Академический Документы
Профессиональный Документы
Культура Документы
ГО С У Д А Р С Т В Е Н Н О Е О БРА ЗО В А Т Е Л ЬН О Е У ЧРЕЖ Д ЕН И Е
В Ы С Ш Е Г О П РО Ф Е С СИ О Н А Л ЬН О ГО О БРА ЗО В А Н И Я
“С А М А Р С К И Й ГО СУ Д А РС Т В Е Н Н Ы Й У Н И В ЕРС И ТЕТ”
S IT U A T IO N A L D IA L O G U E S
B U S IN E S S E N G L IS H : L IS T E N IN G & S P E A K IN G
С ам ара
И здательство « С ам арский университет»
2007
У Д К 2/3 (20)
Б БК 81/2 А нгл.
Г687
Горелова А.В.
Г 687 Situational Dialogues Business E nglish: Listening & S peaking: учебное
пособие / А.В. Горелова, Н.Ю. Бочкарева, Н.В. Ильичева; Федеральное агентство
по образованию. - Самара: Изд-во «Самарский университет», 2007. - 144 с.
У Д К 2/3 (20)
Б Б К 81/2 Англ.
S even s e c re ts fo r th o se w h o le a r n E n g lish 4
I. R e s u m e s a n d in t e r v ie w s
1.1 F in d in g a jo b 9
1.2 Em ploym ent 11
1.3 R ecruitm ent 15
II. B u s in e s s visits
2.1 M ak in g a n appointm ent 19
2.2 V isitors 22
2.3 M aking e x cuses 25
2.4 B oo k in g and arrangem ents 26
2.5 T rav elin g can b e hard w ork 28
2.6 H o w d o y o u cope? 30
2 .7 P ro b le m so lv in g 32
III. T e le p h o n i n g
3.1 T elephone in b usiness 34
3.2 L eaving a n d tak in g m essages 35
IV . O rg a n iz a tio n s
4.1 C o m p an y structure 37
4 .2 G row th a n d developm ent 41
4.3 R eporting o n p rogress 43
4 .4 T he sm all business 45
4 .5 B rands 48
V. H o w t o s u c c e e d in b u s in e s s
5.1 M an ag em en t styles 50
5 .2 T im e m anag em en t problem s 53
5.3 C om paring o ptions 54
5 .4 In novation & p resentation 56
5.5 E thics 60
5.6 Strategy 62
5.7 L eadership 67
5.8 C om petition 69
V I. B u s in e s s m a t t e rs
6.1 A dvertising a nd m arketing 71
6.2 B anking 73
6.3 A dvertisem ents 77
6.4 Presentations 79
6.5 T rade 83
6.6 D escrib in g trends 86
6 .7 G lobalization 89
6 .8 Insurance 92
T a p e sc rip ts 97
R e fe re n c e L ist 141
з
S e v e n s e c r e ts f o r th o s e w h o le a r n E n g lis h
1. L e a rn a b o u t W o r d S tress.
W h a t is W o rd S tre s s ?
Что же такое словесное ударение? Возьмём, например, три слова: photograph (фотогра
фировать), photographer (фотограф) и photographic (фотографический). Звучат ли они
одинаково в речи? Нет! Они звучат по-разному, потому что один из слогов, в каждом
слове, "ударяется" сильнее:
Эго относится ко всем словам, в которых 2 или более слогов: TEACHer (учитель), JaPAN
(Япония), СНШа (Китай), aBOVE (над), converSATION (диалог, беседа), INteresting (инте
ресно), imPORtant (важно), deMAND (требовать), etCETera (и так далее).
The syllables that are not stressed are 'w eak' or 'small' o r 'quiet'. Native speakers o f
English listen for the stressed syllables, n o t the w eak syllables. I f you use W ord
Stress in your speech, y ou w ill instantly and automatically im prove your pronuncia
tion and your comprehension.
4
вы будете использовать словесное ударение в речи, ваше произношение и понимание
языка будут постоянно автоматически улучшаться.
2. S e n te n c e S tre ss
D o w e say ev ery w ord w ith the sam e stress o r force? N o! W e m ake the im portant
w ords b ig a n d the unim portant w ords sm all. W hat are the im portant w ords in this
sentence? Y es, you're right: W A N T an d GO.
W e W A N T to GO.
W e W A N T to G O to W O RK .
W e d o n ’t W A N T to G O to W O RK .
W e d on’t W A N T to G O to W O R K a t N IG H T.
It's im possible to explain everything about Sentence Stress right now . The im
portant thing fo r y o u is th a t y o u k n o w i t exists a nd try to lea m about it. Sentence
Stress is v ery im portant!
В этой статье невозможно рассказать всё о фразовом ударении. Главное, что вы знаете
о том, что оно существует и пытаетесь научиться его ставить. Фразовое ударение имеет
очень существенное значение.
5
3. L isten! L isten ! L isten!
Students som etim es say: 'I d o n 't listen to the B B C new s o n the radio because it's
too fast for m e a n d I c a n 't u n derstand it.' T hat's a pity! W hen it’s too fast for you,
w hen y ou can't u nderstan d it, th at is exactly w hen y o u N E E D to listen to it!!!
Когда вы были младенцем, разве вы понимали свой родной язык? Когда вам было 3 не
дели, или 2 месяца, или 1 год, разве вы всё понимали? Конечно, нет! Но вы учились по
нимать, слушая. Задумайтесь над этим. Вы научились понимать родной язык, слушая
24 часа в сутки, 7 дней в неделю. После этого вы научились говорить. Потом, вы нау
чились читать. А потом, вы научились писать. Но сначала, вы слушали!
4. D o n 't L isten!
Just before w e said Listen! Listen! Listen! N o w w e say D on't Listen! W hat do
w e m ean?
D o you know the difference betw een the verbs T O L ISTEN and T O HEAR? TO
LISTEN is active. T O H EA R is passive. Sometimes you can LISTEN too hard.
Sometimes you can T R Y too hard. Sometimes it is better only to H E A R L et the ra
dio play. Let the cassette play. But DON'T listen. Just H E A R Y our subconscious
w ill listen fo r you. A n d you will still leam. I f you listen and try to understand, you
m ay block on one w ord and get frustrated. Don't worry! Just HEAR! Believe me,
you will still b e learning. T he important thing is to let the radio o r cassette o r televi
sion or record PLA Y . L et it play. A nd you - you do nothing. Y our brain w ill HEAR,
your subconscious w ill LISTEN and you w ill LEARN!
6
Знаете ли вы разницу между глаголами "Слушать" и "Слышать"? Слушать это - актив
ное действие, а слышать - пассивное. Бывает так, что вы слишком напряженно слушае
те. Иногда достаточно просто слышать, не вслушиваясь. Пусть будет включено радио,
пусть играет кассета. Не вслушивайтесь, просто слушайте. Ваше подсознание будет
вслушиваться за вас, и вы, всё равно, будете учиться. Стараясь вслушиваться и всё по
нять, вы можете застопориться на одном слове, и только понапрасну расстроитесь. Не
волнуйтесь! Просто слушайте! Поверьте, вы всё равно будете учиться. Главное - вклю
чить радио, кассету или телевизор. Пусть играет. А вы - вы ничего не делайте. Ваш
мозг будет слышать, подсознание - слушать, а вы будете учиться!
5. Im p ro v e Y o u r V o c a b u la ry w ith 5 W o rd s a D ay
V ocabulary is easy! H ow m a n y days in a year are there? 365, norm ally (on
Earth).
5. Пополняйте ваш словарный запас на 5 слов в день. Пополнять словарный запас лег
ко! Сколько в году дней? Обычно, 365 (на Земле).
I f you learn only 5 n ew w ords a day, you w ill learn 5 x 365 = 1,825 n ew w ords in a
year. O N E T H O U SA N D , EIG H T HU N D RED AN D TW ENTY-FIVE W ORDS.
That is a lot o f n e w words. A nd w e are not counting all the other words you will
learn in other w ays - reading, conversation etc. Buy a notebook a nd write in 5 new
words E A C H day, E V ERY day. Learn them! Y ou w ill soon have an excellent
vocabulary.
Если вы будете учить всего по 5 новых слов в день, вы выучите 5 х 365 = 1825 новых слов в
год. Тысяча восемьсот двадцать пять новых слов. Эго очень много. И мы не считаем других
слов, которые вы выучите читая, разговаривая и тд. Купите блокнот, и записывайте в него по
пять слов в день, ежедневно. Заучивайте их! Скоро у вас будет отличный словарный запас.
In fact, 3 0 m in u tes o f E nglish study once a d a y is b e tte r than 3,5 hours once a
w eek! Study regularly. S tudy often.
6. 30 минут в день лучше 3,5 часов в неделю. Несомненно, лучше заниматься англий
ским языком 30 минут в день, чем 3,5 часов, один раз в неделю! Занимайтесь постоян
но. Занимайтесь часто. Понемногу, но часто лучше, чем много, но иногда.
It's easier, too. Y o u c a n easily find 30 m inutes each day. H ow ? Y ou can get up
30 m inutes e arlier. O r h a v e a shorter lu n ch b reak. F ix a p articu lar tim e every day
- and ke ep it!
7
К тому же, это легче. Легко можно найти 30 минут в день. Как? Можно встать на пол
часа раньше, или сделать обеденный перерыв короче. Выберите определённое время и
придерживайтесь его!
W hat does "to rev ise" m ean ? It m eans "to look again". Y ou should b e systematic
about this. W hen y o u learn som ething, y o u should note it. Then y ou should look
a t it again, 3 tim es: - a fte r 1 day- after 1 w eek- after 1 month
Что значит "Повторять"? Это значит "Снова просматривать". Это необходимо проделы
вать систематически. Выучив что-то, запишите это. Затем просмотрите это ещё 3 раза:
через день, через неделю, через месяц.
Each tim e y o u rev ise, te st yourself. Learn, rev ise, test. R evise, test.
G ood luck!
Удачи!
Усло в н ы е о бозначения
L istening
№
Speaking
*
Reading
Ш
W riting
es
7 D iscussion
1.1. F IN D IN G A J O B
4 A C an y o u f ix m e u p w ith a p art-tim e jo b ?
В A nything in p articu lar th at appeals to you?
9
A I w as rath er hoping to find som ething in a school.
В H ave you done that kind o f thing before?
A Y es, I w as d o in g the sam e jo b last summer.
В I m ight be able to h elp you, b u t I'd need references.
In ex. 1- 5 c o m p o se sentences o f o u r ow n.
E x . 1. Exam ple:
There a re no p a rt-tim e vacancies a t the m om ent b u t look back in a m onth.
1) .................... ...............................c a llb a c k ..............
2) full-tim es.....................................................
3) ........................h otel jo b s.........................................
4) tem p o rary ...................................................
5) .............................. positions....................................
10
E x . 4 . E xam ple: S T U D E N T A W hat so rt o f occupation d id y o u ha v e in m ind?
ST U D E N T В I w a s thinking o f so m eth in g in the hotel line.
1 A .............. .job...............?
В ... ...........clean in g.........
2 A ...
В ...
3 A ... .........p o st................?
В ... ....... secretarial.........
4 A ...
В ... ....... restau ran t..........
5 A ..........em ploym ent...... ?
В ...
11
ing life. The sam e is true o f abilities, such as learning languages and handling
num bers.
M ost p eople like to think that personality can change, particularly the
m ore negative features su ch as anxiety, low esteem , im pulsiveness o r a lack o f
emotional w arm th. B u t d ata collected over 50 years giv es a c lear m essage: still
stable after all these years. E xtroverts becom e slig h tly less extroverted; the
acutely shy appear a little less so, b u t the fundam entals rem ain m uch the same.
Personal crises can affect the w ay w e cope w ith things: w e m ig h t take up or
drop drink, drugs, religion o r relaxation techniques, w hich can have pretty dra
m atic effects. Skills c an b e im proved, and n ew o n es introduced, b u t at rath er dif
ferent rates. P eople can b e groom ed fo r a jo b . J u st a s p o liticians are carefully re
packaged through d ress, h airstyle and speech specialists, so people can be sent
on training courses, diplom as o r experim ental w eekends. B u t there is a cost to
all this w hich m ay b e m ore than the p rice o f the course. B etter to select for w hat
you actually see ra th e r than attem pt to change it.
1. D o y o u agree? E x p la in y o u r opinion.
2. Com plete t h e ta b le w ith th e a djectives below. W h at o ther w ords can you
add?
E x 5. D o yo u h a v e a R E S U M E ? I f n o t, co m p o se it a c c o rd in g to th e follow
ing fo rm a t. F o r m o re in fo rm a tio n o n re su m e -w ritin g , see
httD ://e sl.a b o u t.c o m /lib ra rv /h o w to /h tre su m e .h tm
h ttp ://w w w l-iim n .ed ii/o h r/c a re e rd e v /re so u rc e s/re su m e /
http://w w w .w rite -a -re su m e .o rg
12
RESUM E
PE R S O N A L IN FO R M A TIO N
N am e: N a ta lia Pervova
C urrent address: 17 V ladim irskaya St., apart. 1 8 1 ,4 43030 Samara, R ussia
P erm anent address: 17 V ladim irskaya St., apart. 1 8 1 ,4 4 3 0 3 0 Samara, Russia
T elephone: (8 4 6 2 )4 4 6 4 50 (hom e)
E-m ail: pervova@ m ail.ru
D ate o f birth: 9 S eptem ber 1974
N ationality: R u ssia n
Sex: fem ale
M arital Status: single
E D U CA TIO N
2001 - C E L T A (C ertificate in E nglish L anguage T eaching to A dults - U niver
sity o f C am bridge L o cal E xam inations Syndicate, International E xam inations)
2001 - SIT T E S O L p ro fessio n al d evelopm ent course, c ertificate o f achievem ent
1999-2000 p ro fessio n al d evelopm ent course “E nglish fo r Specific Purposes”
organized b y th e O p en S o ciety Institute as p art o f th e m ega-project “Education
in R ussia”, certificate o f achievem ent
1991 -1996 Sam ara S tate U n iversity, diplom a w ith honors
1980-1991 school #1 in S am ara, h ig h school graduation certificate
E M PL O Y M E N T
2001- to presen t Sam ara S tate U niversity, C h air o f E nglish Philology,
lectu rer, p ost-graduate student
1996-2001 Sam ara S tate U niversity, D epartm ent o f Foreign Languages
(H um anities), lecturer
O T H E R IN FO R M A T IO N
L anguages: R ussian (native), E ng lish (fluent)
T O EFL d egree Y , to tal score 643
IB M PC u ser
R EFEREES
M s V era K ostina
Sam ara State U n iversity, D epartm ent o f Foreign Languages (H um anities), sen
io r lecturer
232 N ovo-Sadovaya St., apart. 20, Sam ara, R ussia
(8462) 99 67 76 (hom e), 8462) 38 5 4 54 (w ork)
e-m ail: kostina@ transit.sam ara.ru
(nam es o f o ther referees w ill b e supplied on request)
13
RESUM E
ЛИЧНЫЕ ДАННЫЕ
Ф ИО: П ервова Н аталья Д м итриевна
Адрес: Р о сси я 443030 С амара, В ладим ирская 17,181
Телефон: (8 4 6 2 )4 4 6 450 (дом.)
Электронная почта: pervova@ jnail.ru
Д ата рождения: 9 сентября 1974
Н ациональность: русская
О БРА ЗО ВА Н И Е
2001 - меж дународны й экзам ен по преподаванию английского языка
CELTA (C ertificate in E nglish L anguage T eaching to A dults - U niversity o f
Cam bridge L ocal E xam inations Syndicate, International E xam inations)
2001 - к урс профессионального р азвития S IT T E SO L ”, сертиф икат
1999-2000 И н сти тут “ О ткры тое О бщ ество” (часть М егапроекта “Развитие
образования в России”) “А нглийский язы к д л я специальны х целей”, сер
тификат
1991 -1996 С ам арский государственный университет, д ипл ом с отличием
1980-1991 ш кола #1 г. С ам ары , аттестат о полном с реднем образовании
М Е С Т О Р А БО ТЫ
ДО П О Л Н И Т Е Л ЬН А Я И Н Ф О РМ А Ц И Я
Языки: русский (родной), английский (профессионально)
TO EFL степень Y , 643
IB M PC п ользователь
РЕ К О М Е Н Д А Ц И И
В ера В ладим ировна Костина
Самарский государственны й университет, к аф едра иностранны х языков
гум анитарных специальностей, старш ий преподаватель
Россия, С ам ара, Н ово-С адовая 2 3 2 ,2 0
(8462) 9 9 67 7 6 (дом .), (8462) 38 54 54 (раб.)
электронная no4Ta:kostina@ .transit.samara.ru
14
I
1.3. R E C R U IT M E N T
F in d o u t a b o u t t h e job A t th e interview
R in g u p the P ress O fficer. Compliment the interviewer on a recent success.
H H E x . 3 . N o w listen to th e s e c o n d p a r t o f th e interview.
1. W hat fo u r q u estions d o es A lan u sually a sk candidates?
2. W h at exam ples does h e g ive o f candidates' likes a n d dislikes?
U seful la n g u a g e
S ta rtin g
OK, let's g e t d o w n to business. R ight, can w e sta rt p lea se?
A sk in g f o r r e a c tio n s
H o w d o y o u f e e l ab o u t...? W hat d o y o u think?
15
K eeping to th e p o in t
I'm n ot sure that's relevant.
Perhaps w e co u ld g e t b a c k to the point.
Let's leave th a t a side f o r th e moment.
S peeding up
I think we sh o u ld m o v e on now. C an w e co m e b a ck to that?
Slow ing d o w n
H o ld on, w e n e e d to lo o k a t this in m ore detail. I think w e should discuss this a
b it more.
S u m m ariz in g
OK, let's g o o v e r w h a t w e've agreed. Right, to sum u p then ...
C andidate is asked w hat h e know s about the jo b and the com pany
1 " .............
Interview er giv es candidate his view s o n the jo b a nd the com pany
JSS
N ow y o u a r e going to do a 'd icto g lo ss'.
1. L iste n to the tex t to get the general idea. D o n ’t w rite anything. A t this
stage, i f you w rite y o u ’ll fin d it h ard to concentrate o n d ie m eaning.
2. L is te n again a n d ta k e notes. W rite k e y w o rd s and phrases, n ot com
plete sentences.
3. W o rk w ith a partner. T ogether, try to w r ite o u t th e text using the notes
you m ade.
4. W hen y o u have done as m u ch a s y o u can, liste n to the text once more,
and q uickly n o te a n y c h a n g e s y o u w an t to m ake.
5. W ith y o u r partn er, p o lis h y o u r final v ersion o f th e text.
6. N ow c o m p a r e it w ith the tapescript. W here y our tex t is different, is the
English correct o r not?
% ''E x . 9. W o rk in p a ir s (S tu d e n t A a n d S tu d e n t B ). S tu d e n t A a n d S tu d e n t В
lo o k a t th e in fo rm a tio n below.
Student A - Y o u a re Jam es V em on, Personnel O fficer for R enault U K Ltd.
You are going to interview th e candidate (S tu d en t B ) fo r a p lace on the graduate
m anagem ent p rogram m er. F irst read the resum e w hich Student В w ill give you,
and think ab o u t d ie questions w h ich y o u w o u ld like to ask. T hen conduct the
interview u sin g th e c h art (E x.8) to help you.
