2012 . the beginning of systematic investigation of the site
Dating:
O. Brukner Vina-Turda phase (., 1960: 230)
B. Brukner stressed the existence of three dwelling horizons, the irst of which belonging to the beginning of the Turda phase,
the second to the later Turda phase and the third to the beginning of the Plonik phase (B. Brukner, 1968: 68).
M. Garaanin Vina-Turda and partly the Plonik phase (Garaanin, 1951: 76).
. Joanovi The analysis of anthropomorphic igurines revealed their occurrence starting from the Vina-Turda I phase to the
Vina-Plonik IIa phase (, 2002). The analysis of burnished stone tools, which is chronologically less sensitive, indicated typological and chronological parallels to the Lepenski Vir I all the way to the Vina-Plonik II phase (, 2003).
D. Srejovi thought that the settlement at Potporanj might have been established earlier than the settlement at Vina (Srejovi,
1964: 88).
Location:
The site known as Potporanjska granica or Staro selo lies northeast of the village of Potporanj, in its close vicinity
(Milleker, 1938: 119; -, 1978:27). It stretches along the former ield road to Potporanj, on the right bank of
the Krivaja River, and on a knoll between the railway to Bela Crkva and the DTD Canal. The site is believed to cover an area of
approximately 6 hectares (-, 1978:27).
Research history:
1914 F. Milleker irst conducted small-scale excavation and then continued to survey the ield throughout several years, which
enabled him to collect signiicant material indicating the existence of a Vina group settlement4.
Dating:
M. Garaanin the earliest period of the Turda phase (Garaanin, 1951: 73).
69
The existing ield documentation, kept in the Vrac City Museum, indicated that four trenches were opened in 1957. Trench II was opened along the
invert axes, while Trenches III V were west and southwest of the present canal. On average 10 excavated layers, with the mean depth of 20 -25 cm,
were removed up to the depth of 2,4m. The whole material belonged to the Vina culture, with sporadic inds of Starevo material.
4 The Scythian grave uncovered in the Neolithic settlement was denoted as a Neolithic grave with charcoal.
Vina Amulets
Site of Cerovica
Location:
In 1976, a new Vina site Cerovica was discovered south of Potporanj, on
the left bank of the Kara (the municipality of Bela Crkva), in the southern section
of the area of Banatska Subotica, in the close vicinity of eko Selo on a slope next
to the Fabijan potok (Joanovi, 1976). It is estimated that the Vina settlement covered an area of 3 hectares (Madas, 2001: 6).
Research history:
1976-77 and 20085 - By ield surveying rich archaeological material was collected
from the surface (Joanovi, 1976; -, 1978: 18).
Dating:
. Joanovi Pottery inds indicate that a settlement was established in the early
phases of the Vina culture ((Joanovi, 1976; idem 1992). Many fragments of ceramic vessels clearly display the characteristics of secondary iring, most probably
in the ire that destroyed the settlement (Madas, 2001: 6).
The material from the site is kept in private collections and the Vrac Museum and has never been published.
Site of iberland
Location:
Southward from Cerovica, along the left bank of the Kara, there is the village of Jasenovo and the site of Iberland. The site
lies east of the village, its boundary being the road and the Vrac Bela Crkva railway, extending to the bank of the Kara.
Research history:
1952 noted during ield survey, when Vina culture material was collected (-, 1978:32). The material has
not been published yet.
Site of Carina
Location:
The Carina area lies south of the village of Crvena Crkva, on the boundary of the Vraev Gaj area. On the eastern side,
the site reaches to a depression above which the area of Kraljica stretches, while on the north side it borders the Bara area. The
settlement in Carina is estimated to have covered the area of 8 hectares, so that it can be considered a large and spacious prehistoric settlement founded in the northern section of spacious Vraev Gaj valley (Madas, 2001: 21).
Research history:
1971 Surface material was collected by the history teacher Ozren Radosavljevi6 (-, 1978: 46).
1973 By checking the surface of the earth in the ield, a number of pottery fragments of the Starevo and Vina culture were
noted. Besides that, in the same area fragments of Sarmathyan vessels were also found, and at the easternmost corner a mediaeval necropolis detected.
The material is kept at the Vrac Museum and has not been published yet. Some pieces of that material is still to be found in a
private collection (-, 1978: 46).
70
5 In 2008 ield survey was conducted by the Vrac Museum curators I. Pantovi and D. Jovanovi
6 O. Radosavljevi collected rich material, a part of which he donated to the Vrac City Museum . The remaining part is still kept in his private collection.
The material donated by O. Radosavljevi to the Vrac City Museum is registered as the Collection of O. Radosavljevi.
Sites of SE Banat
River.
Research history:
1895 the irst inds were discovered and the connection with a Neolithic settlement was determined (Milleker, 1897; 1897a; -, 1978: 33).
A settlement with hearths from the Neolithic period was noted, along with a
number of whole or fragmented stone tools. In addition to Neolithic material, a
necropolis with encrusted pottery urns. The major part of that material has found
its way to private collections.
1950 during investigation in ield, Vina and Bronze Age material was noted on
the surface. It is now kept in the Vrac Museum (-, 1978: 33). The
material has not been published yet.
71
Vina Amulets
72
Table 2
Percentage of fragmentation
Statistical Analyses
two-armed A i / 68 pieces
Site Cat. No.
A
CAR
CER
V
P
SS
11
12
20
24
33
45
68
73
79
80
81
83
84
96
97
101
104
105
108
113
118
119
121
122
123
124
125
128
138
172
178
182
184
186
187
189
190
197
202
205
206
209
210
212
215
217
218
221
222
225
229
230
231
233
234
236
252
276
287
288
290
302
320
321
322
332
333
339
W/g H/cm
35,36
134,35
25,31
26,28
31,42
41,87
62,18
66,56
49,26
76,66
56,03
34,19
34,16
77,75
60,70
36,78
47,36
56,51
34,42
13,03
95,74
39,81
30,47
34,64
38,57
48,69
38,02
10,93
32,32
73,45
37,34
56,92
87,69
68,96
53,07
40,94
69,3
111,05
58,96
113,42
44,31
47,96
193,13
114,84
101,35
36,70
20,27
174,10
18,87
65,87
26,18
56,24
50,68
45,04
99,66
19,87
14,46
87,39
87,93
22,17
30,60
4,6
8,0
3,8
4,2
4,6
4,4
6,0
5,6
4,9
6,3
6,3
5,3
5,2
8,5
6,3
4,5
5,0
5,2
4,9
3,7
6,5
5,7
4,0
5,3
5,3
4,8
4,5
3,7
3,3
5,3
3,4
8,3
5,2
6,5
5,7
5,8
6,0
4,2
5,9
7,5
7,2
5,5
5,7
5,8
7,3
6,3
7,0
5,0
4,9
9,4
7,1
6,6
4,9
4,4
7,6
3,0
6,1
4,1
4,3
5,6
5,2
6,3
4,0
6,1
6,9
3,7
5,0
Preserv.
100%
80%
90%
75%
63%
90%
95%
97%
97%
50%
97%
95%
90%
90%
80%
97%
80%
47%
100%
95%
100%
100%
90%
85%
100%
80%
85%
90%
70%
90%
90%
50%
85%
95%
90%
100%
100%
100%
90%
75%
50%
80%
80%
100%
80%
100%
100%
100%
45%
85%
85%
85%
85%
85%
85%
45%
95%
100%
45%
70%
40%
70%
20%
35%
70%
97%
75%
50%
two-armed A ii / 9 pieces
Site Cat. No.
I
P
203
207
206
232
240
253
283
334
343
W/g H/cm
57,53
56,36
30,96
27,73
101,99
21,57
23,51
43,90
4,1
4,8
4,7
4,1
4,7
7,0
4,3
3,6
4,2
Preserv.
90%
100%
100%
75%
50%
50%
50%
95%
65%
two-armed A iv / 44 pieces
Site Cat. No.
AT
CAR
CER
P
7
10
17
18
19
21
22
23
25
35
42
43
54
55
56
57
58
59
71
75
78
82
85
87
92
93
94
99
102
127
129
130
132
133
134
169
170
198
211
235
291
303
313
335
A
P
CAR
CER
I
KM
SS
V
W/g H/cm
87,01
50,39
21,40
59,12
30,09
20,08
27,34
14,42
42,02
3,90
26,49
32,60
14,43
35,64
27,35
46,74
19,38
16,39
76,04
55,10
48,28
35,58
39,41
32,48
31,29
16,09
13,85
42,73
32,13
101,08
43,93
12,29
16,28
24,12
44,32
38,11
19,39
40,59
44,71
65,94
47,85
65,17
14,43
6,9
5,1
5,0
5,6
5,1
5,8
4,6
3,5
4,8
2,5
5,1
5,2
3,6
5,0
4,5
5,4
4,8
4,2
6,0
5,5
5,6
4,8
4,8
5,1
4,6
4,3
3,5
6,2
4,9
7,3
4,5
3,8
4,0
4,2
5,3
5,5
3,8
5,3
6,5
4,7
5,7
5,2
9,2
4,2
Preserv.
100%
100%
95%
90%
90%
50%
80%
95%
100%
95%
95%
70%
95%
95%
75%
95%
95%
95%
90%
88%
95%
95%
100%
95%
100%
100%
100%
50%
100%
95%
80%
90%
85%
90%
85%
100%
100%
97%
80%
85%
95%
60%
50%
97%
AT
POTPORANJ
CARINA
CEROVICA
IBERLAND
KANAL MESI
STARO SELO
OLAKOVA VODENICA
CER
P
8
9
13
14
16
34
38
39
40
44
49
50
69
70
72
74
76
77
86
88
89
90
91
95
98
100
103
106
107
109
110
111
114
115
116
117
120
126
131
135
136
195
213
214
216
219
220
223
224
226
227
228
241
269
273
274
279
280
282
284
301
317
318
W/g H/cm
Preserv.
79,35
54,25
29,87
46,16
31,61
13,03
33,80
37,25
31,84
41,79
14,22
27,81
54,27
61,42
70,06
99,18
38,06
52,21
28,85
27,43
14,72
35,34
52,60
56,74
52,22
35,77
34,85
37,23
27,04
32,78
14,26
43,81
23,95
11,44
24,19
23,72
28,8
44,27
24,85
38,20
34,09
28,37
100%
100%
100%
80%
95%
100%
75%
100%
90%
90%
50%
85%
95%
95%
50%
100%
97%
50%
90%
90%
85%
70%
80%
97%
80%
95%
85%
100%
95%
100%
100%
95%
97%
97%
100%
90%
100%
100%
85%
85%
85%
85%
100%
100%
80%
80%
45%
100%
95%
97%
100%
100%
80%
25%
90%
100%
100%
50%
85%
25%
65%
50%
65%
50%
72,05
45,15
71,03
88,28
42,06
73,64
39,90
108,34
75,53
118,20
20,03
139,15
77,33
122,36
37,08
130,69
58,96
14,69
48,51
38,06
6,4
5,6
4,6
5,9
4,6
3,3
4,3
5,0
4,8
4,7
3,4
5,0
5,5
5,8
5,3
6,4
5,6
5,7
5,2
4,0
3,7
5,2
6,0
5,5
5,6
4,9
5,0
5,1
4,8
4,3
3,4
5,0
4,4
3,2
3,8
4,4
5,2
5,0
4,2
4,0
4,5
4,2
5,4
5,9
5,3
5,7
7,0
4,9
5,0
4,3
6,6
5,6
7,0
7,6
6,0
7,4
5,8
7,6
6,1
3,6
3,1
4,2
6,4
73
Table 3
Dimensions and percentage of fragmentation
Vina Amulets
three-armed B / 21 pieces
Site Cat. No.
A
CAR
CER
V
P
46
48
51
66
142
162
173
174
192
194
200
201
257
258
261
264
275
281
286
304
305
W/g H/cm
17,97
95,84
50,60
115,72
90,16
41,88
38,98
51,53
131,17
38,51
82,80
124,20
189,34
58,23
46,88
111,99
131,07
3,9
6,0
4,3
7,1
5,2
4,6
4,3
4,8
4,9
7,0
4,4
5,2
7,1
4,8
4,2
5,9
8,2
5,6
4,7
5,8
5,6
Preserv.
100%
100%
85%
97%
85%
95%
95%
97%
85%
100%
55%
100%
90%
90%
90%
100%
95%
45%
30%
60%
75%
multi-armed C / 38 pieces
Site Cat. No.
A
CAR
CER
74
SS
1
30
31
47
52
60
61
62
151
152
153
154
155
156
157
158
159
161
163
175
179
181
191
193
243
244
249
254
260
262
263
271
272
278
330
331
336
341
W/g H/cm
163,08
29,56
36,67
27,58
23,75
11,96
41,01
14,35
70,01
83,66
40,16
43,30
38,33
64,59
67,23
36,42
43,99
70,46
16,49
19,49
144,87
85,08
37,55
49,54
108,12
35,65
57,92
14,36
48,26
126,67
139,26
135,68
21,34
9,52
8,9
5,0
5,0
4,7
4,1
3,0
4,8
4,0
5,5
4,3
4,0
4,7
4,3
5,4
5,8
4,2
4,6
5,1
3,1
3,4
5,6
4,2
5,3
4,8
7,3
6,4
4,1
4,0
6,7
4,9
6,7
3,8
4,1
6,4
6,3
6,3
4,1
Preserv.