S tudent В - Y ou h av e b e e n inv ited to atten d an interview for a v acancy o n
R enault’s grad u ate m anag em en t p rogram m e. Y o u w ill b e interview ed b y Jam es
V em o n (played b y S tu d en t A ), P ersonnel O fficer fo r R enault U K L td. First give
your resum e to S tudent A and then prep are fo r the interview . T hink about the
kind o f questions th a t y o u a re lik ely to be asked and p lan your replies. A re there
any q uestions th a t you w o u ld lik e to a sk about the position?
17
E V A L U A T IO N S H E E T
Position:
N am e o f c a n d id a te :............................................................................................
S co re - +
12345
B ACKGRO U N D
Education:
Languages:
Experience:
BEH A V IO U R A N D CO M M U N IC A T IV E A B ILITY
Physical Presentation:
C om m unication skills:
Ability to listen:
Humour:
Culture:
Maturity:
Manners:
PER SO N A L Q U A L IT IE S
Dynamism:
Ambition:
O rganizational skills:
Leadership:
T eam Spirit:
Involvement:
C ONCLUSIO N
Suitability o f th e can d id ate:..........................................................................................
9
; W o u ld y o u em p lo y h im o r h e r? W hy? / W h y n o t? D iscu ss y o u r rea
sons with S tu d e n t B.
II. B U S IN E S S V IS IT S
2.1. M A K IN G A N A P P O IN T M E N T
US i
A W ill D r B lack b e able to see m e a t about 9.15 tom orrow ?
В Sorry, b u t h e 's fully boo k ed till e leven un less there's a cancellation.
A W ould ten to o ne b e convenient?
В Y es, h e's free then.
2
A I w onder w h eth er th e d en tist co u ld fit m e in 1 early tom orrow?
В I'm afraid th ere's n o th in g b e fo re m idday.
A H ow a b o u t 12.45?
В Sorry, b u t th at's tak en , too.
3
A I’d lik e to fix a n appointm ent w ith the principal. W ould n ine tom orrow b e all
right?
В I'm afraid n o t. H e's g o t ra th e r a full d ay tom orrow .
A C o u ld I m ak e it q u arter to one?
В Sorry again, b u t I'll rin g y o u i f som ebody cancels.
4
A D o y ou th in k th e s ta f f m an ag er co u ld see m e tom orrow before 9.30?
В H e w on 't b e in till 10.45, so th e earliest w o u ld b e 11.
A Is 12.40 a n y g ood?
В Y es, I'll m ak e a n o te o f it.
I n ex. 1- 4 c o m p o s e se n te n c e s o f o u r ow n.
Ex. 1. E xam p le W ill D r B lackm ore b e a ble to fit m e in a t 4.3 0 tom orrow?
1) th e d e n tist ?
2) ........................ see m e.............................................................. 2
....................................................three o'clock?
3 ) .............................
4 ) .... th e m an ag er ?
5 ) ............................. m eet m e........................................................... 2
19
Ex. 2. Exam ple S T U D E N T A C an the d entist see m e today?
S T U D E N T В N o, I'm afraid not. H e w on't b e free till tomorrow.
1 A ........
В .................
2 A ................
В .................
3 A ................
В .................
4 A ................. ... the O ffic e r.... now?
В ................. ..available............... 2.15.
5
В .......
E x.3. E xam ple S T U D E N T A W ould it b e co nvenient to see y ou at 9.15?
S T U D E N T В D o y ou think y o u could m ake it 9.30?
1 A ........................... ..................................................................after lunch?
В ...........................
2 A .............................
В ...........................
3 A ............................
В ...........................
4 A ..........................
В ..........................
5 A ............................
В ........................... .......................................................in the afternoon?
2 A T h e m orning..
В
3 A B efo re lu n c h .,
В
20
S A Y I N G ’N O '
E x.5. I t is v ery im p o rta n t to a v o id u sing 'N o' on its own unless y o u a re annoyed.
On its o w n it usually sounds aggressive a n d unhelpful. There are m any other
w ays o f giv in g a n egative response. M atch th ese rem arks a nd responses.
Y OU R LANGUAGE EN G LISH
S A Y IN G 'Y E S '
E x.7. There a re lots o f expressions w hich a re m ore na tural a n d p o lite than us
ing th e sin g le w o rd 'Yes'. M a tc h th ese rem arks a n d responses. N otice that the
natural expressions a re q uite differen t fr o m sim ple, on e-w ord answers.
21
o r sentence. C ollect m o re w ays o f sa yin g 'Yes' a n d list them below. Check that
y o u know the n atural expressions b y covering the English a nd recalling them.
A C T IV E L IS T E N IN G
E x.9. D ifferent countries have different custom s b u t in m any p laces people who
a re speaking expect th e ir listener to sh o w interest a n d involvement. I f y o u listen
in com plete silence, p e o p le m a y th in k y o u a re difficult to ta lk to! M ake a list o f
sounds o r expressions w hich y o u can u se to sh o w y o u a re listening.
2.2. V IS IT O R S
22
E x 2. R e a d th e s e e xtracts fr o m conversation 1. W h a t d o y o u th in k th e m issing
w ords a n d p h ra se s are?
A .............................. h av e y o u r nam e?
В .............................H ere’s m y card.
A R ight, M rs Sandbulte............................ take a seat?
В I’m in a hu rry , a ctually......................... go straight u p ? I know the way.
A ................................y o u ’ll n eed security clearance first.
E x. 4. I f so m e o n e sa ys “T h a n k y o u ”, h o w can y o u reply? T h in k o f as m a n y
d iffe re n t an sw e rs a s y o u can. S u p p o se th e y b u y s o m e th in g f o r y o u a n d y o u
w a n t to re fu n d th em . W h a t c a n y o u say?
23
HD E x. 7. N o w listen to s o m e p e o p le m e e tin g o n e a n o th er a n d m a k e n o tes in
th e ch art below.
W here d o y o u think
they are?
W hat nationalities do
you think they are?
24
2.3. M A K IN G E X C U S E S
25
2.4. B O O K IN G A N D A R R A N G E M E N T S
26
SS E x . 3 . L iste n to th e c o nversation a n d f i l l in th e gaps.
B U S IN E S S TR IP: B uying A irline T ickets
■ R apid A ir ,_________________________________ ?
■ Y es p lease. I ’d lik e a n o n -sto p f l ig h t from ________________
to________________ , le a v in g .
_________________________ w h at’s available?
■ W ill th is b e fo r o n e p erson?
■ Y es, fo r _________________ ... and I’d prefer
a _____ .
■ O n A pril 1 5 , w e have a flight th a t __________________ H eathrow
at . W ill y o u b e flying coach ?
■ I ’d p refer_______________________ . W hat type o f aircraft is that?
■ H m m ... le t m e check. It’s a B o e in g ________.
■ __________________________, r o u n d trip?
■ T h a t_________________ o n h o w long y o u ’re staying, an d the date you re
turn. ____________________________ yo u r retu rn date yet?
• N o, n o t y et; b u t I should k n o w ______________________. I ’ll
____________________w h en I g e t th e _____________________ .
■ ____________________ , a n d ______________________ for choosing R apid Air.
M a k in g a r r a n g e m e n ts
C ould w e m eet o n M o n d a y a t 10.30?
A re y o u fr e e so m e tim e n e x t w eek?
H o w a bout n e x t F rid a y?
W hat a bout A p r il 4lh?
W ould W ednesday a t 2 p m s u it yo u ?
Is 11.15 convenient?
C h a n g in g a r r a n g e m e n ts
I'm afraid I c a n 't c o m e o n F riday/then.
W e've g o t an appo in tm en t f o r 11.00, but
I'm a fra id so m eth in g 's c o m e up.
C ould w e f i x a n o th e r tim e?
R e sp o n d in g
Tha t'll b e fin e . T hat's OK.
N o sorry, I ca n 't m a ke it then.
M y diary's r a th e r f u l l th a t day/w eek.
Sorry, I'v e a lre a d y g o t an a ppointm ent a t th a t time.
% * E x . 7 . R o le -p la y tw o situations.
27
2.5. T R A V E L IN G C A N B E H A R D W O R K
Щ Ex.4. R e a d th e le tte r below (“Free flight o ffer”) & answ er these questions.
1 W hat is th e purp o se o f the letter?
2 W hat incentive is th e com pany o ffering i f y o u fill in the questionnaire?
3 W hat condition is a ttached to the offer?
4 W hy d o com panies ru n this type o f prom otion?
B E G O O D T O Y O U R S E L F , F L Y E M IR A T E S
M r Paul Foley
31 C hurch S treet
S T ALBAN S
A5 3BN
2 January 2xxx
D ear M r Foley
A free flight vou ch er a n d a chance to w in a luxury F ar E ast holiday
As someone w ho h as flown Emirates in the past year you will have experienced
our outstanding service to the M iddle East. B ut were you aware that Emirates also flies
to an extensive netw ork o f m ajor destinations all around the world?
28
B y filling in the enclosed questionnaire, you'll be helping us w ith o ur re
search on y our v ie w s as a business traveler, as well as providing an update for
o u r database. T h is w ill ensure that w e only send out inform ation and offers that
a re relevant to y o u personally.
T o th an k y o u for y our tim e and effort w e w ill send you a free flight
v o u cher Y o u can u se this to claim a free E conom y tick et i f y ou take a First or
B usiness C lass trip w ith E m irates before July this year
In additio n w e w ill be entering a ll respondees' nam es in a free prize draw,
and the w in n er w ill receive a B usiness C lass trip fo r tw o people including seven
n ights' luxury h o tel accom m odation in a choice o f three exotic locations —
H ong K ong, S ingapore, o r B angkok.
T o q u alify fo r y o u r free voucher and enter the p rize draw, please ensure
your 15 com pleted questionnaire reaches u s b y 22 January.
Y ou'll fin d full details in the enclosed leaflet. I do h ope you find the in
form ation in it in terestin g and th at y o u take advantage o f our free flight offer -
a n d I w ish y o u th e b e st o f lu ck w ith our p rize draw . T he w inner w ill be notified
b y 5 M arch. M o st o f all, I h o p e w e w ill be w elcom ing y o u o nce m ore on board
an E m irates flight.
Y ours sincerely
V ic S heppard
Sales M anager - U K & Ireland
E x . 5. T h ere a re a n u m b e r o f c o u n ta b le a n d u n c o u n ta b le n o u n s in th e letter.
C ountable n ouns can h a ve a p lu r a l fo r m ; they can be u sed w ith a o r an (an of
fic e , two offices). U ncountable n ouns d o n ot h ave a p lu r a l fo rm .
W hich o f th e s e n o u n s fr o m th e letter a re countable? W hich are u ncountable?
29
f f l E x 8. N o w read th e article. F ind tw o exam ples o f passengers behaving badly.
P a sse n g e rs b e h a v in g b a d ly
The abusive passeng er is becom ing a w orld-w ide problem . D elta Air
L ines crew suffer 100 verbal a n d physical assaults a m onth, w hile c abin crews in
som e airlines are seeking early retirem ent a t 50 b ecause o f their stressful work.
O ne businessm an w as recently less than happy w h en airport sta ff told him his
luggage had been lost. A lready frustrated b y a d elayed flight, h e storm ed onto
the runw ay, took o u t a pistol a n d shot o u t the aircraft's front tyre.
■Every time there is an incident where the cabin crew feel compelled to bring
someone o ff the flight-deck, there will be safety issues,' says Leslie Berkowitz, in
flight services manager at the International A ir Transport Association.
T he cause o f m o st passenger m isbehaviour is stress, according to Farrol
K ahn, director o f th e A viation H ealth Institute. O vercrow ding an d queuing at
the airport raises adrenaline levels. N orm ally these levels d ecrease through gain
ing control o f a situation, eith er by standing up an d fighting o r b y running. In
stead, p assengers a re k ep t in cram ped conditions o n an a ircraft, w here they have
no control. 'In these circum stances, they w ait fo r one little excuse and then let
rip ,' says D r K ahn. In o n e recent case, a septuagenarian h it a stew ard after being
told there w as n o m ore steak.
M uch o f the abuse is down to alcohol. Dahlberg and Associates, the aviation
consultancy, recently discovered that 202 o u t o f 708 major incidents noted by a US
carrier over a six-month period were alcohol-related. Seventy-four incidents were
smoking-related: m ore carriers are banning on-board smoking, leading the nicotine-
dependent into conflict as they try to have a secret cigarette.
D ahlberg also b lam es 'changes in society's view s o n technology and au
thority' and 'stresses re la te d to m ass travel'.
F ro m th e F IN AN C IAL TIMES
30
2. Y ou w ork for a m ultinational com pany and you are very keen to do a one-week
course at com pany headquarters in Stockholm. The company has recently m ade a
lot o f cutbacks in the training budget. W hat do you say to your boss?
3. L ast w eek , y o u h a d a ra th er unpleasant m eetin g w ith a m anager in another
d epartm ent. Y ou k n o w th at there are a few questions y ou still ne ed to dis
cuss, and y o u im ag in e that th e m anager w ill n o t w ant to speak to you. Ring
h im /h e r u p, a n d try to m ake an appointm ent.
4. Y ou need to g et som e financial information v eiy urgently from a colleague, but it
is n ow the end o f the w orking day and your colleague is leaving in a few minutes.
Y ou need the information to prepare for a meeting tomorrow. W hat do you say?
Ш е . 4. L is te n ag a in a n d n o te w h o d id th e se th in gs. W as it th e designer
(D), th e e ng in e e rs (E ), o r b o th (D /E )?
W ho
• changed th e design?
• incorp o rated a sm aller b attery?
• m ov ed a socket?
• could n 't m eet th e n ew specifications?
• b u ilt th e prototype?
• didn 't c h eck that w h at th ey w ere doing w as O K ?
C om plete th is se n te n c e in y o u r o w n words.
I f they h a d c h ecked b e fo re th e y built th e p rototype, ...
H H E x . 5. N o w listen to P a r t 2. T h e m a n a g e rs a re d isc u ssin g w h a t to do next.
W h a t tw o o p tio n s d o th e y consider?
1.
2.
31
E x. 7. Use y o u r n o te s to m a k e sen ten ces a b o u t th e d iffe re n t options.
I f they went b ack to stage one, they'd be able to m eet a ll the specifications.
VOCABULARY NOTE
2.7. P R O B L E M S O L V IN G
32
E x . 3 . I n E x e rc ise 2 y o u h ea rd a ll th e se words to d o w ith m a k in g paym ents.
W hich o n e describes th e m o n e y y o u p a y
1 to th an k som eone fo r th eir services (fo r exam ple, a w aiter o r w aitress)?
2 to an a gent o r salesperson?
3 for a service (fo r exam ple, electricity, postage)?
4 for a p ro fessional service (for exam ple, to a law yer)?
5 fo r traveling?
6 to y o u r s ta ff ev ery w eek?
7 to y o u r s ta ff every m onth?
H U e x . 6. N o w listen to th r e e m o re m a n a g e rs ta lk in g a b o u t p roblem s th ey
fa ce d . I n each case, stop th e tape w h en y o u h e a r a sh o rt beep. S a y how y o u
w o u ld d eal w ith th e p ro b le m , th e n listen to f i n d o u t w h a t th e m an a g e r did.
33
III. T E L E P H O N IN G
3.1. T E L E P H O N E I N B U SIN E SS
34
Speaking. Is that Joanne? I t’s N igel.
W ho’s calling? C ould you give him a H old the line, please.
m essage?
Is that you, Jo? Shall I get him to ring D o y ou know w hen
y ou? they’ll b e back?
I ’ll p u t you through. H ang o n a minute. W ho shall I say is call
ing?
Thanks fo r ringing. C ould I speak to M r.
R oberts, please?
E xam ple: C onversatio n 1: T h e c aller accepts the appointm ent. Sure, I w ill...
3.2. L E A V IN G A N D T A K IN G M E S S A G E S
W h e n y o u a n sw e r th e p h o n e , y o u r response d epends o n two things:
1 I f th e call y o u receiv e is a direct incom ing call y ou state the nam e o f the
com pany o r institution: 'B usiness D esign C entre. G o o d m orning.'
2 I f the call y o u re c e iv e is v ia a private exchange sw itchboard you state your
n am e and departm ent: 'Sales D epartm ent. M iss Jo n es s p eaking.' or: M iss Jones.
Sales D e p a rtm e n t.' Y o u should n o t ju s t say 'H ullo'. T h is causes confusion, does
n o t h elp th e caller, a n d w astes time.
Y ou m ay h a v e to transfer an incom ing call to another extension. I f you
transfer a call, y o u sh o u ld give the caller's n am e and request to th e new exten
sion. The caller does n o t have to rep eat his m essage, i f you do this.
35
H H E x.1. L isten to th e conversation a n d f i l l in th e g aps
M ESSAGE 1
R eason fo r c a ll.....................
A ction necessary................
M ESSA G E 3
M essage fo r.............................................. C aller’s nam e.
Reason for c a ll....................................................................
A ction necessary.................................................................
M ESSAGE 4
M essage fo r.............................................. C aller’s nam e.
Reason for c all....................................................................
A ction necessary.................................................................
36
1=1 E x . 5. L is te n to th e f i r s t c a ll again a n d com plete th e ex tract below.
K n ig h t: I'm callin g becau se I'll b e in L o ndon n ex t w eek a n d ........................
...............................1 you. I w ant to tell y o u about o u r new collection.
B o n e tti: G reat. W h at.....................................2? I'm fairly free n e x t w eek, I think.
K n ig h t: 3? In the afternoon? C o u ld .............................4 then?
B o n e tti: L e t m e lo o k n o w . L et............................................ 5 . Y es, that'd b e no
p ro b le m a t a ll 6 tw o o'clock? Is that O K ?
% ^ E x . 7. R o le p la y th e s e tw o te lep h o n e situations.
IV .O R G A N IZ A T IO N S
4.1. C O M P A N Y S T R U C T U R E
E x .l B e fo re y o u listen to th e cassette, stu d y th e fo llo w in g stru ctu re s w hich are
u se d to d escrib e a p e r s o n 's responsibilities w ith in a co m p a n y a n d to sh o w his
or h e r p o sitio n in th e c o m p a n y hierarchy.
A in charge o f
W ho responsible fo r th e L ife S ciences sector?
heads
В J. E. Robertson
A d o es he re p o rt to / w o rk under
W ho ?
is h e responsible to
В L. D . D e S im one.
37
E x . 2. W ork in p a irs (S tu d e n t A a n d S tu d e n t B ). S tu d e n t A sh o u ld look at
th e inform a tio n b elow (I n fo A ) a n d S tu d e n t В a t I n fo B.
N am e: Susan R obertson
Age: 29
N a tionality : A m erican
M a rita l s ta tu s: Single
Sala ry : $38,000 p e r annum
C o m p an y : US B rands Incorporated
P re se n t p o sitio n : • B rand M anager
• W orks un d er the D irector o f M arketing
B a ck g ro u n d : • M B A from th e U niversity o f Pennsylvania
• Joined the com pany in 1991
P re se n t re sp o n sib ilities:
• In charge o f d eterm ining national m arketing strategy fo r a brand o f paper tow
els
• H eads a business team o f 10 p eople w hich studies consum ers' opinions o f
com pany products_________________________________________________________
N am e: G iancarlo Peretto
A g e : ...........................................
N a tio n a lity :............................
M a rita l s t a t u s : ........................
S a l a r y : ......................................
C o m p a n y :.................................
P re se n t p o s i t i o n :.............................................................................................................
B a c k g ro u n d :.........................................................................................................................
P re se n t re s p o n s ib ilitie s :.................................................................................................
N am e: G iancarlo Peretto
A ge: 48
N atio n a lity : Italian
N atio n a lity : Italian
M a r ita l s ta tu s : M arried, 3 children
S a la ry : $155,000 p e r annum
C o m p a n y : T h e M ilan B ank o f C om m erce
P r e s e n t p o sitio n : • C h ie f F inancial O fficer
• Reports to th e M anaging D irector
B a c k g ro u n d : • Stu d ied at the L ondon School o f E conom ics
• J oined th e acco u n ts d epartm ent in 1978
P r e s e n t resp o n sib ilitie s:
• L eads a team o f sen io r executives w o rk in g o n vario u s a spects o f financial
m anagem ent
♦ In charge o f p la n n in g th e b ank's financial strategy______________________
N am e: Susan R obertson
A g e :.......................................................................
N a tio n a lity :........................................................
M a r ita l s t a t u s : ...................................................
S a l a r y : ...................................................................
C o m p a n y :.............................................................
P re se n t p o s i t io n : .....................................................................................
B a c k g r o u n d :....................................................................................................................
P r e s e n t re s p o n s ib ilitie s :..........................................................................................
39
E x . 5. W ork in p a ir s (S tu d e n t A a n d S tu d e n t B ). S tu d e n t A sh o u ld lo o k at
th e inform ation below (In fo A ) a n d S tu d e n t В a t I n fo B.
N ow ask y o u r p a rtn er questions to obtain sim ilar inform ation about the
com pany that he o r sh e has b een w orking on, and com plete the notes below.
N am e o f c o m p a n y .............
M ain m a r k e t s .....................
Sales in 2007 ....................... ..............No. o f e m p lo y e e s ..............................................
N ow ask yo u r partner questions to obtain sim ilar inform ation about the company
that he o r she has b een w orking on, a n d com plete the n otes below.
N am e o f c o m p a n y ..........
M ain m a r k e t s ...................
S ales in 2007 ..................... ........... N o. o f e m p lo y e e s ..................................................
40
[ Щ E x . 6. L iste n to th e description o f th e co m p a n y 's activities a n d com plete
th e p ie c h a rt a n d n o tes w ith t h e co rrect fig u re s.
N u m b er o f em p lo ye es____
G ross tu rn o v e r_____________
d H E x. 7 . L is te n ag a in a n d co m p lete th e se e xtracts fr o m th e presentation. Use
one w ord p e r space.
1 W e hav e p ro d u c tio n , ................... a n d .................... in all five continents.
2 ... the larg est p a rt o f o u r ................... com es from C onsum er & S alons activities.
3 H ere w e h a v e a n e x c e p tio n a l......................o f prestigious ........................... w hich
includes L ancom e, H elen a R ubenstein, and B iotherm .
4 ... this divisio n h a s dual objectives: firstly to d evelop new , technically-
advanced cosm etics, and secondly t o ...................... o u r close relationships w ith
pharm acists — a k e y o f ..................
5 Synthelabo is m a k i n g in th e treatm ent o f central n ervous system disor
d ers a t th e m om ent, an d i t w ill b eco m e a w o rld ... in th is .... in the future.
6 ... w e .....................a m a j o r ..................... in d ie M arie-C laire publishing g ro u p ...
41
2. H e talks about the developm ent o f the com puter m agazine busines
N um ber these events in the order they happened.
q They decided to take a gamble.
□ T he m agazines did n 't sell.
□ T he m agazines sold o u t in three days.
□ T h ey set u p the p ublishing division.
□ They set u p the distribution business.
□ They changed the layout o f th e m agazines.
□ They launched tw o m agazines.
□ They advertised the m agazines o n TV.
E x.4. Com plete th is tim e line. W rite th e dates M a sa yo shi S o n m oved fr o m one
p la c e to an o th e r a bove a n d th e p la c e s h e h a s liv e d underneath.
1957
Kyushu
42
E x .5 . W ork w ith a p a rtn er. A s k a n d a n sw er q u estio n s ab o u t M asayoshi S o n 's
career. B eg in ea ch q u e stio n with H o w long...?
E xam ple: A H o w lo n g d id he sta y in O akland?
В (H e s ta y e d there) f o r tw o years.
A A n d h o w lo n g ha s h e been livin g in Tokyo?
1. stay in O akland
2. live in T okyo
3. b e u nem ployed
4. ru n a softw are d istrib u tio n com pany
5. study a t B erk eley
6. spend d e cid in g w h a t b usiness to start
7. h ave h is o w n b usiness
4-3. R E P O R T IN G O N P R O G R E S S
43
Bob .1 d o th at o r ............ you?
V ictoire th at to me.
M A STER P R O JE C T SCHEDU LE
D ESC RIP W EEK NUM BER
T IO N 1 2 3 4 5
O FF-SIT E
FEASIBILITY
PREPA RA - STUDY
TION
O N -S IT E SHE
PREPARA - PREPARA
TION
TION
INSTA L
LATION
J jr
A N D TESTS
PERSO N
NEL
SYM BO LS
О
J O B NO . COM PANYNAM E
v = 410/BA/944 IN D E X E N G IN E E R IN G PLC.
☆ =
H U E x. 5. L iste n a g a in a n d a n sw e r th e se questions.
1. 1 W hat d id th e suppliers guarantee?
2. W hat d id th e y do o n schedule?
3. W hose fau lt is the delay?
4. W hat is h appening w ith the operators at the m om ent?
5. W hat c an't th e c om pany risk doing?
1. They g u a ra n te e d .................. and install the equipm ent w ithin five w eeks.
2. W e c h o s e .................................the site ourselves.
3. They d e n y ...................................p roblem s w ith their parts
4. H ave they m a n a g e d started now ?
5. They w on 't f in is h ......................... the e quipm ent until the e nd o f w eek 11.
6. W e c an carry o n ..................................... them theoretical training.
7. W e can't risk o v e r to the new equipm ent w ithout a full
w eek o f tests.
8. Y ou w a n t .................................... it o f f fo r a w eek.
4.4 T H E S M A L L B U SIN E S S
45
^ H a v e y o u g o t w h a t it ta k e s to ru n y o u r o w n b u sin e ss? D o th e question
naire a n d d iscu ss y o u r answ ers w ith a partner.
H O W D O Y O U R A T E A S A N E N TR EPREN EU R?
For each o f the follow ing questions, tick the answ er w hich com es closest to
w h at y o u feel about yourself.
46
6. H ow good a w orker are you? 14. C an you c ope w ith stress?
a I'm w illin g to w o rk h ard fo r a S tress is som ething I can live with,
som ething I re a lly w ant, b S tress can b e a stim ulating
b I find m y h om e environm ent m ore elem en t in a business,
stim ulating th an w ork, с I try to a v o id situations w hich
с R egular w o rk suits m e b u t I don’t like lead to stress.
it to interfere w ith m v private life.
7. C a n y ou m ake decisions? 15. H ow d o y o u v iew yo u r chances o f
a I a m quite h a p p y to execu te other success?
people's decisions, a I believe th a t m y success w ill depend
b I o ften m ake v e ry q u ic k decisions to a large d egree o n factors outside
w hich usu ally w o rk b u t m y control,
som etim es don't, b I k now that everything depends
с B efore m ak in g a d ecisio n I n eed tim e o n m e a n d m y abilities,
to think it over. с It is d ifficult to foresee w hat
w ill h ap p en in the future.
8. D o y ou e n jo y tak in g risks? 16. I f the bu sin ess w as n ot m aking a
a I alw ays e valuate th e exact dangers p ro fit after fiv e years, w h at w ould you
o f any situation, do?
b I like the e x citem en t o f tak in g big a g iv e u p easily
risks. b g ive u p reluctantly
с F or m e s afety is th e m o st im portant с c a n y on
thing.
K ey K ey
1 A =0 B=2 C=4 9 A =2 B=4 C=0
2 A =4 B=2 c=o 10 A =0 B=2 C=4
3 A =0 B =2 C=4 11 A=0 B=4 C=2
4 A =4 B =2 C=0 12 A=2 B=4 C=0
5 A =2 B=4 c=o 13 A=2 B=0 C=4
6 A =4 B=0 C=2 14 A=2 B=4 c=o
7 A =0 B =4 C=2 15 A =0 B=4 C=2
8 A =2 B =4 C =0 16 A=4 B=2 c=o
44 o r a bove
Y ou definitely h a v e the necessary qualities to becom e the director o f a success
ful business. Y o u h a v e a stro n g sense o f leadership, you can both organize and
m o tivate a n d y o u k n o w ex actly w here y o u a n d y o u r team a re going,
b e tw e en 44 a n d 22
Y ou m ay ne e d to th in k m ore carefully before setting u p y o u r ow n business. Al-
th o u eh y ou d o h av e so m e o f the e ssential skills fo r ru n n ing a business, you will
47
probably n o t be able to deal w ith the p ressures a n d strain that are a part o f the
job. Y ou should perhaps consider taking som e p ro fessional training o r finding
an associate w ho c a n com pensate for som e o f yo u r w eaknesses,
below 2 2
M anaging yo u r ow n business is n o t fo r you. Y ou are better suited to an envi
ronm ent w here y o u are n o t responsible fo r m ak in g d ecisions an d taking risks.
To operate successfully y o u need to follow w ell defined instructions and you
prefer w ork th at is both regular and predictable. _
4.5. BRA N D S
BRA N D S
И Д E x . 5. R e a d t h e a rticle ag a in a n d a n sw e r th e se q uestions.
1. W hat w a s C alv in H e in 's attitude to c o u nterfeiting in the past?
2. W hy h as th e com pany c h anged its w a y o f dealing w ith counterfeiters?
3. W hat h as th e com pany d one to change the w ay its b usiness operates and to
increase its size?
49
Ш E x. 7. L iste n again. S to p th e ta p e a t th e e n d o f each item a n d answer
th e se questions.
V. H O W T O S U C C E E D I N B U SIN E SS
C u ltu r a l d iffe re n c e s
M any m anagers agree that an understanding o f cultural differences is essential when
doing business abroad. T he following case studies illustrate w hat happens i f business
people do not take into account the culture o f the countries they are dealing with.
51
hom e o f a Saudi, M r. F ouad, to try to interest C E O o f a N ew York-based
him in p articipating in a local jo in t venture w ith c o nsulting com pany to a first
his com pany. A m iddlem an w ho knew them m eeting w ith th e three part
both had introduced them . A s this w as a first n ers o f a French consulting
m eeting, the m en's conversation began w ith firm in Paris. The negotia
sm all talk th a t m ade M r. B y rd a little impatient. tions d id n o t go well. He
Q uestions su ch a s 'how a re y o u doing? h o w w as h adn't been in the boardroom
your flight? how is y o u r fam ily? a nd how is your fo r m ore than 15 m inutes be
father?' w ere com m on. M r. Byrd, fam iliar with fore h e asked them w hat their
all these ob ligatory form alities o f greeting, an com pany's annual earnings
sw ered 'fine.' "O h, m y father, yes, w ell, he is w ere. W ithout w aiting for an
fine, b ut h e is getting a little deaf. I saw h im a answ er to that question, he
few m onths ago d u rin g C hristm as w hen w e took suggested they give him an
him o ut o f the nursin g h o m e fo r a few days.’ Mr. estim ate o f their firm 's mar
Byrd’s mission w as com pletely derailed. Mr. k et value, as h e w as inter
Fouad rem ained g racious enough b u t w as obvi ested in m aking them an of
ously uninterested in do in g any business w ith fer. I could feel things freez
Mr. Byrd. ing over.'
3 4 W hy is n o o ne eating?
Jim T urner w as attending a conference in Lyons. A businessw om an recently
This w as n o t his first trip to France, and he was asked w hy a high-level dele
pleased som e o f th e F rench colleagues h e'd m et g ation o f visiting Japanese
previously rem em bered h im . O ne evening they clients had n ot approached
invited h im along fo r d inner and began jok in g the b reakfast buffet table she
about the quality o f th e food. T hat surprised h ad taken su ch great pains to
him . H e thought the fo o d w as really rather good prepare. 'I'd gotten out the
and said so, expecting th e discussion to con good china and silverware
tinue. B u t to h is g reat discom fort, they then a nd even brought in Japanese
m ade som e jo k e ab o u t 'fo o d and A m ericans' and g reen tea for them, but no
changed the subject. H e fe lt som ew hat excluded o ne touched a thing!'
and didn't k now w h at h e'd done wrong.
52
5 .2 . T I M E M A N A G E M E N T P R O B L E M S
E x . 1. H o w do y o u m a n a g e y o u r tim e w h en y o u a re w o rk in g o r studying?
T ell a p a rtn e r a b o u t th in g s y o u sp e n d too lo n g on, a n d th in g s y o u d o n 't spend
eno u g h tim e on.
53
И Э Е х . 7. L isten again to th e conversation. N o te d ow n e xam ples o f each o f
these tenses:
1) past sim ple 2) past continuous 3) p ast perfect 4 ) present perfect.
5.3. C O M P A R IN G O P T IO N S
E x. 1. L o o k a t th is fo r m . W hat do y o u th in k it is fo r ?
P R IN T E S T IM A T E
To: Catherine P arker D iv: M ailings D ate: 2 6 Ju lv
Tvoe: 4-Colour C atalogue Extent: p aees O uantitv: 50.000
FIX E D C O S T S
C41 C om position and proofs 9,200
A 42 Corrections allow ance @ 20 % 1,840
144 Litho origination 33,120
J46 Jacket/cover origination 400
T O T A L F IX E D C O S T S 44,560
p e r copy 0,89
V A R IA B L E C O S T S H o n e K o ne
PP67 Paper, p rinting and binding 77,886 89,569
T70 Freight __ __
T O T A L V A R IA B L E C O ST S 81,386 90,569
p e r copy 1.63 1.81
T O T A L P R O D U C T IO N C O S T S 125.946 135.129
p e r copy __
D E L IV E R Y T IM E S w eeks weeks
RATE O F EX CHANGE £1 = H K $
54
3 . 1 c a n ’t d o t h a t__________ I ’v e g ot the go-ahead from he ad office.
4. I’ll have a w o rd w ith F in a n c e ______________ I see them.
5. E urope’s m uch d earer, isn ’t it? - Y e s ,_________________the H ong K ong dollar
rises d ram atically in th e n e x t few days.
H H Liste n ag a in a n d c h e c k y o u r answers.
55
Ex. 9. L isten ag a in a n d com plete th e se sentences.
1. W hen players c hoose to spend tim e to g e th e r,...........
2. I f they are to o te n s e ,......................
3. I f they prove incom petent.....................
4 . I f I ’ve chosen th o se e lev en players to g et a r e s u lt,....................
5. I f I’m dropping a play er from th e te a m ,.........................
6 . I f they w an t to discuss i t , ...............................
7. I f I have a p lay er w ho is m agnificently gifted b u t has a stinking attitude,
5.4. IN N O V A T IO N & P R E S E N T A T IO N
Ш W h y th e la s t shall be first
B y John Kay
Have y o u h eard o f B erkey o r A m pex? G ablinger o r C hux? Perhaps you
should have, b ecau se each o ccupies an im portant p lace in the history o f product
innovation. B erkey produced the first hand-held electronic calculators, Ampex
the first video recorders. G ablinger developed low -alcohol lager an d C hux sold
th e first disposable nappies.
O r perhaps y o u should not, because n one o f these com panies made a
com m ercial success o f their innovations. T od ay the calculators w e use are
probably m ade b y C asio, o u r video recorder com es from M atsushita, our low-
alcohol b eer is M iller L ite, o u r nappies are m ade b y P ro ctor & Gam ble. In each
o f these m arkets the innovator w as sw ept away.
X erox looks like an exception to this sorry catalogue. T he com pany was
first into th e p hotocopier m arket and, e ven i f its dom inance w as ultim ately chal
lenged b y Canon, it rem ains a large and successful com pany today. B ut Xerox
w as also a p io n eer in fax m achines a nd personal com puters. E ach o f these even
tually proved to b e a success — b u t n o t fo r X erox Corporation.
A s w e all know , i t w as A pple that developed the personal com puter mar
ket. B u t A pple's leadership quickly disappeared w hen IBM cam e o n the scene.
A pple then ju m p ed ah ead b y introducing th e graphical u se r interface. Its win
dow s and m ice b rought p ersonal com puting w ithin the reach o f everyone. But it
is M icrosoft that does this now.
The b usiness w orld is n o t k in d to pioneers. Even i f y ou know h ow a mar
k e t w ill develop, tim ing is a m atter o f luck — o r o f quite exceptional skill. There
are tw o closely related lessons. O n e is th a t being first is n o t often very impor
56
tant. T he o th e r is that innovation is rarely a source o f com petitive advantage on
its ow n. Individuals and sm all com panies can m ake a great deal o f m oney o ut o f
good n e w ideas. T h e success o f large established corporations — M atsushita,
Philip M orris, IB M o r G en eral Electric is generally b ased on other things: their
dep th o f technical expertise, th eir m arketing skills. A nd tim e an d again these
characteristics enable th em to develop the innovative concept far m ore effec
tively than th e innovators them selves.
This is n o t to say th at there is n o ro le in b usiness for the great innovator.
A fter all, G eneral E lectric w as bu ilt o n the extraordinary creativity o f Thomas
E dison's m in d , th e F o rd m otor com pany o n th e abilities o f its eponym ous foun
der. T he im agination o f W alt D isney created a com pany th at is still w ithout par
allel o r rival. Perh ap s A kio M o rita o f Sony o ccupies a sim ilar place in the annals
o f m o d em business.
F rom the F inancial Times
E x . 3. A n s w e r th e s e q u e stio n s a b o u t th e article.
1. W hat is th e m ain p o in t m ad e b y th e w riter?
2. Several w e ll-k n o w n com panies a re m entioned. W hat reasons a re given for
their success?
3. W hat is th e conn ectio n b etw een D isney, F ord, G eneral Electric and Sony?
P resentation techniques
57
3. V isit the room in w hich you are presenting b efo re y o u a ctually m ake the
presentation.
4. T he first stage o f yo u r presentation is w hen y ou should g e t the full attention
o f your audience.
5. I f you m em orize the introduction, you w ill b e m ore c onfident w hen making
a presentation.
6 . T he w hole tex t o f y o u r presentation should b e w ritten o n postcards.
7. I f you use a n o verhead projector, y ou should rem em ber to turn it o ff when
you don't need it.
8 . Rem em ber th a t the c ontent o f the presentation is m uch m ore im portant than
your presenting style.
U seful lan g u ag e
58
O K , I'll n ow lo o k a t ... I f you take a look at the first year,
C o n c lu d in g you'll see...
T o sum up... E n d in g
S o to sum m arize... T hanks v ery m uch. A ny ques
R e f e r rin g to v isu a ls tions?