97%
85%
80%
85%
85%
50%
90%
30%
90%
100%
97%
100%
100%
100%
97%
85%
70%
97%
80%
85%
90%
25%
90%
45%
97%
97%
90%
75%
80%
65%
75%
75%
100%
90%
90%
97%
50%
50%
anthropomorphic D / 20 pieces
Site Cat. No.
A
CAR
CER
P
SS
32
36
37
164
165
166
167
168
171
183
238
239
265
266
267
268
270
277
324
342
ornithomorphic F / 28 pieces
W/g H/cm
Preserv.
35,03
42,77
31,99
50,75
48,36
24,25
16,40
19,02
80%
80%
95%
90%
90%
75%
70%
80%
100%
35%
40%
25%
90%
90%
70%
97%
85%
95%
80%
70%
CER
KM
P
29,82
53,67
46,35
75,36
70,57
73,69
127,89
113,17
56,55
128,82
16,72
4,5
5,5
5,2
5,3
5,4
4,0
3,9
4,2
6,0
4,9
5,2
3,8
4,5
5,8
6,3
8,5
6,3
5,3
8,1
4,1
seated/zoo e / 16 pieces
Site Cat. No.
A
CAR
CER
P
2
3
4
5
6
26
53
63
139
140
141
176
177
188
196
300
W/g H/cm
Preserv.
23,17
37,86
17,19
46,34
23,15
61,88
43,89
19,57
49,27
46,21
22,14
95%
100%
97%
100%
100%
95%
100%
95%
100%
90%
85%
100%
100%
80%
97%
95%
113,50
3,8
5,9
4,4
5,1
4,4
5,8
5,6
5,2
4,8
3,2
6,8
5,3
3,5
5,7
7,0
180
204
242
245
246
250
251
294
296
297
298
299
307
308
309
310
311
312
314
315
316
325
326
327
328
329
338
306
4,7
3,1
3,6
5,6
4,6
5,2
3,8
4,7
3,4
4,4
4,7
3,3
4,2
4,6
3,6
3,1
3,8
5,5
2,8
5,6
5,8
2,8
4,2
7,1
5,9
4,8
45%
40%
45%
97%
97%
95%
45%
75%
85%
75%
90%
90%
15%
65%
40%
35%
80%
50%
45%
40%
20%
100%
95%
97%
100%
97%
50%
45%
64
149
150
W/g H/cm
Preserv.
30,17
54,32
14,09
100%
100%
95%
4,0
4,5
4,0
vessel-shaped H / 11 pieces
A
AT
POTPORANJ
CARINA
CEROVICA
IBERLAND
KANAL MESI
STARO SELO
OLAKOVA VODENICA
32,98
35,31
136,64
107,31
108,28
136,53
60,35
170,36
74,93
150,83
98,30
57,13
47,48
0,00
104,81
30,72
80,39
33,32
102,27
46,90
31,62
145,01
119,80
39,50
73,30
167,66
51,28
44,39
Preserv.
cushion-shaped G / 3 pieces
A
P
CAR
CER
I
KM
SS
V
W/g H/cm
27
28
29
65
67
143
144
145
146
147
292
W/g H/cm
Preserv.
17,01
26,35
33,60
48,24
83,31
38,34
31,43
22,63
25,03
15,48
32,05
100%
97%
95%
97%
95%
95%
65%
95%
50%
95%
95%
3,5
3,7
5,0
3,6
7,1
3,1
3,4
2,9
4,1
3,7
4,5
Table 3
Dimensions and percentage of fragmentation
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, . . XXIII, 1972, 15-23,
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Trifunovi (eds. )
1968
, , 1968
Tringham Stevanovi
1990
R. Tringham M. Stevanovi, Nonceramic Uses of Clay, In R. Tringham
D. Krsti eds. , Selevac, A Neolithic Village in Yugoslavia, 328-388, Los
Angeles, California, 1990
Tripkovi Mili
2009
B. Tripkovi M. Mili, The origin and exchange of obsidian from VinaBelo Brdo, . . LVIII/2008, 71-87, Beograd, 2009
Vlassa
1966
N. Vlassa, Dousprezence igurine cu cap mobil de la Turda, Sargetia
IV, Acta Musei Regionalis Devensis, Deva, 1966, page 9 - 16
1976
N. Vlassa, Neoliticul Transilvaniei, Muzeul de Istorie al Transilvaniei,
Bibliotheca Musei Napocensis III, Cluj-Napoca, 1976
Vukovi
2004
J. Vukovi, Statistic and Typological Analyses of the Early Neolithic Pottery
excavated in the Structure 03 at the site of Blagotin near Trstenik, ed.
S. Peri, The Neolithic in the Middle Morava Valley, 83-157, Belgrade,
2004
2005
J. Vukovi, The Blagotin Amulets And Their Place In The Early Neolithic
Of The Central Balkans, , XXII, 21, 2005, Beograd
Zorbi
2004
B. Zorbi, Antropomorfne igurine, rtvenici, prosopomorfni poklopci, Grivac, Naselje protostarevake i vinanske kulture, str. 317-363,
Kragujevac, 2004
Zotovi
1958
. ,
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Valovi-Ljami - Valovi
1988
. - . , A
, XIII-1, , 1988
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Vasi
1902
. Vasi, Die neolitische Station Jablanica bei Medjuluje in Serbien,
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1906
. , , , 1906
1907
. , , I,
1907
1908
. , , , . III-IV,
, 1908-09
1911
. , , , 1911
1932
. , I, Beograd, 1932
1936
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1936
. , III, Beograd, 1936
1936b
. , IV, Beograd, 1936
195
. , Varia Archologic, , . 32-34,
, 195
List of abbreviations:
AI Archeologia Iugoslavica
Arheoloki pregled
ARR Arheoloki radovi i rasprave
VAMZ Vjesnik Arheolokog muzeja u Zagrebu
- Glasnik Srpskog arheolokog drutva
Glasnik muzeja Banata
GMKM Glasnik muzeja Kosova i Metohije
GZMBIH Glasnik Zemaljskog muzeja Bosne i Hercegovine
Zbornik Narodnog muzeja
Rad vojvoanskih muzeja
Narodni muzej
PJZ Praistorija jugoslovenskih zemalja
ta b l e s a n d m a p s
Vina Amulets
82
83
Vina Amulets
84
85
Vina Amulets
86
87
Vina Amulets
88
89
Vina Amulets
90
91
Vina Amulets
92
93
Vina Amulets
94
Map 1 two-armed
95
Map 2 three-armed
Vina Amulets
96
97
Vina Amulets
98
Map 6
Seated Amulets
vessel Amulets
ornithomorphic Amulets
99
Vina Amulets
Map 7
100
two-armed Amulets
Multi-armed Amulets C ii
Anthropomorphic Amulets
Multi-armed Amulets C i
three-armed Amulets
Vina Amulets
Katalog
Catalogue
Vina Amulets
104
4515
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At
Catalogue
4524
inv. br.
At
kat. br.
1
4525
inv. br.
At
kat. br.
2
4526
inv. br.
At
kat. br.
3
kat. br.
4
Sedei amulet. Nedostaje gornji deo vrata sa glavom. Iz loptastog tela horizontalno izvuene dve
paralelno postavljene noge, koje se kupasto suavaju ka vrhu. Na gornjem delu tela izvuen cilindrian
vrat. Perforacija na leima, sa izlazom na sedalnom
delu tela. Izraena od gline izmeane sa krupnijim
peskom, oker boje peenja.
105
4527
inv. br.
At
Vina Amulets
4528
inv. br.
At
kat. br.
5
4529
inv. br.
At
kat. br.
6
4530
inv. br.
At
kat. br.
7
kat. br.
8
106
Sedei zoomorfni amulet. Telo u poprenom preseku trougaono, ukraeno plitko urezanim linijama.
Na jednom kraju formirana mala glava sa istaknutim
nosem. Na suprotnom kraju izvuene dve vrlo kratke, kupsto oblikovane nogice. Perforacija izvedena
kroz lea i sedalni deo. izraen od gline ine fakture, izmeane sa inim peskom. Dobro peeno, oker
boje.
uslovi nalaza: Sluajan nalaz tokom kontrole zemljanih radova 1972. godine
publikacija: Nepublikovano
dimenzije: visina 6,4 cm; visina tela 5,0 cm; osnova 2,2 x 2,5 cm; debljina tela 2,5 cm; raspon krakova 6,4 cm
4531
inv. br.
At
Catalogue
4532
inv. br.
At
kat. br.
9
4533
inv. br.
At
kat. br.
10
4534
inv. br.
At
kat. br.
11
kat. br.
12
Dvokraki amulet izraen od gline sa primesom zrnaca krupnijeg liskunskog peska. Oker boje peenja, povrina priglaana. Na vrhu bonih strana koso
aplicirana dva kratka kraka sa vrhovima u vidu ivotinjskih protoma. Jedan oteen. U korenu krakova,
sa unutranje strane, urezane linije koje se proteu
ka bonim stranama tela. Izmeu krakova telo vertikalno perforirano. Na obodu donjeg otvora popreni kratki lebovi.
Mali dvokraki amulet izraen od gline srednje fakture sa primesom peska. Crvenkasto-oker boje peenja, na prelomu tamno mrke. Telo stubasto, ovalnog
preseka. Na vrhu bonih strana dva koso i asimetrino postavljena kratka kraka sa vrhovima u vidu stilizovanih ivotinjskih protoma. U korenu oba kraka
sa unutranje strane urezana je po jedna linija koja
se protee ka bonim stranama tela. Izmeu krakova
telo vertikalno perforirano. Na obodu donjeg otvora
vide se poprena udubljenja u vidu kratkih zareza.
107
4535
inv. br.
At
Vina Amulets
4536
inv. br.
At
kat. br.
13
4537
inv. br.
At
kat. br.
14
4538
inv. br.
At
kat. br.
15
kat. br.
16
Mali dvokraki amulet izraen od gline srednje fakture sa primesom peska. Crvenkasto-oker boje peenja. Tragovi crvenog bojenja. Telo konino sa krunom osnovom od koje se postepeno iri ka bokovima i stanjuje u sredinjem delu, pa u korenu krakova
poprima ovalan presek. Na vrhu bonih strana dva
koso postavljena kratka kraka sa vrhovima u vidu
stilizizovanih ivotinjskih protoma. U korenu jednog
kraka, sa unutranje strane, urezana linija - plitak
leb koji se iri ka bonoj strani tela. Izmeu krakova
telo vertikalno perforirano.
uslovi nalaza: Kontrola zemljanih radova, 1972. godine
publikacija: Nepublikovano
dimenzije: visina 4,6 cm; visina tela 3,7 cm; raspon krakova 4,2 cm; R osnove 2,2 cm.
Fragment dvokrakog amuleta. Ouvan deo tela i jedan krak iji je vrh plastino oblikovan. Sudei po
ouvanom fragmentu, kraci su bili postavljeni skoro
vodoravno u odnosu na telo. Na prelomu tela vidljiv
vertikalni kanal od nekadanjeg otvora. Od gline izmeane sa sitnim peskom. Tanka prevlaka na povrini, zaglaana, neujednaene tamnosmee do mrke
boje.
Dvokraki amulet izraen od gline srednje fakture sa primesom peska i krupnije tucanog kamena. Crvenkaste boje peenja, priglaane povrine.
Osnova zaravnjena, telo ovalnog preseka. Ouvani
krak modelovan roasto sa zailjenim vrhom i mogue je da predstavlja vrlo stilizovanu ivotinjsku
glavu. Izmeu krakova telo perforirano celom visinom. Povrina tela ukraena urezivanjem i ubadanjem. Oko gornjeg otvora ubadanjem napravljen
krug. Na obodu donjeg i gornjeg otvora vide se poprena udubljenja.
uslovi nalaza: Kontrola zemljanih radova, 1972. godine;
amulet otkriven u neposrednoj blizini kultnog predmeta u obliku
krune ploe sa ubodima odnosno otvorima, male dimenzije.
publikacija: Nepublikovano
dimenzije: visina 4,6 cm; visina tela 3,9 cm; promer osnove 2,3 x 1,9 cm.
108
4539
inv. br.
At
Catalogue
4540
inv. br.
At
kat. br.
17
4541
inv. br.
At
kat. br.
18
4542
inv. br.
At
kat. br.
19
kat. br.
20
Mali dvokraki amulet izraen od gline srednje fakture sa primesom peska. Oker boje peenja. Povrina
priglaana, neznatno oteena. Osnova zaobljena,
telo jeziastog oblika, nepravilnog ovalnog preseka.
Na vrhu bonih strana koso postavljena dva kupasto modelovana, kratka kraka. Na jednom kraku fragmentovan vrh. U korenu ouvanog kraka, sa unutranje strane, uski leb koji se protee ka bonoj
strani tela. Telo vertikalno perforirano izmeu krakova. Na obodu donjeg otvora poprena udubljenja.
Mali dvokraki amulet izraen od gline srednje fakture sa primesom peska. Crvenkasto-oker boje peenja spolja, na prelomu crne, priglaane povrine.
Osnova kruna, delimino oteena. Telo jeziastog
oblika, u poprenom preseku ovalnog. Jedan krak
fragmentovan, dok je ouvani modelovan kupasto.
Sam vrh je reljefan, pa se moe pretpostaviti da se
radi o stilizovanoj glavi ivotinje. Izmeu krakova
telo perforirano. Na obodu gornjeg otvora popreno urezana linija u vidu zareza.
109
4543
inv. br.
At
Vina Amulets
4544
inv. br.
At
kat. br.
21
4545
inv. br.
At
kat. br.
22
4546
inv. br.
At
kat. br.
23
kat. br.
24
110
Mali, fragmentovani dvokraki amulet izraen od gline srednje fakture sa primesom sitno mlevenog kamena. Crvenkaste boje peenja, sumarno obraen
povrine. Telo jeziastog oblika, u poprenom preseku ovalnog. Vrhovi krakova reljefni, tako da se moe
pretpostaviti da zapravo predstavljaju vrlo stilizovane ivotinjske glave. Telo izmeu krakova perforirano pod uglom.
Mali, dvokraki amulet izraen od gline srednje fakture sa primesom peska. Narandaste boje peenja,
povrina sumarno obraena, priglaana. Telo jeziastog oblika, pljosnato, osnova ovalna. Na vrhu bonih strana aplicirani kraci. Jedan fragmentovan, a
ouvani krak postavljen gotovo horizontalno, kupasto modelovan. Telo izmeu krakova vertikalno perforirano. Na obodu donjeg otvora poprena proirenja od neke vrste uzice.
Fragment dvokrakog amuleta, bez ouvanih krakova. Stubastog tela, malo uvuenih strana, sa blago
naglaenim rubom osnove. Povrina osnove konkavno uvuena. Kroz sredinu tela prolazi vertikalni
otvor. U gornjem delu tragovi odlomljenih krakova,
s tim to je na jednoj strani i telo veim delom oteeno. Od gline sa primesom peska, povrina sa tankom prevlakom, zaglaana, tamnosive boje.
4547
inv. br.
At
Catalogue
4548
inv. br.
At
kat. br.
25
inv. br.
4550
kat. br.
27
At
Zoomorfna (jelen) glava na kojoj se istie kupasto modelovan nos iznad kojeg se na vrhu glave uzdie jedan krak, sada
fragmentovan. Moda predstava rogova? Na bonim stranama glave, a u visini nosa, horizontalno izvuena dva patrljka,
koji moda predstavljaju ui. Preko vrha nosa napravljen plitak i irok leb, sa krajevima usmerenim na dole. Glava je postavljena na krai vrat ovalnog preseka i zaobljenog dna, tako
da ne moe samostalno da stoji. Iznad nosa nalazi se gornji
otvor perforacije, dok je donji otvor u sreditu osnove vrata.
Oko gornjeg otvora prisutni kratki lebovi, jedan usmeren ka
levom uvu, drugi ka desnoj strani i osnovi. Izraeno od gline
oker/narandaste boje peenja spolja i na prelomu, sa dosta
sitno tucanog kamena i peska.
uslovi nalaza: Sluajan nalaz
publikacija: Nepublikovano
dimenzije: visina 5,8 cm; promer glave 3,3 x 5 cm.
4549
inv. br.
At
kat. br.
26
Dvokraki amulet manjih dimenzija izraen od gline srednje fakture sa primesom peska. Crvenkaste
boje peenja, sumarno obraene povrine, priglaan. Telo jeziastog, pljosnatog oblika, sa zaobljenom osnovom. Na vrhu izvuena dva kratka kraka.
Oba su oteena, ali se po ouvanim ostacima moe
zakljuiti da su vrhovi bili stilizovani u vidu ivotinjskih glava. Izmeu krakova telo perforirano pod blagim uglom.
kat. br.
28
Amulet oblikovan u vidu bikonine posude, cilindrinog vrata sa izlivnikom koji je horizontalno postavljen u odnosu na telo. Dno zaobljeno, sa jedva
naznaenom krunom osnovom. Po visini predmet
perforiran, otvorom veoma malih dimenzija. Od gline, sa tankom prevlakom na povrini, zaglaanom,
sa vidljivim tragovima obrade, tamnosive i mestimino mrkosmee boje.
111
4551
inv. br.
At
Vina Amulets
4552
inv. br.
At
kat. br.
29
4553
inv. br.
At
kat. br.
30
4554
inv. br.
At
kat. br.
31
kat. br.
32
112
Amulet u obliku bikonine posude sa visokim cilindrinim vratom i lepezastom drkom postavljenom horizontalno u odnosu na telo, u visini ramena.
(Drka gredasta, sa oteenjem na vrhu koji je najverovatnije bio roast). Na naspramnoj strani, nalazi
se oteenje ovalnog oblika, koje nedovoljno nagovetava postojanje drugog kraka, odnosno drke. Pri
dnu i na vrhu amulet zavren malom krunom povrinom. Kroz sredinu predmeta prolazi vertikalna
perforacija uskog promera. Od gline sa primesom
sitnog peska, zaglaane povrine, neujednaene tamno i svetlo smee boje.
uslovi nalaza: Sluajan nalaz
publikacija: Nepublikovano
dimenzije: visina 5 cm; R trbuha 3 cm
Fragmentovani etvorokraki predmet izraen od gline srednje fakture sa primesom peska. Crvenkastomrke boje peenja, priglaane, sumarno obraene
povrine. etiri kraka (jedan fragmentovan) krstasto rasporeena u istoj ravni. Kraci valjkasto modelovani sa zaravnjenim vrhovima, koji imaju zadebljane i proirene rubove. Predmet perforiran vertikalno
kroz centar u kojem se spajaju kraci. Na obodu jednog otvora vidi se popreno udubljenje od neke vrste uzice.
Fragmentovani amulet izraen od gline srednje fakture sa primesom sitno mlevenog kamena. Sivo-oker
boje spolja, na prelomu crvenkasto-mrke. Povrina
priglaana. Telo stubasto, nepravilnog ovalnog poprenog preseka. U gornjem delu na bonim stranama dva horizontalno postavljena patrljka - kraka.
Kraci kratki, valjkasto modelovani sa zaravnjenim
vrhom, zadebljanih ivica. Oko rubova urezan plitak
leb. Gornji deo valjkastog tela fragmentovan, vidi
se samo osnova krunog preseka. Predmet perforiran kroz centar valjkastog tela. Na obodu donjeg
otvora poprena proirenja od neke vrste uzice.
uslovi nalaza: Kontrola zemljanih radova, 1972. godine
publikacija: Nepublikovano
dimenzije: visina 4,5 cm; raspon krakova 4,8 cm; promer osnove 1,6 x 1,9 cm; debljina tela 2,1 cm.
4558
inv. br.
At
Catalogue
4559
inv. br.
At
kat. br.
33
4560
inv. br.
At
kat. br.
34
4561
inv. br.
At
kat. br.
35
kat. br.
36
Fragmentovani dvokraki amulet, stubastog, zdepastog tela. U gornjem delu se rava u dva kraka, sada
fragmentovana. Ouvan je samo koren jednog kraka, koji je sudei po sauvanom delu bio izvijen.
Oteenja na vrhu ukazuju da se krak zavravao protomom. Osnova kruna, po visini vertikalna perforacija irokog prenika. Glina izmeana sa sitnim peskom, zaglaane povrine, sivosmee boje.
uslovi nalaza: Stari Milekerov nalaz, broj 6401, bez bliih podataka.
publikacija: Nepublikovano
dimenzije: visina 4,6 cm; promer tela 2,3 x 2,7 cm.
Mali dvokraki amulet izraen od gline srednje fakture sa primesom sitno mlevenog kamena. Crvenkasto
oker boje peenja, priglaane povrine. Telo pljosnato, od osnove ovalnog preseka iri se bono i zavrava sa dva kratka, valjkasto modelovana kraka.
Jednom oteen vrh. Telo perforirano izmeu krakova, sa gornjim otvorom blie rubu jedne ire strane, dok se donji otvor nalazi u sreditu osnove. Na
obodu donjeg otvora poprena udubljenja. Na vrhu
jedne ire strane urezana horizontalna linija, koja se
prostire od sredine korena jednog do korena drugog kraka.
uslovi nalaza: Stari nalaz F.Milekera, zateen u muzeju bez bliih podataka nalaza; stari inv. br. 6404
publikacija: Nepublikovano
dimenzije: visina 3,3 cm; visina tela 2,8 cm; raspon krakova 2,9 cm; promer osnove 1,1 x 1,4 cm.
Minijaturni dvokraki amulet izraen od gline srednje fakture sa primesom sitno mlevenog kamena. Crvenkasto-mrke boje, priglaane povrine.
Jeziastog, pljosnatog oblika tela. Male, zaobljene krune osnove od koje se bono iri i zavrava sa dva konino modelovana kratka kraka. Jedan
krak fragmentovan. Izmeu krakova telo vertikalno
perforirano.
uslovi nalaza: Stari nalaz F. Milekera, zateen u muzeju bez bliih podataka nalaza; stari inv. br. 6406
publikacija: Nepublikovano
dimenzije: visina 2,5 cm; visina tela 2,2 cm; promer tela 1,4 x 0,9 cm.
113
4562
inv. br.
At
Vina Amulets
4563
inv. br.
At
kat. br.
37
4564
inv. br.
At
kat. br.
38
kat. br.
39
Fragmentovani dvokraki amulet izraen od gline srednje fakture sa dosta sitno mlevenog kamena i peska. Svetlo oker boje peenja. Osnova ovalna, a telo se ka vrhu postepeno stanjuje. Kraci amuleta fragmentovani, a po ouvanim osnovama bili
su krunog preseka i skoro vertikalno izvueni.
Povrina tela veoma erodirana, ali su vidljivi tragovi
dekoracije urezivanjem. Telo izmeu krakova vertikalno perforirano. Na donjem obodu otvora popreni useci nastali nakon peenja.
uslovi nalaza: Stari nalaz F.Milekera, inv. br. 6410, zateen u muzeju bez bliih podataka nalaza
publikacija: Nepublikovano
dimenzije: visina 4,3 cm; promer osnove 1,9 x 2,3 cm.
4565
inv. br.
At
dimenzije: visina 5 cm; visina tela 4,2 cm; promer osnove 1,7 x 2,1 cm; raspon krakova 4,7 cm; R otvora 0,6 cm
kat. br.
40
114
4566
inv. br.
At
Catalogue
4572
inv. br.
At
kat. br.
41
4573
inv. br.
At
kat. br.
42
4574
inv. br.
At
kat. br.
43
kat. br.
44
Fragment gornje etvrtine tela amuleta sa ouvanim jednim, kupasto izvuenim krakom. Na prelomu ostatak kanala od iroko vertikalno perforiranog
otvora, celom visinom tela. Od gline sa malo peska,
zaglaane povrine, crvenosmee boje.
uslovi nalaza: Stari Milekerov nalaz broj 6424, bez bliih podataka
publikacija: Nepublikovano
dimenzije: visina 3,9 cm; ouvani prenik tela 1,5 cm.
115
4575
inv. br.
At
Vina Amulets
4605
inv. br.
At
kat. br.
45
kat. br.
46
4606
inv. br.
At
kat. br.
47
4607
inv. br.
At
dimenzije: visina 4,7 cm; raspon dva ouvana kraka 3,7 cm; R vertikalnih krakova 1,6 cm; R bonih krakova 1,6 cm.
kat. br.
48
116
uslovi nalaza: Iz Ritingerove zbirke, broj 74. Milekerov broj 31. Prilikom kopanja velikosreditanskog kanala.
publikacija: F.Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 6cm; promer tela 7 x 3,8 cm.
4618
inv. br.
At
Catalogue
7162
inv. br.
At
kat. br.
49
7861
inv. br.
At
kat. br.
50
kat. br.
51
uslovi nalaza: Stari Milekerov broj 6405, bez podataka o uslovima nalaza.
publikacija: Nepublikovano
dimenzije: visina 3,4 cm; promer tela 2,8 x 1,9 cm.
Trokraki amulet. Ouvano jajasto telo dok su tri kraka fragmentovana. Dva kraka su bila postavljena horizontalno pri vrhu bonih strana, dok je trei bio na
vrhu sredinjeg dela tela. Osnova mala, krunog preseka. Telo perforirano kroz gornji sredinji krak. Od
gline sa neznatnom koliinom peska. Oker boje peenja, sa mrljama crne i tamno mrke od sekundarnog gorenja.
7963
inv. br.
At
dimenzije: visina 4,3 cm; promer u visini bonih krakova 4,2 x 3,2 cm.
kat. br.
52
117
7992
inv. br.
At
Vina Amulets
8009
inv. br.
At
kat. br.
53
8201
inv. br.
At
kat. br.
54
8249
inv. br.
At
kat. br.
55
kat. br.