I f you look at the g r a p h ... W ell, that's all I h ave to say.
Could I draw y o u r attention to the chart? T han k y o u fo r listening.
T o p ic A u d ien ce S uggestions
■ w ay o f life
A country y o u h a v e v is A g roup o f p eople w ho ■ transport
ited o n h o lid ay o r done w ill shortly b e w orking ■ accom m odation
business in there ■ fo o d and d rink
■ standard o f living
■ custom s and traditions
■ w eather
■ language
■ people
• entertainm ent
■ w ho they are
Y o u r com pany's m ain T h e bo ard o f directors o f ■ their strengths and
com petitors yo u r c om pany w eaknesses
■ how powerful they are in
the market relative to you
■ responsibilities and
Y o u rjo b A g roup o f h ig h school tasks
students a t a careers ev e ■ th e future
ning ■ perks and special a d
vantages, e.g. foreign
travel
■ qualifications
■ career structure
59
5.5. E T H IC S
60
'E very da y that th e p o o r scores in the C orruption P erception Index are n ot being
d ealt w ith m eans m o re im poverishm ent, less education and less h ealthcare,' said
D r Eigen. M oney w as diverted from developm ent into o ver-priced contracts.
A study b y H a rv ard associate p rofessor S hang-Jin W ei found that a rise in
corruption lev els h a d the sam e effect on foreign investm ents a s raising the mar
ginal tax rate b y m o re th a n 2 0 percent. 'A w areness is a first step to fighting or
reducing corruption,' h e said.
F rom The Times.
B E S T A N D W O R ST C O U N T R IE S F O R C O R R U PTIO N
LEA ST CORRU PT M O S T C O R R U PT
(M arks o u t o f ten)
1 ......................
2 .................................................... 9.48 2 ..................................................... ....2.05
3 ................................................... 9.35 3 ..................................................... ....2.23
4 ................................................... 9.23 4 ..................................................... ....2.27
5 C anada 9.10 5 ..................................................... ....2.53
6 The N etherlands 9.03 6 M exico 2 .6 6
7 N orw ay 8.92 7 Indonesia 2.72
8 A ustralia 8 .8 6 8 India 2.75
9 Singapore 8 .6 6 9 V enezuela 2.77
10 Luxem bourg 8.61 10 V ietnam 2.79
11 Sw itzerland 8.61 11 A rgentina 2.81
12 Ireland 8.23 12 C hina 2 .8 8
13 ................................................... 8.23 13 Philippines 3.05
14 ................................................... 8 .2 2 14 Thailand 3.06
E x . 3. A n sw e r th e se q u e s tio n s a b o u t th e article.
1. D oes P ete r E ig en th in k th e T hird W o rld is m o re co rrupt than the developed
countries? W h at reaso n s d o es h e g ive for h is o pinion?
2. A ccording to th e a rticle, w h a t are th e results o f corruption?
3. W here d o es T ran sp aren cy International g e t its inform ation from ?
4. A ccording to P e te r E ig en , w h at inform ation is m issing from the survey?
% ^ E x . 4. D isc u ss th e s e q u estions.
1. T here is a p ro v erb , 'W hen in Rom e, do a s the R om ans d o.' W hat does the
proverb m ean? D o y o u a gree w ith th is advice?
2. W ould y o u contin u e to d o b usiness w ith so m eone i f you disapproved o f
their p rivate life? E x p lain w h y o r w h y not.
3. G ive e x am ples o f b eh av io u r w h ich w ould cause y o u to stop doing business
w ith som eone.
61
S H E * . 5. C laire B eb b in g to n is E x te rn a l A ffa ir s M a n a g e r f o r a d ivision o f B P
(British Petroleum ). L iste n to th e fi r s t p a r t o f th e interview. D ecide w hether
th e se statem ents a re tru e or fa ls e , a ccording to Claire.
1. The issue o f ethics is sim ple.
2. I f a com pany p u ts its c ode o f ethics in w riting, it is m ore likely to act o n it.
3. Follow ing u p a code o f ethics is difficult.
5.6. STRATEGY
62
80% stake in P olfa com panies. T heir n e w ............. Y uksi o f Russia,
Poznan, P oland's second w ill negotiate the acquisition paying $528m
larg est drugs group. T he o f cinem a, television and video (£316m ) for a 5%
1 is the b iggest rig h ts for p ictures across stake in th e coun
m ade b y a w estern E urope, both w ith the H olly try's largest oil
P harm aceuticals p ro w ood studios and other E uro company.
ducer in e ast E urope. p ean film producers.
3. Pret creates handm ade, natural food, avoiding th e obscure chem icals, addi
tives an d p reserv ativ es com m on to so m uch o f the 'prepared' and 'fast' food on
th e m arket today. (Pret a M an
ager)
% ^ E x . 6 D isc u ss th e s e questions.
1. W h y d o firm s m erge?
2. W h a t problem s can a rise b efore a nd after a m erger takes place?
63
Ш е х . 7. I n th e interview below a C h ie f E x ecu tive d escribes ho w h e a n d his
board decided w h e th e r to m erg e w ith a larger c om pany in th e sa m e industry.
R e a d th e interview a n d n o te down th e a rgum ents f o r a n d against th e merger.
64
D eveloping a strategy
a w ife o r husband a p resen t for som eone som eone for a job
a new com pan y lo g o a h o lid ay destin atio n a n e w p roduct to develop
Ex. 13. W hich ideas below do y o u agree with? W hich d o y o u disagree with? W hy?
1. B efo re m ak in g a decision:
a ) w rite d o w n th e p ro s a n d cons;.
b ) try to reduce stress;
65
c) take a long time;
d) have a sleep o r a rest;
e) consult a horoscope;
f) a sk a s m any p eople as possible.
2. I f a choice h as cost you a lot o f tim e a n d m oney, s tick to it.
3. R ely on th e p ast to help you m ake a decision.
4. R educe all d ecisions to a question o f m oney.
5. B e totally dem ocratic in group decision-m aking.
Useful la n g u a g e
A sking f o r th e facts
Can you brin g u s u p to date?
C an you give u s the background?
W here d o w e stand w i t h ... ?
M ak in g a su ggestion
W e should sell o u t a s s oon a s possible.
W hy don't w e sell out?
D isagreeing
I don't agree w ith th at a t all.
I totally disagree.
Id en tify in g needs
W e've g ot to g et m o re inform ation.
W e need m ore inform ation about w here w e're going w rong.
A greeing
You're absolutely right.
I totally agree w ith you.
E x p ressin g d o u b t
I am w orried about the store’s location.
I'm n ot sure about it.
M ak in g a d ecision
T he solution, then, is to k eep the store going.
I think on balan ce w e feel w e should keep the store going.
S ta tin g f u tu r e a c tio n
So, the n ext thing to d o is ...
W hat w e've g o t to d o n o w is ...
66
5.7. L E A D E R S H IP
R u n n in g a large com pany
L eadership qualities
67
stantly encouraging his executives to 'do the right thing', yet h e is fascinated w ith Las
Vegas, w hich he visits once a year, gambling and people-watching a lo t
He is b ig o n discipline, w hich to h im m eans: be w here y ou're supposed to
be. D ress the p art (he is opposed to casual Fridays). R eturn p hone calls promptly
(employees k n o w n e v e r to g et too far aw ay from th e ir office voice-m ail, even on
weekends). Still, w hen directing h is troops, h e a sks them to set 'aspirations' (dif
ficult targets).
H ierarchy is o u t - i t slow s everything dow n; h e com m unicates freely with
people a t all levels. T he 'conventional' desk jo b is also out. Ivester prefers that
em ployees thin k o f them selves a s know ledge w orkers - their office is th e infor
mation they carry around w ith them , supported b y technology th at allows them
to w ork anyw here. T h is re a lly m atters w hen yo u r b usiness is as large a s Coke's,
w hich gets 8 0% o f its p ro fit from overseas.
A t Coke, business planning is no longer an annual ritual b ut a continual dis
cussion — som etim es via voice-m ail - am ong top executives. Technology is not
ju st nice; it's crucial. H uge volum es o f information don't frighten Ivester; he insists
that they are necessary fo r 'real-time' decision-making. W ith past-generation execu
tives, their style w as m ore 'don't bring m e your problems, b ring m e y our solutions,'
says Tim H aas, Senior V ice President and H ead o f L atin America. 'D oug thrives on
finding the solutions.' 'In a w orld this complicated and fast-moving, a CEO cant
afford to sit in the executive suite and guess,' Ivester says. H e believes that many of
America's executives 'are getting terribly isolated.'
F rom F ortune Magazine
D ouglas Ivester
E x . 6 . A n sw e r th e se q u e stio n s a bo u t th e article.
1. T he w riter say s that 'G oizueta had recognized Ivester's drive'. W hat does
drive m ean? H o w d id Ivester show that he had this quality?
2. 'T hey give A p luses, d o n 't they?'. W ho is Ivester's father referring too
w hen h e says they?
3. H ow did Iv ester prep are for the position h e now holds?
4. E xplain th e m eaning o f this sentence: 'D ress the part (he is opposed to
casual F ridays)'. D o y o u agree w ith this policy?
5. W hy does Iv ester w a n t em ployees to think o f them selves as Tcnowledge
w orkers'?
6 . Ivester b elieves that m an y A m erican executives 'are getting terribly iso
lated.' W hat is Iv ester do in g to avoid becom ing cut o f f from h is staff?
% ^ E x . 8 . D isc u ss th e s e questions.
1. W hat do y o u th in k D ouglas Ivester's m ain objectives should b e a s leader o f
Coca-Cola?
2. W hat so rt o f pro b lem s d o y o u th in k h e h a s to d eal w ith w hen r u n n in g the
com pany?
5.8. C O M P E T IT IO N
T h r e e S tra te g ie s to g a in a c o m p e titiv e a d v a n ta g e
C ost leadership is p erh ap s the clearest o f th e three strategies. In it, a firm
sets o ut to b eco m e th e lo w -co st p ro d u cer in its industry. T he firm h as a broad
scope and serves m a n y indu stry segm ents, and m ay ev en operate in related in
dustries; th e firm 's b read th is often im portant to its co st advantage. The sources
o f cost advantage are v a rie d an d d epend on the structure o f th e industry. They
m ay include th e p u rsu it o f econom ies o f scale, technology, p referential access to
raw m aterials and o th e r factors.
T he seco n d strateg y is differentiation. In a differentiation strategy, a firm
seeks to b e unique in its industry alo n g som e dim ensions that are w idely valued
b y buyers. I t selects o n e o r m ore attributes th at m an y b uyers in an industry per
ceive a s im portant, and uniq u ely positions itse lf to m eet those needs. It is re
w arded for its u n iq u en ess w ith a prem ium price.
T he m eans fo r d ifferentiation a re pecu liar to each industry. D ifferentiation
can be ba se d o n th e p roduct itself, the delivery sy stem b y w hich it is sold, the
m arketing approach, and a b ro a d ran g e o f other factors. In construction equip
69
m ent, for exam ple, C aterpillar T ractor's differentiation is b ased o n product dura
bility, service, spare p arts availability, a n d a n excellent d ealer network.
The third strategy is focus. This strategy is quite different from the others be
cause it rests on the choice o f a narrow competitive scope within an industry. The fo-
cuser selects a segment or group o f segments in the industry and tailors its strategy to
serving them to the exclusion o f others. B y optimizing its strategy for the target seg
ments, the focuser seeks to achieve a competitive advantage in its targets segments
even though it does n o t possess a competitive advantage overall.
A firm th at engages in each strategy b u t fails to achieve any o f them is
'stuck in the m iddle'. I t possesses n o com petitive advantage. This strategic posi
tion is usually a recip e for below -average perform ance. A firm that is stuck in
the m iddle w ill com pete a t a disadvantage b ecause the cost leader, differenti
ators, o r focusers w ill b e better positioned to com pete in any segm ent. In most
industries, q u ite a few com petitors are stu ck in the m iddle.
F rom Com petitive Advantage, b y M ichael Porter
Ex. 2. A n sw e r th e s e q u estions a b o u t th e te x t
1. W hich sentence b e st expresses th e m ain idea in paragraph one?
A firm can g e t a com petitive advantage by:
a) selling g oods in m any m arkets;
b ) m aking as w ide a range o f goods as possible;
c) p roducing g oods m ore cheaply than its rivals.
2. W hich sentence b e st expresses the m ain idea in paragraphs tw o and three?
W hen a firm u ses a differentiation strategy:
a) it tries to p ersuade consum ers th a t its p roducts have special qualities;
b ) it tries to re ach a sm all g ro u p o f loyal custom ers;
c) it w ants to attract a s m any b uyers a s possible.
3. W hich o f th ese sentences best expresses the m ain idea in paragraph four?
I f a firm chooses fo c u s a s its strategy, it tries to:
a) d o b etter than its rivals in a sm all p art o f th e m arket;
b ) p revent o th er firm s from entering th e m arket;
c) d o b usiness in a large n um ber o f narrow m arkets.
4. In the final paragraph, d o es th e w riter say it is a good o r ba d thing for firms to
be stu c k in th e m iddle? W hy?
% * E x . 3. D isc u ss th e se questions.
1. C an y o u th in k o f com panies w hich use o ne o f the strategies in the text?
W hat abou t yo u r o w n c om pany o r a com pany you know well?
2. C an you th in k o f any com panies w hich are stu c k in the m iddle!
W hat d o you th in k th ey co u ld do to im prove their com petitive position?
70
a) o n e b illio n a d a y c ) o ne b illion a year
b ) 4 7 b illion a d a y d ) 4 7 b illion a year
2. C o m p lete th e chart.
T o b e successful y o u need:
I
a p ortfolio o f p r . ... a n efficient m an u
I
g and d ist..........n operation
V I. B U SIN E SS M A T T E R S
6.1. A D V E R T IS IN G A N D M A R K E T IN G
71
income?
occupation?
level o f education?
3. W hat is th e target's social class? (w orking, m iddle, u p per class, etc.)
4. H ow w ould y o u describe th e target's personality an d lifestyle?
5. W hat benefits d o y o u thin k the target looks for in the product? (comfort,
safety, esteem , luxury, etc.)
The H arley-D avidson M otor Com pany, w hose headquarters are in Mil
w aukee, W isconsin (U SA ), has been producing its fam ous m otorcycles since
1903. M any p eo p le b u y H arley-D avidsons because, by adding d ifferent accesso
ries, they can c reate tru ly personalized motorcycles.
There are oth er reasons w hy people choose to b u y H arley-D avidson mo
torcycles. B efore you listen, discuss w hat you think these reasons are.
72
Y ou w ill n o w h e a r M r. M anfred K ozlow sky, M anager o f Public Rela
tions, A dvertising a n d Prom o tio n o f H arley-D avidson Europe, discussing sev
eral d ifferent a spects o f h is com pany.
6.2. B A N K IN G
% * E x . 1. W o rk in p a ir s (S tu d e n t A a n d S tu d e n t B).
73
L o m b a rd B a n k
In fo rm a tio n f o r savers a n d investors
N o tic e D eposit A c co u n ts
A fle x ib le a cco u n t th a t offers y o u easy a ccess to y o u r fu n d s, with deposit periods
o f 14 days, 3 m o n th s a n d 6 m onths w ith n o m axim um lim it to fu n d s deposited.
F ix e d D ep o sit A c c o u n ts
The ideal d ep o sit a cco u n t f o r those w ishing to invest in the longer term with de
po sit p erio d s ra n g in g fr o m 1 to 5 years. Interest is fix e d a nd guaranteed n ot to
change durin g the d eposit p e r io d selected.
C h eque S a v in g A c c o u n ts
A sp e c ia l k in d o f deposit a ccount w hich is particularly suitable f o r those
custom ers w h o w a n t th eir savings readily available w hilst earning a good rate
o f interest. A c h eq u e b o o k is su p p lied a n d p ro vid es th e benefits o f instant access
to y o u r fu n d s. W hatever y o u r choice y o u c an b e a ssured that a L om bard deposit
account w ill b e a se c u re a n d confidential hom e f o r y o u r money.
^ U seful la n g u a g e :
A sk in g f o r g e n e ra l in fo rm a tio n
C ould y ou tell m e m o re about...
I'd like som e fu rth er inform ation on
A sking f o r m o re d e ta ile d in fo rm a tio n
How m uch in terest w o u ld I earn i f I o pened a 3-m onth n otice d eposit account?
W ould I b e able to w ithdraw funds at short n otice from a fixed deposit account?
H ow often w o u ld I b e p aid interest w ith a cheque savings account?
74
h is o r h er no tic e d eposit a ccount to earn further interest. A dditional deposits can
b e m ade w ith o u t restriction.
F ix e d D ep o sit A c c o u n t
W ith this type o f account funds are deposited fo r a fixed period o f 1 to 5 years
and e arn interest a t a fix ed rate w h ich is guaranteed n o t to change. The c lient can
choose w h eth er the in te re st is p a id m onthly, ev ery three m onths, every six
m onths o r y early. In terest c a n b e p a id directly to the client o r added to the sum
in the fixed te rm account. T h e clien t is n o t allow ed to m ake w ithdraw als before
the end o f th e fix ed p e rio d o f deposit. T he m in im u m opening deposit is £1000
w ith a m axim u m lim it o f £250,000.
C h e q u e S av in g s A c c o u n t
This is a n ac c o u n t fo r custom ers w h o w an t easy and instant access to their
m oney w h ile c o n tin u in g to earn interest. Interest is p aid e very three m onths and
custom ers a re su p p lied w ith a ch eque b o o k w hich can b e used w ithout restric
tion. C ustom ers m a y w ith d raw u p to £1000 in cash p e r day b ut are not allowed
to becom e o verdraw n. S tatem ents a re sent e v ery 6 m onths.
T ype o f account
C h e q u e S av in g s A c c o u n t Interest paid
W hen th e b alan ce is £ 1,000 to £ 4,999 3.75
W hen th e b alan ce is £ 5,000 a n d above 6 .0 0
75
H U E x 2. Y o u w ill h e a r A la in D epusse, a fin a n c ia l director f o r a French
com pany, ta lk in g a b o u t th e relationship betw een a c o m pany a n d its banks.
L isten to th e f i r s t extract, a n d a n sw er th e fo llo w in g q u estions.
1. W hat type o f com pany do es he w ork for?
2. W here is h is com pany based?
3. W h at ex perience does h e have?
• reliable
• com m itm ents
76
A m e r c h a n t b a n k m ay:
a provide assistance w ith raising capital a nd issuing shares Y N
b inform com panies o f potential dangers, including
com petitors' activities
с o ffer standard b a n k in g services
d he lp to finance international trade a n d exports
e provide a d vice and financial h elp to com panies w ishing
to form partnerships
6.3. A D V E R T IS E M E N T S
Ш E x . 5 . R e a d th e article. T h en a n sw er th e questions.
77
ju st 6 % o f all the w orld's spending o n advertising. B ut it is o n e o f the fastest-
grow ing segm ents, having doubled its m arket share in recent years.
O utdoor advertising's appeal is grow ing as T V and p rint are losing theirs.
T he soaring costs o f T V a re p rom pting clients to consider alternatives. Dennis
Sullivan, boss o f P o rtlan d G roup, a m edia b uyer, calls outdoor advertising the
last true m ass-m arket m edium . It is also cheap. In Britain, a 30-second prime
tim e T V slot co sts o v er £ 60,000 ($100,000); placin g an ad o n a bus shelter for
tw o w eeks w orks o u t a t about £90.
Adding to its attractions has been a revolution in the quality o f outdoor dis
plays. Famous architects such as Britain's Sir N orm an Foster are designing arty bus
shelters and kiosks w ith backlit displays. Backlighting, introduced in Europe b y De
caux and More, and plastic poster skins have vastly improved colour and contrast.
M ovem ent is possible too. Sm irn o ff used n e w m ulti-im age printing to
m ake a spider, seen through a vodka bottle, appear to craw l u p a m an's back.
A nd D isney a dvertised its '101 D alm atians' video o n b u s shelters w ith the sound
o f puppies barking.
T his sort o f innovation h as attracted a n ew c lass o f advertiser. Recent data
from Concord, a p o ste r b uyer, show s that in B ritain, alcohol a n d tobacco have
been replaced b y entertainm ent, clothing an d financial services as the big out
door advertisers, lik e ca r m akers, are u sing it in n e w w ays. B M W ran a 'teasers'
cam paign in B ritain exclu siv ely o n b u s shelters.
Particularly attractive to the n e w advertisers is street furniture, the fastest
grow ing segm ent o f the o utdoor m arket. It accounts fo r som e 20% in Europe
and about 5% in A m erica.
F rom T he Economist
1. Com plete the table u sin g in form ation from th e first p aragraph o f the article.
| O utd o o r A dvertisin g |
|
1 | Street F urniture
% ^ E x . 6 . D isc u ss th e s e q uestions.
1. O utdoor ad vertising is increasing in m any countries. Is this a good thing?
2. W hat products d o you th in k are suitable fo r o utdoor advertising?
78
E x . 7. C hoo se o n e o f th e a d vertising m edia below. M a k e a s h o rt presentation
on its a d van ta g es a n d disadvantages.
television b illb o ard s n ew spapers street furniture
6.4. P R E S E N T A T IO N S
E x .l. D ecid e w h e th e r each se n te n c e in th e U seful la n guage b o x is fo r m a l o r
in fo rm a l W rite F (fo rm a l) o r / (inform al).
^ U seful la n g u a g e
In tro d u c in g y o u rs e lf
• O n b e h a lf o f m y se lf and F ocus A dvertising, I'd like to welcom e you. My
nam e's S ven Larsen.
• H i, I'm D o m in iq u e L agrange. G o o d to see y ou all.
In tro d u c in g th e to p ic
• T his morning, I'd like to outline the cam paign concept w e've developed for you.
• I'm g oing to tell y o u a b o u t the ideas w e've com e u p w ith for the a d campaign.
G iv in g b a c k g r o u n d in fo rm a tio n
79
• I'll give you th e background and talk y o u through the results o f th e m arket
study.
• I've divided m y p resentation into three parts.
In v itin g q u estio n s
• I f you have any q u estions, please don't h esitate to interrupt me.
• I f you're n o t c lear about anything, go ahead a nd ask any questions you want.
Q E x. 5. R e a d th e te x t a n d do th e ta sk below.
F o cu s Advertising - Background
Focus, a large advertising agency based in Paris, has a reputation for creat
ing im aginative a n d effective campaigns. Recently however, Focus's reputation
w as dam aged w hen tw o m ajor clients changed to rival agencies. F ocus now needs
to convince potential clients that it still has plenty o f creative ideas to offer.
A t present, F ocus is com peting against som e w ell-know n agencies for
several contracts. It h as b een asked to present ideas fo r advertising cam paigns to
the m anagem ents o f th e com panies concerned. C oncepts are required for the fol
low ing advertisin g cam paigns:
• A sp o rts c a r A high-priced, hand-finished m odel with a classic design. The
car w as popular in the 1950s and 60s. A n American firm now w ants to re-launch i t
(Target consum ers w ill be high-income executives w ith a sense o f fun and style.)
A im : A n international cam paign, w ith a dvertising a dapted to local m arkets.
A p e rfu m e A u nisex perfum e, w ith b iodegradable packaging. Produced
b y a w ell-know n up-m ark et m anufacturer. T h e com pany no w w ishes to enter the
low er end o f the m arket.
Aim : Launch th e perfum e in a n E nglish-speaking country.
A c h a in o f e ig h t L o n d o n r e s ta u r a n ts T h e restaurants (specializing in
your nation al cu isin e) are in prim e positions and o ffer extensive m enus. They
are reasonably p riced, b u t a re n o t attracting enough custom ers.
A im : A creativ e cam p aig n to im prove sales.
A m a jo r b a n k T h e b an k (in a n E nglish-speaking c ountry) w ants to a dver
tise the follow ing n e w services:
1. C om petitive low -interest m ortgages
2. D irect telep h o n e b anking
3. A fo re ig n tra v e l service
It has also asked y o u r ag ency to suggest others.
A im : D evelop loy alty am on g e x isting custom ers a nd a ttract ne w ones.
T A S K _____________________________________________________________________
Y ou are m em bers o f an ad vertising team at Focus. Prepare an advertising
cam paign fo r o n e o f th e p ro d u cts o r services. U se th e K e y questions below to
help you. T h en p resen t yo u r cam paign to the m anagem ent o f th e com pany con
cerned. (A t th is stag e, y o u h av e n o t been asked to prepare a budget.)
W hen y o u a re n o t p resenting y our cam paign, p lay th e role o f the com
pany's m anagem ent. L isten and ask questions. U se the A ssessm ent sheet below
to choose:
a) th e b e st cam p aig n concept
b ) the m o st effective presentation.______________________________________
K E Y Q U ES T IO N S (A D V E R T IS IN G T E A M )________________________
• W hat is the cam paign's k e y m essage.
• W hat special featu res does th e prod u ct o r service have?
• W hat are its U S P s (U nique S elling Points)?
• W ho is y o u r ta rg e t audience?
• W hat m edia w ill y o u use? Several, o r ju st o ne o r tw o?
I f y ou use:
an advertisem ent - w rite the tex t and d o rou g h art w ork,
a T V com m ercial - u se a sto ry board to illustrate yo u r idea.
a radio spot - w rite th e script, including sound effects and m usic.
other m edia - indicate w hat pictures, text, slogans, etc. w ill b e used.
• W hat special prom otions w ill you u se at th e start o f the cam paign?
A SS E SSM E N T S H E E T (M A N A G E RS)
G ive a score o f 1 - 5 fo r each category: 5 = outstanding 1 = p oor
C a m p aig n c o n c e p t P re s e n ta tio n
1. W ill it g e t th e ta rg e t audience's at 1. W as it interesting? D id it impress
tention? you?
2. W ill it capture th e ir im agination? 2. W as it clear?
3. Does it have a clear, effective message? 3. W as there enough eye contact?
4. W ill it differentiate the product or 4. W as th e pace too q uick, too slow, or
service? ju s t right?
5. W ill it persuade th e target audience 5. W as th e language fluent, accurate
to b uy the p ro d u ct o r service? and appropriate?
6 . W ill the targ et audience rem em ber 6 . W as th e v oice clear enough? W as it
the campaign? v aried in p itch o r m onotonous?
T O T A L : 30 T O T A L : 30
W h ic h o f th e s e ty p e s o f n ew sp a T h e co nsum er
p e r have y o u r e a d in th e la st six C onsum er characteristics for regional
m o n th s? w eekly paid-for newspapers
Base: 999 adults Base: 999
82
D ailies A ll 8 %
N ational tabloid % A ge group 15-19 5%
N ational broadsheet 20% 20-24 6%
R egional evening 26% 25-34 5%
Regional m orning 8% 35-44 8%
S u n d a y n e w sp a p e rs 45-54 %
N ational tabloid % 55-64 8%
National broadsheet 21% 65 + 7%
R egional S unday 6%
W eeklies S ocio-econom ic g roup AB %
Regional p aid-for % Cl 7%
Local paid-fo r 19% C2 9%
R egional/local free 4 8% D 6%
E 3%
N one o f these 4%
D on't know 1%
Source: B M R B /M intel M arket In Source: B M R B /M intel M arket Intelli
telligence gence
6.5. TRADE
83
R ich in n a tu r a l reso u rc e s USA
P o o r in n a tu r a l reso u rces
L ow G D P * p e r c a p ita
H ig h G D P * p e r c ap ita
*GDP o r G ross D om estic Product: the total annual v alue o f a country’s goods
and services
Y ours sincerely,
Letter o f credit: A le tte r from o ne bank to another w hich enables a seller to ob
tain money. T h e m o st com m on w a y o f financing international trade.
(*CIF: A ll costs, insurance, and freight charg es are to b e p aid b y the exporter,
Julian M ontero)
___________________ N A T IO N A L B A N K O F C O M M E R C E
E x p o rte r Ju lia n M o n te ro I G o o d s .......................
Im p o rte r [ Q u a n tity ....................
V a lu e ......................................................................................................
M ethod o f p a y m e n t.............................................................................
D ocum ents r e q u ir e d ...........................................................................
C ontract re s tric tio n .............................................................................
Ex. 6 . A n sw e r th e s e questio n s.
1. W hen w ill the s eller receive pay m en t for th e goods?
2. W hat inform ation m u st b e inclu d ed in the letter o f credit?
3. W ho w ill p a y fo r th e co st o f transporting the cases o f w ine?
4 . W hat d oes V ivian E astw o o d w ant D enise M organ to send her?
85
order, then w e'd b e w illing to cover insurance as well.
B ella I'll n eed to d o som e calculations ...
P ierre Let's look a t m ethods o f paym ent. Since w e've n ot dealt w ith you
before, w e'd like to b e p aid b y banker's draft.
Bella W ell, th is is a large order. W e've done business w ith m any well-known
w ine p roducers and w e'v e alw ays p aid b y letter o f credit.
Pierre OK. If. 6 to you p aying b y letter o f credit, then you'll
h ave to p a y u s w ithin 3 0 days.
B ella T hat should b e fine.
6.6. D E S C R IB IN G T R E N D S
D After-sun preparations
87
E x.4. L abel each g ra p h o r ta b le w ith o n e o f th e se titles.
To tal sales
Sales by sector
Sales b y distribution outlet
A dvertising b udget / m ed ia spend
A ge shifts w ithin th e population
I 1 1
1
J
“ 1
j , G row th in sales
6.7. G L O B A L IZ A T IO N
(M lE x. 1. L is te n to th e interview a n d a n sw er th e se questions.
1. Is S tephen H aseler generally in favour o f globalization o r against it?
2. W h ich o f th e p oints b elow d o es S tephen H aseler m ake?
A d v a n ta g e s
• G lobalization in creases the p o w er o f governm ents.
• G lobalization in creases com petition am ong com panies.
• C om petition b etw een C hina, In d ia and th e W est w ill increase em ploym ent
everyw here.
D isad v a n ta g e s
• G lobalization c o u ld lead to big em ploym ent problem s in the W est.
• G lobalization low ers peop le's living standards.
• G lobalization p revents g overnm ents from controlling their w elfare systems.
• G lobalization creates cross-cultural problem s, fo r exam ple, betw een India,
C hina and the W est.
H H e x . 3. L is te n to f i v e tele p h o n e conversations.
1. W h ich o f th ese adjectives b e st describes the p erson w ho receives the
call? W hy? inefficient im patient aggressive bored unhelpful
2. H ow c o u ld y o u im prove each call?
3. H ow im portant is intonation on the telephone? W hy?
B a c k g ro u n d : F o rtu n e G a rm e n ts
This w eek, the international fashion group F ortune G arm ents is holding its
first global conference in B arcelona, Spain. F ortune G arm ents, one o f Hong
90
K ong's oldest trad in g groups, m akes h ig h quality, clothing. It has becom e a
global com pany: it h as o v er 3000 suppliers in 17 countries, and em ploys staff
from all over the w o rld in its h ead office and factories. It is expanding rapidly in
foreign m arkets w ith sales o f o v er $U S 1.8bn.
Fast d elivery, in novative design, and reliab le quality a re essential for suc
cess in the fashion b u siness. Fortune G arm ents' C hairm an, M ichael Chau, is
proud that h is com pany can usually accept a m ajo r o rd er and deliver the goods
to a custom er w ith in four w eeks. H ow ever, g lobalization has brought problems
in the com pany's overseas plants, and this is having a b a d effect o n its share
price. A jo u rn a list fro m the E astern E conom ist R e v ie w suggested recently that
the com pany co u ld becom e th e target o f a takeo v er i f it didn’t sort out its prob
lems soon.
M anagers from all the o verseas p lan ts are attending th e conference. M i
chael C hau h as ask e d th em to consider the problem s o utlined in the discussion
docum ent below .
D iscu ssio n d o c u m e n t: P ro b le m s
1. Q u ality c o n tro l M an y subsidiaries m ake cloth in g fro m m aterials supplied by
several o f th e com p an y ’s plants. A lthough th is h e lp s to low er costs, the m ateri
als are often o f p o o r quality. T his h as resu lted in cancelled orders. Recently, a
Germ an distributor refiised a consignm ent o f 5 0,000 b louses. The goods simply
did n o t m eet its quality standards. C ancellation o f th e o rder cost Fortune G ar
m ents h a lf a m illio n d ollars in lost sales.
2. R esp o n d in g to c u s to m e r n ee d s O rders h ave also b een cancelled because
Fortune G arm ents' su bsidiaries are n o t responding quickly to custom ers’ needs.
W hen custom ers w an t last-m inute changes to clothing, th e plants cannot meet
customers' tig h t d eadlines. F o r exam ple, an A u stralian fashion chain cancelled
an order b ecause th e U S p la n t w as n o t a ble to m ake m inor changes to som e silk
jackets in tim e fo r th e ir sum m er sale. T he lo st sale co st Fortune Garm ents over
$US 400,000.
3. D esign W h en th e com pany w as sm aller, it h a d the sam e low -pricing strategy,
but the d esig n o f its clothing w as o utstanding. H ow ever now adays, the c om pany
seem s to have lo st its creativ e energy. Its latest collections w ere described b y a
fam ous fashion ex p ert a s 'boring, b eh in d the tim es a n d w ith n o appeal to a fash-
ion-conscious b uyer'. O th e r experts agreed w ith this opinion. T he problem is
that ideas a re n o t sh a re d b etw een th e com pany's designers. A ccording to o ne de
signer, T here's n o t en o u g h contact b etw een designers a t the different production
centres. T he d esigners n ev er m eet o r phone each other, and they rarely travel
abroad'.
C o n s u lta n t's r e p o r t
M ichael C h a u is aw are that m o rale is lo w am ong m anagers and lower-
level staff. H e h as ask ed a b usiness consultant to investigate the reason for this.
H ere a re th e c o nsultant's m a in findings.
91
M anagem ent
1. M anagers o f subsidiaries say they are underpaid. They are dem otivated and
feel their contribution to th e group's profits is undervalued.
2. T he m ajority o f m anagers say they should h ave a share in the p rofits o f their
subsidiary (5% -10% w as th e figure m ost com m only m entioned).
3. A ll m anagers reported that they d id n o t h ave enough freedom o f action.
They w ant m ore autonom y a n d le ss control from h ead office over finance, pay,
and sources o f m aterials.
4. M anagers need m ore advice o n q uality control, and w ould like m ore contact
with s ta ff from oth er subsidiaries.
F actory w orkers a nd adm inistrative staff
1. S taff turnover is high in m o st factories. Industrial accidents are common,
m ainly because h ealth and safety regulations a re n o t being p roperly observed.
2. Factory w orkers com plain about their w ages. They are p aid according to lo
cal rates, w hich in som e countries are v ery low. They a re o ften expected to work
overtim e w ith o u t ex tra pay.
3. A dm inistrative sta ff said th eir offices are overcrow ded a n d b adly ventilated
(e.g. too h o t in sum m er, too cold in w inter).
4 . Supervisors from h ead office are often o f d ifferent nationality from their
staff. This causes com m unication problem s. M any factory w orkers said they did
n ot alw ays u n derstand their supervisors' instructions.
♦ 'T A S K
1. F orm two gro u p s, A a n d B.
G roup A : D iscuss the problem s m entioned in the D iscussion docum ent and de
cide how to d e a l w ith them.
Group B : D iscuss the p roblem s outlined in th e C onsultant's report a nd decide
how to d eal w ith them.
2. M ee t a s o n e g ro u p . P resen t th e results o f y o u r discussions to each other.
Then pro d u c e a n action p la n to so lve F o rtu n e G a rm e n ts' problem s.
6 .8 . IN SU R A N C E
|®°1ex.1 Y o u w ill h e a r D o n R aley, a n e x p e rt in th e fi e l d o f in surance, talking
about th e w a y th a t L lo y d 's operates. L isten a n d ta k e n otes u n d e r th e follow ing
headings:
• Syndicates
• U nderw riters
• B rokers
• N am es
92
И Е Х .2 . L iste n to th e s e c o n d e x tra ct
1. A ccord in g to D o n R aley, w hat three advantages d o es L loyd's h ave over the
insurance com panies?
2. H o w h as it m anaged to achieve these advantages?
E valuating risk
T h e D riv e r
T h e p erso n seeking insurance must:
• b e the m ain u se r o f th e car.
• be b etw een th e ages o f 25 and 74.
• have b een resid en t in th e U K fo r at least 3 years.
• h av e h ad a fu ll U K driving license fo r the p ast 12 m onths.
• have h ad n o m oto rin g convictions during the p ast 3 years.
• h av e h ad n o susp en sio n o f license d uring the past 5 years.
93
• hav e had no m o to r insurance containing special term s or increased premiums.
• n ot have a p hysical defect, infirm ity o r suffer from a heart condition o r diabe
tes.
• n o t b e en gaged in the follow ing businesses o r occupations: Casino,
N ight C lub, D isc Jockey, M usician, Professional sport, Show Business, Student.
A nother factor used in determ ining the prem ium th a t w ill b e charged for
m otor insurance is w h at is called the 'group rating'. U nder this system each
m odel o f ca r is included in o ne o f tw enty groups depending o n a variety o f fac
tors such as:
• C o st o f spare parts
• R epair tim es
• Price o f the car
• Perform ance
• C ar security a n d anti-theft features
The classification o f a p articular m odel w ill therefore indicate the risks that the
insurer is exposed to. In the U K , for exam ple, a M ini w ould be included in the
low est group and a F errari in the highest.
94
the principal Z aniew ski J. G .Brow n & P e te r Cam pbell
user? M . Brow n
11 W here is the C larendon H o tel A t above address
vehicle garaged? 6 M ain St.,
12 N o. o f years N one B uigliton
o f no-claim s b o
nuses: 6 years
13 W ill the v eh i No
cle b e used fo r
business pur No
poses?
14 Give details
o f other persons,
w ho w ill o r m ay
drive the car:
a Name: M aryBrow n, Jo hn-
b D ate o f birth: B row n
с D ate U K /E C 22.10.36, 21.1.75 Em m a Cam p
driving test b e ll
passed: 1965 1991 6.10.1948
15 Have you or
any person who 1972
will drive the car:
a been involved
in a m otor acci
dent in the last Yes No
three years?
b b een convicted
o f any m otoring Yes
offences in the
past five years? Yes ........... N o ....................