56
118
Fragmentovani dvokraki amulet. Nedostaje vrh donjeg dela. Ouvano valjkasto modelovano telo, koje
se na vrhu bonih strana zavrava sa dva mala, kupasto modelovana kraka. Po sredini, izmeu krakova,
telo vertikalno perforirano. Povrina nemarno izraena, bez zaglaavanja. Od gline dobre fakture, sa
vrlo malo peska i sitno tucanog kamena, oker boje
peenja.
uslovi nalaza:
publikacija: Nepublikovano
dimenzije: visina 3,6 cm; promer tela 1,8 x 2,2 cm.
uslovi nalaza:
publikacija: Nepublikovano
dimenzije: visina 5 cm; Promer tela ispod krakova 3,3 x 1,8 cm; promer krakova 5,1 cm
Manji dvokraki amulet izraen od gline srednje fakture sa sitnim peskom. Oker boje peenja. Telo pljosnato, od ovalne, zaravnjene osnove postepeno se
blago iri ka gornjem delu. Na vrhu bonih strana
koso postavljena dva kraka, sada fragmentovana.
Izmeu krakova telo vertikalno perforirano. Gornji
otvor ovalan, donji kruan. Na oba otvora vidljiva
neznatna udubljenja, najverovatnije od neke vrste
uzice. Povrina amuleta erodirana.
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estokraki predmet izraen od gline dobre fakture sa primesom sasvim sitnog peska. Oker boje peenja. etiri manja kraka su krstasto rasporeeni u
istoj ravni, po sredini visine predmeta. Druga dva
kraka, koji zapravo ine osovinu predmeta, su veih
dimenzija i kroz njih je napravljen otvor pravougaonog preseka. Jedan od manjih krakova odlomljen.
Modelovani valjkasto sa zaravnjenim vrhom.
Jastuasti amulet. Po duini telo perforirano; srednje fakture, sa inijim peskom i malo tucanog kamena. Oker boje povrine.
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Amulet u obliku bikonine posude sa rukom ili siskom, usmerenim na gore. Pri korenu te ruke urezan leb. Vrh fragmentovan, najverovatnije cilindrinog oblika. Perforiran po visini, sa tragovima uzica
na donjem otvoru. Izraen od gline dobre fakture,
uglaane povrine tamno sive boje.
Amulet u obliku posude. Iz bikonine forme izdvajaju se bono dva dua, blago izvijena na gore kraka. Sa prednje i zadnje strane po jedan krai roasti
krak. U sredini gornjeg dela tela izvuen visok cilindrian krak/vrat. Dno zaobljeno, tako da nije mogao
samostalno da stoji. Gornji konus i koren sredinnjeg kraka ukraeni su urezanom cik-cak linijom, na
donjem konusu, ispod kraih krakova je urezan meandar. Srednje fakture, uglaane povrine oker-svetlo sive boje. Celom visinom perforiran. Po obodima
otvora vide se proirenja od provlaenja uzice.
uslovi nalaza: Privatna kolekcija
publikacija: . Joanovi, 1990; T VII/9
dimenzije: visina 7,1 cm; promer krakova 8,8 x 5,3 cm
Amulet u obliku izduene, bikonine posude sa vertikalno probuenim otvorom i tragom odlomljenog
kraka na prelomu konusa. Srednje fakture sa dosta peska otre granulacije. Oker-narandaste boje
povrine.
Dvokraki amulet, stubastog tela. Glina srednje fakture, sa veom koliinom peska, oker boje peenja.
Kratki roasti kraci, u ijem korenu se vide duboki useci od neke vrste uzice. Takvi useci su vidljivi i
u osnovi, oko otvora perforacije, kao i oko gornjeg
otvora.
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Dvokraki amulet, pljosnatog i gotovo pravougaonog tela. Oker boje povrine. Kraci oblikovani u vidu
ivotinjskih glava. Izraen od gline sa dosta sitno tucanog kamena. Sa jedne strane nagoreo. Povrina je
bila zaglaana, ali je sada prilino oteena. Po telu
se ne vide tragovi od uzice, jedino se na obodima
perforacije primeuju mala proirenja. Nije mogao
da samostalno stoji.
Dvokraki amulet jeziastog oblika tela. Kraci oblikovani u vidu ivotinjske glave. Oker boje peenja, izraen od gline srednje fakture, sa neto vie peska otre granulacije. Otvori centralne perforacije proireni provlaenjem neke vrste uzice, dok na telu takvih
tragova nema. Osnova blago zaobljena.
Dvokraki amulet stubastog oblika tela. Kraci modelovani u vidu ivotinjskih glava. Izraen od gline dobre fakture, sa neto malo sitno tucanog kamena.
Oker-narandaste boje peenja. Povrina tela bila
zaglaana. Useci od uzica nisu vidljivi po telu, jedino su otvori centralne perforacije neznatno proireni. Osnova blago zaobljena.
Dvokraki amulet, pljosnatog i gotovo pravougaonog tela. Oker boje povrine. Kraci oblikovani u vidu
stilizovanih glava. Jedna glava predstavlja ivotinju
sa uima, dok druga nema ui, ve istaknuto teme i
nos (moda ptica). Izraen od gline srednje fakture,
sa sitno tucanim kamenom i peskom. Jedna strana
nagorela. Gornji otvor neznatno proiren provlaenjem uzice.
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Dvokraki amulet jeziastog oblika tela, malih dimenzija. Izraen od gline sa neto malo peska i stino mlevenog kamena. Svetlomrko - siva boja povrine koja je bila zaglaana. Sem veoma malih useka
po obodu otvora perforacije, nema drugih tragova
od uzice.
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Dvokraki amulet, pljosnatog tela gotovo pravougaonog oblika. Izraen od gline loije fakture sa veom koliinom peska i tucanog kamena. Oker - narandaste boje povrine. Na oboddu donjeg otvora vide se manji useci od provlaenja neke uzice.
Jedna ira strana je oteena, tako da se vidi vertikalni kanal perforacije. On je pravilnog krunog preseka, te je najverovatnije napravlje tanjim, obraenim tapiem.
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Dvokraki amulet valjkastog tela i zaboljene osnove. Izraen od gline srednje fakture sa neto peska i
sitno tucanog kamena. Svetlo-mrke boje, na jednoj
strani nagoreo. Od gornjeg otvora, koso ka spoljanjem korenu kraka vidi se plitak leb, nastao najverovatnije od uzice. Obod gornjeg otvora ima manje
useke, dok su oni jae izraeni na donjem otvoru.
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Dvokraki amulet sa zoomorfno modelovanim vrhom krakova. Izraen od gline srednje fakture, sa
mnjom koliinom inijg peska i sitno tucanim kamenom. Uglaana povrina. Oker boje peenja, ali
veim delom nagoreo. Sa unutranje strane jednog
kraka vidi se krai urez od uzice, usmeren ka osnovi.
Obodi otvora neznatno useeni od provlaenja uzice. Nije mogao samostalno da stoji.
Dvokraki amulet pljosnatog, gotovo pravougaonog oblika tela. Vrhovi krakova modelovani u vidu
stilizovane zoomorfne glave. Izraen od gline srednje fakture, sa dosta peska i sitno tucanog kamena.
Oker/mrke boje povrine. Urezi od uzice vidljivi su
sa unutranje strane krakove, usmereni ka bonim
stranama. Centralni otvor proiren je provlaenjem
uzica. Osnova zaobljena, tako da ne moe samostalno da stoji.
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Dvokraki amulet trougaonog oblika tela. Vrhovi krakova oblikovani u vidu ptije glave. Izraen od gline
srednje fakture, sa manjom koliinom inijeg peska i
neto malo sitno tucanog kamena. Oker boje povrine. Ne vide se tragovi od uzice.
Dvokraki amulet, malih dimenzija. Kraci u vidu zoomorfnih protoma. Izraen od gline gline bolje fakture, sa manjom koliinom inijeg peska. Oker - sive
boje povrine. Useci od uzice vide se sa unutranje
strane ouvanog kraka, i usmereni su ka bonoj strani. Iz otvora na osnovi prostire se krai usek, ka istoj
bonoj strani.
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Dvokraki amulet malih dimenzija, sa vrhom krakova u vidu veoma stilizovanih ornitomorfnih glava.
Izraen od gline srednje fakture sa neto malo peska i sitno mlevenog kamena. Oker boje povrine, sa
tragovima crvenog premaza (?). Donji otvor proiren
sa usecima po obodu.
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Dvokraki amulet izraen od gline izmeane sa peskom i sitno tucanim kamenom. Boja povrine je
crvenkasto-narandasta, a sa jedne strane tamno
mrka/crna usled nagorelosti. Vrhovi krakova zaravnjeni. Na donjem otvoru jasno vidljiva proirenja od provlaenja uzice, dok su na gornjem jedva
primetni.
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Dvokraki amulet stubastog tela. Svetlo oker boje povrine, uglaane, sa vertikalnim tragovima od povlaenja alatke. Useci od provlaenja uzice vidljivi po
obodu otvora. Izraen od gline izmeane sa sitno
mlevenim kamenom.
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Dvokraki amulet kupastog tela. Izraen od gline izmeane sa sitno mlevenim kamenom, oker boje peenja. Obod gornjeg otvora proiren provlaenjem
uzice, dok se na osnovi vidi usek nastao od uzice, od
otvora ka bonom kraku.
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Dvokraki amulet jeziastog oblika tela. Izraen od gline izmeane sa sitno tucanim kamenom. Oker boje
povrine. Na jednoj iroj strani tela, vide se kosi urezi
ispod oba kraka, kao i blie osnovi. Najverovatnije se
radi o usecima od uzice. Neznatna proirenja od provlaenja uzice, vide se i na otvorima perforacije.
Dvokraki amulet jeziastog oblika, malih dimenzija. Izraen od gline sa dosta peska otre granulacije i neto sitno tucanog kamena. Oker boje peenja.
Donja osnova zaravnjena. Na obodu donjeg otvora
neznatna proirenja, najverovatnije od uzice.
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Dvokraki amulet jeziasto oblika tela. Izraen od gline inije fakture, sa veoma malom koliinom peska.
Narandaste boje povrine, koja je veoma oteena.
Zbog toga nije mogue govoriti o urezima od uzica,
iako se vide neke kose linije koje bi mogle biti takvi
tragovi.
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Fragment dvokrakog amuleta. Ouvana donja polovina. Izraen od gline sa puno peska i neto sitno tucanog kamena. Oker boje peenja.
Sedei amulet. Jedna polovina glave fragmentovana, ali se na ouvanom delu vidi istaknuti nos/ kljun
i zaobljena glava. Oko vrata, koso ka sredini izmeu nogu i potom do donjeg otvora, prostire se linija,
koja je nastala usecanjem uzice. Izraen od gline sa
dosta peska i sitno tucanog kamena. Oker-sive boje
povrine.Otvori se nalaze kao kod svih sedeih amuleta, na osnovi i na leima iza glave.
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Amulet u obliku posude. Bikonina, uskog, zaobljenog dna. Na jednom ramenu ouvana koso postavljena drka/ sisak (?), krunog preseka. Na drugom
ramenu fragmentovana u osnovi, ali sudei po ostacima, mnogo kraa poput bradaviastog ispupenja. Preko ouvane drke usek od uzice, koji je usmeren ka osnovi i otvoru perforacije. Fragmentovan
gornji deo posude, najverovatnije cilindrini. Izraen od gline dobre fakture, sa malo peska. Oker boje
peenja.
Amulet u obliku posude sa drkom / siskom (?). Bikonina, nedostaje gornji deo. Oko ouvanog dela drke usek od uzice koji ide ka osnovi i otvoru. Na donjem otvoru jasno vidljivi tragovi od provlaenja
uzice. Izraen od gline srednje fakture, sa peskom i
sitno tucanim kamenom. Oker boje peenja.
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Amulet bikoninog oblika sa viim cilindrinim vratom. Jedan deo trbuha fragmentovan, tako da se ne
moe sa sigurnou rei da li je imao drku / sisak.
Vertikalno perforiran kroz sredinu tela. Na oba otvora perforacije vidljivi useci i proirenja od provlaenja uzice. Izraen od gline srednje fakture, izmeane
sa manjom koliinom peska i sitno tucanog kamena.
Oker-narandaste boje povrine.
Predmet bikoninog oblika, sa viim cilindrinim vratom. Vertikalno perforiran kroz centar tela. Izraen
od gline srednje fakture, izmeane sa manjom koliinom peska i sitno tucanim kamenom. Narandaste
boje povrine.
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Osmokraki predmet, vertikalno perforiran kroz sredite sastava krakova. Kraci formirani u vidu epastih aplikacija, proirene ivice. Dublji urezi (lebovi), vidljivi su od otvora niz due strane predmeta,
do otvora na suprotnoj strani. Na jednoj strani vidljivi tragovi crvenog premaza. Izraen od gline loije
fakture, sa dosta tucanog kamena i peska. Oker-sive
boje povrine.
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Petokraki predmet, sa centralnom osom i tri radijalno rasporeena kraka po sredini visine te ose. Pukao
prilikom peenja. Oker boje povrine. Izraen od
gline izmeane sa sitno tucanim kamenom i malo
peska.
estokraki predmet, perforiran dijagonalno kroz sredite spajanja krakova. Oko otvora vide se useci od
provlaenja uzice. Izraen od gline srednje fakture,
sa sitno tucanim kamenom i malo peska. Oker boje
povrine.