с ever suffered
from a n y p h y si
cal o r m ental in
No
___
firmity?
d ever b een re No ........... N o ....................
fused insurance
or h ad special
term s im posed? Yes .......N o ........................
e b een resid en t
Yes
___
in th e U K fo r
less than 3
years? Yes ........... N o ....................
95
* I f y ou have ai a) collid ed with
sw ered yes to m otorcycle in
any o f these D ec. 1991
b) d riving w ithout
give full details d u e care a n d atten
in the space p ro tio n (1991). F ined
vided: £200.
a) Emma
C am pbell 2 mi
no r accidents -
collided with
p o s t w hilst re
versing car -
stru ck car
whilst parking
(no claims
m ade)
c) P. Campbell
lo st sig h t o f left
ey e 10 years
ago.
d ) P a id extra
insurance pre
m ium f o r dis
a b ility imposed
fo u r years ago.
Good luck!
96
T A P E S C R IP T S
T R A C K 0001 1.1 FIN D IN G A JO B
97
T R A C K 0003 E x. 2. L isten ag ain to th e first p a r t o f th e in terview . C om plete the
“ advice sheet” fo r th e candidates. Repeat track 0002
99
see how he could express him self and to see w hat kind o f character he has. T hen I normally
g ive him m y view o f w hat the position is that we are recruiting for and also m y view about
the company. T hen I norm ally give him a period o f five o r ten minutes to ask some ques
tions and then I go back ju st to talk about him and maybe then I, w hen he is fully relaxed or
more relaxed, put in the few rhetoric questions, not few, b u t maybe one or tw o maximum.
A s I said the previous question w hich normally lasts 45 minutes, i f the candidate is up to
scratch and can go on providing that.
Conversation?
A Ulla! Kjell! I t’s lovely to see you both. D o come in.
В Thanks.
С H ere. Let m e take your coats.
D Thank you.
В I’m te rribly sorry w e’re late. It w as difficult to find a parking space.
A T hat’s all right.
100
С Parking’s alw ays difficult around here.
D These are for you, Louise.
A Chrysanthemums! T hey’re lovely.
D I ’m glad you like them.
A I’ll pop them in w ater straight away.
С D o come through to th e living-room. Follow m e. N ow w h at w ould you like to drink?
D W ell, I’m driving so I’d better have a m ineral w ater o r som ething like that.
Conversation 3
A Thanks for helping m e find the platform.
В Y ou’re welcome. Do you w an t a hand w ith the other case?
A N o, 1 can manage, thanks. There. W ell, w e m ust say goodbye. T hank you
very m uch for having me.
В It’s been a pleasure. T hank you for coming.
A N ot at all.
В I think there’s a restaurant car at the front o f the train.
A Thanks, b u t I don’t feel like eating ju st yet.
В Oh, I nearly forgot.
A What’s this?
В T hat book you w anted. D o you remember?
A H ow kind. N ow I in sist o n paying for this.
В Nonsense.
A N o, please. H ow m uch d id it cost?
Conversation 4
A G ood shot! W ell done.
В T hat w as lucky. I’m no t usually very good a t hitting those long shots.
A Really?
В So, how m uch lo nger are you staying, Sam?
A Just four m ore days.
В O h, that’s a pity. Still, I expect y o u ’re looking forw ard to getting back to Michigan.
A Yeah.
В H ave you b e en to Lyon yet?
A N o, I’m going tomorrow.
В Good. Y ou m ustn’t le ave w ithout visiting o u r plant there. H ave you been before?
A N o, never. I ’m interested in seeing w hat you’re doing there.
В M tnm. Y o u ’ll like it. I think you need a three iro n for this one.
A W ould you pass it to m e?
В O f course ... I t’s im possible to see the green from here, isn’t it? Oh, hard luck!
Conversation 5
A G ood afternoon. Can I help you?
В I’m thinking o f extending m y stay b y a couple o f days. W ould you check i f it’s OK?
A Certainly.
В I ’m Mrs.H aberland, room 312.
A O ne moment.
В Instead o f leaving on th e fourteenth, I’d leave on the sixteenth.
A T hat’s no problem . Shall I change the booking for you?
В N o, it isn ’t definite yet. Could I confirm tonight?
A Y es, o f course.
101
В A nd are there any messages for me?
A N o, I’m afraid not.
В A re you quite certain?
A A h, sorry. There’s a fax.
В T hank you.
A Sorry about that.
В It’s all right.
102
В O h, I nearly forgot.
A W hat’s this?
В T hat book you w anted. Do you remember?
A H ow kind. N ow I insist on paying for this.
В Nonsense.
A N o, please. H ow m uch did it cost?
103
A N o, ju s t a few m in u tes. H o w w as th e flig h t?
В I t w as fin e thanks.
A Good.
В S o w h ere to now ?
A W ell, th e m e eting sta rts a t th ree so I in te n d to ta k e y o u to y o u r h o te l first.
В Great!
A M a y I h e lp w ith yo u r bagg ag e?
В N o , I c a n m a nage , than k s.
A W e’r e g o in g to ta k e a ta x i, so i f w e m a k e o u r w ay to th e ex it...
В Is th e h o te l far from here ?
A No, ju st a tw enty-m inute ride.
Conversation 2
A I f you follow m e, the projection room is in here. A h, Dieter. S o n y to disturb you.
В N o problem .
A W e’re looking for B em d. H ave you seen him ?
В N o. I’m w aiting for him too.
A H ave you m et Signora D ’A more?
В N o, I haven’t.
A Then let me introduce you. Signora D ’A more, this is D ieter N ittel, our Sound
Technician.
С H ow do you do?
В Pleased to m eet you.
A M rs. D ’Am ore is from the Italian press office.
В O h yes?
С W e plan to install a video suite in Milan& I’d like to see the set-up here.
В W ell, H e n W ick’s th e m an to speak to. I ’m sure h e ’ll be happy to show you round
w hen he gets back.
A Will he be long, do you think?
В I hope not.
A H ello Ulla.
В Juan Carlos! N ice to se e you. D o you know M r. Shingu?
A Yes. W e m et a t last year’s conference in Vancouver.
С Y es, and th is tim e w e’re in your hom e tow n, aren’t w e?
A T hat’s right. I live here in Alicante. W hat a good m em ory you’v e got.
В It’s a beautiful city. W e’re ju st sorry w e have n o tim e to see round.
A T hat’s a pity. W hen are you flying back?
В This evening.
A And you, Mr. Shingu?
С I’m leaving tom onow morning.
A W hat a shame. I f you had m ore tim e, I’d take you sightseeing.
В I hope to com e back soon, actually.
A Really? W hen’s that?
В W e haven’t fixed the date yet but...
104
TRA CK 0017 Ex. 8. L isten to th e c o nversation a n d All th e gaps.
Susan, Td like you to meet Jean-Pierre Bernard. Jean-PieiTe, this is Susan Richards.
Hello, how are you. How are you! Pleased to m eet you.
Mr. Bernard, m ay I ask where you're Yes, o f course. Pm from Belgium. From Ant
from? werp.
Oh, really? I understand that's the dia Yes, th at's right.
mond capital?
Well, how do you like it in San Fran It's beautiful here. I love the weather.
cisco?
Yes, we have good weather year-round. N ot like in Belgium...
Mr. Bernard, m ay I call you Jean-Pierre? Yes, o f course, m ay I call you Susan?
Yes, Jean-Pierre. W hat brings you to the W ell, I'm w orking w ith the international divi
United States? sion o f a San Francisco softw are company. And
m ay I ask w hat kind o f work you do?
Me? I’m in advertising, I work at a com Do you live in San Francisco?
pany downtown.
No, actually I live in Sausalito. I com That's good. Listen, it w as very nice meeting
mute to work. It's only 30 m inutes b y car. you, b u t I see som e I m ust say hello to ... please
excuse me.
Yes, of course. It was nice talking to you too.
105
GARETH: It w as during m y last year at university, and I still hadn’t got a jo b to go
to, and I had news o f an interview for a German company. A nd th e G erman director was
com ing over to London, and w as seeing people on a particular afternoon. So I took the
tram from Y orkshire, dow n to London, and unfortunately, er, it w as late, er, there w as a
problem on the line, and I w as a bout th ree quarters o f an h o u r late gettin g to L ondon, so
I dashed to w here th e m eeting w as b eing held, and unfortunately. I ’d ju s t m issed the di
rector o f the com pany, er, w ho w as planning to go back to G erm an y th a t ve ry afternoon.
I w as so eager and desperate to get the jo b th at I asked w here h e ’d gone to. I w as told
that he was taking the shuttle bus to th e airp o rt So I ran over to w here th e shuttle bus left,
got on it ju st in tim e, er, asked all the passengers i f they w ere G erman, an d directors o f
this particular G erman company, identified this man, and h ad the interview w ith him on
the w ay to the airport. U nfortunately, I didn’t get the job.
2
IAN: S o there I w as, w aiting for a bus. First d ay o f a new jo b . B efo re the bus ar
rives, this car pulls up, tw o guys leap out, flash a w arrant card in m y face, dem and my
nam e, take m e down to the local police station, and question m e for h a lf an hour on the
possibility I’ve been involved in some sort of... in a murder!
Ah, I eventually convinced them it was nothing to do w ith m e, b u t I h ad to get them
to come w ith m e to m y new place o f w ork so th at I could explain th is to m y new boss!
CHRIS: M y story about the football m atch and m y alarm clock — yeah, that was ab
solutely true.
J oum ana : The story about being late for a date and not having m y purse w ith m e was
completely false.
GARETH: T he story about a jo b interview on a bus to the airport w as absolutely true.
IAN: The story about the first day at work was true.
106
A: Yes, I know. I had heard that, th at the other three were going. I t’s ju st that if I d o n ’t go
on this course, there isn’t a sim ilar one here, um, and I ’ll get left behind.
B: W ell, it’s really a course, you know, for senior management.
A: But they said in the, um, in the details they sent that it w as, it w as for the, for other lev
els as well. I mean, I’d, I’d just b e grateful i f y o u ’d think about it because I think it... I would
get a lot out o f it.
B: W ell, I’ll have another look a t the budgets but, ег, I suspect that it’s, it’s going to be out
of the question.
A: Right. But if you, if you could ju st give it a thought.
B: Surely. Yes.
A: Thank you, thank you.
D ialoeue 2
C: Good morning.
D: G ood morning.
С: I just came in to see if you knew about the management course in Stockholm.
D: Yes.
C: Yes, well I wonder if I could put m y self forward for the course. I’d really like to do it
and I’d be grateful if you could spare th e tim e to discuss it w ith me.
D: W ell, as you know , the training budget for this department has been cut quite
drastically recently, so I d o have to b e careful. A nd other peo p le have applied.
C: Yes, I know th a t
D: So, w hy you?
C: W ell, I think I have a lo t to contribute and I need to im prove m y skills in this particu
lar area. It would give m e m ore confidence. W ould it b e all right i f I cam e back tomorrow
and we can discuss it further? I can m ake an appointment w ith your se cretary ...
D: I’m afraid that’s out o f the question. I’ll be out all day tomorrow.
C: OKI, how about Friday?
D: W ell, i f you let m e come back to you o n this. I need more tim e to think about it.
C: W ell, I ’d very m uch like to go.
D: I understand.
C: Thank you very much.
D: OK.
107
В T hat’s right. Then they built the prototype.
С So i f they’d checked first, w e’d have avoided all these problems.
В Yes, but unfortunately they didn’t
108
Conversation 4
A Look, you can see. W e’re 4 days behind schedule. I think w e should put everyone on
overtime.
В If we did that, the wages and salary bill w ould shoot up.
A Just for a few weeks.
В N o, it’s simply not feasible. You’ll have to rearrange this schedule to make up the
lost time.
Conversation 5
A They’re exactly w hat we need. T he only problem is the price.
В How much do they cost?
A $60.
В I f we buy 30, w hat discount will they give us?
A 10%.
В What if we bought 100?
A W e’d get a higher discount, b ut w e’d never b e able to sell them all.
109
I asked them how m any people they expected to come along and how much pe r head they
w ould be paying. I discovered it w as an enormous affair. I charged three tim es my normal fee
and they never questioned it.
110
A: Right. Could I have your name, please?
B: Yes, it's, er, it's M r Jones.
A: Mr Jones...
B: No, it's just that I'm in meetings all morning and Г т not going to have a lot o f tim e, you
see. I think, Td like to speak to somebody else i f I can. Isn't there anybody else I can speak to?
A: Er, well, I could see i f M r Roberts' secretary is there.
B: Yes, I think I have to speak to someone. I f you could put me through, I'd be very grateful.
A: Right, right, IH put you through to Denise, then.
B: Thanks very much.
C: Hello, Marketing Department. How can I help you?
B: Ah, yeah, good m orning...
3.
A: What, next weekend?
B: Yeah, if it’s, if it’s possible.
A: Oh, look, Nigel, Г т really sorry, but, Г т afraid I need it. Tve got to go up to Manchester.
B: Oh, Joanne, don't worry. Look, I ju st hope you didn't mind m e asking.
A No, any time, Г т really sorry.
B: It's... it’s really left me in a b it o f a hole as far as transport g o e s...
.
special courier, and then give m e a ring about the three rem aining paym ents - OK? Er, as
soon as possible, OK? T hank you very much. Bye.
2
Message for Desm ond D avis. This is D arina Law rence, M P for East D evon. I watched
your report yesterday on the news and after the interview th at I did w ith you, I notice that your
lied, basically, about w hat I’d commented upon in the interview. I w ant an apology, please,
Desmond. This is not all; and please call m e today; I’ve taken legal advice. I w ant a public
apology on air, and if not, I’ll have to take this further. T hank you.
Ill
3.
Good morning. This is a message for Coral Edwards, C hief o f N ew s Staff, from Eric
Robins, er, on the island o f Bagg, er, in the N orth Sea. It’s around about 6.30 a.m . and I ha
ven’t got m y cameraman. I’m due to do a report o n seabirds in danger o u t here, and I can’t
tell you how appalling the weather is, and I cannot find m y cameraman. Could you please,
please get him , er, to let m e know at least, you’v e all got m y number, w hen he is going to ar
rive. It’s ju st appalling. Thank you.
4.
Hello. T his is a m essage for the Viewers’ Com plaints D epartment. M y nam e is
Jeanne Taylor. I have just been w atching a documentary program m e called ‘O n the
Breadline’ about poverty in inner cities, and I really feel the whole program m e w as totally
biased. Not only you didn’t let the poor talk, but you know also, you didn’t listen to them.
Each tim e they had a point to make, you cut them short, so I w ould like, please, to b e able
to discuss w ith som ebody about this. M y phone number is 01492 555385. T hank you.
112
PK Thanks for your help. Goodbye.
R Goodbye.
T R A C K 0036 Ex.5. L isten to th e first call ag ain a n d com plete th e e x tra ct below.
R G ood m orning CPT. H ow m ay I help you?
P K I t’s Philippa K night here. Could you put m e through to extension 281 please?
R Certainly. Putting you through.
M B Hello. M aria Bonetti speaking.
P K Hello Maria. I t’s Philippa K night from The F ashion Group in N ew York.
M B H i Philippa, how are things?
PK Fine thanks. I’m calling because I’ll b e in L ondon next w eek and I’d like to
make an appointment to see you. I w an t to tell you about our new collection.
MB Great. W hat day w ould su it you? I’m fairly free n e x t w eek, I think.
PK H ow about W ednesday? In the afternoon? Could you m ake it then?
MB L et m e look now. L et m e check m y diary. O h yes, th at’d be no problem at all
What about 2 o ’clock? Is that OK?
PK Pe rfe ct Thanks very much. It’ll be great to see you again. W e’ll have plenty to
talk about.
MB T hat’s for sure. See you next w eek then.
PK Right. Bye.
MB Bye.
TR A C K 0037 Ex.6. L isten to th e second call ag ain a n d com plete th e e x tra ct below.
R G ood morning, CPT. H ow m ay I help you?
PK I’d like to speak to M aria Bonetti, extension 281, please.
R Thank you. W ho’s calling please?
PK It’s Philippa Knight, from The F ashion Group.
R Thank you. I’m putting you through. Hello, I ’m afraid she’s engaged at the
moment. W ill you hold or can I take a message?
PK I’ll leave a message please. T he thing is, I should be m eeting Ms.Bonetti at 2pm,
but something’s come up. M y plane w as delayed, and I’v e got to reschedule m y appoint
ments. I f possible, I’d like to m eet her tomorrow. Preferably in the morning. Could she call
me back here at the hotel please?
R Certainly. W hat’s the num ber please?
PK It’s 020 7585 3814. I’ll b e leaving the hotel soon, so i f she c an ’t call m e back
within, say, w ithin the ne x t quarter o f an hour, I ’ll call her again this morning. Is that OK?
R Right. I’ve got that. I’ll m ake sure she gets the message.
PK Thanks for your help. Goodbye.
R Goodbye.
113
four years and reported to doctor Chuck Rich. He spent the next three and a h a lf years as
technical director o f the Life-Science sector. H e was responsible for identifying im portant
technologies for the company’s future business and worked for various divisions to find the
right strategies for the developing these technologies. A position which M r.Johnson held for
three years w as that o f technical director o f the D isposable products division. H e worked very
closely w ith technical staffs o f m ajor customers to identify their specific needs. H e found this
t b e a very interesting and exciting job.
114
pany. Together th ese activities account for one point eight per cent o f our turnover, o r nought
point seven billion francs.
T R A C K 0041 E x.7. L isten ag ain a n d com plete these ex tra cts fro m th e p resen ta
tion. Use one w o rd p e r space. Repeat track 0040
115
A Shall I do th at or w ill you?
В Leave that to me.
A I ’m going to bring som e samples, so I’ll need a display stand.
В That’s no problem . I ’ll bring one o f those too.
A Do you think I should show them the new schedule?
В Yes, I do. T hey’re going to ask a lot o f questions about delivery tim es, b e prepared.
A H ow do you know?
В They say so in their briefing notes. H aven’t you read them?
A I’ve been very busy.
В But B ob, the notes tell you w hat they’re going to ask.
A OK, I ’ll look through them tonight. A re you staying to w atch m y presentation?
В It’ll be difficult. I’ve got to m eet someone for lunch.
A I think there should be tw o o f u s there.
В I’ll explain. They’ll understand.
A I’m not very happy a bout it. Y ou shouldn’t leave a presentation half-w ay through.
116
T R A C K 0048 E x .l. Y ou w ill h e a r Ben Fox d escribing how he got the original idea
for opening F a sta P a sta . L isten a n d a n sw er th e following questions.
Ben Fox W hen 1 w as w orking for the pizza restaurant com pany and helping to open
new units, I w as quite busy and getting home very la te at night and I’m not a wonderful cook.