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Fragmentovani viekraki predmet. Na polovini visine centralne osovine, kroz koju je izvedena perforacija, krstasto rasporeena etiri kraka. Jedan dui i
neznatno izvijen na gore, ostala tri kraa, priblino
iste duine. Izraen od gline izmeane sa puno peska otre granulacije i sitno tucanim kamenom. Oker
boje povrine.
Fragmentovani viekraki predmet. Na polovini visine centralne osovine, kroz koju je izvedena perforacija, krstasto rasporeena etiri kraka. Jedan dui i
neznatno izvijen na gore, ostala tri kraa, priblino
iste duine. Izraen od gline izmeane sa peskom i
sitno tucanim kamenom. Svetlo mrke boje povrine,
sa tragovima crvenog premaza.
Krstoliki amulet. Telo pljosnato sa izrazitim ispupenjem u gornjem delu, gde su na bonim stranama
horizontalno postavljena dva kraa kraka. Amulet
vertikalno perforiran kroz sredinu tela. Tragovi crvene boje. Oker boja povrine, izraen od gline izmeane sa peskom i sitno tucanim kamenom.
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Dvokraki amulet izraen od gline sa primesom peska i sitno tucanog kamena. Jeziastog oblika tela,
sa dva kraa kraka kupasto modelovana. Telo vertikalno perforirano izmeu krakova. Na donjem obodu vidljiva polukruna proirenja. Izmeu korena
jednog kraka i gornjeg otvora vidi se leb koji se
koso sputa ka donjem otvoru. Na suprotnoj strani
tela, od donjeg otvora koso se prua drugi leb.
Antropomorfna statueta u funkciji amuleta, krstolikog oblika, na leima sa grbom; glava stilizovana sa
predstavljenim nosom i uima u obliku roia: Oi
urezane, segmentne. Figurina koso probuena; dobre fakture, uglaane tamnomrke povrine.
Dvokraki amulet, stubastog tela, sa ouvanim krakom oblikovanim u vidu stilizovane ivotinjske glave. Uglaane povrine, crvene i sivkaste boje.
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Amulet slian prethodnom, sa razvuenim skoro horizontalno postavljenim kracima bono. U gornjem
delu sa prelomom cilindrinog kraka. Uglaane, mrkocrvene povrine.
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PK 23
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Dvokraki amulet, stubastog tela. Ouvani krak modelovan u vidu ivotinjske glave. Uglaane, crvenosmee povrine.
Fragment ornitomorfnog amuleta. Sauvana je uzduna polovina. Na vrhu bone strane u celosti ouvan mali krak. Na vrhu sredinjeg dela amuleta, nalazio se trei krak. Na prelomu se vidi trag vertikalne
perforacije. Cela povrina erodirana, sa sivim i crnim
mrljama od gorenja. Sivo-oker boje peenja. Izraen
od gline sa malom primesom peska i sitno tucanog
kamena.
uslovi nalaza:
publikacija: Nepublikovano
dimenzije: visina 4,7 cm; ouvani R osnove 2,8 cm
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uslovi nalaza:
publikacija: Nepublikovano
dimenzije: Ouvana visina 4,2 cm; irina 3,2 cm
uslovi nalaza:
publikacija: Nepublikovano
dimenzije: visina 8,3 cm; promer ouvane polovine osnove 4 x 4,2 cm
Fragmentovani amulet, najverovatnije u obliku ljudske igure. Od gline izmeane sa malom koliinom
peska, narandaste boje. Ouvana je jedna uzduna
polovina tela kalemastog izleda. Na samom vrhu, po
sredini izmeu krakova, vidi se polukruan ostatak
preloma, na osnovu ega se moe pretpostaviti da je
postojao trei krak, odnosno vrat ili glava. Na prelomu se vidi iroki vertikalni leb, koso probuen od
vrha ka osnovi. Cela povrina prilino erodirana, sa
nizom manjih oteenja.
uslovi nalaza:
publikacija: Nepublikovano
dimenzije: visina 4,9 cm; R osnove 2,5 cm; irina kod kraka 4cm
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Predmet sa est krakova: tri u istoj ravni - horizontalno postavljeni, dva izmeu postavljena koso i neto
nie. esti krak je centralni krak postavljen vertikalno u odnosu na ostale i u sreditu njihovog sastava, ali je sauvana samo njegova osnova, on je u celosti fragmentovan. Kroz njega napravljena kruna
perforacija. Kraci su epastog izgleda. Srednje ine
fakture, oker-ute boje peenja. povrina neznatno
zaglaana.
Trokraki amulet, krukolikog tela sa jednim ouvanim krakom kupasto modelovanim. Drugi boni
krak fragmentovan, kao i centralni, koji se nalazi u
sreditu izmeu dva krak na gornjoj strani, kao vrat.
Na gornjem delu se vide dva otvora, dok je u osnovi jedan otvor, ali nepravilnog izduenog oblika, sa
bonim usecima od neke vrste uzice. Crno peen
iznutra, spolja oker boje. Srednje fakture sa dosta sitnog, ali peska otre granulacije. Zaglaane povrine.
na ramenu ouvanog kraka duboki pravilan leb,
sa krajevima usmerenim ka osnovi amuleta.
uslovi nalaza: Privatna zbirka Srdomira Juga
publikacija: Nepublikovano
dimenzije: H= 4,9 cm; R osnove= 1,9 cm; irina tela ispod krakova=3,5 cm
PK 21
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Fragmentovani viekraki amulet. Na centralnoj osovini valjkastog oblika, horizontalno postavljena tri
kraka, radijalno rasporeena. Kroz sredite napravljen kruni otvor. Na donjem se vide useci od uzice.
Srednje fakture sa neto inog peska i sitno tucanog
kamena. Oker boje peenja.
U celosti ouvan dvokraki amulet, sa kracima stilizovanim u vidu ivotinjskih ili ptijih glava. Kroz sredite tela napravljena perforacija pravilnog krunog
oblika. Nema tragova uzica. Oker boje peenja, srednje fakture sa neto sitno tucanog kamena.
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Mali dvokraki amulet, u celosti ouvan. Kraci kratki, kupasto modelovani. Telo stubasto, zaravnjene krune osnove. Srednje fakture, svetlo oker boje
peenja.
9516
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publikacija: Nepublikovano
dimenzije: asas
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Fragmentovani dvokraki amulet, izraen od gline inije fakture, sa primesom sitnog peska, priglaane
povrine. Valjkasto telo, kraci srednje duine kupasto oblikovani. Celom duinom po sredini amulet
perforiran. Od otvora izmeu krakova, a prostirui se
ka ispupenojoj - prednjoj strani, uoljiv malo dublji
leb. Usled fragmentovanosti nije mogue odrediti
kojom duinom se prostirao na prednjoj strani tela.
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Fragmentovani dvokraki amulet izraen od gline inije fakture sa primesom sitnog peska. Oker boje peenja. Stubasto telo nepravilno krunog preseka, na
gornjem delu se zavrava u vidu dva kraka krunog
preseka i zaravnjenih vrhova. Izmeu krakova telo
vertikalno perforirano pravilnim krunim otvorom.
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Dvokraki amulet izraen od gline inije fakture sa primesom sitnio tucanog kamena. Oker boje peenja.
Izmeu krakova telo vertikalno perforirano. Otvor
na vrhu nepravilnog, ovalnog preseka, na dnu krunog. Na obodima otvora jasno uoljiva proirenja
polukrunog oblika. Sa prednje strane telo ukraeno paralelnim, plitko urezanim linijama koje formiraju ornament u vidu latininog slova X. Na zadnjoj
strani tri kratke, vertikalne, paralelno urezane linije i
tri kratke koso urezane paralelne linije. U osnovi levog kraka gledano sa prednje strane, na unutranjoj
strani duboki urez - leb koji se prostire i ka prednjoj
i ka zadnjoj strani tela amuleta.
uslovi nalaza: Sluajan nalaz; nabavio F. Milleker
publikacija: Nepublikovano
dimenzije: visina 7,0 cm; H tela 5,8 cm; raspon krakova 5,7 cm; osnova 3,4 x 3,6 cm; R otvora 0,7 cm
Fragment dvokrakog amuleta, raen od gline srednje fakture sa primesom sitno tucanog kamena.
Neujednaene crvenkaste i mrke boje peenja. Telo
ornamentisano sa jedne strane urezanim motivom
uglastog meandra, dok se na drugoj strani uoava
pet paralelnih, koso urezanih linija. Izmeu krakova
telo vertikalno perforirano. U osnovi ouvanog kraka sa unutranje strane urezana linija - plitak leb,
koji se prostire i ka prednjoj i ka zadnjoj strani tela.
Na obodu gornjeg otvora polukruno proirenje.
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Amulet stubastog tela sa dva kratka kraka u vidu ivotinjskih protoma. Raen od gline srednje fakture. Oker boje peenja, sa jedne strane nagoreo. Na
telu jasno vidljivi potezi modelovanja. ivotinjske
glave okrenute na suprotne strane, a na njima su jasno uoljive ui dok su njuke tek jedva naznaene.
Telo vertikalno perforirano izmeu krakova. Otvori
proireni naknadnim umetanjem nekog predmeta
(uzice).
uslovi nalaza: Sluajan nalaz; nabavio F. Milleker; stari inv. br. 289
publikacija: Nepublikovano
dimenzije: visina 5,0 cm/ visina tela 3,5 cm/ promer osnove 2,7 x 2,2 cm/ raspon krakova 5,4 cm/ R otvora 0,5 cm
Fragment dvokrakog amuleta, raen od gline srednje fakture sa dosta peska. Crvenkasto-mrke boje
peenja, na jednoj strani nagoreo. Krak u vidu ivotinjskog protoma. Glava okrenuta na gore. Telo
perforirano vertikalno izmeu krakova. Na gornjem
obodu otvora, vidljivi popreni useci nastali nakon
peenja.
uslovi nalaza: Sluajan nalaz; nabavio F.Milleker; stari inv. br. 371
publikacija: Nepublikovano
dimenzije: ouvana visina 4,9 cm/ ouvana visina tela 3,4 cm/ R otvora 0,4 cm
uslovi nalaza: Sluajan nalaz; nabavio F.Milleker; stari inv. br. 195
publikacija: Nepublikovano
dimenzije: visina 5 cm; visina tela 4,1 cm/ R osnove 3 cm/ R otvora 0,4 cm
Fragmentovani dvokraki amulet raen od gline srednje fakture sa puno peska. Crvenkaste boje, na prelomu crne. Jedan krak delimino nagoreo. Kraci kupasto modelovani, a vrh jednog fragmentovan. Po
sredini vrha drugog kraka dublji urez, koji se sputa
u oba smera ka bonoj strani i tu ukrta. Takvi ukrteni urezi vidljivi i ispod drugog kraka. Telo vertikalno
perforirano izmeu krakova. Na obodu donjeg otvora vidljivi popreni useci nastali nakon peenja.
uslovi nalaza: Sluajan nalaz; nabavio F.Milleker; stari inv. br. 196
publikacija: Nepublikovano
dimenzije: visina 4,3 cm/ visina tela 3,7 cm/ raspona krakova 5,3 cm/ R osnove 1,5 cm/ R otvora 0,4 cm
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Fragmentovani dvokraki amulet raen od gline inije fakture. Oker boje peenja. Ouvani krak je dugaak, ovalnog preseka a na samom vrhu nalazi se
udubljenje. U osnovi oba kraka urezana po jedna linija, koja se prostire ka prednjoj i zadnjoj strani tela.
Telo izmeu krakova perforirano vertikalno. Na obodu oba otvora vidljivi useci nastali nakon peenja.
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Fragmentovani dvokraki amulet izraen od gline inije fakture sa primesom sitnog peska. Oker boje peenja. Na pojedinim delovima vidljivi ostaci tankog
premaza crvenom bojom. U osnovi jednog kraka
dve koso urezana leba, usmereni ka vrhu i ka osnovi amuleta. Vertikalno perforiran. Na obodima oba
otvora popreni useci.
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Dvokraki amulet, od gline srednje fakture sa primesom peska. Vrh ouvanog kraka je neznatno oteen,
ali se mogu uoiti neka ispupenja tako da je mogue da se radi o kraku modelovanom u vidu protoma. U korenu tog kraka, sa unutranje strane, urezan
plii leb koji se iri ka prednjoj i zadnjoj strani tela.
Otvor na gornjem delu nalazi se blie fragmentovanom kraku, i oko njega radijalno rasporeeni kratki
zarezi. Na obodima oba otvora popreni useci.
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Dvokraki amulet. Izraen od dobro preiene gline. Tamno crvenkasto-mrke boje peenja sa vrlo
tankom prevlakom crvene boje. U osnovi oba kraka
vide se uski lebovi koji se prostiru od unutranjih ka
spoljnim stranama i zavravaju ispod osnove kraka
na bonim stranam tela. Telo perforirano vertikalno,
a na obodu donjeg otvora vide se dva kratka leba
usmerena ka bonim stranama.
Dvokraki amulet. Kratko telo, ovalne osnove. Od gline sa primesom peska, tamno sive boje peenja sa
tankom prevlakom oker boje, delimino nagoreo. U
osnovi kraka urezan uski leb koji se prostire ka bonoj strani tela. Izmeu krakova telo vertikalno perforirano. Na obodu gornjeg otvora nekoliko urezanih zareza. Na obodu donjeg otvora dva naspramna,
poprena useka usmerena ka bonim stranama.
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Fragmentovani dvokraki amulet. Telo stubasto, krunog preseka. Izmeu krakova, telo perforirano vertikalno. Premda je povrina veoma erodirana, na
osnovu ouvanog kraka, moe se zakljuiti da je
vrh bio formiran u vidu stilizovane ivotinjske glave.
Izraen od gline izmeane sa inim, sitnim peskom.
Oker boje peenja.
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publikacija: Nepublikovano
dimenzije: visina 7,6 cm; H tela 6,3 cm; raspon krakova 6,6 cm; osnova 3,3 x 3,7 cm; R otvora 0,5 cm
inv. br.
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Fragmentovani dvokraki amulet izraen od nedovoljno preiene gline, sa dosta peska, priglaane
povrine. Tragovi sekundarnog gorenja. Telo stubasto, nepravilnog krunog preseka. Na ouvanom
kraku, krunog preseka, vrh je reljefno modelovan.
Usled slabe ouvanosti nije mogue precizno odrediti oblik, ali se najverovatnije radi o stilizovanoj glavi ivotinje. Na gornjem delu tela, na prednjoj strani,
reljefno modelovano bradaviasto ispupenje.Telo
izmeu krakova vertikalno perforirano.
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Fragmentovani amulet, najverovatnije antropomorfnog izgleda. U korenu kraka, sa gornje strane uoava leb. Sudei po prelomu, na vrhu sredinjeg dela
takoe je bio krak, ili glava. Na prelomu se vidi polukruno udubljenje od vertikalne perforacije. Na ouvanom delu donjeg otvora vide se kratki lebovi po
obodu. Od gline dobre fakture sa malo peska. Okernarandaste boje.
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Fragment dvokrakog amuleta izraenog od gline izmeane sa peskom. Oker - narandaste boje.
Ouvan gornji deo sa jednim krakom. Na prelomu
vidljiv leb od vertikalne perforacije.
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Postojea rekonstrukcija, napravljena je kao identina polovina sauvanog dela. Postoji mogunost
da je deo koji nedostaje, zapravo bio u obliku ptice, odnosno ptije glave i vrata, a da ouvani deo
predstavlja rep. Izraen od gline izmeane sa sitno
tucanim kamenom.Oker-narandaste boje peenja,
na jednom delu intenzivno crvene kao posledica sekundarnog gorenja. Telo vertikalno perforirano kroz
centar tela. Perforacija je veeg prenika i pravilnog
krunog oblika.
uslovi nalaza: Sluajan nalaz R.Raajskog tokom kontrole
kinete na kanalu DTD 1.1.1957
publikacija: Nepublikovano
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Fragmentovani viekraki predmet nepravilnog krukolikog oblika, sa etiri roasta ispupenja, aplicirana horizontalno blie donjem, irem delu tela.
Ispupenja se razlikuju po veliini, pa su tako naspramne istog promera. Dva manja su sauvana u
celosti, dok je jedno vee fragmentovano u osnovi, a
od drugog je sauvan jedan manji deo. Na gornjem
kraju - nepravilnog krunog oblika i manjeg promera od donjeg, jedna ivica neznatno isturena po horizontali. Predmet celom duinom perforiran. Na
obodu donjeg otvora vide se useci, najverovatnije
od neke vrste uzice. Srednje fakture sa dosta peska.
Narandaste boje peenja, na prelomu crne. Na jednom delu vidljiv premaz crvenom bojom.
uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine
publikacija: Nepublikovano
dimenzije: visina 7,3 cm/ promer gornje osnove 3 x 2,6 cm/ promer donje osnove 3,8 x 3,1 cm/ irina kod dva kraa ouvana kraka 6,3 cm/ R otvora 0,7 cm
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Amulet u obliku ptice - ornitomorfne posude. Og gline izmeane sa sitno tucanim kamenom i peskom.
Na prelomu crno peena, spolja oker, sa tragovima
sekundarnog gorenja. Telo bikonino modelovano.
Na jednoj bonoj strani modelovana glava sa naglaenim kljunom i ubom, dok je na suprotnoj konino oblikovani rep. Sredinji deo gornje polovine tela
je takoe kupasto uzdignut i delimino fragmentovan. Donja strana tela je zaravnjena. Kroz centralni
deo tela napravljena vertikalna perforacija krunog
oblika.
uslovi nalaza: Zatitna iskopavanja 1957.g. sonda II, kv. 1b, I o.s.; rel.dubina 0,36m; u istom kvadratu nadjena kotana glaaica (dnevnik iskopavanja)
publikacija: Nepublikovano
dimenzije: irina 8,1 cm; visina 4,6 cm; R trbuha 4,1 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 2864
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: debljina 1,1 cm; irina strane 2,8 cm
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Amulet nalik ornitomorfnim posudama. Og gline izmeane sa sitno tucanim kamenom i peskom, sivomrke boje peenja. Centralni deo tela je loptastog
oblika, iz kojeg su bono izvueni i stanjeni delovi:
jedan je oblikovan u vidu stilizovane ptije glave, na
kojoj se izdvaja kljun i uba. Drugi delimino fragmentovan. Iz centralnog dela, po vertikali na gornjoj i donjoj strani dodata je masa, oblikovana kao
zarubljena kupa. Kroz njih, kao i kroz centar tela naprvljena je perforacija. Gornji deo je fragmentovan,
dok se na donjem na obodu otvora vide udubljenja
od neke vrste uzice. Izmeu gornjeg kraka i bonih
proirenja nalazi se plitak leb.
Predmet krukolikog oblika sa naglaenim konusom. Od gline sa primesom sitno tucanog kamena
i peska, oker boje peenja. Kroz sredite vrata i tela
napravljena vertikalna perforacija.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 414
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 5,5 cm; R tela 4,7 cm
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Predmet sa vie krakova izraen od gline sa primesom sitno tucanog kamena i peska, oker boje peenja. Stubaste forme, ravnog elipsoidnog dna. Na otprilike polovini visine aplicirani ornamenti ili kraci,
koji su svi fragmentovani tako da se ne moe utvrditi njihov prvobitni oblik. Vertikalno perforiran.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 837
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 4,1 cm; irina tela 3,8 cm
Izvedena rekonstrukcija nije zasnovana na pouzdanim podacima. Telo jajastog oblika. Gornja strana ili vrh, fragmentovan. Bone strane imaju aplicirane delove. Jedan je fragmentovan, dok drugi ima
oblik stilizovane ptije glave (?). Povrina je dosta
erodirala, ali se uoavaju tanke, paralelne kose linije,
rasporeene u poljima koja se meusobno ukrtaju. Amulet vertikalno perforiran. Na obodu donjeg
otvora proirenja od neke vrste uzice. Od gline sa
primesom sitno tucanog kamena i peska, svetlo-mrke boje, sa premazom oker boje.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 735
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 5,2 cm; irina 7,3 cm; R tela 4,7 cm
Izvedena rekonstrukcija nije zasnovana na pouzdanim podacima. Mogue je da deo koji nedostaje ima
izgled ptijeg repa. Fragment amuleta u obliku ptice/ ornitomorfne posude. Ouvana glava i deo tela.
Na glavi se izdvajaju kljun i uba. Sa jedne strane
glave, od vrha ka osnovi tela urezan kosi plitak leb.
Ulegnue od neke vrste uzice vidljivo je i iza vrata.
Gornji deo tela je fragmentovan, a ostaci ukazuju da
je bio ispupen. Na obodu donjeg otvora perforacije vidljiva ulegnua/ useci od neke vrste uzice. Od
gline izmeane sa peskom, oker boje peenja spolja,
na prelomu crne.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 206
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 3,8 cm; ouvana duina 3,8 cm; irina tela 3,3 cm
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Predmet sa vie krakova, oblika bikonine posude sa niskim cilindrinim vratom. Na gornjem delu
tela krstasto rasporeena etiri kupasta ispupenja.
Telo vertikalno perforirano. Na obodu donjeg otvora vide se useci od neke vrste uzice. Od gline izmeane sa peskom i sitno tucanim kamenom, oker boje
peenja.
Valjkasti predmet sa etiri mala kupasta kraka, krstasto rasporeena na obodu gornje strane. Sredinji
deo vrha fragmentovan i ukazuje da je bio ispupen.
Povrina bogato ukraena duboko urezanim uglastim linijama. Ukraen je i vrh, kao i kraci dok je donja strana bez ukrasa. Telo vertikalno perforirano.
Po obodu donjeg otvora, koji nije centriran, vidljivi
useci od neke vrste uzice. od gline oker boje peenja, izmeane sa peskom i sitno tucanim kamenom.
Delimino nagoreo.
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Amulet u obliku posude sferinog recipijenta sa dugakim cilindrinim vratom. Na jednoj bonoj strani kupasto modelovan krak fragmentovanog vrha.
Druga bona strana je delimino fragmentovana,
pa se ne moe pouzdano utvrditi ta se tu nalazilo. Predmet je vertikalno perforiran, a po obodima
oba otvora jasno se vide duboki useci od neke vrste uzice. Od gline izmeane sa peskom, oker boje
peenja.
Fragmentovani predmet izradjen od dobro preiene gline, oker boje peenja. Ouvan deo stubastog tela na kojem su, na polovini ukupne visine, horizontalno postavljeni patrljci epastog oblika. Vrh
tela zaravnjen a ivica nepravilno oblikovana. Usled
erodiranosti nije mogue preciznije deinisati oblik.
Sa jedne strane valjkastog vrha, vide se vertikalno
urezana dva paralelna plitka leba, a po jedan takav
leb vidi se i na ostalim stranama vrha. Telo sa jedne strane u potpunosti zaravnjeno, dok se sa druge
strane vide naznake ispupenosti. Izvrena rekonstrukcija od gipsa ograniava mogunost preciznijeg opisa. Predmet vertikalno perforiran, a otvor ima
ovalni oblik.
uslovi nalaza: Sluajan nalaz Milekera; stari inv. br.130
publikacija: Nepublikovano
dimenzije: visina 3,8 cm/ raspon krakova 4,6 cm/ R tela 2 cm/ R otvora 0,5 cm
Predmet izradjen od gline dobre fakture sa primesom peska. Oker boje peenja spolja, na prelomu
sive, premaz crvenom bojom. Telo valjkasto, na jednom kraju se rava u etiri kraka. Kod korena ouvanih krakova vide se plitko urezani uski lebovi.
Izmedju krakova nalazi se otvor vertikalne perforacije, kod ijeg je oboda popreno urezan jo jedan
krai leb. Oko otvora perforacije useci od neke vrste uzice.
uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine
publikacija: Nepublikovano
dimenzije: visina 6,7 cm/ visina tela 4,9 cm/ R osnove 3,2 cm/ R otvora 6 cm/ raspon krakova 4,9 cm
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estokraki predmet izradjen od gline sa dosta peska. Crvenkasto-sive boje, delimino nagoreo. Kraci
su krstasto rasporedjeni - etiri u istoj ravni, dva popreko. Ouvani kraci su nejednake duine. Predmet
je perforiran dijagonalno u odnosu na pravac prostiranja krakova.
uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine.
publikacija: Nepublikovano
dimenzije: Ouvane visine: 4,9/4,2/4,1 cm R centra = 2,8 cm
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Amulet nepravilnog loptastog tela. Na dve naspramne strane nalaze se plastine aplikacije, koje su
sada veim delom fragmentovane tako da se ne
moe pouzdano rei kakvog su bile oblika.Vrh je
takoe fragmentovan. Telo vertikalno perforirano,
a na donjem obodu otvora jasno se vide useci od
neke vrste uzice. Crne boje peenja, spolja oker. Od
gline sa primesom peska.
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uslovi nalaza: Sluajan nalaz prilikom kontrole zemljanih radova; prema obeleavanju DTD kanala na 27 km i 950 m
publikacija: Nepublikovano
dimenzije: visina 4,5 cm; R osnove 3 cm; promer krakova 6,3 cm
uslovi nalaza: Sluajan nalaz F.Milekera bez bliih podataka; stari inv. br. 137
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: dimenzije: visina 5,6 cm; R osnove 2,8 cm; promer krakova 7 cm
Amulet u obliku stojee ljudske igure sa horizontalno postavljenim patrljcima. Glava predstavljena kao
kod igurina, krunog oblika lica okrenutog ka gore.
Premda je gornja povrina erodirala, vide se ostaci plastino modelovanog nosa. Na suprotnoj strani od nosa otvor vertikalne perforacije, koja ide kroz
itavo telo. Cela povrina ukraena duboko urezanim uglastim linijama. Na obodima oba otvora vidljivi useci od neke vrste uzice. Od gline izmeane sa
sitno tucanim kamenom, oker boje peenja, na prelomu crne.
uslovi nalaza: Nepoznati uslovi nalaza
publikacija: Nepublikovano
dimenzije: visina 6,3 cm; promer osnove 2,2 x 2,7 cm
Amulet u obliku ljudske stojee igure sa horizontalno postavljenim patrljcima. Glava sa koso zaravnjenim temenom, trougaonog oblika lica.Na licu se
istie plastino modelovan nos. Na jednom patrljku,
kao i oko osnove ima tragova crvenkaste boje. Ne
moe se pouzdano rei da li to predstavlja tragove
nekadanjeg premaza. Od gline sa primesom sitno
tucanog kamena, oker boje peenja.