I like to spend m y tim e reading and doing other things, and sport. I used to use home delivery
quite a lot and basically the main option in hom e delivery is pizzas. So that’s how it started in
teims o f in looking at that as an option o r as som ething that w asn’t currently available. And
then as I said I w as on holiday in Italy. I came across a takeaway pasta business, that w as a
kind o f thing that could m ake m e think a little bit. W hen I worked at p izza restaurant com
pany setting out the operation, I w as a developm ent m anager for opening a pasta operation
alongside the pizza operation and there w e w ere usin g autom ated machinery. T hat w as well-
suited to cooking pasta quite quickly. A nd really pasta is “ the ultimate fast food”, especially
fresh pasta which w e use, because it’ll b e cooked in tw o o r three minutes, as opposed to pizza,
it will take thirty minutes to prepare in cook, that is the sort o f basis. A nd the difficult area is
the sauces and that sort o f things. But basically your main product, p asta, is sim ple and quick
to cook.
T R A C K 0049 Ex.2. L isten to Ben Fox’s d e scrip tio n o f th e custom ers o f Fasta
117
or Marlboro cigarettes. T h ey req u ire separate m a rk etin g support. T h ere ’s also th e co rp o
rate branding, o r fam ily brands such as Heinz or Virgin, M arks and Spencer, Levis.
118
tests, and surprisingly, so have more than 50 members o f the public. A British R ail spokesper
son said Peop le have been ringing in to say "W e th ink it sounds exciting and we'd like to try
it" One caller described it as the railway equivalent to bungee-jumping. British Rail has
thanked a ll volunteers, b u t say they w ill o nly b e using experienced staff.
В And that's all for today. T he next news is at seven o'clock and w e'll b e back again at six
o'clock tomorrow w ith Business Update.
T R A C K 0056 E x .l. Y ou w ill hear T om Scheck, one o f the directors o f Profile, an in
ternational business consultancy, talking about h is com pany and som e o f the problems in
volved in international negotiations. L isten c arefully to th e first e x tra ct a n d a n sw er the
questions below.
T om Scheck: W e set up our company w hich is called Profile, the business consultancy
in the International Construction M arket for different reasons. First o f all our associates are
from different backgrounds and nationalities. A ll are w orking in Paris and w e noticed there’s
a need for better understanding betw een professionals w orking in different contexts. W e pro
vide more classical technical m arket information such as analyses o f supply and demand,
forecast and economical assessments as w ell as insights into the structure o f decision-making
in different contexts.
T R A C K 0057 E x.2. I n th e second e x tra ct, you w ill h e a r M r. Scheck giving advice
on how to succeed in an in te rn atio n al business c o n te x t F irst stu d y th e stru c tu re s in bold
in each o f the sentences below . T h en listen to the cassette to com plete th e sentences.
I’m going to talk about som e basic problem s w e have encountered in ou r professional
lives and the approach to the international markets. It is im portant to remember first o f all that
every country has its ow n historical heritage and this defines the specific context. A nd you
should always try to understand this context when doing business o n an international level.
Don’t forget that identical system s w ork differently in different environments. It is also im
portant to remember w hen you start negotiations w ith your local partner that h e is sending out
signals which could help you greatly in your future business dealings with him. But i f you
don’t understand the specific context, your interpretation o f these signals w ould probably be
wrong. So high-quality inform ation is an im portant ingredient o f success. Y ou should alw ays
avoid thinking that your local partner is less efficient, less educated o r less developed than
you are. T his is usually not true, even i f it w ere, people are not stupid and they feel your atti
tude towards them. A nd this w ill p u t a strain on a business relationship. It is essential to be
flexible, open-minded and to listen. A void thinking that your products presentation alw ays fits
the market. In m y experience that h as rarely been in the case. Y ou have to adapt your argu
ments for each market.
T R A C K 0058 E x .3. T o illu strate how v alues can change fro m co u n try to country,
M r. Scheck uses th e e xam ple o f selling a c ar. L isten to th e th ird e x tra c t and com plete the
table below.
Take, for exam ple, selling a car in France and in Holland. In France you w ould be ad
vised to emphasize the perform ance in term s o f pow er and technology. In H olland you should
emphasize economy, internal space and comfort. This example, I thin k , illustrates perfectly
the different scale o f values in tw o countries, geographically so close to each other.
119
T R A C K 0059 £ x .4 . In th e final e x tra c t M r. Scheck ta lk s a b o u t d o in g business in
E astern E urope. L isten and decide if th e follow ing statem en ts a re tr u e o r false.
I would now like to talk about one o f our more recent activities w orking in Czechoslo
vakia. But first o f all I w ant to say that there is n o Eastern Europe and W estern Europe. Be
cause, for example, i f Prague is in Eastern Europe, then Paris is probably in Southern Europe.
A nd the whole thing doesn’t make much sense. H owever there w as a difference in orientation
experience and philosophy during the last 5 0 years if w e include the 2nd W orld W ar. So on
one hand, we have so-called W estem -w orld plan, the traditional role o f b eing helpful and on
the other hand, the so-called Eastern-world, complexed about the heritage o f more than 40
years o f communism w hich m eans not having a good system o f managem ent, no money for
investment. E ven i f both sides are w illing to cooperate, it is difficult to m ake som ething work.
F or example w e carried out some market research o n the potential o f th e construction sector
o f Eastern Europe. E ven though w e had some very good contacts, it’s still to cause a couple
o f months to establish roles: w ho does w hat and to understand the distribution system which
seemed absurd com pared to our recent standards. So it is not easy even w hen you speak the
language perfectly o r are o f Czech origin as I am. There’s always a barrier o f n o common pro
fessional reference. T he main thing is don’t think o f the East as a block. T he so-called East-
em-block countries have economic industrial, social and cultural differences. For example,
people often forget that Czechoslovakia w as one o f th e first econom ic w orld powers between
two W orld W ars. I w ould like to conclude emphasizing that in general te rm s you’ll have a
better chance to succeed in business i f you have a certain respect and understanding in your
approach to international negotiations. Y ou must convince your partner o f your professional
ism and know-how. T o achieve these, you m ust b e well-informed.
Version 2
LAUREN: I’m having som e, er, problem s w ith m y m eeting technique; the meetings that
I, that I am conducting seem to go on too long, w hich I wouldn’t m ind i f w e w ere actually
getting som ething done, (Hm m) b u t th ey go o n a long tim e, and also I, I h av e trouble con
trolling the people attending the meeting. E verything seems to get out o f hand, and everyone
seems со have som ething to say, and I wondered if you had any feedback for me.
JION: Y es, I do know that these things can get out o f hand, so m y first suggestion would be
that you set a very firm tim e limit for these meetings: absolutely specific, it will start at two
o ’clock, and it will finish at 2.45; don’t let it run over any longer than th a t A nd furthermore, I
don’t know how many people attend the meetings, but if it’s possible for you to whittle the num-
120
bere down, have senior members o f staff only, who can then relay to more junior personnel what
has been discussed at the meeting, because the more people you have at a meeting, the more peo
ple will want to speak, and that’s how these things get out o f control.
LAUREN: H m m . T hank y o u very much.
TR A C K 0061 E x.5 Listen to some British people discussing the questions. M ake notes
on their answers. W hich points do they m ake which a re not relevant in y o u r country?
1)
A: E nn, i f you had to make an im portant business phone call, w hat tim e o f day do you
think you w ould make it?
B: I’d make it before lunch, I think.
C: Yeah, I would.
B: A bout 11.00; b y then everybody’s had a cup o f coffee...
C: They’re in, settled. Because after lunch, people come back, if they’v e had a late
lunch, a business lunch, couple o f drinks ... M orning seems, I w ould’v e said, a good, clear
headed business decision w ould b e m ade in the morning. D: B ut not too early, maybe
C: N o.
D: I mean, w ith m e it shows in the vo ice that I’m not ready for the day yet and that’s not
very good, but sort of, h a lf past te n I w ould have thought till lunch time.
C: Yeah, hmm.
B: Yeah.
D: Because after lunch, people already think about the evening, d o n ’t they?
C: W inding down, really. Yeah.
D : That energy ha s sort o f gone.
В: I agree.
A: W ell, there seems to b e a suggestion that to call them ju st before lunch w ould be a
bad idea, because they’d be thinking about lunch. T hey might b e in a hurry, w anting to get to
their break, so, yeah, som ething like 11.00 w ould probably be quite good. But it’s interesting
that you thought you w ould avoid the early morning, because apparently if you want to catch
people before they’ve gone into their meetings and all o f these things that they have to do,
even calling before 9.00 m ight be a good idea.
2)
A: W hen do you think is the best tim e o f year to get married?
D: I think Septem ber w ould b e m y favorite m onth, because I mean, the holidays have
happened, people are back from their holidays, it’s not autumn yet, it’s still like summ er but,
you know, not yet the autumn and I ju s t love September, so I think it w ould be ideal, really.
B: Y es, it’s a personal thing, really.
C: Yes, it is a personal thing. Autumn. W e got married in O ctober because it w as our
favorite, our favorite season. W e w ere going to get married in spring, and we thought, ‘W ell,
spring doesn’t m ean anything to us, so let’s get married in the autum n.’
B : W e got m arried in July and it w as the final o f W imbledon. All the bridesmaids were
very angry at us because they couldn’t w atch the match.
D: Did anyone turn up at the wedding?
B: Just the near family.
A: A ll right.
B: It was a fairly sm all group.
A: Yeah, it’s supposed to b e the m ost popular tim e -June, July, August, because o f the
weather. Y ou can predict, especially in Britain. I m ean, it’s a b it more predictable, isn’t it?
But you did w ell i f you got married, sort of... autumn, winter, you tend to get cheaper deals if
you’re o f a m ercenary disposition. I f you’re going o f f on your honeymoon, o f course, you can
121
g et the cheap holidays and so on. And something that you have all failed to m ention - the
flowers. Now w inter flowers can b e a lot cheaper because, y eah, all th ose berries and sticks!
122
A N o, ou r M a naging D irecto r g o t m ore than a b it worried. Said all th is w as harm
ing the com pany’s image. So w e recalled the product and lost a lo t o f money. I tell you, the
only people w ith red faces w ere us. Since then, we’v e kept away from skin care products.
T R A C K 0063 E x.7. L isten to th e conversation again. N ote dow n exam ples o f the
tenses. Repeat track 0062
T R A C K 0064 E x.2. L isten to tw o m an ag ers discussing p rice estim ates. Com plete
the m issing inform atio n o n th e form .
A James Jarvie.
В James, this is Catherine. I’m phoning about the autum n catalogue.
A H ave you done th e costings?
В Yes. I’ve got two estimates — one for printing in Hong Kong and one for printing in
Europe.
A Yes?
В I ’ve calculated on the basis o f 368 pages, the same as last year.
A Yes, th at’s right. H ow d o they compare?
В Europe’s much more expensive. The printing costs are far lower in Hong Kong.
A Yes, they sa y Europe h as the highest prices. But w hat about freight?
В W ell, that’s m ore from H ong Kong, o f course. I t’s only a thousand pounds from
Europe bu t it’s three and a h a lf thousand from H ong Kong. O n th e other hand, th at’s o nly a
small part o f th e bill.
A A nd delivery? I f w e order next w eek, w hen w ill they get here?
В Europe’s quicker obviously. Ju st two weeks. It takes six from H ong Kong.
A B ut even i f it takes six w eeks, w e’ll still b e in time for the Septem ber mailing.
В Exactly. O f course, there’s another factor.
A W hat’s that?
В T he exchange rate. I’v e used a rate o f one pound to eleven H ong K ong dollars.
A Then w e ought to buy dollars now, in case the rate changes.
В I can’t do that until I’v e got the go ahead from h ead office.
A I’m going there this afternoon. Y ou could give m e the figures and I’ll have a word
with Finance w hen I see them.
В OK. In H ong Kong, the total production costs work out a t two pounds fifty-one a
copy. Got that?
A Uhhuh.
В A nd they’re tw o pounds seventy a copy in Europe.
A Europe’s much dearer, isn ’t it?
В Yes, unless the H ong Kong dollar rises dramatically in the next few days.
A D on’t w orry. I’ll tell them w e need a quick decision.
В Thanks, James.
123
T he team sp irit’s very im portant, b u t I don’t believe in try in g to m otivate th e team as
a team. I try to motivate them as individuals. So I don’t give team talks. I speak to the players
individually. A nd I try not to p u t too m uch pressure o n them . I b eliev e players perform
b est when they are relaxed. I f they’re too tense, I can guarantee they w on’t play well.
I also believe in giving people autonomy. I like all the people w ho w o ik for m e to be
autonomous. I very rarely interfere. I feel people should b e ju d ged o n their results. I f they
prove incompetent, then I’m incompetent i f I keep on em ploying them.
It’s like that w ith the team. I get criticized for not interfering during a game and making
m ore substitutions. B ut I feel i f I’v e chosen those eleven players to get a result, then I should
leave them alone to get on w ith it.
I f I’m dropping a player from the team, I don’t feel I have to explain it to them. I f they want
to discuss it. I’ll say ‘Com e back and talk about it in a couple o f days tim e.’ But I don’t try to re-
motivate them. It’s up to them to have the character to fight back. I’m a great believer that almost
everything you achieve in life is dow n to your attitude. I f I have a player who is magnificently
gifted but has a stinking attitude, I won’t waste m y tim e on them.
T R A C K 0067 Ex.9. L isten ag ain an d com plete th ese sentences. Repeat track 0066
124
T R A C K 0069 E x.7. L isten to a p resen tatio n to a co m p an y ’s sales te am ab o u t the
launch o f th e ir new chocolate b a r. T ick th e expressions in th e “ useful language” box on
that you hear.
Good m orning everyone, thanks for com ing to m y presentation. I know you’re all very
busy, so I’ll be as brief as possible. O K then, I’m going to talk about the new chocolate bar
we’re putting on the market, the St Tropez premium bar. I’ll tell you about the test launch we
carried out in the south w est o f E ngland a few weeks ago. M y presentation is divided into
three parts. First I’ll give you some background about the launch.
After that. I’ll tell you how w e got o n and assess it’s effectiveness. Finally, I’ll outline
our future plans for the p ro d u ct I f you have any questions, don’t hesitate to ask.
Right, let’s start w ith the background to the launch. A s you know , St Tropez is a m int
and nut bar w ith a distinctive taste. It’s been thoroughly tested in focus groups and special at
tention was paid to packaging. It’s w rapped in a metallic foil. T he colours are rich, strong, to
give high visual im pact. O K everyone? Yes, Johan, you have a question...
So, that’s the background. Right, let’s now move o n to the test launch. How successful
was it? W ell, in tw o w ords, very successful. I f you look at the graph, you’ll see the bar’s ac
tual sales compared w ith forecast sales. Q uite a difference isn ’t there? The sales were over
20% higher than w e predicted. I n other w ords a really good result. W ell above our expecta
tions. The sales show that the pricing o f the product was correct. A nd they show that as a
premium line, the S t Tropez bar should be successful nationwide. T o sum up, a very promis
ing test launch. I believe th e ba r has great potential in the market.
Right, w here do w e go from here? Obviously, w e’ll m ove on to stage two and have a
national advertising and marketing campaign. In a few months, you’ll b e visiting our sales
outlets and taking orders, I hope, for the new product. Thanks very much. A ny questions?
125
C B M m , I think the w hole issu e o f eth ics is a v e ry com p lex o n e.’ C om panies are
m ade up o f people. M ultinationals are m ad e up o f m any differen t nationalities. I th in k that
com panies are p a rt o f so c iety an d a s su ch th e y sh o u ld re fle c t so c ie ty ’s stan d ard s.
C om panies, e sp ec ially m ultinational ones, do have responsibilities in the w orld and should
try to be a positive influence and I think if a company is not ethical, then it w ill not survive as
a company.
I Should a com pany have a code o f ethics?
СВ I think from m y poin t o f view it’s useful o n tw o counts. Firstly, it m akes a com
mitment to certain good behaviour and so it’s a w ay o f com m unicating the importance o f
good behaviour to a ll o f its employees and partners. Secondly, i f a com pany has a code o f
ethics and spends tim e comm unicating it, it does actually contribute to its ethical behaviour.
I f you express these things in writing, especially, then you can be held accountable for them.
This tends to m ean that you are much m ore likely to act o n them as w ell. I think following up
that code is difficult. People tend to have different ethical standards, and defining the term
'eth ics’ can I th ink b e a problem . But I think generally to express w hat your ethics are is a
positive thing to do.
T R A C K 0073 E x.8. L isten to th e p a r t o f th e interv iew w ith M a rjo rie S card in o and
m ake notes. T h en com plete th e su m m ary o f w h at she says.
(I = In terv ie w er, M S = M a rjo rie S c ard in o )
I H ow do you develop a strategy for a large company?
M S T here a re lots o f w ay s to g o about it. I th in k th e w ay w e ’v e d o n e it is to first
think about w hat assets w e have - w h at’s unique about th ose assets, w hat m arkets w e know
about and w hat m arkets are grow ing, and w hich o f those m arkets c an m ake the b e st u se o f
our assets. W e then pu t that into a bow l, heat it up, stir it around, a n d com e o u t w ith a strat
egy-
I A nd in broad term s, w hat is your strategy at Pearson?
M S W ell I, w e have approached o u r strategy ... L et m e answ er it th is w ay, b y look
ing at it as three sim ple steps. W hen I jo in ed Pearson a couple o f years ago, w e needed to
improve our operations. W e needed to ju s t run the com panies w e had, and the businesses
126
we had better. So our first step in o u r strategy w as sim ply to operate better. To create better
profits, and better cash generation, an d better long term value for the shareholders. W e then
... the second step w hich w as not happening in a serial w ay but happening at the same time,
the second step was to look at th e assets w e had an d see w hich o nes w e sh o u ld k eep and
which ones w e should d ispose of. Those w e disposed o f, w e did because they w ould be
worth more to other companies than to u s because th e y didn’t fit w ith the rest o f o u r com
pany, or w ere things w e didn’t activ ely control -w e had a passive interest in - so those dis
posals w ere an im portant part. A nd then the third step w as to stitch together all o u r busi
nesses, so that they were able to use each other’s assets, to m ake a greater whole.
127
have moved dow nmarket, selling in the low er price ranges. T hat’s a problem. I think w e have
to make changes - very soon. I m ean, our losses are increasing every year, w e ju st can’t go on
like this. W e m ay have to revise our strategy. M aybe w e m ade a m istake in choosing France
for expansion.
С W ell, thanks for y o u r opinions. I think o n balance w e feel w e should k eep the
store going for a w hile. So, the next thing to do is to appoint a suitable frn n o f marketing con
sultants to find out w hat our problems are, and make recommendations. Personally, I’m con
vinced the store w ill be a success i f w e get the m arketing m ix right. W e’v e got to get the
store back into profit, w e’ve invested a lo t o f money in it.
T R A C K 0076 E x.2. L isten to an interview w ith M a rjo rie Sca rd in o , C h ief E xecu
tive o f the m edia G ro u p Pearso n pic. W h at answ ers d oes sh e give to th e questio n s in Ex
ercise 1? M ake notes a s you listen. (I = Interviewer, MS = M aijorie Scardino)
I M aijorie Scardino, you are leading one o f the top com panies in the UK, and
you’ve been v o te d busine ssw o m a n o f th e year. W h at q u a litie s d o y o u n e ed to ru n a
larg e com pany effectively?