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Amulet u obliku stojee ljudske igure. Na vrhu bonih strana koso postavljeni kraci ili patrljci, kupastog
oblika. Izmeu patrljaka, u sredinjem delu vrha
amuleta nalazi se jo jedan krak ili glava, veeg promera od bonih. Kroz nju i celom visinom tela napravljena je vertikalna perforacija, malog prenika.
Pored ove perforacije, na zadnjem delu tela koje je
za razliku od prednjeg - zaravnjeno, nalazi se jo jedna. Jedan otvor te perforacije izlazi na rubu glave
bliem zadnjoj strani, dok je drugi otvor perforacije
pri dnu zadnje strane, blizu osnove. Amulet bio premazan tankom crvenom prevlakom. Od gline izmeane sa peskom, oker boje peenja spolja, na prelomu crne.
uslovi nalaza: Sluajan nalaz R. Raajskog kontrolom kinete na kanalu DTD 1947. god.
publikacija: Nepublikovano
dimenzije: visina 6,3 cm; R osnove 3,5 cm
uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine.
publikacija: Nepublikovano
dimenzije: Ouvane visine: 3,8/3,2/3,3 cm razmak izmedju dva susedna kraka 3,6 cm R kraka pri vrhu 0,8 cm
Petokraki predmet, ouvan u celosti. Izradjen od gline ine fakture sa neznatnom primesom peska. Oker
boje peenja. Telo sferino, a na njega aplicirano pet
krakova. etiri kraka krstasto rasporedjena, s tim to
su dva naspramna blago zakoena na dole, a druga
dva naspramna postavljena neto vie i nalaze se u
potpuno horizontalnom poloaju. Peti postavljen
vertikalno u odnosu na njih i kroz njega napravljena perforacija.
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uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine.
publikacija: Nepublikovano
dimenzije: visina 6 cm/ visina tela 4,6 cm/ promer osnove 2,4 x 2,7 cm/ R otvora 0,4 cm
uslovi nalaza: Sluajni nalaz kontrolom zemjanih radova na izgradnji kanala DTD, 1957. godine.
publikacija: Nepublikovano
dimenzije: visina 7,4 cm; promer osnove 2,7 x 2,5 cm; R otvora 0,6 cm
uslovi nalaza: Sluajan nalaz F.Milekera, bez bliih podataka; stari inv. br. 136
publikacija: Nepublikovano
dimenzije: visina 8,2 cm; R osnove 3,6 cm; R gornjeg kraka 2,8 cm; promer krakova 8,8 cm
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Predmet nepravilnog jajastog oblika. Po itavoj povrini tela aplicirani niski roasti kraci. Najvei broj
njih je fragmentovan. itavom visinom tela napravljena vertikalna perforacija. Od gline sa primesom
krupnije tucanog kamena, oker-narandaste boje
spolja, na prelomu crne.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka, stari inv. br. 390
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 6,4 cm; promer preseka 4,6 x 5 cm
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Amulet u obliku stojee ljudske igure sa horizontalno postavljenim patrljcima. Na gornjem kraju amuleta, u sredinjem delu ostaci fragmentovanog treeg kraka, tj. glave, veeg obima nego patrljci. Kroz
glavu i itavom visinom tela napravljena vertikalna
perforacija. Na obodu donjeg otvora vidljivi useci od
neke vrste uzice. Od gline sa krupnije tucanim kamenom, oker boje peenja spolja. Povrina prilino
erodirana.
Fragmentovani dvokraki amulet izradjen od gline grube fakture izmeane sa sitno tucanim kamenom. Tamno sive boje -goreo. Povrina je bila glaana. Trougaonog oblika sa zaravnjenim vrhovima
krakova. Jedan krak fragmentovan. U korenu drugog, sa unutranje strane urezana linija koja se prostire ka boku tela. Pri osnovi jedne ire strane jedva
vidljive tri kose, paralelno urezane linije. Takodje se
na vrhu kraka vide radijalno urezane linije, od koji
se jedna protee sa spoljne strane kraka ka sredinoj osni tela. Telo je po vertikalni perforirano izmedju krakova.
uslovi nalaza: Sluajan nalaz F. Milekera; stari inv. br. 354
publikacija: Nepublikovano
dimenzije: visina 7,6 cm / visina tela 5,4 cm / promer osnove 3,1 x 2,8 cm / debljina tela 2,8 cm
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publikacija: Nepublikovano
dimenzije: visina 5,6 cm; irina 4,2 x 2,8 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 333
publikacija: Nepublikovano
dimenzije: visina 6,1 cm; promer tela 3,7 x 2,6 cm
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Fragment trokrakog amuleta. Ouvana vertikalna polovina loptastog tela, krune osnove. Na vrhu
bone strane ostatak fragmentovanog kraka, krunog preseka. Jedan krak nalazio se i na vrhu gornje
strane. Na prelomu vidljiv leb od vertikalne perforacije, koji se pod uglom sputa od vrha ka osnovi.
Perforacija je napravljena i ispod gornjeg kraka, spajajui se sa vertikalnim lebom blie osnovi. Jedna
vrlo uska perforacija (1mm) napravljena je od osnove ka sredini vertikalnog leba. Na telu se vide urezani lebovi koji idu od osnove preko ramena kraka,
kao i od osnove ka bonom kraku. Od gline izmeane sa sitnim peskom, narandasto - oker boje peenja, na prelomu tamno sive.
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publikacija: Nepublikovano
dimenzije: visina 3,6 cm; promer preseka 3,3 x 1,6 cm
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Fragment amuleta, izraen od gline sa primesom sitno tucanog kamena i inog peska. Ouvan je jedan
vertikalni deo sa kratkim, kupasto modelovanim
krakom na vrhu bone strane. Telo se ka osnovi iri.
Na prelomu vidljiv trag vertikalne perforacije. itava
povrina veoma erodirana. Oker boje peenja
Fragmentovani, najverovatnije dvokraki amulet izraen od gline sa primesom peska. Oker boje peenja. Kruna osnova, telo stubasto sa ispupenim donjim delom. Na vrhu ouvane strane, ostatak od fragmentovanog kraka krunog preseka. Pored njega
jedan dublji leb. U sredini napravljena vertikalna
perforacija.
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Fragment dna i dela valjkastog tela, najverovatnije dvokrakog amuleta. Izraen od gline sa primesom krupnijeg peska, oker boje peenja spolja, na
prelomu mrke. Na prelomu se vidi leb vertikalne
perforacije.
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Predmet bikoninog oblika, koji je na prelomu konusa imao apliciran deo krunog preseka, kako se
moe zakljuiti na osnovu ostataka. Celom visinom
predmet je perforiran. Izraen od gline izmeane sa
peskom i krupnije tucanim kamenom. Oker boje peenja spolja.
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Predmet bikoninog oblika, pri emu je jedna strana po duini/visini zaravnjena. Spoj konusa je izrazito naglaen i dobija oblika rebrastog ispupenja.
Celom visinom predmet je perforiran, krunim otvorom veeg prenika (1 cm). Izraen od gline sa primesom peska, svetlo oker boje.
Fragment masivnog amuleta, najverovatnije u obliku ptice. Postojea rekonstrukcija napravljena kao
identina kopija ouvane polovine, mada je verovatnije da je deo koji nedostaje imao stilizovanu ptiju
glavu. Na to upuuje i ornamentika izvedena paralelnim, lunim linijama, koje asociraju na ptije perje
i skupljena krila. Ouvani deo je lunulastog oblika,
sa ovalnim i blago ispupenim dnom i zaravnjenom
gornjom povrinom (leima). Amulet vertikalno
perforiran kroz sredinji deo tela. Izraen od gline
izmeane sa peskom, oker boje peenja.
uslovi nalaza: Sluajan nalaz F. Milekera, bez bliih podataka
publikacija: Nepublikovano
dimenzije: visina 4,7 cm; promer tela 5,2 x 8,2 cm
Amulet jeziastog oblika masivnog tela. Gornja ivica tela horizontalna, donja polukruna. Amulet horizontalno perforiran neposredno ispod gornje ivice. Na otvorima se vide useci od neke vrste uzice. Na
samim krajevima gornje ivice, povrina je neto svetlija i premda je uglaana (to bi ukazivalo da je do
preloma dolo davno), mogue je da su na tim mestim prvobitno bila neka roasta ispupenja. U tom
sluaju amulet bi imao oblik bukraniona. Izraen od
gline sa primesom peska, oker boje peenja.
uslovi nalaza: Sluajan nalaz F. Milekera, bez bliih podataka; stari inv. br. 393
publikacija: Nepublikovano
dimenzije: duina 5,9 cm; visina 3,4 cm; promer tela 3,5 x 3 cm
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uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; Milekerov broj neitak
publikacija: Nepublikovano
dimenzije: duina 6,8 cm; visina 4,4 cm; irina 5 cm
Fragmentovani amulet ptijih karakteristika. Telo nisko, ovalnog horizontalnog preseka. Na uim krajevima ostaci fragmentovanog repa i glave. Jedan kraj
je bio vertikalno postavljen, krunog preseka, dok je
drugi fragmentovani deo elipsoidnog preseka. Telo
na bonim stranama ukraeno duboko urezanim
lunim, paralelnim linijama. Telo vertikalno perforirano. Oker boje peenja. Izraen od gline sa primesom peska.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 407
publikacija: Nepublikovano
dimenzije: duina 4,9 cm; promer tela 3,3 x 3,4 cm
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Masivni amulet u obliku ptice. Ovalnog horizontalnog preseka, sa ravnom osnovom. Na ouvanom
uem kraju tela, modelovan rep u vidu bradaviastog ispupenja. Na suprotnoj strani kraj je fragmentovan. Najverovatnije je bila predstavljena stilizovana glava ptice. Telo vertikalno probueno. Izraen
od gline sa primesom peska, oker boje peenja spolja, na prelomu crne.
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uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 375
publikacija: Nepublikovano
dimenzije: visina (sa rekonstruisanim delom) 7 cm; irina tela 4,4 cm; duina tela 6,3 cm
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dimenzije: visina 3,1 cm; promer tela 1,7 x 1,1 cm
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Fragment dvokrakog amuleta minijaturnih dimenzija. Ouvana vertikalna polovina stubastog tela i jedan koso postavlje dui krak, oblikovan u vidu protoma. Na prelomu se vidi leb vertikalne perforacije. Izraen od gline sa primesom peska, oker boje
peenja.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 340
publikacija: Nepublikovano
dimenzije: visina 5,2 cm; R tela 3 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 237
publikacija: Nepublikovano
dimenzije: visina 5,8 cm; promer tela 5,2 x 4,7 cm
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kat. br.
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uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 234
publikacija: Nepublikovano
dimenzije: visina 5,6 cm; R osnove 3 cm; promer tela 4,9 x 4,5 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 236
publikacija: Nepublikovano
dimenzije: visina 4,8 cm; promer tela 4,4 x 3,6 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 356
publikacija: Nepublikovano
dimenzije: 4 x 4,6 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 394
publikacija: Nepublikovano
dimenzije: duina 6,1 cm; visina 4,2 cm; irina 4,2 cm
181
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393
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394
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395
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kat. br.
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182
Fragment predmeta, sudei po ouvanom delu etvorougaonog oblika, nejednakih strana. Bone
strane gotovo vertikalne, gornja i donja povrina
zaravnjene. Ouvan jedan ugao na ijoj se gornjoj
strani nalazi osnova fragmentovanog dela, elipsoidnog oblika. Ukraen paralelno urezanim lunim i
uglastim linijama. Na prelomu se vidi leb vertikalne perforacije. Izraen od gline sa primesom peska,
oker boje peenja spolja, na prelomu crne.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 465
publikacija: Nepublikovano
dimenzije: 5,3 x 4,6 cm; debljina 5,1 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 231
publikacija: Nepublikovano
dimenzije: 2,4 x 3,6 x 3,2 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 318
publikacija: Nepublikovano
dimenzije: duina 5,8 cm; promer tela 3,1 x 4,1 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 395
publikacija: Nepublikovano
dimenzije: 3,8 x 3,8 x 3,8 cm
396
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397
inv. br.
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313
398
inv. br.
KREMENJAK
kat. br.
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399
inv. br.
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kat. br.
315
kat. br.
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Fragment vertikalne polovine amulet u obliku ptice. Izraen od gline sa primesom peska, oker boje
peenja spolja, na prelomu crne. Na prelomu se vidi
otvor vertikalne perforacije koja je ila kroz sredinu
tela. Amulet je masivnog jajastog tela sa malim repom modelovanim u vidu bradaviastog ispupenja. Glava je fragmentovana i sada se vidi samo kruni presek osnove vrata postavljenog koso na gornjoj
ivice. Povrina ukraena paralelno urezanim lunim
linijama, erodirana.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 236
publikacija: Nepublikovano
dimenzije: duina 7,5 cm; visina 5,5 cm; irina 4 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 28869
publikacija: Nepublikovano
dimenzije: 4,5 x 2,8 x 3,5 cm
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 358
publikacija: Nepublikovano
dimenzije: 3,8 x 3 x 2,8 cm
183
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401
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402
inv. br.
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kat. br.
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kat. br.
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184
Fragment dela vertikalne polovine dvokrakog amuleta izradjenog od gline srednje fakture sa primesom sitnog peska. Spolja crvenkaste boje peenja,
na prelomu crne. Telo je imalo ovalnu osnovu od
koje se postepeno iri na bonim stranam i zavrava kratkim krakom u vidu ivotinjskgo protoma.
Povrina tela ukraena meandrom i lunim linijama. Na prelomu se vidi perforacija napravljena pod
uglom - gornji otvor blii jednoj iroj strani, dok se
donji otvor nalazi u centru osnove.
403
inv. br.
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kat. br.
319
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 360
publikacija: Nepublikovano
dimenzije: asas
404
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Catalogue
405
inv. br.
KREMENJAK
kat. br.
321
publikacija: Nepublikovano
dimenzije: visina 4 cm; prenik 2,7 cm
Mali amulet kupastog oblika. Pri vrhu, koji je spljoten i horizontalno perforiran, aplicirana su tri bradaviasta ukrasa nejednakih dimenzija. Izraen od
gline sa vrlo malo peska, oker boje povrine.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 177
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 3,5 cm; R osnove 1,8 cm
inv. br.
860
kat. br.
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KREMENJAK
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778
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kat. br.
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uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 143
publikacija: Nepublikovano
dimenzije: visina 8,1 cm; R osnove 3,5 cm
185
1652
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Vina Amulets
1653
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kat. br.
325
1655
inv. br.
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kat. br.
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Ornitomorfni amulet izraen od gline sa dosta peska, crvenkasto oker boje povrine, crne boje na prelomu. Telo ovalnog
horizontalnog preseka, zaravnjene donje i gornje - lene
povrine. Na jednom kraju formiran mali kupasto modelovan
rep, dok se nasuprotn njemu nalazi krati vrat ptice sa sumarno modelovanom glavom. Na ramenima dva mala bradaviasta ispupenja. Telo vertikalno perforirano po sredinjoj
osi odmah iza vrata. Od gornjeg otvora, koso prema vratu,
prostiru se dva leba, nastala od neke vrste uzice. Proirenje
oboda otvora primetno je i na strani ka repu. Donji otvor takoe ima vrlo primetna udubljenja po obodu. Jedan bok ptice oteen.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 65779
publikacija: F. Milleker, Vorgeschichte des Banats, Starinar XIII, Beograd 1938;
dimenzije: visina 5,8 cm; duina 7,4 cm; irina 4,4 cm
Amulet u obliku ptice izraen od gline sa dosta peska, crvenkaste boje peenja. Telo lunulasto, na jednom kraju stanjeno u vidu
repa, dok je na suprotnom kraju plastino modelovana glava ptice. Istie se mali kljun i roasto ispupenje iznad. Glava delimino
oteena. Telo perforirano, sa otvorom napravljenim neposredno iza vrata. Na obodu oba otvora vidljivi useci od neke vrste uzice. Rep fragmentovan i rekonstruisan.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 377
kat. br.
327
1656
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Amulet u obliku ptice ouvan u celosti. Telo unastog oblika sa zaravnjenim dnom, ali i leima ptice. Rep kupasto modelovan, dok je na drugom
koso postavljen krai valjkasti vrat, koji se zavrava malom ptijom glavom. Na glavi se istie kljun, i blago rebrasto ispupenje po sredini temena. Na zaravnjenim leima ptice, blie vratu napravljen je kruni otvor.
Gornji otvor je nepravilnog krunog oblika, sa neznatnim proirenjima
ka bonim stranama tela ptice. Povrina amuleta je zaglaana, sa neznatnim oteenjem na jednom bolu starijeg porekla tako da su povrine
oteenja glatke. Boja peenja oker, sa tamnim tragovima od gorenja na
jednoj bonoj strani i delu dna.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 63780
kat. br.
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186
1657
inv. br.
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Catalogue
Amulet u obliku ptice izraen od gline sa primesom peska, narandaste boje spoljne povrine, na prelomu crne. Telo je ovalnog horizontalnog preseka, visokih, vertikalnih bonih strana i zaravnjene
gornje i donje povrine. Na uoj strani gornje ivice nalazi se visoki,
koso postavljen vrat elipsoidnog preseka. Glava je fragmentovana.
itava povrina tela, osim donje povrine, ukraena je urezanim motivom uglastog meandra. Telo perforirano sa gornjim otvorom iza
vrata, dok je donji otvor u osnovi, u ravni sa spoljnom povrinom
vrata.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 65778
1658
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kat. br.
329
1758
inv. br.
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kat. br.
330
9506
inv. br.
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kat. br.
331
kat. br.
332
Predmet sa vie krakova. Na krukolikom telu, ravne, ovalne osnove, aplicirani kraci. Kroz centar tela,
celom visinom napravljena perforacija. Oko otvora
uoljiva proirenja i lebovi, nejverovatnije od neke
vrste uzice. Kraci su formirani u dva niza. Prvi se nalazi neposredno uz gornji otvor, oko kojeg su pravilno
rasporeena tri kratka, valjkasto modelovana kraka,
zaravnjenog vrha. Ispod njih, na otprilike polovini visine predmeta, napravljen je drugi niz od pet krakova. Donji deo tela nema krakove. Crvenkasto - oker
boje povrine, na prelomu crne. Od gline sa primesom peska.
uslovi nalaza: Zatitna iskopavanja 1957. Sonda IV, 4.o.s.
publikacija: Nepublikovano
dimenzije: Promer osnove 2,9 x 3,2 cm; visina 6,3 cm; promer krakova na sredini tela 6,3 cm
Dvokraki amulet valjkastog tela sa dva kratka kraka u obliku ivotinjskih protoma. Vrh jednog kraka
fragmentovan. Telo perforirano kroz sredinu. Oba
otvora perforacije imaju izrazita proirenja - lebove, nastale od neke vrste uzice. lebovi su uoljivi i
na unutranjim stranama korena krakova. Kod ouvanog kraka, taj leb se dalje koso sputa preko tela
i poklapa se sa lebom na donjem otvoru, ukazujui
na nain na koji je uzica bila obmotana oko amuleta.
Na povrini jedva vidljivi tragovi tamnocrvene boje,
za koje se ne moe pouzdano rei da li predstavljaju
ostatke premaza. Boja peenja oker,a na jednoj strani ouvanog kraka vide se crni tragovi od gorenja.
Dobre fakture.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 214
publikacija: Nepublikovano
dimenzije: visina: 6,9 cm; R osnove: 4,5 cm; R otvora: 0,6 cm
187
9507
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9508
inv. br.
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333
9509
inv. br.
KREMENJAK
kat. br.
334
9512
inv. br.
KREMENJAK
kat. br.
335
kat. br.
336
188
Mali dvokraki amulet izradjen od gline srednje fakture sa primesom sitno tucanog kamena. Oker-sive
boje peenja, priglaane povrine. Telo se od osnove
ovalnog preseka iri bono i zavrava sa dva kratka
kraka, iji su vrhovi fragmentovani. Gledano iz proila, jedna strana tela je zaravnjena, druga (prednja)
blago ispupena. Telo perforirano izmedju krakova,
sa gornjim otvorom blie rubu jedne ire strane, dok
se donji otvor nalazi u sreditu osnove. Otvor je veoma mali, pravilnog krunog oblika. Na donjem otvoru, pod pravim uglom u odnosu na obod otvora,
urezan kratak leb.
uslovi nalaza: Sluajan nalaz
publikacija: Nepublikovano
dimenzije: visina 3,6 cm; Promer osnove 2 x 1,3 cm
Fragmentovan estokraki predmet izradjen od gline dobre fakture sa primesom sasvim sitnog peska. Oker boje peenja, na prelomu crne. Tri kraka
fragmentovana. Sudei po ostacima preloma, kraci su bili krstasto rasporedjeni etiri u istoj ravni,
dva popreko. Modelovani valjkasto sa zaravnjenim
vrhom. Predmet je perforiran dijagonalno u odnosu na pravac prostiranja krakova. Na prelomu vidljiv
leb perforacije.
9513
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Catalogue
9501
inv. br.
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kat. br.
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9502
inv. br.
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9503
inv. br.
STARO SELO
kat. br.
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kat. br.
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Amulet/perla, bikoninog oblika izraena od gline sa malom primesom peska, oker boje peenja.
Svaki konus izdeljen je na est povrina, dok je spoj
dva konusa istaknut u vidu rebrastog ispupenja.
Predmet je na jednoj od tih est strana potpuno zaravnjen, ali se ne moe utvrditi da li je to posledica nekadanjeg oteenja koje je sad potpuno uglaano, ili je ta ravna povrina napravljena namerno.
Celom duinom predmet je vertikalno perforiran sa
polukrunim udubljenjima po obodu oba otvora.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 4870
publikacija: Nepublikovano
dimenzije: asas
Fragment dvokrakog amuleta izraen od gline izmeane sa malo peska. Oker boje peenja. Ouvana
jedan uzduna polovina tela. Na vrhu bone strane,
ouvan koso postavljen, kratak, kupasto modelovan
krak. Na prelomu se vidi ljeb od vertikalne perforacije, koji je napravljen pod uglom, tako da je donji otvor blii suprotnoj strani od gornjeg. Gledano
iz proila, jedna strana (zadnja) amuleta zaravnjena, druga neznatno ispupena. Premda je povrina
oteena, uoljivo je ornamentisanje urezivanjem.
Tri plitka vertikalna ureza, koji idu oko ouvanog
kraka, sputaju se do osnove i povezani su da donjim otvorom.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 4872
publikacija: Nepublikovano
dimenzije: visina 5,1cm; ouvani promer tela 2,9 x 2,3 cm
Fragment dvokrakog amuleta izraen od gline izmeane sa dosta sitno tucanog kamena. Crvenkasto
oker boje. Ouvani deo tela ukazuje na ovalni presek, dok je ouvani krak koso postavljen na vrhu
bone strane. Krak je kratak, kupasto modelovan. Na
prelomu vidljiv vertikalni ljeb perforacije.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 4871
publikacija: Nepublikovano
dimenzije: ouvane dimenzije 4,5 x 4,3 cm
189
9518
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104
inv. br.
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kat. br.
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9520
inv. br.
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kat. br.
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kat. br.
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190
Fragmentovani estokraki predmet izradjen od gline srednje fakture. Crvenkasto oker boje. U celosti
ouvan samo jedan krak, izduenog valjkastog oblika. Vrh zaobljen. Prelom ukazuje da su etiri kraka
bili krstasto rasporedjeni u istoj ravni, po sredini visine predmeta, dok su druga dva kraka zapravo inila osovinu predmeta. Predmet je perforiran dijagonalno, izmeu krakova. Perforacija je kruna, malog
prenika. Na telu vidljivi plitki lebovi, najverovatnije od neke vrste uzice.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 4986
publikacija: Nepublikovano
dimenzije: Duina ouvanog kraka 1,7 cm; R = 0,7cm; ouvane dimenzije predmeta 3,5 x 1,8 cm
Fragmentovani amulet, najverovatnije u obliku ljudske igure. Od gline izmeane sa peskom, narandaste boje peenja. Na bonim stranama horizontalno
postaljveni patrljci. Jedan krak je odlomljen u korenu, dok je drugom kraku fragmentovan vrh. Na samom vrhu, po sredini ouvan deo treeg kraka, odnosno najverovatnije vrata ili glave ljudske predstave. Na prelomu vidljiv iroki kanal od veritaklne perforacije. Otvor u osnovi je velikog prenika, a obod
oteen udubljenjima. Po telu, prostirui se koso od
korena vrata do osnove, i od osnove do korena jednog kraka, vidljiv ljeb. Povrina amuleta prilino
erodirana, sa nizom manjim oteenja.
uslovi nalaza: Sluajan nalaz F. Milekera bez bliih podataka; stari inv. br. 5009
publikacija: Nepublikovano
dimenzije: visina 4,1 cm; R osnove 2 cm; R otvora 0,7 cm
EDITIONES CONCORDIAE
volume I
CIP -
,
903634(497.113 )
903.4634(497.113 )
PANTOVI, Ivana, 1963Vina Amulets-Southeast Banat / Ivana Pantovi ; [ilustrations
Ivana Pantovi ; fotographs Ivana Pantovi ; translation Marin
Marko]. - Vrac : Gradski muzej, 2013 (Vrac : Tuli). - 190 str. :
ilustr. ; 30 cm
Tira 150. - Str. 6: A Review / Duan Mihailovi. - List of
Abbreviations: str. 80. - Bibliograija: str. 75-80.
ISBN 978-86-83911-54-7
a) - -
b) c) -
COBISS.SR-ID 203560460
ISBN 978-86-83911-54-7