M S W ell, I think different com panies probably require different qualities, b u t for me
there are o n ly a few sim p le q u a litie s th a t c u t a c ro ss a ll re q u ire m e n ts , a n d th o s e are
c o u ra g e and im agination and em pathy. B y em pathy I m ean hav in g th e a b ility to put
y ourself in other people’s positions & understand how th e y feel about situations and ideas.
I W hich business leaders do you admire and why?
MS I think th e best business leaders are probably ones w e d o n ’t k now about, not
the stars w e read a bout in the new spapers. I th in k th e y ’r e probably th e on e s w ho have had
a great business id e a & have se en it through to fruition. So th e b u sin ess lead ers 1 m ost
adm ire right now a re those m anagers in Pearson w ho are achieving ou r goals o f double-digit
earnings growth.
I W hat do business leaders actually do?
MS M y sta ff w ould probably say this w as a really excellent question they ask them
selves every day! I th in k w hat th e y do is ju s t w h at I’ve said th e busin ess leaders I admire
do. T hey create a business idea, and they see it through.
I A s a leader, how do yo u m otivate your employees?
M S I’d like to think w e motivate each other. I think m y jo b is to m ake sure the com
pany has a purpose, because I th ink people like to work for a com pany that has a reason for
being; that they can identify w ith and feel good about. I th in k th at I have to communicate
w ell w ith them everything that’s going on - and everything I’m trying to do - in a clear way.
And then in return I think th e y inspire m e to th in k m ore adventurously and to think more
carefully about how to stim ulate them and how to build a better business. So it’s a sort o f a
circular operation.
I Do you th ink leaders are bom o r m ade?
M S I think it’s prob ab ly a b it o f b oth. A ll hum an be in g s o b v io u sly a re b o m w ith
certain qualities, and certain genetic traits. But I’v e seen so many people in m y life w ho have,
using those basic qualities, re-invented themselves several tim es as th e y ’v e gone into new
situations. You know , you’re a certain k ind o f person w hen you’re in school, and your
friends know w ho you are, and you get slotted in. A nd then as you grow up you go into new
situations and becom e som ebody else. So people w ho w ere never leaders in school become
the great business leaders o f our tim e. So I would have to say, mostly it’s made, but you have
to use w hat you’re b o m with.
128
T R A C K 0077 E x.4.A nsw er th e questions below. K evin W a rre n , a Vice Presid en t
a t Coca Cola a n d Schw eppes Beverages is talk in g ab o u t com petition. T h en listen to the
first p a rt o f th e interview a n d check y o u r answ ers. (I = Interviewer, K W = K evin Warren)
I T he soft drinks market is one o f the m ost competitive in the world. H ow do you
stay ahead o f your competitors?
KW W ell, th e C oc a-C o la c o m p an y th is y e ar rea ch e d th e p o in t w h ere, w orld
wide it se lls a billion servings o f it’s product every day. However, the w orld still consumes
47 billion servings o f other beverages - again, every day. T h e key point here is to understand
what the opportunity actually is. W hich in our case is to grow the w hole soft drinks category.
To be successful we b e lie v e you n eed a p o rtfo lio o f p ro d u cts, w h ic h in c lu d e the best
brands and th e m ost recognizable packages, for example the icon bottle. It needs to b e sup
ported by excellent m arket place execution, in oth er w ords, attention to detail. W e grow our
business one bottle at a tim e. N ow behind th is y o u n eed an efficien t m a nufacturing and
distribution operation. A ll the glamorous T V advertising in the w orld w o n ’t sell your
product i f T esco’s has run out. A nd o f course advertising, especially for a com pany like the
Coca-Cola Com pany has a m ajor p art to play in ensuring the consum er is aw are o f the in
trinsic values o f ou r brands, a good example o f w h ich is refresh m en t. S o , in sum m ary, the
w ay to stay ahead is to focus o n d e livering to the consum er a product that adds value to
their lives rather than sim ply focusing upon the actions o f your perceived competitor.
129
T R A C K 0080 E x.5. L isten to the first ex tra ct a n d decide w hich o f th e following
descriptions corresp o n d s to th e ty pical H arley-D avidson buy er.
W ho buys H arley-D avidson he is no actual H arley-Davidson customer. It is almost eve
rybody. Because the m otorcycle, Harley-Davidson, is more than ever used as the main mean
o f transportation and it is no longer ju st seen as piece o f fashion. W e have customers th at buy
sportster w hen nineteen and start to go up to 30-40cc (cubic centim eters) after 2-3 years. We
also have custom er that 35 years does his driving license and he buys a Harley. So he is actu
ally no special customer. T he average age o f Harley-Davidson company, the buyer o f the mo-
tor-cycle is, I’d say, about 35 years, w hich is higher than in other companies. T hat is for sure!
130
T R A C K 008S Ex.3. In the second ex tra ct M r. D epusse talk s a b o u t th e services
th at a com pany should expect fro m a com m ercial ban k . L isten a n d com plete the table.
First o f all, Г11 tell you what I think the commercial bank should provide a company with
cheap credit Enn, second, the lowest possible cost o f services. Y ou also expect good services, fast
answers and reliable officers for the day-to-day relationship with your banks. And, erm, last you
want reliable commitments between the lines o f credit which are confirmed. You have to be avail
able and this is a very important factor. On the other side, it’s where to provide the banks with some
information o f the company: you have balance sheets and annual reports but you provide them with
minimum information or the information which makes the company appear in the best light, to get
best possible credit rating and therefore the lowest c o st And you don’t go further than that and you
don’t give details which could be important for your strategy.
TRA CK 0086 Ex.4. In the final extract Mr. Depusse talks about the relationship be
tween a company and a merchant bank. T his is quite different from the relationship w hich you
heard about in extract 2, between a company and a commercial bank. L isten a n d identify the
main difference in term s o f th e type o f in fo rm atio n p ro v id ed b y th e com pany. W h a t a re
the reasons fo r this difference?
W e don’t deal w ith the merchant bank as in the same w ay as the commercial bank. If
you want to get very good service from your merchant banker, you have to give him the real
information up-to-date, even the future trend, even i f th ey are n o t good for your company. So
he could advise you properly. H e is basically someone to talk to about risk analysis, about
market information because a good m erchant banker is aware o f your business and takes ini
tiative to warn you o f your dangers com ing out o f w hat competitors could b e doing. W hat you
expect from your merchant banker is advice and discussion about w ays o f raising capital, o f
issuing shares, o f making special function packages, advice on foreign grand service and also
for any important aspect o f the relationship w ith m erchant bank, it’s w hen you are looking for
a partner or for strategic alliance. Y ou’ll discuss it w ith your m erchant banker and he ’ll give
you advice eventually, bring your partners o r give you th e inform ation and help you with
functional engineering o f the deal. So it is fairly im portant and secret information which you
have to give to your merchant banker and you expect from him too v e ry im portant service.
131
5. I liked the French Connection ad w here th is really p retty girl w alks into the Tub
w ith he r French Connection bag and then begins to undress, and she’s looking really cheeky,
you know, so rt o f m ischie vous. E v eryone in th e T u b e is sta ring a t h e r and sh e changes
into h e r F ren ch Connection clothes in front o f everyone, and th ere’s th is really great playful
music, and she ends up w alking o u t o f the Tube a t th e next stop leaving everyone behind her.
It w as a really sexy ad, it was great.
T R A C K 0091 E x .ll. In the second p art o f the interview Andrew explains why advertising
is not a waste of money. W hat reason do you think he will give? Now listen to the second p art of
the interview. Check your answer. Do you agree with Andrew?
I A ndrew, a lot o f people th in k advertising is a waste o f money. Is that your view?
A P N o, n o t a t all. I w ould say that, wouldn’t I? A dvertising is o n e o f m any w ays in
which manufacturers persuade custom ers to b u y their products. Y ou’v e got public relations,
you’ve got sponsorship, you’v e got price promotions, you’v e got all sorts o f promotional
techniques. It’s one elem ent o f w hat we call the marketing mix. In today’s w orld, people are
bombarded w ith advertising, w ith calls o n their tim e, w ith picking u p the kid s from school,
132
taking the dog for a walk, paying the gas bill. T hey haven’t got tim e to make judgem ents on
which can o f tomatoes is the best one for me, o r w hich brand o f coffee gives m e the best fla
vour. And if you can be constantly telling people w hy they should choose your brand, rather
than another one, they’re going to remember that. So when they’re shopping, and they see
your product on the sh e lf they’ll remember it. It’s ‘front o f m in d ’, as w e say. It means that
the person knows, ah coffee, I need coffee, which brand am I going for, ah Jacobs, yes I’ve
seen that, that’s good isn’t it - and they ju s t buy i t It’s an autom atic response, they don’t
spend more than tw o or three seconds making a choice, and unless you’re front o f mind in
those two or three seconds, they’re going to choose another brand.
T RA CK 0092 Ex.2. L isten to the openings o f one fo rm al p rese n ta tio n a n d one in
formal presentation. C heck yo u r an sw ers to th e exercise above.
Presentation 1
Good morning everyone, o n b eh alf o f m y self and Focus A dvertising, I’d like to wel
come you. M y name’s Sven Larsen, I’m Com mercial D irector. This m orning, I’d like to out
line the campaign concept w e’ve developed for you. I’v e divided m y presentation into three
parts. First, the background to the campaign, next th e results o f o u r m arket study, thirdly, the
concept itself. I f you have any questions, p lease d o n ’t hesitate to interrupt me.
Presentation 2
Hi, I’m Dominique Lagrange. G ood to see you all. A s you know . I’m Creative Director
of D M K I’m going to tell you about the ideas w e’v e come up w ith for the ad campaign. I’ll
give you the background and talk you through the results o f the m arket study and tell you all
about our concept. I f you’re not clear about anything, go ahead and ask an y questions you
133
Part 2
E va It doesn’t cost m uch to advertise in the regional papers, though the national pa
pers have larger circulations.
R oger So Eva, can I get this clear? D o you recommend w e advertise in the national
tabloids?
E va N o. I advise you to advertise in th e papers that attract th e right sort o f readers.
W e need to look m ore closely a t the consumers. L et m e m ove on to this profile ... OK. This
shows the percentage o f adults w ho have read a regional paid-for paper in th e last six months.
Paul It’s o nly 8%.
E va T hat’s hue. But a s you can see, these papers attract older readers. 13% are aged
between forty-five and fifty-four. Remember, old consumers have m o re m oney to spend than
the younger ones. A nd look at this. 12%, o f the readers are in the A B socio-economic group. I
suggest you concentrate your efforts o n th ese w eekly papers. T here isn’t m uch point in adver
tising in papers that attract the w rong groups.
T R A C K 0095 Ex.10. C om plete these sentences from th e p rese n ta tio n . Use one
w o rd in each sp a ce th e n listen ag ain a n d check y o u r an sw ers. Repeat track 0093
134
in the UK with a major leisure company. And. I guess o u r ‘like’ w as, we w ould like to win
the business there and then, in the negotiation on that day. I guess o u r ‘intend’ w as th at we
must leave that group thinking that w e are a very professional a n d com petent outfit w ho
can best meet their needs. A nd I guess our ‘m ust’ w as, w e m ust have done enough to keep
the dialogue open and ensure that our com petitor d idn’t w in the business o n th at day. So,
the short answer is you don’t always win. I alw ays w ant to w in, b u t I do n ’t alw ays expect to
win - but I certainly expect to deliver the objective th at we w ent in to achieve.
T R A C K 0099 E x.3. N ow listen to five e x tra cts fro m the m a n ag e r’s presentation.
M atch each one to th e c o rre c t g rap h o r table.
1) As you can see, sales have risen gradually over the last five years. T his growth is
largely due to th e record levels o f sunshine w e h av e enjoyed in recen t years. T his m ay be a
result o f global w arming and so it could continue, but climatic trends are difficult to predict.
For this reason w e have made a fairly conservative projection for n e x t year.
2) T oiletry sales through superm arkets are rising rapidly, b u t this has not been the trend
with our sun-care products. In fact, sa les through superm arkets h av e fallen slightly. Sales
through departm ent stores h av e rem ained stead y and th ere’s b e en a sharp increase in
sales through chemists. W e expect this trend to continue because consum ers are becom ing
135
increasingly aw are o f th e health issues involved in sunbathing. T he num ber o f people- con
tracting skin cancer has doubled for the last two decades and there’s a grow ing dem and for
sun-care products that offer greater protection.
3) A s you can se e, w e ’v e b een ab le to red u c e th is b u d g e t a n d s till im p ro v e our
tu rn over. O ur experiment w ith TV shots four years ago did not lead to significantly higher
sales. Since then w e have been steadily raising the proportion o f spending d evoted to press
advertising. This enables us to ta rget consumers w ith high incom es, w ho w ill b e m ore likely
to take holidays abroad.
4) D em ographic changes w ill p robably have an ad v erse effec t o n th e m a rk e t in the
future. T h e po pulation is ageing and it’s likely th at th is w ill h av e a n eg ativ e influence.
T he 21-to-30 age group are traditionally h eavy users o f sun cream s and this group is de
clining in num bers. A lso usage is very low among the 5 0 plu s age groups and these groups
are expanding.
5) Sun protection creams and lotions account for the largest p art o f o u r turnover, but af
ter-sun preparations are becom ing slightly more im portant, as this p ie chart show s. T he new
green and cruelty-free brand th at w e launched last year is selling w ell an d th is sector will
definitely grow over the next few years to become a significant niche market.
T R A C K 0101 Ex.6. L o o k a t th e g rap h show ing sales b y d istrib u tio n o u tle t De
scribe how sales have c hanged betw een this y e ar a n d last year. L isten to P a r t 2 again
a n d a nsw er th e questions.
T oiletry sales through superm arkets are rising rapidly, b u t this h a s not b een the trend
w ith our sun-care products. In fact, sales through superm arkets have fallen slightly. Sales
through departm ent stores hav e rem ained steady an d th e re ’s b een a sh arp increase in
sales through chemists. W e expect this trend to continue because consum ers are becoming
increasingly aw are o f th e health issues involved in sunbathing. T h e nu m b er o f people- con
tracting skin cancer h a s doubled for the last tw o decades and there’s a grow ing dem and for
sun-care products that offer greater protection.
T R A C K 0103 E x.8. C a n you guess the m issing w o rd s in th ese sen ten ces? L isten to
P a r t 4 again a n d check y o u r answ ers.
D em ographic changes w ill p ro b ab ly have an adverse effec t o n th e m a rk e t in th e fu
ture. T he popu lation is ageing and it’s likely th at th is w ill h a v e a ne g ativ e influence. The
21-tO-30 age g roup are traditionally h eavy users o f su n cream s an d this group is declining
in numbers. A lso usage is very low among the 50 plus age groups and these groups are ex
panding.
136
TR A C K 0104 Ex.9. Look a t the c h art d escrib in g sales b y sector. D escribe the
relative size of the different pro d u ct groups. H ow have th ey c hanged th is y e ar? L isten to
Part 5 again a nd see how th e presen ter describes th e changes.
Sun protection creams and lotions account for the largest part o f o u r turnover, but after-
sun preparations are becoming slightly more im portant, as this pie c h art show s. T he new
green and cruelty-free brand that w e launched last year is selling w ell and th is sector w ill
definitely grow over the next few years to become a significant niche market.
TR A C K 0107 E x .l. Y ou w ill h e a r Don Raley, an e x p ert in th e field o f insu ran ce,
talking abo u t th e w ay th a t L lo y d ’s operates. L isten a n d ta k e notes u n d e r th e following
headings.
Lloyd’s is one o f the oldest established organizations in the British market and it com
prises effectively some 350 separate underwriting syndicates which operate sm all insurance
companies. Each syndicate has its ow n specialization and reputation in that particular market.
The syndicate in turn com prises an underw riter who actually sits in a little box in the Lloyd’s
building and he actually underw rites and takes on the risk that has been offered to him b y the
broker. But the finance com es from anything betw een say a hundred and three hundred indi
viduals w ho are underw riting m em bers o f Lloyd’s o r known as N am es. N ow to become a
Name at Lloyd’s you have to establish a certain degree o f wealth. W hen I becam e a m ember,
you had to have at least £75,000 o r three assets which is now £250,000. Perhaps that is not
enough. And it is the aggregate o f these assets w hich enables an underw riter to take on risks.
137
W hen you becom e a m em ber o f Lloyd’s, you appear before a thing called com m ittee and it is
made quite clear to you then th at th e w hole o f your wealth is com m itted to th is operation. I t’s
what is know n unlim ited liability. A ll business comes to L loyd’s direct from Lloyd’s brokers
who have to be approved by th e Com m ittee o f L loyd’s as people o f th e right standing o f in
tegrity and professionalism .
138
most important institution in our lives,’ and I think there’s a lot o f truth in that. They can now dic
tate to governments and I want to see some kind o f give-and-take betw een governments and cor
porations. Now that’s the first problem.
The other problem that I see, o f course, is one o f unem ploym ent in the W estern world.
As companies w ant to improve their profitability, they’re going to b e looking for the low-cost,
low-wage centres. And we’re ju st about to see a m ajor change in the global economy, because
of the addition o f China and India to the global labour market. T here are great advantages in
this but there’s a lot o f problem s as w ell becau se C hina a n d In d ia are g o ing to p ro v ide a
skilled population. Also, they’re going to provide fairly good infrastructures for the compa
nies that are going to go out there. So w e’re going to see a flight o f capital from the W est
which is going to be sudden and dramatic. I f this is too sudden and is not managed properly
we could find very severe employm ent problem s in th e W estern w orld. So th at is, I think,
the kind o f issue w e’ve got to deal w ith as this process o f globalization gathers pace.
A Y es?
В Could I speak to Mr. Sm ith?
A E r ... I d on’t know erm I th ink h e’s out.
В D o you know w hen he’ll be back?
A W ell, I’m not q uite sure. Y ou could maybe try tomorrow.
В O K Bye.
Conversation 2
A H ello. Is that Janet, B ill’s secretary?
В Yes, that’s right.
A It’s John Blake. I’m ju s t phoning to give him an invoice number.
В Yeah. W hat is it?
139
A O h, let me see, w here is it. Yeah, I’ve got to have it here somewhere.
В L ook phone m e back w hen you find it. I’m rather busy ju st now.
Conversation 3
A Hello. I’d like to speak to Bob Graham.
В H e’s not here.
A Could you te ll m e w hen h e ’ll b e back?
В Later this afternoon.
A W ell, could you take a m essage for me?
В Sorry, I don’t have time. I’ll have to ring off. I’m going to lunch.
Conversation 4
A H ello, it’s Susan here. I’m phoning to check my appointment w ith C hris tomorrow.
В Y eah?
A C ould you lo o k it up fo r m e?
В O h, I don’t know ... w here’s the diary? ... Y es, got it. So it w as the- 16th w as it?
A N o, th e 18th
В N o, I can’t find anything. I d idn’t w rite it down.
Conversation 5
A H ello Bilk Ltd.
В H ello, th is is Jack Johnson. I’m phoning about the delivery. H as it arrived yet?
A N o it hasn’t. W e’ve b een w aiting a week. It still isn’t here yet.
В I’m really so rry about that.
A W e’ve been w aiting for too long. It’s not good enough. Y ou’re w asting our time.
В O h, I’m sure your order w ill b e ...
140
R E F E R E N C E L IS T
141